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Black Phoenix Alchemy Lab
Novus New Shit

IF YOU ARE PAYING VIA PAYPAL, please do NOT use our online credit card processor. Place your order through PayPal using the payment address paypal [at] blackphoenixalchemylab [dot] com and fill your order info in the comments field. Please note that all orders, including domestic orders, are currently taking roughly 14-21 business days to process, pack and ship out due to a heavy workload, the process of hand-blending and the nature of our product. All oils are made once they're ordered to ensure freshness. Our shipped-through info is constantly updated in the BPAL Forums.

When placing your Trading Post order, PLEASE keep in mind that Black Phoenix Alchemy Lab and Black Phoenix Trading Post are two separate entities. Orders for Trading Post items that are sent to the Lab will be refunded and cancelled. Please make sure that you send all Trading Post PayPal payments to the appropriate address. This is of particular importance when it comes to Lunacy tees; Tedwin only orders enough to fill the requests he receives, and if he does not have your order in hand, he does not enter them into the count. Sending a Trading Post order to BPAL instead of BPTP slows the process down severely on both sides, and creates more confusion than our widdle heads can handle.



Updated 16 November 2013:


Terrible Moon is Terrible!

MOON OF THE TERRIBLE
On New Year's Day
each thought a loneliness
as winter dusk descends


Desolation at the last moment in the gloaming on New Year's Day: winter snow with white lavender, benzoin, lychee, white resins, and a cluster of melancholy, lachrymose lunar herbs.


Illustration for Moon of the Terrible by our dear friend, the limitlessly talented Tanya Bjork!

The Moon of the Terrible tee is live at Black Phoenix Trading Post!

- - -

++ 11th ANNIVERSARY
Happy 11th birthday to my oldest child, Black Phoenix!

A million, trillion, thanks and gratitude beyond words to all of our friends and customers that have been with us through the last eleven years. You have extended my family a thousand-fold, and I am grateful for every single one of you. Thank you for sharing your lives with us, thank you for your kindness, your support, and your laughter, and thank you for the joy and pleasure I find in your friendship.

With all of my love...

Thank you, Brian, for being the foundation upon which BPAL stands. BPAL would not exist without your wisdom and good counsel, and every moment of my life is enriched by your friendship. You are the best of friends, and there isn't a day that goes by that I'm not grateful for you, you big lug.

Ted, I love you. You are my soulmate, my light, and my strength. I love you with every part of my soul, and every moment with you - no matter how mundane it may seem - is poetry in my heart.

Thank you, my Lilith, my heart, for being my inspiration. You are my tiny muse, and I love you completely, always and forever.

Thank you, Jacquelynn, for all of your hard work, dedication, and ingenuity. You are amazing beyond words, and I am grateful for you and for everything you do!

Thank you, Lisa, for your wit and wisdom, for your kindness and aid, and for your friendship. You are a saint, and I love you!

Thank you, Piolet, for being an oasis of calm, no matter how crazy things get here! Thank you for your hard work and your strength of character, and thank you for always making me laugh.

Thank you, Will, for your hard work, diligence, and dedication!

Thank you to Sue and Del at Dark Delicacies for everything you do. Thank you for giving a second home to Black Phoenix, and thank you for being the greatest grandparents a little demoness could ask for!

Thank you, Sara, for all the skill, love, joy, and dedication that you invest into every event you help us with! You are a wonderful woman, and I adore you!

Kaitlin, I adore you. You have no idea how truly, truly grateful I am for all of the blood, sweat, and tears that you have invested in working on our new site. You are a beautiful person in every way, in every conceivable sense of the word.

Thank you, Cat, for being the dearest of friends. Thank you for your kind heart, thank you for your compassion, and thank you for always being there for me.

Thank you, Shana, for helping us spread the word! Thank you for your talent, buoyant humor, and infectious enthusiasm! You are a truly good woman, and I'm grateful beyond words. Love you!

Thank you, Forest, for being a true friend. Your noble spirit is an inspiration, and I'm so very thankful for our friendship. I love you, lady!

Thank you to the mods and administrators of bpal.org. I love you guys as much as I love my own blood, and I'm grateful not only for all that you do to run the forum, but for the gift - the blessing - of your friendship. I know you guys know how much I love you, but I'm going to keep repeating it!

Thank you, Em, for always being there to help me with my weird questions and concerns, and for always having my back. I love you.

Thank you to Jen, Lisa, Sue, Greg, Sara, and Tom for making this year's travelling medicine show possible. Thank you so much for being there for us, and for giving so much of yourselves to the events!

Thank you, Donna, for babysitting BPAL again! You are a lifesaver! I love you!

Thank you, Courtney, for being my New England Sister! Thank you for being such an amazing friend, and thank you for all the passion and love you put into every New England Will Call event!

Huge amounts of love and HUGE amounts of gratitude to Laura Hall and all the wonderful people at Laika studios. Your generosity and kindness is beyond measure.

Thank you to Thomas, Melissa, and Chandra (and Thomas Jr!) at Century Guild. You are wonderful people, and I love you!

Thank you to Neil Gaiman, Amanda Palmer, Peter S. Beagle, Terry Pratchett, Terry Moore, Mike and Christine Mignola, George Perez, Peter David, Molly Crabapple, Mark Waid, Thomas Negovan, Storm Constantine, Matt Wagner, Jim Henson Productions, Brian Pulido, Joseph Michael Linsner, Eva Hopkins, Gris Grimly, George RR Martin, Clive Barker, Mark Miller, David Mack, Gail Potocki, Erin Morgenstern, and Ysanne Spevak for giving Black Phoenix the opportunity to interpret your work.

Thank you, Carolyn Hennesy, for being a wonderful friend and a constant joy. Your stories are wonderful and your talent is boundless!

Thank you, Tom, for everything you do to help us while we're on the road, and thank you for doing all you can to integrate Black Phoenix into your work. I love you, and I'm grateful for our friendship!

Thank you to the noble souls at the Comic Book Legal Defense Fund and the Hero Initiative. You are an inspiration.

Thank you, Charles, for being an inspiration and a true friend. When is our next trip to NOLA?!

Much thanks to Peter S. Beagle and Connor Cochran for their friendship. You bring so much joy to so many people!

Love and thanks to the artists that have lent us their talent: Adam Hughes, Alicia Dabney, Julie Dillon, Madame Talbot, Quique Alcatena, Jennifer Rodgers, Manda Lander, Keri Newton, Nick Pavik, Tanya Bjork, Andrew Fogel, Brian Kessinger, Abigail Larson, Aidan Casserly, and Sarah Coleman!

Love and thanks to Century Guild, the Mütter Museum, Heretic Salon, Whole Foods, Pretty Indulgent, Healthy Living, and Dark Delicacies for giving our products a home in your stores!

Love and thanks to the bloggers, journalists, magazines, and other media outlets that taken the time to write about Black Phoenix. Honestly, I cannot thank you enough.

And lastly, I'd like to thank the skekSi's of Thra for their support, friendship, wise counsel, and fashion tips.

The world is a better place because you all are in it.

What I've said before, I'll say again:

Thank you for sharing our joy and for standing with us during difficult times. The family that has grown around BPAL is like no other in the world. Every time I wander into the forum, I see people supporting one another in times of need, showing selfless kindness and offering support to one another… to me, you all are models of emotional generosity and true friendship, and it is truly an honor to be a part of your lives. I cannot express my gratitude enough. Thank you for celebrating the beauty of living with us, and for holding our hands during times of stress and sorrow. This year has been turbulent for just about everyone we know. It's been a hard year filled with challenges and hidden lessons, but none of it is insurmountable because we all have this tremendous, genuinely loving family. Thank you.

THANK YOU!



And without further ado, the Anniversary scents!

++ DE FENICE
Visions of the Phoenix throughout history.

Fenix Arabie avis dicta quod colorem feniceum
habeat, vel quod sit in toto orbe singularis et
unica. Hec quingentos ultra annos vivens, dum
se viderit senuisse, collectis aromatum virgultis, ro
gum sibi instruit, et conversa ad radium solis alarum
plausu voluntarium sibi incendium nutrit, seque urit.

BARUCH'S PHOENIX
And he took me and led me where the sun goes forth; and he showed me a chariot and four, under which burnt a fire, and in the chariot was sitting a man, wearing a crown of fire, (and) the chariot (was) drawn by forty angels. And behold a bird circling before the sun, about nine cubits away. And I said to the angel, What is this bird?

And he said to me, This is the guardian of the earth. And I said, Lord, how is he the guardian of the earth? Teach me. And the angel said to me, This bird flies alongside of the sun, and expanding his wings receives its fiery rays. For if he were not receiving them, the human race would not be preserved, nor any other living creature. But God appointed this bird thereto. And he expanded his wings, and I saw on his right wing very large letters, as large as the space of a threshing-floor, the size of about four thousand modii; and the letters were of gold. And the angel said to me, Read them. And I read, and they ran thus: Neither earth nor heaven bring me forth, but wings of fire bring me forth. And I said, Lord, what is this bird, and what is his name? And the angel said to me, His name is called Phoenix. (And I said), And what does he eat ? And he said to me, The manna of heaven and the dew of earth. And I said, Does the bird excrete? And he said to me, He excretes a worm, and the excrement of the worm is cinnamon, which kings and princes use. But wait and thou shalt see the glory of God. And while he was conversing with me, there was as a thunder-clap, and the place was shaken on which we were standing. And I asked the angel, My Lord, what is this sound? And the angel said to me, Even now the angels are opening the three hundred and sixty-five gates of heaven, and the light is being separated from the darkness. And a voice came which said, Light giver, give to the world radiance. And when I heard the noise of the bird, I said, Lord, what is this noise? And he said, This is the bird who awakens from slumber the cocks upon earth. For as men do through the mouth, so also does the cock signify to those in the world, in his own speech. For the sun is made ready by the angels, and the cock crows.

And I said, And where does the sun begin its labours, after the cock crows? And the angel said to me, Listen, Baruch: All things whatsoever I showed thee are in the first and second heaven, and in the third heaven the sun passes through and gives light to the world. But wait, and thou shall see the glory of God. And while I was conversing with him, I saw the bird, and he appeared in front, and grew less and less, and at length returned to his full size. And behind him I saw the shining sun, and the angels which draw it, and a crown upon its head, the sight of which we were not able to gaze upon; and behold. And as soon as the sun shone, the Phoenix also stretched out his wings. But I, when I beheld such great glory, was brought low with great fear, and I fled and hid in the wings of the angel. And the angel said to me, Fear not, Baruch, but wait and thou shalt also see their setting.

And he took me and led me towards the west; and when the time of the setting came, I saw again the bird coming before it, and as soon as he came I saw the angels, and they lifted the crown from its head. But the bird stood exhausted and with wings contracted. And beholding these things, I said, Lord, wherefore did they lift the crown from the head of the sun, and wherefore is the bird so exhausted? And the angel said to me, The crown of the sun, when it has run through the day four angels take it, and bear it up to heaven, and renew it, because it and its rays have been defiled upon earth; moreover it is so renewed each day. And I Baruch said, Lord, and wherefore are its beams defiled upon earth? And the angel said to me, Because it beholds the lawlessness and unrighteousness of men, namely fornications, adulteries, thefts, extortions, idolatries, drunkenness, murders, strife, jealousies, evil-speakings, murmurings, whisperings, divinations, and such like, which are not well-pleasing to God. On account of these things is it defiled, and therefore is it renewed. But thou askest concerning the bird, how it is exhausted. Because by restraining the rays of the sun through the fire and burning heat of the whole day, it is exhausted thereby. For, as we said before, unless his wings were screening the rays of the sun, no living, creature would be preserved.
- Greek Apocalypse of Baruch

Born in radiance, defiled, and resplendently renewed: Atlas cedar, white fig, sugared date, sweet orange, golden honey, white sandalwood, benzoin, galbanum, and bitter almond.


EZEKIEL'S PHOENIX
Another living creature we saw,
full wondrous, such as man has never seen;
'twas near in scope to twice the eagle's size,
with plumage iridescent, rainbow-hued.
Its breast appeared deep-dyed with purple's shade,
its legs were red like ochre, and its neck
was furnished round with tresses saffron-hued;
like a coxcomb did its crest appear,
with amber-tinted eye it gazed about,
the pupil like some pomegranate seed.
Exceeding all, its voice pre-eminent;
of every wing'd thing, the king,
it did appear. For all the birds, as one,
in fear did haste to follow after him,
and he before, like some triumphant bull
went striding forth with rapid step apace.

- Ezekiel the Tragedian, the Exagoge

Its breast appeared deep-dyed with purple's shade, its legs were red like ochre, and its neck was furnished round with tresses saffron-hued; like a coxcomb did its crest appear, with amber-tinted eye it gazed about, the pupil like some pomegranate seed: wild plum, North African saffron, frankincense, pomegranate, limonite accord, and golden amber.


HERODOTUS' PHOENIX
They have also another sacred bird called the phoenix which I myself have never seen, except in pictures. Indeed it is a great rarity, even in Egypt, only coming there (according to the accounts of the people of Heliopolis) once in five hundred years, when the old phoenix dies. Its size and appearance, if it is like the pictures, are as follow:- The plumage is partly red, partly golden, while the general make and size are almost exactly that of the eagle. They tell a story of what this bird does, which does not seem to me to be credible: that he comes all the way from Arabia, and brings the parent bird, all plastered over with myrrh, to the temple of the Sun, and there buries the body. In order to bring him, they say, he first forms a ball of myrrh as big as he finds that he can carry; then he hollows out the ball, and puts his parent inside, after which he covers over the opening with fresh myrrh, and the ball is then of exactly the same weight as at first; so he brings it to Egypt, plastered over as I have said, and deposits it in the temple of the Sun. Such is the story they tell of the doings of this bird.
- Herodotus, Histories

A fragrant shroud: myrrh from Yemen, Oman, and West Africa with a touch of copal and frankincense.


HESOID'S PHOENIX
A chattering crow lives out nine generations of aged men, but a stag's life is four times a crow's, and a raven's life makes three stags old, while the phoenix outlives nine ravens, but we, the rich-haired Nymphs, daughters of Zeus the aegis-holder, outlive ten phoenixes.
- Hesoid, the Precepts of Chiron

Golden amber, bourbon vanilla, and sweet oudh.


OVID'S PHOENIX
There is one bird which reproduces and renews itself: the Assyrians gave this bird his name-the Phoenix. He does not live either on grain or herbs, but only on small drops of frankincense and juices of amomum. When this bird completes a full five centuries of life straightway with talons and with shining beak he builds a nest among palm branches, where they join to form the palm tree's waving top. As soon as he has strewn in this new nest the cassia bark and ears of sweet spikenard, and some bruised cinnamon with yellow myrrh, he lies down on it and refuses life among those dreamful odors.-And they say that from the body of the dying bird is reproduced a little Phoenix which is destined to live just as many years. When time has given to him sufficient strength and he is able to sustain the weight, he lifts the nest up from the lofty tree and dutifully carries from that place his cradle and the parent's sepulchre. As soon as he has reached through yielding air the city of Hyperion, he will lay the burden just before the sacred doors within the temple of Hyperion.
- Ovid, Metamorphoses

Fitful dreams of the cradle and sepulchre: honey, cassia bark, sweet spikenard, cinnamon, and yellow myrrh.


PLINY'S PHOENIX
The phoenix, of which there is only one in the world, is the size of an eagle. It is gold around the neck, its body is purple, and its tail is blue with some rose-colored feathers. It has a feathered crest on its head. No one has ever seen the Phoenix feeding. In Arabia it is sacred to the sun god. It lives 540 years; when it is old it builds a nest from wild cinnamon and frankincense, fills the nest with scents, and lies down on it until it dies. From the bones and marrow of the dead phoenix there grows a sort of maggot, which grows into a bird the size of a chicken. This bird performs funeral rites for its predecessor, then carries the whole nest to the City of the Sun near Panchaia and places it on an altar there.
- Pliny, Natural History

Wild cinnamon and frankincense.


TACITUS' PHOENIX
That it is a creature sacred to the sun, differing from all other birds in its beak and in the tints of its plumage, is held unanimously by those who have described its nature. As to the number of years it lives, there are various accounts. The general tradition says five hundred years. Some maintain that it is seen at intervals of fourteen hundred and sixty-one years, and that the former birds flew into the city called Heliopolis successively in the reigns of Sesostris, Amasis, and Ptolemy, the third king of the Macedonian dynasty, with a multitude of companion birds marvelling at the novelty of the appearance. But all antiquity is of course obscure. From Ptolemy to Tiberius was a period of less than five hundred years. Consequently some have supposed that this was a spurious phoenix, not from the regions of Arabia, and with none of the instincts which ancient tradition has attributed to the bird. For when the number of years is completed and death is near, the phoenix, it is said, builds a nest in the land of its birth and infuses into it a germ of life from which an offspring arises, whose first care, when fledged, is to bury its father. This is not rashly done, but taking up a load of myrrh and having tried its strength by a long flight, as soon as it is equal to the burden and to the journey, it carries its father's body, bears it to the altar of the Sun, and leaves it to the flames. All this is full of doubt and legendary exaggeration. Still, there is no question that the bird is occasionally seen in Egypt.
- Tacitus, Annals

The Incense of the Altar of the Sun: ambrette seed, olibanum, benzoin, labdanum, galbanum, frankincense, calamus, clove bud, and orange peel.



- - -

In other gnus...

Our west coast full moon event is this Sunday at Dark Delicacies, 4pm til 7pm. We're hosting our annual food and toy drives at this shindig /and/ at our December will call. Double the freebies and double the aid!


This year's charity drive scents are inspired by Pieter Bruegel the Elder --


For every $10 in food that you donate, you will receive a 5ml bottle of

THE HARVESTERS
Pear trees, boiled oats, and wine beside a ripe field of wheat waving under a late-summer sun.


For every toy valued at $10 or more that you bring, you will receive a 5ml bottle of

HUNTERS IN THE SNOW
The scent of a calm, grey winter's day: bare trees and cooking fires, thick blankets of snow, and icy, frozen rivers.


We are offering these oils while supplies last, and cannot guarantee that any Will Call location will be able to fulfill all donation exchanges. We'll do our best! Food donations made at our Los Angeles will call will support the Burbank Temporary Aid Center, and the toys will be donated to the Los Angeles location will be given to Spark of Love, the Los Angeles County Fire Department's toy collection campaign.

The west coast will call event will be held on Sunday, November 17th from 4 to 7pm at Dark Delicacies.

Dark Delicacies
3512 W. Magnolia Blvd
(1 block east of Hollywood Way)
Burbank, CA 91505
www.darkdel.com


New England will call will be hosting their food & toy drive at their will call in December!

- - -

Visit the BPAL site on Black Friday, Small Business Saturday, or Cyber Monday...

PROGRESSUS
Make a purchase at Black Phoenix Alchemy Lab on Black Friday, Small Business Saturday, or Cyber Monday, and receive a free imp of PROGRESSUS: a blend of Solar oils believed to generate abundance, augment success, and bestow good fortune, including golden amber, honey laurel, heliotrope, saffron, and Atlas cedar.

- - -

Up next, Yuletide and Krampusnacht. Have you been naughty or nice?





From the 12 November 2013 update:

In order to help alleviate the suffering caused by Typhoon Haiyan, Black Phoenix Alchemy Lab is releasing Single Note: Sampaguita a month early. Proceeds from the sale of every single bottle will go to support local recovery efforts through Community and Family Services International and the Philippine Red Cross.


SINGLE NOTE: SAMPAGUITA
Little sampaguita
With the wondering eye
Did a tiny fair
Drop you where you lie?
In the witching hour
Of the tropic night
Did the careless moonbeam
Leave you in its fight?
- Natividad Marquez (Ana Maria Chavez)

A symbol of purity, strength, and humility, sampaguita is the national flower of the Philippines, my mother's homeland.

Heady, yet cool and slightly green: jasmine sambac with a hint of tea leaf.




From the 24 October 2013 update:

In 1863, a coterie of opium-addled Massachusetts musicians were drawn to the dark, forested foothills of the Silent Mountains. Upon their arrival, they heard the monotonous piping of an unseen flute that led them to a dark sigil that had been burned into a strange stone outcropping. On that day, both the Society of the Gibbering Sons of Hideous Azathoth and the Miskatonic Valley Philharmonic were born...

Please join us in ringing in the Miskatonic Valley Philharmonic's 150th season!


Commemorative scents are available at Black Phoenix Alchemy Lab, and MVP tees are available at Black Phoenix Trading Post!



Logo design by Tanya Bjork!


Also at the 'Post --

ALL HALLOWS' READ
Celebrate Neil Gaiman's Halloween tradition by sharing the scare! This holiday season, give the gift of horror lit to friends, family, neighbors, and random people passing you on the street!


To commemorate All Hallows' Read 2013, Black Phoenix Trading Post has conspired with Neil Gaiman and Neverwear to create this ghastly bottle stand. Featuring the graves of three of horror's greatest and equipped to house three BPAL bottles, this is a must for every literature-lover's macabre mantelpiece!

Also available, an All Hallows' Read scent by Black Phoenix Alchemy Lab --



ALL HALLOWS' APPLE
Fallen apples, grave moss, autumn leaves, and upturned earth.


Both the All Hallows' Read Bottle Graveyard and All Hallows' Apple are available at Black Phoenix Trading Post!

Label artwork by Sean Von Gorman! Bookmarks with his adorable Trick or Treat illustration are available at Neverwear!

All Hallows' Read Bottle Graveyard sculpted by Michael Locascio!

Please visit Neverwear for more All Hallows' Read goodness!

For more information, please visit:
ALL HALLOWS' READ
NEIL GAIMAN
NEVERWEAR
BLACK PHOENIX TRADING POST
BLACK PHOENIX ALCHEMY LAB


Please note: the All Hallows' Read Bottle Graveyard and All Hallows' Apple will not begin shipping until November 13th.





From the 18 October 2013 update:


Beaver Moon is rising over Black Phoenix!

BEAVER MOON(S) 2013
Beaver Moon is named thus for a very obvious reason: during this time of year, beavers are hard at work building their dams and preparing for the onset of winter. Generally, we use this opportunity to abuse the name of this Moon by turning it into a double entendre. This year, we are offering our traditionally sleazy interpretation, plus a vision of Beaver Moon presented in a serious light.

BEAVER MOON I
Thick, creamy cheesecake with thyme, lemon zest, and sugared pear.

BEAVER MOON II
This is the scent of thick branches of maple, quaking aspen, and willow held together by river mud, a feast of sedge and water lilies, and the first quiet breath of winter's night flowing over warm brown fur.

Artwork by Keri Newton!

The tee is available at Black Phoenix Trading Post now!




This month's single note...

WHITE SAGE
White sage is a potent herb of purification, protection, and healing, and has been used as a ceremonial incense for hundreds of years. Medicinally, white sage can be used as an antiseptic, and I think this makes an excellent metaphor: the herb and oil are spiritual disinfectants, preventing putrefaction of the soul.





Meanwhile, at Black Phoenix Trading Post:


BLISS SMOOCH
We are thrilled to announce another Black Phoenix Trading Post / Villainess collaborative project! BPTP and Villainess have teamed up to create Bliss Smooch - concocted by Villainess, scented by Black Phoenix!

A shot of pure, self-indulgent euphoria! A scent that is very, very wicked in its own way: the serotonin-slathered scent of pure milk chocolate.



BLACK CAT HALLOWEEN TAROT TEE
Have an aversion to the Swords suit? Think the Tower is bad news? They've got nothin' on this kitty. Illustrated by our dear friend, Tanya!



MASSIVE BPAL LOGO MUG
At Black Phoenix, we love coffee. We also love tea. We love caffeine so much that our sweat could give you a buzz.

In order to accommodate our caffeine needs, we now carry humongous 20oz mugs. It's the next best thing to an IV drip.

BPAL logo revamp by our dear friend, Nick Pavik!



BADASS PEN
Write your next masterpiece with our SUPER FANCY VERY AWESOME branded orange pens! Blue ink + orange case for an extra burst of Mercury creativity!




And now for the bad news:
Hellboy, Kali, Galvanic Goggles, Coyote, Ogygia, Cthulhu, and Jack are all temporarily unavailable. We will let you know as soon as they're ready to move again!









From the 18 September 2013 update:

An October vision of Harvest Moon is our Lunacy this month:

HARVEST MOON 2013
Under the harvest moon,
When the soft silver
Drips shimmering
Over the garden nights,
Death, the gray mocker,
Comes and whispers to you
As a beautiful friend
Who remembers.

Under the summer roses
When the flagrant crimson
Lurks in the dusk
Of the wild red leaves,
Love, with little hands,
Comes and touches you
With a thousand memories,
And asks you
Beautiful, unanswerable questions.
- Carl Sandburg

Red roses and wild red leaves.



The Harvest Moon tee is available at Black Phoenix Trading Post! Artwork by Tanya Bjork!



We've plucked some Oakmoss for your perusal --

++ SINGLE NOTES
OAKMOSS ACCORD
Oakmoss is a lichen that grows on the branches and trunks of conifers and deciduous trees. Oakmoss' scent can vary, depending on how it is grown and which tree has housed it. Generally, it is deep, earthy, green, moist, and tenacious, though oakmoss grown on pine trees may possess a thinner, sharper scent. Some extractions smell vaguely leathery, and some are velvety green, while others can be dry and woodsy.

In perfumery, oakmoss is considered a base note, and it is often employed as a fixative. It adds depth, a sense of grounding, and solemnity, and acts as an anchor for more capricious notes.



And a new subsection of our catalogue is debuting!

++ INSPIRATION
This is a paean to all the writers, artists, poets, dramatists, composers, sculptors, scientists, inventors and innovators that inspire us. Their work formed the foundation of our creative vision, and made us the people we are today.

The accompanying tees are available at our sister site, Black Phoenix Trading Post.


MARY SHELLEY
Illustrated by Abigail Larson.
Purchase the tee here!

It was the secrets of heaven and earth that I desired to learn; and whether it was the outward substance of things or the inner spirit of nature and the mysterious soul of man that occupied me, still my inquiries were directed to the metaphysical, or in its highest sense, the physical secrets of the world.

The scent of absinthe, lightning, stormclouds, and laudanum crashing through a veil of soft Victorian oriental perfume.



BRAM STOKER
Illustrated by Abigail Larson.

Purchase the tee here!

No man knows till he has suffered from the night how sweet and dear to his heart and eye the morning can be.

Bourbon vetiver with opoponax, Italian bergamot, and hay absolute.


Coming up next... Black Phoenix Trading Post's Halloweenies!





From the 13 September 2013 update:

Happy Friday the 13th, all!

13
13 is significant, whether you consider it lucky, unlucky or just plain odd. Many believe it to be unfortunate...

...because there were 13 present at the Last Supper.
...Loki crashed a party of 12 at Valhalla, which ended in Baldur's death.
...Oinomaos killed 13 of Hippodamia's suitors before Pelops finally, in his own shady way, defeated the jealous king.
...In ancient Rome, Hecate's witches gathered in groups of 12, the Goddess herself being the 13th in the coven.

Concern over the number thirteen echoes back beyond the Christian era. Line 13 was omitted form the Code of Hammurabi.

The shivers over Friday the 13th also have some interesting origins:

...Christ was allegedly crucified on Friday the 13th.
...On Friday, October 13, 1307, King Philip IV of France ordered the arrests of Jaques de Molay, Grand Master of the Knights Templar, and sixty of his senior knights.
...In British custom, hangings were held on Fridays, and there were 13 steps on the gallows leading to the noose.

To combat the superstition, Robert Ingersoll and the Thirteen Club held thirteen-men dinners during the 19th Century. Successful? Hardly. The number still invokes trepidation to this day. A recent whimsical little serial killer study showed that the following murderers all have names that total thirteen letters:

Theodore Bundy
Jeffrey Dahmer
Albert De Salvo
John Wayne Gacy

And, with a little stretch of the imagination, you can also fit "Jack the Ripper" and "Charles Manson" into that equation.

More current-era paranoia: modern schoolchildren stop their memorization of the multiplication tables at 12. There were 13 Plutonium slugs in the atomic bomb that was dropped on Nagasaki. Apollo 13 wasn't exactly the most successful space mission. All of these are things that modern triskaidekaphobes point to when justifying their fears.

For some, 13 is an extremely fortuitous and auspicious number...

...In Jewish tradition, God has 13 Attributes of Mercy. Also, there were 13 tribes of Israel, 13 principles of Jewish faith, and 13 is considered the age of maturity.
...The ancient Egyptians believed that there were 12 stages of spiritual achievement in this lifetime, and a 13th beyond death.
...The word for thirteen, in Chinese, sounds much like the word which means "must be alive".

Thirteen, whether you love it or loathe it, is a pretty cool number all around.

...In some theories of relativity, there are 13 dimensions.
...It is a prime number, lucky number, star number, Wilson Prime, and Fibonacci number.
...There are 13 Archimedean solids.

AND...
...There were 13 original colonies when the United States were founded.

Says a lot about the US, doesn't it?

A fortune's wheel of thirteen lucky and unlucky herbs, spun around a rich, dark core of pure cacao: allspice berries, cascara sagrada, ladybug beans, cinnamon, catnip, sweet clove, cumin, huckleberry leaves and fruit, master root, copal negro, sarsaparilla, nutmeg, and green rice.



And lookit! There are two new Friday the 13th tees over at Black Phoenix Trading Post!



The Black Cat Friday the 13th Tee by Abigail Larson!

~ and ~



The Unlucky Day Friday the 13th Tee by Aiden Casserly!

13, the fragrance, will be live until Saturday the 14th, and the tees will be live til Halloween!



Also new at the 'Post...

ALCHEMICAL SKULL WALL PLAQUE
This alchemical skull wall plaque was created by wonderfully talented Michael Locascio. It is based on one of his original designs, which he modified so that it could hold and added two 5ml bottle holders just for Black Phoenix!

These miniplaques are 5 3/4 inches tall and 4 1/2 wide.

Each plaque was cast in high quality resin and is hand-painted by the artist!



And two new general catalogue soy candles! Crafted, as always, by Sara Robey -

ABSINTHE
Fall under the spell of our Green Fairy! An intoxicating blend containing wormwood essence, light mints, cardamom, anise, hyssop, and the barest hint of lemon.


PERVERSION
Smoky rum and black tobacco with a whisper of steamy leather with a splash of crystalline chardonnay, layered over a sensual, sweet, and deceptively magnetic base of tonka.



And a scent that Ted composed for Lilith --

CAPAX INFINITI
Limited Edition (Lilith's Birthday!) Scent

Dear Lilith,
Your giggle makes me smile.
Your tears touch my heart.
Your hugs give me strength.
I love seeing the world through your eyes.
Thank you for letting me hold your hand
as we walk along your path of life.
I love you infinity.
Dad

A scent warmed by a whole lot of love: honey-snuggled skin musk, sweet vanilla ice cream residue, and lavender oil (Lilith's favorite!), with a gentle hint of Dorian.




What's that I smell in the air? Pumpkins, dry leaves, and candy corn? Must be Halloween at Black Phoenix Alchemy Lab...

++ HALLOWEEN 2013
A WORLD WHERE THERE ARE OCTOBERS
October was a beautiful month at Green Gables, when the birches in the hollow turned as golden as sunshine and the maples behind the orchard were royal crimson and the wild cherry trees along the lane put on the loveliest shades of dark red and bronzy green, while the fields sunned themselves in aftermaths.

Anne reveled in the world of color about her.

"Oh, Marilla," she exclaimed one Saturday morning, coming dancing in with her arms full of gorgeous boughs" 'I'm so glad I live in a world where there are Octobers. It would be terrible if we just skipped from September to November, wouldn't it? Look at these maple branches. Don't they give you a thrill--several thrills? I'm going to decorate my room with them."

An armload of maple boughs and a swirl of autumn leaves.


ALL SOULS 2013
A day of remembrance and intercession. Without the prayers and sacrifices of their families and loved ones, the faithful departed may not be cleansed of their venal sins, and thereby cannot attain beatific vision. On November 2nd, prayers are sung and offerings are made to aid lost souls in transcending purgatory. An incense blend that invokes the higher qualities of mercy and compassion, mingled with the soft, sugared currant scent of offertory soul cakes.


AUTUMN FANCIES Faded the clover now ;-- sere and withered the grasses:
What dreams the matsumushi in the desolate autumn-fields?

Strangely sad, I thought, sounded the bell of evening;--
Haply that tone proclaimed the night in which autumn dies!

Viewing this autumn-moon, I dream of my native village
Under the same soft light,--and the shadows about thy home.

Dry grasses bathed in amber light, muted by gentle shadows.


DAY OF SKULLS 2013
In Bolivia, many people hold to the tradition of keeping the skulls of their ancestors with them in their homes, caring for their remains. It is believed that each person has seven souls, and one of those souls stays with the skull after death, enabling a spirit to grant protection and prophetic dreams to their descendants, and to bless their families with good health and prosperity.

The Bolivian Fiesta de las Natitas, or Dia de los Natitas, is a day of honor for these ancestors. Their skulls are dressed with fragrant blossoms, and offerings of cocoa leaves, alcohol, and cigarettes are made.

White sandalwood, beeswax, and frankincense crowned by hydrangea, rose, and kantuta blossoms, dressed with tobacco, cocoa leaves and flowers from the sacred Cactus of the Four Winds.


DARK PUMPKIN MEAD
Thick, heady pumpkin mead sweetened with clover honey and a hint of maple.


DIA DE LOS MUERTOS 2013
A joyous celebration of La Catarina, La Flaca, La Muerte... Glorious, Beautiful Death. In Mexico, death is not something to be feared or hated; She is embraced, loved, and adored. La Muerte is fêted, as the celebrant "...chases after it, mocks it, courts it, hugs it, sleeps with it; it is his favorite plaything and his most lasting love." This is a Mexican paean to La Huesuda: dry, crackling leaves, the incense smoke of altars honoring Death and the Dead, funeral bouquets, the candies, chocolates, foods and tobacco of the ofrenda, amaranth, sweet cactus blossom and desert cereus.


FLOR DE MUERTO 2013
The orange marigold, or zempasúchitl, has been one of Death's symbols since the pre-Columbian era. The yellow and orange petals are believed to represent the rays of the sun, bringing joy and light to the souls dwelling in the realm of the dead. These flowers surround Day of the Dead altars to guide the spirits to their offerings.


GHOSTS IN LOVE 2013
"Tell me, where do ghosts in love
Find their bridal veils?"

"If you and I were ghosts in love
We'd climb the cliffs of Mystery,
Above the sea of Wails.
I'd trim your gray and streaming hair
With veils of Fantasy
From the tree of Memory.
'Tis there the ghosts that fall in love
Find their bridal veils."
- Vachel Lindsay White sandalwood, tobacco flower, lily of the valley, white carnation, and magnolia blossom with tea rose, labdanum, and oudh.


GOBLIN MARKET
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries,
Melons and raspberries,
Bloom-down-cheeked peaches...

Like honey to the throat, but poison in the blood.


HAUNTED HOUSES All houses wherein men have lived and died
Are haunted houses. Through the open doors
The harmless phantoms on their errands glide,
With feet that make no sound upon the floors.

We meet them at the door-way, on the stair,
Along the passages they come and go,
Impalpable impressions on the air,
A sense of something moving to and fro.

There are more guests at table than the hosts
Invited; the illuminated hall
Is thronged with quiet, inoffensive ghosts,
As silent as the pictures on the wall.

The stranger at my fireside cannot see
The forms I see, nor hear the sounds I hear;
He but perceives what is; while unto me
All that has been is visible and clear.

We have no title-deeds to house or lands;
Owners and occupants of earlier dates
From graves forgotten stretch their dusty hands,
And hold in mortmain still their old estates.

The spirit-world around this world of sense
Floats like an atmosphere, and everywhere
Wafts through these earthly mists and vapours dense
A vital breath of more ethereal air.

Our little lives are kept in equipoise
By opposite attractions and desires;
The struggle of the instinct that enjoys,
And the more noble instinct that aspires.

These perturbations, this perpetual jar
Of earthly wants and aspirations high,
Come from the influence of an unseen star
An undiscovered planet in our sky.

And as the moon from some dark gate of cloud
Throws o'er the sea a floating bridge of light,
Across whose trembling planks our fancies crowd
Into the realm of mystery and night,-

So from the world of spirits there descends
A bridge of light, connecting it with this,
O'er whose unsteady floor, that sways and bends,
Wander our thoughts above the dark abyss.
- Henry Wadsworth Longfellow

Quiet, ineffective ghosts haunting the realm of mystery and night, stretching dusty hands back to homes and lifetimes unforgotten: pale gossamer musks swirling in thick, dense otherworldy vapours through cracks in dry wood and old, old stones.


THE HELL-GATE OF IRELAND 2013 The Cave of Cruachan in Connaught, a province that was given to the Formorians after the Battle of Mag Tuired. On the first of November, a flock of malevolent copper-colored birds bursts forth from the mouth of the cave, ushering a host of restless ghosts and wicked goblins that torment the living by blighting crops, killing livestock, stealing away brides-to-be, and replacing infants with changelings.

Smoldering brimstone, bitter labdanum, clove, black musk, and copper-colored feathers.


JOHN BARLEYCORN 2013
There was three men come out o' the west
their fortunes for to try,
And these three men made a solemn vow,
John Barleycorn must die,
They plowed, they sowed, they harrowed him in,
throwed clods upon his head,
And these three men made a solemn vow,
John Barleycorn was dead.

Barley, beer, blood, and whiskey.


LE REVENANT 2013
Comme les anges à l'oeil fauve,
Je reviendrai dans ton alcôve
Et vers toi glisserai sans bruit
Avec les ombres de la nuit;

Et je te donnerai, ma brune,
Des baisers froids comme la lune
Et des caresses de serpent
Autour d'une fosse rampant.

Quand viendra le matin livide,
Tu trouveras ma place vide,
Où jusqu'au soir il fera froid.

Comme d'autres par la tendresse,
Sur ta vie et sur ta jeunesse,
Moi, je veux régner par l'effroi.

- - -

Like angels with wild beast's eyes
I shall return to your bedroom
And silently glide toward you
With the shadows of the night;

And, dark beauty, I shall give you
Kisses cold as the moon
And the caresses of a snake
That crawls around a grave.

When the livid morning comes,
You'll find my place empty,
And it will be cold there till night.

I wish to hold sway over
Your life and youth by fear,
As others do by tenderness.

-- Charles Baudelaire, translation by William Aggeler.

A shroud of gardenia, narcissus, and sandalwood with ambrette seed, white cognac, muguet, davana, and white musk.


MICTECACIHUATL 2013
Known as the Mistress of Bones and the Lady of the Dead, she is the Queen of Mictlan, the Aztec Underworld, who still presides over today's Day of the Dead rituals. Sometimes known now as La Huesuda, she brings peace and joy to the spirits of the deceased, and blesses the living who do honor to those who have passed before them.
Copal, precious woods, South American spices, agave nectar, cigar tobacco, and roses.


OOKY
2013's Ridiculous Halloweenie! Less spooky than Spooky, and nowhere near as creepy as Creepy, this is the scent of lightly spiced pumpkin candies, decorated with thick marzipan, sweetened with buttercream, an decorated with a touch of lemon zest.


SAMHAIN 2013
Truly the scent of autumn itself - damp woods, fir needle, and black patchouli with the gentlest touches of warm pumpkin, clove, nutmeg, allspice, sweet red apple and mullein.


SEPTEMBER MIDNIGHT
Lyric night of the lingering Indian Summer,
Shadowy fields that are scentless but full of singing,
Never a bird, but the passionless chant of insects,
Ceaseless, insistent.

The grasshopper's horn, and far-off, high in the maples,
The wheel of a locust leisurely grinding the silence
Under a moon waning and worn, broken,
Tired with summer.

Let me remember you, voices of little insects,
Weeds in the moonlight, fields that are tangled with asters,
Let me remember, soon will the winter be on us,
Snow-hushed and heavy.

Over my soul murmur your mute benediction,
While I gaze, O fields that rest after harvest,
As those who part look long in the eyes they lean to,
Lest they forget them.
- Sara Teasdale

A myrrh-darkened amber chypre sweetened by newly-ripened black pomegranate.


THEME IN YELLOW
I spot the hills
With yellow balls in autumn.
I light the prairie cornfields
Orange and tawny gold clusters
And I am called pumpkins.
On the last of October
When dusk is fallen
Children join hands
And circle round me
Singing ghost songs
And love to the harvest moon;
I am a jack-o'-lantern
With terrible teeth
And the children know I am fooling.
- Carl Sandburg

Ghost songs and love to the harvest moon: fresh pumpkins warmed by candlelight and aglow with Halloween joy.



And the Phobos Collection:
...none more skilled than he to insinuate grasping terror and to steal courage from the heart; voices and hands innumerable has the monster, and aspects to assume at will; all-persuasive is he, and his onslaughts drive cities mad with horror.
       - Statius

++ HALLOWEEN 2013: PHOBOS EDITION
ACHLUOPHOBIA
Fear of darkness. Oppressive, stifling, suffocating, blinding: black patchouli, tobacco absolute, opoponax, and inky black musk.

NOCTIPHOBIA
Fear of nighttime. The vast, endless canopy of the night sky, dotted with cold, harsh pinpoints of light under a bulging white moon.

PHASMOPHOBIA
Fear of ghosts. Whispers in the darkness and cold breath upon your neck: calla lilies, white sandalwood, snow rose, white amber, and iced wine.

PLACOPHOBIA
Fear of tombstones. Jagged claws of crumbling stone thrusting through tear-soaked moss.

SAMHAINOPHOBIA 2013
Fear of Halloween. Menacing Haitian vetiver, patchouli, and clove with a shock of bourbon geranium, grim oakmoss, and dread-inspiring balsams pierce the innocuous scent of autumn leaves.



++ HALLOWEEN 2013: THE PUMPKIN PATCH
There's all manner of shenanigans in this year's pumpkin patch! Pumpkin'ized hybrids of GC BPAL scents abound!

ALICE IN THE PUMPKIN PATCH
DORIAN IN THE PUMPKIN PATCH
MOROCCAN PUMPKIN PATCH
SAMHAIN IN THE PUMPKIN PATCH
SIN IN THE PUMPKIN PATCH
SNAKE OIL IN THE PUMPKIN PATCH




The Black Phoenix Trading Post Halloweenies will be live soon, including a gorgeous pair of Halloween-themed tees, creeptastic atmosphere sprays, gloomy candles, and howlingly lovely bath oils. Also in the works… a trip to the Miskatonic Valley and the Castle of the Crystal, and a complete BPAL site overhaul -- yes, the search feature is coming back at long last!





From the 5 September 2013 update:


Happy birthday to our beloved little angel! Five already!? Where does the time go?

++ LILITH'S BIRTHDAY UPDATE
BLUE LOLLIPOPS
Preschool graduation celebration! Blueberry-swirled blue lollipops!


BUTTERFLIES, FLOWERS, AND JEWELS ATTENDING
Take the Fair Face of Woman, and Gently Suspending,
With Butterflies, Flowers, and Jewels Attending,
Thus Your Fairy is Made of Most Beautiful Things


Inspired by the moment in time frozen in this photo - my fairy child, laughing and playing amongst gargantuan flowers. An ethereal, iridescent, twilit scent, sparkling with mystery and innocent joy: white patchouli with provence rose, delicate freesia, pink tuberose, jasmine sambac, orange blossom, butterfly musk, vanilla orchid, and delicate spices.


THE FUTURE BALL
One day, Lilith digs up one of my old crystal balls and asks me what it does. I tell her that some people read the future in crystal balls, so she asks me to tell her what's going to happen tomorrow.

"I see a little girl waking up and asking for spaghetti for breakfast."
"I see a yellow building and a yellow toy bus."
"I see a big brown dog. The dog is trying to steal a little girl's dinner."
"I see a little girl surrounded by stuffed animals. Her mother is trying to get her to go to sleep, but the little girl keeps asking for more stories."

This went on every day for weeks. She'd pull out the ball, and ask (demand) that I tell her what was going to happen to her tomorrow. Fun stuff, motherhood!

Crystalline white musk, Somalian olibanum, smoky benzoin, Damascus rose, dark myrrh, sacred sandalwood, life everlasting, rock rose, and gummy bear fingerprint residue.


LILITH'S BUBBLEGUM AND ROSES
This summer, Lilith spent Tuesdays and Thursdays with us here at the Lab. One day, she decides that she wants to make a perfume for herself that all her friends can wear, too. We talk for a little while, and I let her smell some components before she finally decides that she wants her fragrance to smell like bubblegum and roses.

Little lady, your wish is my command.

Lilith's creation: a spray of pink roses, red rose petals, and pink sticky bubblegum!


LILITH'S FEEL BETTER FLOWERS
I've been trying to teach Lilith a little bit about herbalism, aromatherapy, and plant lore. We talk about all the plants that are growing in the yard, we talk about all the tinctures, simples, and other concoctions that mom makes, and we play a board game that's all about wildharvesting herbs.

Lilith and I were talking about oils one day at work, and she told me that she wanted to make a perfume with all the "feel better flowers". I told her that I'd put in every flower whose purpose she could remember...

… so here's what she made:

+ carnations (to make people happy)
+ lavender (for sleeping and keeping away bedroom monsters)
+ honey (it's for smiles and good throats)
+ ginger (for tummies)
+ aloe (for too much sun)
+ blessed thistles (for buronic (sic) plague)
+ chamomile (for happy families)
+ chocolate peppermint (because mom grows it just for me)

Please remember! - this is a perfume, not a medicine! Please don't drink, rub on wounds, use as a suppository, or anything else nutty.


LITTLE PYTHIA
Ever since toddler'dom, Lilith has had a thing for tarot cards. What kid wouldn't? They're big, they're colorful, and each of them has a story to tell. She has her own decks now (Rider Waite and Thoth), but she still steals mine all the time.

This pic was accidental, and, to me, hilarious. She was playing with her Thoth deck when out of nowhere, she grabbed these cards and smooshed them on her cheeks. I'm not sure why she did it, but I'm hella glad I had a camera handy! Channeling Uncle Al, perhaps?

An incense for a budding baby magus: vanilla frankincense and rose champaca with a little bit of red licorice.


TARANTULA FASCINATOR
This summer, Lilith got to play with a ton of bugs, reptiles, and other wigglies during a special event at her preschool. She made a new friend that day - Ursula the Tarantula.

"Lilith, what would a tarantula smell like?"

"Maybe fuzzy chocolate? With stripes?"

Done and done: fuzzy cacao-drenched hazelnut with hay absolute, black pepper, and nutmeg, laced with stripes of wild plum and white sandalwood.



Ted's Lilith-celebratin' scent will debut at BPTP soon!


Coming next at BPAL... Halloweenies...





From the 20 August 2013 update:

Halloween is almost upon us, the air is alight with Black Butterflies, the fruits of forgetfulness are ripening in Persephone's Garden, and a whiff of pungent incense heralds the coming of autumn --


BLACK BUTTERFLY MOON 2013
Sister of the first-born light,

Type of sorrowing gentleness!

Quivering mists in silv'ry dress
Float around thy features bright;
When thy gentle foot is heard,

From the day-closed caverns then
Wake the mournful ghosts of men,
I, too, wake, and each night-bird.

O'er a field of boundless span

Looks thy gaze both far and wide.

Raise me upwards to thy side!
Grant this to a raving man!
And to heights of rapture raised,

Let the knight so crafty peep

At his maiden while asleep,
Through her lattice-window glazed.

Soon the bliss of this sweet view,

Pangs by distance caused allays;

And I gather all thy rays,
And my look I sharpen too.
Round her unveil'd limbs I see

Brighter still become the glow,

And she draws me down below,
As Endymion once drew thee.


Soft, deep, and luminous: Lady of the Night orchid, benzoin, opopponax, currant, black chypre, white gardenia, ambergris, damp, wooded mosses, and black lily.


Illustration by Tanya Bjork! The tee is available at our sister-shop, Black Phoenix Trading post!




And this month's single note --

OLIBANUM
Representative of the Path of Shin, connecting Hod (Splendour) with Malkuth (Kingdom), and is one of the primary ingredients in Abramelin incense and oil. In some traditions, olibanum is also a perfume of Tiphareth (Beauty), and is integral in assisting in helping one connect with their higher self. Our olibanum represents purification by fire, and possesses all the generous, expansive, radiant qualities of Sol.



This month, we are also introducing an ode to pale-limbed Persephone, inspired by Algernon Swinburne with artwork by Dante Gabriel Rossetti.
...'tis thine in earth's profundities to dwell, fast by the wide and dismal gates of hell.

++ THE GARDEN OF PROSERPINE
I AM TIRED OF TEARS AND LAUGHTER
I am tired of tears and laughter,
        And men that laugh and weep
Of what may come hereafter
        For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,
Desires and dreams and powers
        And everything but sleep.

White lavender, oudh, and Siamese benzoin.


SHE CRUSHES FOR DEAD MEN DEADLY WINE
No growth of moor or coppice,
        No heather-flower or vine,
But bloomless buds of poppies,
        Green grapes of Proserpine,
Pale beds of blowing rushes
Where no leaf blooms or blushes,
Save this whereout she crushes
        For dead men deadly wine.

Poppy wine, chthonic incense, Balm of Gilead, and pomegranate.


PALE, WITHOUT NAME OR NUMBER
Pale, without name or number,
        In fruitless fields of corn,
They bow themselves and slumber
        All night till light is born;
And like a soul belated,
In hell and heaven unmated,
By cloud and mist abated
        Comes out of darkness morn.

Greek musk, violet leaf, carrot seed, and ho wood.


HE TOO WITH DEATH SHALL DWELL
Though one were strong as seven,
        He too with death shall dwell,
Nor wake with wings in heaven,
        Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
        In the end it is not well.

Somalian myrrh, purple roses, orris root concrete, French cypress, and pomegranate juice.


CROWNED WITH CALM LEAVES SHE STANDS
Pale, beyond porch and portal,
        Crowned with calm leaves she stands
Who gathers all things mortal
        With cold immortal hands;
Her languid lips are sweeter
Than love's who fears to greet her
To men that mix and meet her
        From many times and lands.

A diadem of narcissus blossoms and pale daffodils.


DEAD DREAMS OF DAYS FORSAKEN
There go the loves that wither,
        The old loves with wearier wings;
And all dead years draw thither,
        And all disastrous things;
Dead dreams of days forsaken,
Blind buds that snows have shaken,
Wild leaves that winds have taken,
        Red strays of ruined springs.

15- year aged patchouli, Egyptian cumin, white frankincense, labdanum, and bitter almond.


TO-DAY WILL DIE TO-MORROW
We are not sure of sorrow,
        And joy was never sure;
To-day will die to-morrow;
        Time stoops to no man's lure;
And love, grown faint and fretful,
With lips but half regretful
Sighs, and with eyes forgetful
        Weeps that no loves endure.

Siamese benzoin, white lilac, tuberose, aniseseed, and white carnation.


HOPE AND FEAR SET FREE
From too much love of living,
        From hope and fear set free,
We thank with brief thanksgiving
        Whatever gods may be
That no life lives for ever;
That dead men rise up never;
That even the weariest river
        Winds somewhere safe to sea.

Bourbon vanilla and 10-year aged frankincense.


THE SLEEP ETERNAL
Then star nor sun shall waken,
        Nor any change of light:
Nor sound of waters shaken,
        Nor any sound or sight:
Nor wintry leaves nor vernal,
Nor days nor things diurnal;
Only the sleep eternal
        In an eternal night.


Opium tar, asphodel, and lavender, with tuberose, grave moss, frankincense, and mandrake root.




Black Phoenix Alchemy Lab and Black Phoenix Trading Post will be vending at Dragon*Con 2013 at booths 1206 & 1208 in AmericasMart, building 1, floor 1.

The 2013 Dragon*Con exclusives --

+ MILLIONS OF PEACHES / BPAL DRAGON*CON 2013
PEACH I
Golden peach, tobacco absolute, tonka bean, and honey with a squirt of red musk.

PEACH II
White peach, tangerine, and champagne grapes.

PEACH III
Georgia peaches, madeira wine, mimosa, and Cherokee roses.

PEACH IV
Golden peach, Egyptian amber, myrrh, ho wood, frankincense, burgundy pitch, musk seed, and oudh.

PEACH V
White peach, white tea, honey, and neroli.



+ MILLIONS OF PEACHES / BPTP DRAGON*CON 2013
PEACHES IN THE BPAL GARDEN ATMOSPHERE SPRAY
Ripe peaches, freshly mown grass, lemon verbena, honeysuckle, cedar sap, orange blossom, and tomato vine.

SUGARED PEACH BATH OIL
Spun sugar and golden peaches.

WHITE PEACH AND INCENSE HAIR GLOSS

White peach, champaca flower, and frankincense.



BPAL's Peach Pit fragrances are $24 each, BPTP's peachy atmosphere spray and bath oil are $26 each, and the White Peach and Incense Hair Gloss is $33!



Coming soon:
Black Phoenix Trading Post's Garden of Proserpine, a hat tip to Stoker and Shelley, the return of Carnaval Diabolique, a gritty, modern interpretation of Alice, and, of course, Halloweenies.



From the 23 July 2013 update:

The Red Moon is rising over Black Phoenix!

RED MOON 2013
August is a month of reflection. It is the month of rest before the harvest, and it holds for us a time between toils, a brief period of relaxation before we take up the burden of our work again. It is the Time of the Phoenix, a season of celebrating health, vitality, warmth and joy, but it is also the time at which the Corn God dies for the sake of the land, his blood soaking the earth to ensure a bountiful harvest in the fall.

The Full Red Moon of August was named thus by some Native American tribes because as the moon rises, it dons a reddish veil, visible through the hot, sweltering summer evening haze. Our blend for this Moon mixes traditional lunar oils with the warmth of amber, tolu balsam, and heliotrope, the russet haze of dragon's blood resin, bittersweet red currant, and crushed orange peel, and a swirl of summertime herbs: chamomile, cilantro, rue, elder flower, yellow yarrow, and marigold.


The Red Moon tee is available now at Black Phoenix Trading Post!
Artwork by our much-beloved friend, Tanya Bjork!


In the Single Note Garden, another crop of patchouli is being harvested -

EAST AFRICAN BLACK PATCHOULI
Smokier and woodier than her Red cousin, East African Black Patchouli is rich, passionate, and earthy, possessing a unique, distinctive elegance.



And the second set of scents inspired by Neil Gaiman's Coraline are live! Thank you so much, Neil! We love you! -


THE GHOST CHILDREN
"What happened to you all?" asked Coraline. "How did you come here?"

"She left us here," said one of the voices. "She stole our hearts, and she stole our souls, and she took our lives away, and she left us here, and she forgot about us in the dark."

"You poor things," said Coraline. "How long have you been here?"

"So very long a time," said a voice.

"Aye. Time beyond reckoning," said another voice.

"I walked through the scullery door," said the voice of the one that thought it might be a boy, "and I found myself back in the parlor. But she was waiting for me. She told me she was my other mamma, but I never saw my true mamma again."

"Flee!" said the very first of the voices—another girl, Coraline fancied. "Flee, while there's still air in your lungs and blood in your veins and warmth in your heart. Flee while you still have your mind and your soul."

"I'm not running away," said Coraline. "She has my parents. I came to get them back."

"Ah, but she'll keep you here while the days turn to dust and the leaves fall and the years pass one after the next like the tick-tick-ticking of a clock."

"No," said Coraline. "She won't."

There was silence then in the room behind the mirror.

"Peradventure," said a voice in the darkness, "if you could win your mamma and your papa back from the beldam, you could also win free our souls." "Has she taken them?" asked Coraline, shocked.

"Aye. And hidden them."

"That is why we could not leave here, when we died. She kept us, and she fed on us, until now we've nothing left of ourselves, only snakeskins and spider husks. Find our secret hearts, young mistress."

"And what will happen to you if I do?" asked Coraline.

The voices said nothing.

"And what is she going to do to me?" she said.

The pale figures pulsed faintly; she could imagine that they were nothing more than afterimages, like the glow left by a bright light in your eyes, after the lights go out.

"It doth not hurt," whispered one faint voice.

"She will take your life and all you are and all you care'st for, and she will leave you with nothing but mist and fog. She'll take your joy. And one day you'll awake and your heart and your soul will have gone. A husk you'll be, a wisp you'll be, and a thing no more than a dream on waking, or a memory of something forgotten."

"Hollow," whispered the third voice. "Hollow, hollow, hollow, hollow, hollow."


I based the scent on a description of the characters that Neil sent to me in an email:

"Well, I like the idea that it would contain flowers and flame and fairy things... but from so long ago that they've almost forgotten who they are. So it would be a ghost perfume...."

In the perfume, I also tried to capture the blue-violet-white of an afterimage and the silence of a snuffed candle. The scent is dry with age, taut with loss, grief, and heartbreak, and sorrowful in the unspeakable desolation of simply being forgotten.



THE OTHER MISS FORCIBLE
~and~
THE OTHER MISS SPINK

...are distorted versions of their "real" perfumes: sticky sweet, cobwebby, and grotesque.



THE OTHER HOT CHOCOLATE
The other mother took the bacon from under the grill and put it on a plate. Then she slipped the cheese omelette from the pan onto the plate, flipping it as she did so, letting it fold itself into a perfect omelette shape.

She placed the breakfast plate in front of Coraline, along with a glass of freshly squeezed orange juice and a mug of frothy hot chocolate.

"Yes," she said. "I think I like this game. But what kind of game shall it be? A riddle game? A test of knowledge or of skill?

"An exploring game," suggested Coraline. "A finding-things game."

"And what is it you think you should be finding in this hide-and-go-seek game, Coraline Jones?"

Coraline hesitated. Then, "My parents," said Coraline. "And the souls of the children behind the mirror."

The other mother smiled at this, triumphantly, and Coraline wondered if she had made the right choice. Still, it was too late to change her mind now.

"A deal," said the other mother. "Now eat up your breakfast, my sweet. Don't worry—it won't hurt you."

Coraline stared at the breakfast, hating herself for giving in so easily, but she was starving.

"How do I know you'll keep your word?" asked Coraline.

"I swear it," said the other mother. "I swear it on my own mother's grave."

"Does she have a grave?" asked Coraline.

"Oh yes," said the other mother. "I put her in there myself. And when I found her trying to crawl out, I put her back."

"Swear on something else. So I can trust you to keep your word."

"My right hand," said the other mother, holding it up. She waggled the long fingers slowly, displaying the clawlike nails. "I swear on that."

Coraline shrugged. "Okay," she said. "It's a deal." She ate the breakfast, trying not to wolf it down. She was hungrier than she had thought.

As she ate, her other mother stared at her. It was hard to read expressions into those black button eyes, but Coraline thought that her other mother looked hungry, too.

She drank the orange juice, but even though she knew she would like it she could not bring herself to taste the hot chocolate.



THE OTHER MOTHER'S RIGHT HAND
Coraline opened the front door and looked at the gray sky. She wondered how long it would be until the sun came up, wondered whether her dream had been a true thing while knowing in her heart that it had been. Something she had taken to be part of the shadows under the hall couch detached itself from beneath the couch and made a mad, scrabbling rush on its long white legs, heading for the front door.

Coraline's mouth dropped open in horror and she stepped out of the way as the thing clicked and scuttled past her and out of the house, running crablike on its too-many tapping, clicking, scurrying feet.

She knew what it was, and she knew what it was after. She had seen it too many times in the last few days, reaching and clutching and snatching and popping blackbeetles obediently into the other mother's mouth. Five-footed, crimson-nailed, the color of bone.

It was the other mother's right hand.

It wanted the black key.

A scrabbling, skittering, clacking scent: white as bone, black as a beetle, and red as blood - orris root, vetiver, and daemonorops.



THE SNOW GLOBE
She looked around the room. It was so familiar—that was what made it feel so truly strange. Everything was exactly the same as she remembered: there was all her grandmother's strange-smelling furniture, there was the painting of the bowl of fruit (a bunch of grapes, two plums, a peach and an apple) hanging on the wall, there was the low wooden table with the lion's feet, and the empty fireplace which seemed to suck heat from the room.

But there was something else, something she did not remember seeing before. A ball of glass, up on the mantelpiece.

She went over to the fireplace, went up on tiptoes, and lifted it down. It was a snow globe, with two little people in it. Coraline shook it and set the snow flying, white snow that glittered as it tumbled through the water.

Then she put the snow globe back on the mantelpiece, and carried on looking for her true parents and for a way out.

Cold leaded glass, bone chip snow, and glycerin.



THE SILVER STREAM
The boy with the dirty face stood up and hugged Coraline tightly. "Take comfort in this," he whispered. "Th'art alive. Thou livest."

And in her dream Coraline saw that the sun had set and the stars were twinkling in the darkening sky.

Coraline stood in the meadow, and she watched as the three children (two of them walking, one flying) went away from her across the grass, silver in the light of the huge moon.

The three of them came to a small wooden bridge over a stream. They stopped there and turned and waved, and Coraline waved back.

And what came after was darkness.

Bittersweet: the scent of forgetfulness, peace, and oblivion. Like asphodel petals on moonlit water.





And over at the Post...


++ THE SLIPPING INTO MADNESS CTHULHU PLAQUE
Ph'nglui mglw'nafh Cthulhu lw'nafh freff'gtdh 'fhalma hupadgh N'ghft Osoph'guax Crax'axxaha Shag-Ron wgah'nagl fhtagn z'zxo.

Translation:
In his palace at R'lyeh, dead Cthulhu waits for the Mother Born of the Black Phoenix to finish the goddamn Carnaval Diabolique update.

This plaque, an homage to Great Cthulhu's artisanal fragrance obsession, was sculpted by Jake Johnson-Alhazred, great-great-great-great-great grandson of Abdul Alhazred and Arkham High School's favorite art teacher, and crafted by hand by blind, mute cultists in a subterranean workshop located miles beneath the frozen wastes of Nunavut.

The scent, Slipping Into Madness, was created by Elizabeth Barrial to be partnered with this plaque in an effort to placate the Sleeping God. His bottles of Madame Moriarty and Midnight on the Midway are empty, y'see.



SLIPPING INTO MADNESS
A slow, murky sojourn into bedlam: slick, black Arabian musk, aged red patchouli, tobacco absolute, wild salvia, and a sliver of screeching, high-pitched zdravetz.

(Ok, fine. Our Cthulhu plaque was /actually/ designed by Jake Johnson exclusively for Black Phoenix Trading Post, and manufactured - by hand in Canada! - by our friends at GreatBeard!)


Dread Cthulhu's plaque has a spot that fits one BPAL bottle in his writhing tentacles.

(Please note: the plaque doesn't really writhe. I don't want anyone to be disappointed in the lack of actual, literal writhing. This plaque isn't actually alive, and it isn't the least bit animated. Unless you're hallucinating, in which case all bets are off.)


The deets:
The plaques are 9 inches tall x 6 3/4" wide, and weigh a solid 2lbs.

They are composed of cold cast bronze. This includes a finished cold cast bronze plaque, with an antique black patina, and 2 coats of crystal clear acrylic coat for protection. The entire plaque isn't bronze: the exterior of it is real bronze powder and it is back filled with resin in an effort to lighten the piece.

Each plaque is slightly different, as each and every one was hand-crafted by real human beings! Conceived of, designed, sculpted, and produced in North America!





++ GOBLIN SACK STATUE
Oh, those hardworking Black Phoenix Trading Post goblins. Without them, the Post would be complete and absolute chaos. Thanks to their noble efforts, orders are packed efficiently, shelves are dusted, the dungeon is tidy, coffee is made, our goats are milked, the liquor cabinet is emptied, and incoming phone calls are ignored.

They're kinda like the shoemaker's elves, except not at all.

This statue was sculpted from polymer clay by Jake Johnson exclusively for Black Phoenix Trading Post, and is manufactured in Canada by our friends at GreatBeard!

Each goblin statue can fit one BPAL bottle under his arm and another in its wee lil' sack for a total of two - count ‘em, TWO - bottles!


A bottle of Goblin Sack will be makin' its way to you with each statue! -


GOBLIN SACK
Vanilla-laced leather with 3-year aged patchouli and a warm sack o'hazelnuts.


The Deets:
The goblin statues are 6 1/4" tall x 4 inches wide, and weigh 5oz. They are composed of poured resin.

Each statue is slightly different, as each and every one was hand-crafted by real human beings! Conceived of, designed, sculpted, hand-painted, and produced in North America!


These little fellas come in three colors...
Burlap Sack Brown
Hella Dark Burgundy Wine
Arterial Spray Red

All are patina'd black.


Our friends at GreatBeard will be happy to customize your goblin in any color you desire for an additional fee. Please contact Teddy, Goblin Taskmaster, at tradingpost@papow.net if this tickles your fancy.

The Goblin Statue and Goblin Sack come as a set and cannot be separated. You wouldn't separate a goblin from his sack, wouldja?







From the 21 June 2013 update:

The sun does not shine for a few trees and flowers, but for the wide world's joy.

Summer Solstice is upon us, and the long day's sun is shining on hungry ghosts and a Sicilian monastic garden overflowing with sweet peas:


HUNGRY GHOST MOON
On the 14th day of the seventh month of the lunar calendar, the Gates of Hell burst open, and ghosts pour forth from the Nine Darknesses into the sunlit world. To placate the dead, Hell Money is burned, offerings are made, and paper boats and floating lanterns are set out to give comfort and direction to wayward spirits. Though many spirits simply seek out the comforts of their former homes and the company of their loved ones, rancorous spirits also roam the streets, seeking revenge on those who have wronged them, before and after their deaths. Offerings of hell money, ginger candy, sugar cane, smoky vanilla and rice wine mingle with a ghost's perfume of white sandalwood, ho wood, ti, white grapefruit, crystalline musk and aloe. This scent is tapered by the presence of seven herbs, woods and resins used in the purification of the spirit and the purging of earthly concerns from the soul.


SINGLE NOTE: SWEET PEA
By helpful fingers taught to twine
Around its trellis, grew
A delicate and dainty vine;
The bursting bud, its blossom sign,
Inlaid with honeyed-dew.
Developing by every art
To floriculture known,
From tares exempt, and kept apart,
Careful, as if in some fond heart
Its legume germs were sown.
So thriving, not for me alone
Its beauty and perfume --
Ah, no, to rich perfection grown
By flower mission loved and known
In many a darkened room.
And once in strange and solemn place,
Mid weeping uncontrolled,
Upon the crushed and snowy lace
I saw them scattered 'round a face
All pallid, still, and cold.
Oh, some may choose, as gaudy shows,
Those saucy sprigs of pride
The peony, the red, red rose;
But give to me the flower that grows
Petite and pansy-eyed.
Thus, meditation on Sweet Peas
Impels the ardent thought,
Would maidens all were more like these,
With modesty -- that true heartsease --
Tying the lover's knot.


First cultivated in the late 17th century by a Sicilian monk, Father Francis Cupani, sweet peas represent chastity, bliss, and innocent pleasures. The vines and flowers are used in magick to protect children, guard virtue, inspire affection, and cultivate friendship.


The Hungry Ghost Moon tee was illustrated by Tanya Bjork, and can be found at Black Phoenix Trading Post!





This month, we turn our attentions to the breathtaking strangeness of the natural world and the internalization of our relationship with it:

++ SONG OF NATURE
Mine are the night and morning,
The pits of air, the gulf of space,
The sportive sun, the gibbous moon,
The innumerable days.

I hid in the solar glory,
I am dumb in the pealing song,
I rest on the pitch of the torrent,
In slumber I am strong.

No numbers have counted my tallies,
No tribes my house can fill,
I sit by the shining Fount of Life,
And pour the deluge still;

And ever by delicate powers
Gathering along the centuries
From race on race the rarest flowers,
My wreath shall nothing miss.

And many a thousand summers
My apples ripened well,
And light from meliorating stars
With firmer glory fell.

I wrote the past in characters
Of rock and fire the scroll,
The building in the coral sea,
The planting of the coal.

And thefts from satellites and rings
And broken stars I drew,
And out of spent and aged things
I formed the world anew;

What time the gods kept carnival,
Tricked out in star and flower,
And in cramp elf and saurian forms
They swathed their too much power.

Time and Thought were my surveyors,
They laid their courses well,
They boiled the sea, and baked the layers
Or granite, marl, and shell.

But he, the man-child glorious,--
Where tarries he the while?
The rainbow shines his harbinger,
The sunset gleams his smile.

My boreal lights leap upward,
Forthright my planets roll,
And still the man-child is not born,
The summit of the whole.

Must time and tide forever run?
Will never my winds go sleep in the west?
Will never my wheels which whirl the sun
And satellites have rest?

Too much of donning and doffing,
Too slow the rainbow fades,
I weary of my robe of snow,
My leaves and my cascades;

I tire of globes and races,
Too long the game is played;
What without him is summer's pomp,
Or winter's frozen shade?

I travail in pain for him,
My creatures travail and wait;
His couriers come by squadrons,
He comes not to the gate.

Twice I have moulded an image,
And thrice outstretched my hand,
Made one of day, and one of night,
And one of the salt sea-sand.

One in a Judaean manger,
And one by Avon stream,
One over against the mouths of Nile,
And one in the Academe.

I moulded kings and saviours,
And bards o'er kings to rule;--
But fell the starry influence short,
The cup was never full.

Yet whirl the glowing wheels once more,
And mix the bowl again;
Seethe, fate! the ancient elements,
Heat, cold, wet, dry, and peace, and pain.

Let war and trade and creeds and song
Blend, ripen race on race,
The sunburnt world a man shall breed
Of all the zones, and countless days.

No ray is dimmed, no atom worn,
My oldest force is good as new,
And the fresh rose on yonder thorn
Gives back the bending heavens in dew.


Words by Ralph Waldo Emerson, illustrations by Ernst Haeckel, fragrances by Elizabeth Barrial for Black Phoenix Alchemy Lab.

AURELIA
Wild strawberry and red currant squished into a deep green blend of oakmoss, crushed mint, green tea leaf, mastic, petitgrain, Terebinth pine, and cypress.

CALOCYCLAS
Black leather accord with olibanum, black pepper, white sandalwood, luminous Asian blossoms, and sheer elemi.

DESMONEMA
White amber and mimosa with tendrils of Italian bergamot, myrrh, green tangerine and green patchouli, sheer coconut, quince, and vetiver.

ELAPHOSPYRIS
Luminous white musk with lemon verbena, Calabrian lemon, guiac wood, vetiver, Arkansas black apple, white sage, and white thyme.

EPIBULIA
East Indian Mango, cassis, blackcurrant, orange carnation, sugared coconut, and Maid of Orleans.

OCTOPUS
Pale moss, white kelp, sea buckthorn berry, ambergris accord, Somalian frankincense, rose geranium, and salt.

STENTOR
White mint, lime rind, champaca flower, khus, juniper berry, and matcha tea.

TYMPANIDIUM
Black licorice root, aged red patchouli, white sandalwood, orange blossom, lemon peel, and dried jewel-toned fruits.







At the Post, Song of Nature baths are a-brewin'! -

++ SONG OF NATURE BATH OILS
ASTERIAS BATH OIL Sweet apricot, white honey, orris root, white sandalwood, and white peach.

PERIPHYLLA BATH OIL Bulgarian rose, ambrette seed absolute, saffron, white pear, oudh, and a touch of oakmoss.



And for the moment, that's all the news that's fit to print!







From the 18 May 2013 update! --

Hullo, all! The BPAL side of the full moon update is going live a wee bit early this month, as we're taking a Sanity Reset Trip to Yosemite, and I wanted to make sure all was well before we headed north! Black Phoenix Trading Post's update will be live at Standard Update Time (just before the full moon), but here's an art teaser -



Honey Moon was illustrated by Tanya Bjork. There are no words to describe how much I love this!

Speaking of Trading Post... have y'all checked out the new site? We are beyond thrilled with it, and we're so grateful to Kaitlin at Form and Function for all of her hard work, her dedication, and her kindness, and for lending us both her time and her talent. We love you, Kaitlin!

And without further ado... smelly things...

HONEY MOON 2013
From honey sprang this Plant to life; with honey now we dig thee up.
Make us as sweet as honey, for from honey hast thou been produced.
My tongue hath honey at the tip, and sweetest honey at the root:
Thou yieldest to my wish and will, and shalt be mine and only mine.
My coming in is honey-sweet and honey-sweet, my going forth:
My voice and words are sweet: I fain would be like honey in my look.
Sweeter am I than honey, yet more full of sweets than licorice:
So mayst thou love me as a branch full of all sweets, and only me.
Around thee have I girt a zone of sugar-cane to banish hate.
That thou mayst be in love with me, my darling never to depart.

- Hymns of the Atharva Veda, XXXIV

Honey Moon contains five different honeys, ranging from pale and sweet to deep and heady, with hints of jasmine, white gardenia, Hawaiian white ginger and thyme.


SINGLE NOTE: PASSION FLOWER
An elegant botanical sigil representing the crucifixion of Christ, this plant is said to grant blessings of peace and love (philía and storge) to a home, especially when grown around the door, gate, or fence.


SINGLE NOTE: SUMATRAN RED PATCHOULI
Sexy, dirty, much-maligned and much-loved patchouli... oh, how you get a bad rap. Though some associate you with head shops and Dead show parking lots, you really are so much more:

You are utilized in Chinese medicine to normalize the flow of qi.

In aromatherapy, you are used to diffuse stress, bring comfort and succor, and alleviate depression.

You inspire lust, passion, and carnality, and create a veil of sexual intrigue unmatched by any other fragrance.

You correspond with Saturn and Earth, facilitating grounding, stability, and protection, as well as the acquisition of property and money.

You form the oft-unrecognized basis of innumerable perfumes, adding a unique depth and sensuality, sometimes imperceptibly.

Your olfactory profile is incredibly fluid, ranging from mossy and gritty to wine-rich and voluptuous, and you age like a glorious silver screen goddess.

So the next time someone tells you that you smell like an unwashed hippie, Patchouli, just smile your enigmatic smile. The enlightened know how amazing you are.


SINGLE NOTE: WILD DANDELION
Simple and fresh and fair from winter's close
            emerging,
As if no artifice of fashion, business, politics,
            had ever been,
Forth from its sunny nook of shelter'd grass -
            innocent, golden, calm as the dawn,
The spring's first dandelion shows its trustful
            face.

- Walt Whitman

A scent as fresh as spring and as radiant as summer: the splendor of a crown of golden petals, the tartness of sap and pungent greens, and the gentle touch of white seed florets drifting in the breeze.

We're going to be posting an etsy boom concurrent with this update! We are happy to combine etsy and BPAL orders - just email us with the info on the orders you'll be combining!

Alchemy Lab and Trading Post are busy prepping some exciting new (and old!) stuff for summer, so keep your eyes peeled!








From the 8 May 2013 update:

It grieves me to announce that, effective immediately, the following fragrances have been discontinued due to unforeseen component issues:

Baghdad
Dragon's Reverie
Tintagel
The Witch's Repast

Please accept our sincerest apologies for the short notice!





From the 22 April 2013 update -

Planting Moon is sprouting at BPAL and BPTP!



PLANTING MOON 2013
As is the garden such is the gardener,
A man's nature runs either to herbs or to weeds.
-Francis Bacon

This Full Moon marks a time for new growth, both within nature and within our spirits. It is a time of fertility and fruitfulness, for sowing seeds to ensure blessings and bounty later in the year.

The scent of Planting Moon is that of summer squashes, pole beans, kohlrabi, tomato leaves, peppery arugula, upturned earth, and sun-warmed herbs.


Art by Abigail Larson!


Also blossoming at the Lab --

SINGLE NOTE: SWEET ALYSSUM
Every flower is a soul blossoming in nature.
- Gérard de Nerval

A lush carpet of foam-white and dusky purple blossoms: this is the gentle, joyous scent of spring-blooming sweet alyssum.


Plus, a lunar eclipse!

LUNAR ECLIPSE: APRIL 2013
Luna's lovely, pale face crowned by a sliver of umbral shadow and veiled by penumbral shadow: white musk, mugwort, iris, white tea, and silvered yarrow with black amber, Indonesian patchouli, fir resin, and blackcurrant.


Mea culpa! Because of C2E2 and Bats Day, there's going to be a longer turnaround on the scents in this update. But, on the up side - the update is going up early and staying around longer! Sweet Alyssum Accord, Planting Moon, and Lunar Eclipse will be live until Mayday.

Thank you so much for understanding! Hope to see you at our booth at C2E2!





From the 29 March 2013 update --

April 1st brings us April Fool's Day, Edible Books Day, Veneralia, and the Feast of St. Tewdrig (Tewdrig - what a great name). To celebrate (er?), the Pickman Gallery is ringing in a new exhibit: A Tremulous Song: the Miskatonic Valley Through a Child's Eyes.



Proceeds from the sales in the Tremulous Song series will be donated to First Book, an organization that distributes books and educational resources to programs and schools serving children from low-income families throughout the United States and Canada.

All images were named by Lilith, with the exception of a few, like Cykranosh, Yaksh, [Redacted] Dragon, Rapunzel in Ballpoint, the self-portraits, and the Summoning Stone Play Structure. All quotes came straight from the artist's mouth, and all scents were guided and approved by the Littlest Alchemist. The [Redacted] Dragon scent is a little bit of a joke - Lil drew a pic (and told her version of the story) of a very specific dragon that I can't name out of respect for another entity's trademark rights. Those of you that are friended to me on Facebook might know who this fiery fella is. Much love to Em for being the inspiration for the revised scent name!

A Tremulous Song will be live until the June full moon! I hope you have as much fun with this set as we had making it!





From the 22 March 2013 update --

Peony Moon is live at BPAL and BPTP!



PEONY MOON 2013
In these spring days,
when tranquil light encompasses
the four directions,
why do the blossoms scatter
with such uneasy hearts?

Ume blossoms and pink peony against a pale backdrop of white sandalwood, Japanese apricot petals, lotus root, and spider lily.

Art by Mariah Huehner.



This month's single note is:

AMBERGRIS
Sperm whale intestinal glop, oh how the fragrance world adores you. Ambergris is born from a sticky, black bile secretion that gloops forth from the intestines of sperm whales. When fresh, it possesses a rank, seaweedy fecal odor, but once it has been embraced by sea and sun, it transforms into a uniquely intoxicating perfume fixative. This precious substance has been used in cosmetics for ages untold, and is said to be a potent aphrodisiac with the power to increase psychic sensitivity and induce prophetic dreams.

Our ambergris accord is lightly balsamic, slightly woody, almost tobacco-like marine musk, and possesses a distinct salty animalic note that borders on sweet. The scent is extraordinarily versatile, and adds depth and complexity to a wide swath of fragrance families.

No whales were harmed, fondled, scraped, prodded, or offended during the creation and production of this accord. It is 100% vegan, and has never seen the inside of a whale's tummy.



Also, we are thrilled to announce five new additions to our Coraline series.

CORALINE JONES
“What should I do?” asked Coraline.

“Read a book,” said her mother. “Watch a video. Play with your toys. Go and pester Miss Spink or Miss Forcible, or the crazy old man upstairs.”

“No,” said Coraline. “I don't want to do those things. I want to explore.”

Dry grass, clean skin, and a little bit of mossy berry.


Miss Spink and Miss Forcible lived in the flat below Coraline's, on the ground floor. They were both old and round, and they lived in their flat with a number of ageing Highland terriers who had names like Hamish and Andrew and Jock. Once upon a time Miss Spink and Miss Forcible had been actresses, as Miss Spink told Coraline the first time she met her.

“You see, Caroline,” Miss Spink said, getting Coraline's name wrong, “both myself and Miss Forcible were famous actresses, in our time. We trod the boards, luvvy. Oh, don't let Hamish eat the fruitcake, or he'll be up all night with his tummy.”

“It's Coraline. Not Caroline, Coraline,” said Coraline.

MISS SPINK
A grand, over-the-top tuberose gardenia.


MISS FORCIBLE
A classic vintage musk.


Both Miss Spink and Miss Forcible scents have a bit of tea splash and biscuit crumbs.


MR. BOBO
“Mister Bobo?”

“The man in the top flat. Mister Bobo. Fine old circus family, I believe. Romanian or Slovenian or Livonian, or one of those countries. Bless me, I can never remember them anymore.”

It had never occurred to Coraline that the crazy old man upstairs actually had a name, she realized. If she'd known his name was Mr. Bobo she would have said it every chance she got. How often do you get to say a name like “Mr. Bobo” aloud?

Cooking herbs, pickles, and mouse fur.


THE CAT
There was a polite noise from behind her.

She turned around. Standing on the wall next to her was a large black cat, identical to the large black cat she'd seen in the grounds at home.

“Good afternoon,” said the cat.

Its voice sounded like the voice at the back of Coraline's head, the voice she thought words in, but a man's voice, not a girl's.

“Hello,” said Coraline. “I saw a cat like you in the garden at home. You must be the other cat.”

The cat shook its head. “No,” it said. “I'm not the other anything. I'm me.” It tipped its head to one side; green eyes glinted. “You people are spread all over the place. Cats, on the other hand, keep ourselves together. If you see what I mean.”

“I suppose. But if you're the same cat I saw at home, how can you talk?”

Cats don't have shoulders, not like people do. But the cat shrugged, in one smooth movement that started at the tip of its tail and ended in a raised movement of its whiskers. “I can talk.”

“Cats don't talk at home.”

“No?” said the cat.

“No,” said Coraline.

The cat leaped smoothly from the wall to the grass near Coraline's feet. It stared up at her.

“Well, you're the expert on these things,” said the cat dryly. “After all, what would I know? I'm only a cat.”

Sleek, black, dark, and clever: benzoin, honey, cedar, and dark musk.




Over at Black Phoenix Trading Post, in addition to the Peony Moon shirt, there's a new Our Lady of Pain tee, and a new candle is available on the Illumination page.

GRAVE MOSS AND UPTURNED SOIL
The scent of an ancient, long-abandoned churchyard: weed-choked crumbling tombstones under the shadows of midnight and thick black soil disturbed by inhuman hands.




22 February 2013

Crow Moon is live at BPAL and BPTP!


crow moon

CROW MOON 2013

This is the final Full Moon of winter. The call of the crow signals the end of the frost, and their scent, of vervain, sandalwood-infused patchouli, black violet, white musk, and Chinese cedar, is brushed by the last cold wind of winter on their wings, and the scent of evergreen boughs touched by the season's final flowers and the first blossoms of spring: wintersweet, green-barked dogwood, iris, eastern redbud, primrose, snowdrop, and lenten rose hellebore bouquet.

Art by Tanya Bjork.


This month's single note is...

HUNGARIAN CARAWAY
Caraway is an herb whose usage as a culinary spice, a digestive aid, and ritual herb traces back to the Stone Age. In modern aromatherapy, it is used to banish mental fatigue, relieve emotional strain, and soothe frazzled nerves. Caraway inflames love and preserves fidelity, protects valuables from theft, and is used in gris gris bags to safeguard children.


Sadly, we also have to announce a few discontinuations. Effective immediately, Blood Countess, Frumious Bandersnatch, and Prunella have been discontinued.




14 February 2013

Our Lady of Pain is live at BPAL and BPTP!


++ BLACK PHOENIX ALCHEMY LAB LUPERCALIA: OUR LADY OF PAIN

Who gave thee thy wisdom? what stories
That stung thee, what visions that smote?
Wert thou pure and a maiden, Dolores,
When desire took thee first by the throat?
What bud was the shell of a blossom
That all men may smell to and pluck?
What milk fed thee first at what bosom?
                What sins gave thee suck?




OUR LADY OF PAIN
Cold eyelids that hide like a jewel
Hard eyes that grow soft for an hour;
The heavy white limbs, and the cruel
Red mouth like a venomous flower;
When these are gone by with their glories,
What shall rest of thee then, what remain,
O mystic and sombre Dolores,
                 Our Lady of Pain?


Sumatran patchouli, blood musk, white lavender, opium tar, and black orchid.


Could you hurt me, sweet lips, though I hurt you?
Men touch them, and change in a trice
The lilies and languors of virtue
For the raptures and roses of vice;
Those lie where thy foot on the floor is,
These crown and caress thee and chain,
O splendid and sterile Dolores,
                 Our Lady of Pain.


THE LILIES AND LANGUORS OF VIRTUE
Calla lilies and lily of the valley with white lilac, narcissus, osmanthus, asphodel, and Egyptian musk.


THE RAPTURES AND ROSES OF VICE
Red roses, heady Moroccan musk, cinnamon, lobelia, coconut flesh, magnolia blossoms, and tobacco tar.


LIPS FULL OF LUST AND LAUGHTER
O lips full of lust and of laughter,
Curled snakes that are fed from my breast,
Bite hard, lest remembrance come after
And press with new lips where you pressed.


Red musk, wildflower honey, elemi, tangerine, and mint.


FEED ME AND FILL ME WITH PLEASURE
For my heart too springs up at the pressure,
Mine eyelids too moisten and burn;
Ah, feed me and fill me with pleasure,
                 Ere pain come in turn.


Black patchouli, honey, and thick vanilla amber.


THE DESIRE OF THY FURIOUS EMBRACES
The desire of thy furious embraces
Is more than the wisdom of years,
On the blossom though blood lie in traces,
Though the foliage be sodden with tears.
For the lords in whose keeping the door is
That opens on all who draw breath
Gave the cypress to love, my Dolores,
                 The myrtle to death.


Cypress, honey myrtle, yew, peace lily, ivy, and black rose.


IN HIS HANDS ALL THY CRUELTIES THRIVE
Thou shalt blind his bright eyes though he wrestle,
Thou shalt chain his light limbs though he strive;
In his lips all thy serpents shall nestle,
In his hands all thy cruelties thrive.
In the daytime thy voice shall go through him,
In his dreams he shall feel thee and ache;
Thou shalt kindle by night and subdue him
                 Asleep and awake.

Gleaming black vetiver, bay laurel, opoponax, hiba wood, Spanish moss, clove, and leather accord.


WHEN THY WILL STUNG THE WORLD INTO STRIFE
Dost thou dream, in a respite of slumber,
In a lull of the fires of thy life,
Of the days without name, without number,
When thy will stung the world into strife;
When, a goddess, the pulse of thy passion
Smote kings as they revelled in Rome;
And they hailed thee re-risen, O Thalassian,
                 Foam-white, from the foam?


Dragon's blood resin, red ginger, bourbon geranium, thorny rosemary, red sandalwood, pink pepper, and green coffee bean.


THE WORM SHALL REVIVE THEE WITH KISSES
But the worm shall revive thee with kisses;
Thou shalt change and transmute as a god,
As the rod to a serpent that hisses,
As the serpent again to a rod.
Thy life shall not cease though thou doff it;
Thou shalt live until evil be slain,
And good shall die first, said thy prophet,
                 Our Lady of Pain.


Bourbon vetiver, oakmoss, and pomegranate.


FORGIVE US OUR VIRTUES, FORGIVE US
Who has known all the evil before us,
Or the tyrannous secrets of time?
Though we match not the dead men that bore us
At a song, at a kiss, at a crime--
Though the heathen outface and outlive us,
And our lives and our longings are twain--
Ah, forgive us our virtues, forgive us,
                 Our Lady of Pain.


Pale frankincense, styrax, East African black patchouli, cinnamon leaf, rosewood, and palisander.


O DAUGHTER OF DEATH AND PRIAPUS
They were purple of raiment and golden,
Filled full of thee, fiery with wine,
Thy lovers, in haunts unbeholden,
In marvellous chambers of thine.
They are fled, and their footprints escape us,
Who appraise thee, adore, and abstain,
O daughter of Death and Priapus,
                 Our Lady of Pain.


Black opium, wild plum, cypress tar, Bulgarian rose, olibanum, black orchid, and tobacco.



And Our Lady of Pain continues over at Black Phoenix Trading Post:


There are sins it may be to discover,
There are deeds it may be to delight.
What new work wilt thou find for thy lover,
What new passions for daytime or night?
What spells that they know not a word of
Whose lives are as leaves overblown?
What tortures undreamt of, unheard of,
                 Unwritten, unknown?





++ BPTP OUR LADY OF PAIN: CANDLES
THERE YET SHALL BE SORROWS
In yesterday's reach and to-morrow's,
Out of sight though they lie of to-day,
There have been and there yet shall be sorrows
That smite not and bite not in play.
The life and the love thou despisest,
These hurt us indeed, and in vain,
O wise among women, and wisest,
                 Our Lady of Pain.

White sandalwood, black cypress, wormwood, creeping willow, and rue.


THE THIRST OF UNBEARABLE THINGS
By the hunger of change and emotion,
By the thirst of unbearable things,
By despair, the twin-born of devotion,
By the pleasure that winces and stings,
The delight that consumes the desire,
The desire that outruns the delight,
By the cruelty deaf as a fire
                 And blind as the night,


Lavender, white fig, and Atlas cedar.


IN THE DARKNESS THEY MURMURED AND MINGLED
And they laughed, changing hands in the measure,
And they mixed and made peace after strife;
Pain melted in tears, and was pleasure;
Death tingled with blood, and was life.
Like lovers they melted and tingled,
In the dusk of thine innermost fane;
In the darkness they murmured and mingled,
                 Our Lady of Pain.


Labdanum, black plum, black currant, violet, and champaca flower.


THE TWILIGHT WHERE VIRTUES ARE VICES
In a twilight where virtues are vices,
In thy chapels, unknown of the sun,
To a tune that enthralls and entices,
They were wed, and the twain were as one.
For the tune from thine altar hath sounded
Since God bade the world's work begin,
And the fume of thine incense abounded,
                 To sweeten the sin.


Honeysuckle, Moroccan jasmine, and opium smoke.


DRIED IS THE BLOOD OF THY LOVER
What broke off the garlands that girt you?
What sundered you spirit and clay?
Weak sins yet alive are as virtue
To the strength of the sins of that day.
For dried is the blood of thy lover,
Ipsithilla, contracted the vein;
Cry aloud, "Will he rise and recover,
                 Our Lady of Pain?"


Dragon's blood resin, myrrh, red musk, vetiver, black clove, and cassia.



++ BPTP OUR LADY OF PAIN: BATH OILS
THE FROTH OF THE SERPENTS OF PLEASURE
All thine the new wine of desire,
The fruit of four lips as they clung
Till the hair and the eyelids took fire,
The foam of a serpentine tongue,
The froth of the serpents of pleasure,
More salt than the foam of the sea,
Now felt as a flame, now at leisure
                 As wine shed for me.


Sweet red wine, oakmoss, ambergris accord, ylang ylang, and Spanish mandarin.


QUICKEN THE SOUL THROUGH THE BLOOD
Thou shalt touch and make redder his roses
With juice not of fruit nor of bud;
When the sense in the spirit reposes,
Thou shalt quicken the soul through the blood.
Thine, thine the one grace we implore is,
Who would live and not languish or feign,
O sleepless and deadly Dolores,
                 Our Lady of Pain.


Cacao, red patchouli, night-blooming jasmine, Roman chamomile, and white tea.


LITHE AND LASCIVIOUS REGRET
Thou wert fair in the fearless old fashion,
And thy limbs are as melodies yet,
And move to the music of passion
With lithe and lascivious regret.
What ailed us, O gods, to desert you
For creeds that refuse and restrain?
Come down and redeem us from virtue,
                 Our Lady of Pain.


Blackberry hops, blackened raspberry gum, purple chypre, and myrrh.



++ BPTP OUR LADY OF PAIN: ROOM SPRAYS
FIERCE MIDNIGHTS AND FAMISHING MORROWS
Seven sorrows the priests give their Virgin;
But thy sins, which are seventy times seven,
Seven ages would fail thee to purge in,
And then they would haunt thee in heaven:
Fierce midnights and famishing morrows,
And the loves that complete and control
All the joys of the flesh, all the sorrows
                 That wear out the soul.


Black plum, wild lily, and tobacco.


HOUSE OF UNQUENCHABLE FIRE
O garment not golden but gilded,
O garden where all men may dwell,
O tower not of ivory, but builded
By hands that reach heaven from hell;
O mystical rose of the mire,
O house not of gold but of gain,
O house of unquenchable fire,
                 Our Lady of Pain!


Glittering amber, frankincense, neroli, vanilla silk, and champaca.


THE SHRINE WHERE SIN IS A PRAYER
I have passed from the outermost portal
To the shrine where a sin is a prayer;
What care though the service be mortal?
O our Lady of Torture, what care?
All thine the last wine that I pour is,
The last in the chalice we drain,
O fierce and luxurious Dolores,
                 Our Lady of Pain.


Deep purple Syrah, calamus, myrrh smoke, hyssop, opoponax, bitter clove, burgundy pitch, opium poppy, and violet leaf.




++ BPTP OUR LADY OF PAIN: HAIR GLOSS
IMPLACABLE BEAUTIFUL TYRANT
When, with flame all around him aspirant,
Stood flushed, as a harp-player stands,
The implacable beautiful tyrant,
Rose-crowned, having death in his hands;
And a sound as the sound of loud water
Smote far through the flight of the fires,
And mixed with the lightning of slaughter
                 A thunder of lyres.


Golden amber, frankincense, white ginger, and oudh.


HAIR LOOSENED AND SOILED IN MID ORGIES
All shrines that were Vestal are flameless,
But the flame has not fallen from this;
Though obscure be the god, and though nameless
The eyes and the hair that we kiss;
Low fires that love sits by and forges
Fresh heads for his arrows and thine;
Hair loosened and soiled in mid orgie
s
                 With kisses and wine.

White honey, warm musk, and ambrette seed.




++ BPTP LUPERCALIA 2013: CANDLES
KHAJURAHO
The fabled Khajuraho temples of India are shrines of love in all its myriad forms. They are a celebration of love itself - transcendental, spiritual and erotic. This is a rejection of sorrow, spiritual ennui and despair. The sexual motifs that adorn the temples, and the temples themselves, are monuments to ecstasy and to passion, and through that, they are also monuments to spiritual fulfillment. It is believed that the realization of moksha by dedicating oneself to adhyatma and dharma can be attained only by first experiencing sexual satisfaction. In the midst of the drudgery and struggle that we sometimes endure during the course of our Earthly lives, it is vitally important that we remember the joy found in kama, and that in kama we can achieve transformation of the body and soul.

This is a blissful, euphoric blend based on an ancient Indian love potion: honey, date palm, tuberose, davana blossom, amber, white sandalwood, vanilla bean, Damask rose, and champaca flower.


++ BPTP LUPERCALIA 2013: CONFECTIONS
These gourmet hard candies were hand-made exclusively for Black Phoenix by Confounding Confections. Confounding Confections Hard Candies are created and wrapped by hand, using only the finest of natural ingredients.

All ingredients used are natural, vegan, gluten-free, and free of common allergens. Gift tins are made in the U.S.A., and are reusable and recyclable.

Includes 12 individually wrapped sweeties (2 oz.) packaged in a handsome 4 inch gift tin.


For starry-eyed lovers:

NYMPHIA
White rose, apple blossom, mango, cucumber, coconut, and lavender.


To inflame with lust:

MIAIPHONOS
Clove, anise, mandarin, and cumin.




And also new at Black Phoenix Trading Post...


BLACK ROSE CANDLE
Exquisitely melancholy. The background scent to an ancient exequies. Heavy, dark and floral: a blend of roses, with a touch of amber and musk.



And over at Black Phoenix Alchemy Lab, Smut has returned, just in the nick of time.


SMUT 2013
Three swarthy, smutty musks sweetened with sugar and woozy with dark booze notes.


In the midst of these carnal delights, one oil slips away, unobtrusively. Effective immediately, Detox is discontinued. The Panacea imp pack has been adjusted accordingly.






24 January 2013

Kung Hei Fat Choi! Happy New Year, one and all! It's the year of the Water Snake! It's also the Season of Schtupping! But before we begin the licentiousness, it's time for a little lunacy.


cheshire moon

CHESHIRE MOON 2013
The Cat only grinned when it saw Alice. It looked good- natured, she thought: still it had VERY long claws and a great many teeth, so she felt that it ought to be treated with respect.

'Cheshire Puss,' she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. 'Come, it's pleased so far,' thought Alice, and she went on. `Would you tell me, please, which way I ought to go from here?'

'That depends a good deal on where you want to get to,' said the Cat.

'I don't much care where —' said Alice.

'Then it doesn't matter which way you go,' said the Cat.

'— so long as I get SOMEWHERE,' Alice added as an explanation.

'Oh, you're sure to do that,' said the Cat, `if you only walk long enough.'

Alice felt that this could not be denied, so she tried another question. `What sort of people live about here?'

'In THAT direction,' the Cat said, waving its right paw round, `lives a Hatter: and in THAT direction,' waving the other paw, `lives a March Hare. Visit either you like: they're both mad.'

'But I don't want to go among mad people,' Alice remarked.

'Oh, you can't help that,' said the Cat: `we're all mad here. I'm mad. You're mad.'

'How do you know I'm mad?' said Alice.

'You must be,' said the Cat, `or you wouldn't have come here.'

A lunatic's blend of lunar herbs and blossoms, with lemongrass, lemon balm, guava, pink grapefruit, papaya pulp, banyan fruit, hibiscus, and cherry blossom.




This month's single note offering is:

FRENCH TOBACCO
This tobacco accord is soulful, earthy, and multifaceted: the scent reverberates like a deep bass note, possessing a very faint citrus-like twang and an almost animalic caramel richness.






WATER SNAKE
A new year's blessing! Peony, China's national flower, with bamboo for flexibility, plum blossom for perseverance, courage, and hope, tangerine for wealth, orange for happiness, lychee for household peace, pine resin for constancy, golden kumquat and quince for prosperity, narcissus and King mandarin for good fortune, and peach blossom for longevity, with a splash of blazing red of dragon's blood... to help you scare away the rampaging Nian.




Love is in the air at Black Phoenix, and to celebrate both Lupercalia /and/ our favorite Hallmark Holiday, we present a selection of seasonal scents, lecherous and lovely. Heartbreak, fascination, lust, loss, and licentiousness: we've got it all.

Blessed Lupercalia, everyone!


++ LUPERCALIA 2013
ANACTORIA 2013
I feel thy blood against my blood; my pain
Pains thee, and lips bruise lips, and vein stings vein.
Let fruit be crushed on fruit, let flower on flower
Breast kindle breast, and either burn one hour.
Why wilt thou follow lesser loves? are thine
Too weak to bear these hands and lips of mine?

The scent of the throes of violent passion: entangled limbs, teeth on flesh, furiously grasping hands, the taste of blood and sweat. Golden amber, white honey, red currant, daemonorops, kush, and Arabian musk.


ANTIQUE
Gracieux fils de Pan! Autour de ton front couronné de fleurettes et de baies tes yeux, des boules précieuses, remuent. Tachées de lies brunes, tes joues se creusent. Tes crocs luisent. Ta poitrine ressemble à une cithare, des tintements circulent dans tes bras blonds. Ton coeur bat dans ce ventre òu dort le double sexe. Promène-toi la nuit, en mouvant doucement cette cuisse, cette seconde cuisse et cette jambe de gauche.

Graceful son of Pan! Around your forehead crowned with small flowers and berries, your eyes, precious spheres, are moving. Spotted with brownish wine lees, your cheeks grow hollow. Your fangs are gleaming. Your chest is like a lyre, jingling sounds circulate between your blond arms. Your heart beats in that belly where the double sex sleeps. Walk at night, gently moving that thigh, that second thigh and that left leg.
- Arthur Rimbaud, translated by John Asbery

Fossilized amber, juniper berry, wild musk, oudh, vetiver, white cedar, black currant, oakmoss, and leather.


CHINTAMANI-DHUPA
Pound well together sandal-wood, Kunku, costus, Krishnaguru, Suvasika-puspha, white vala and the bark of the Deodaru pine; and, after reducing them to fine powder, mix it with honey and thoroughly dry. It is now known as Chintamani-Dhupa, the "thought-mastering incense". If a little of this be used according to the ceremonies prescribed, he who employs it will make all the world submissive to him.

A fumigation for fascination! A strangely sensual blend, exotic, compelling, and commanding, adapted from an incense recipe found in the venerable sex manual, the Ananga Ranga.


DOLCE STIL NUOVO 2013
Love always finds shelter in the gentle heart. Dolce Stil Nuovo is a 13th & 14th century Florentine literary style that celebrates love and womanhood through heartfelt, delicate, and melodious sonnets, ballate, and canzones. This is fin'amor, Courtly Love, in its most moving form, and the emotions that these words express reflect love that is both spiritual and idealized.

Within this literary movement, earthly love reaches for the Divine.

Who is she coming, whom all gaze upon,
Who makes the air tremulous with light,
And at whose side is Love himself? that none
Dare speak, but each man's sighs are infinite.
Ah me! how she looks round from left to right,
Let Love discourse: I may not speak thereon.
Lady she seems of such high benison
As makes all others graceless in men's sight.
The honor which is hers cannot be said;
To whom are subject all things virtuous,
While all things beauteous own her deity.
Ne'er was the mind of man so nobly led
Nor yet was such redemption granted us
That we should ever know her perfectly.

Our interpretation of Dolce Stil Nuovo is a blend of rose otto, carnation, vanilla flower, lavender and jasmine with the clarity of crystalline white musk and the warmth of golden amber.


EN ESKÎ AŞKŞİİRİ
Bridegroom, dear to my heart,
Goodly is you beauty, honeysweet,
Lion, dear to my heart,
Goodly is your beauty, honeysweet.

You have captivated me, let me stand tremblingly before you.
Bridegroom, I would be taken by you to the bedchamber,
You have captivated me, let me stand tremblingly before you.
Lion, I would be taken by you to the bedchamber.

Bridegroom, let me caress you,
My precious caress is more savory than honey,
In the bedchamber, honey-filled,
Let me enjoy your goodly beauty,
Lion, let me caress you,
My precious caress is more savory than honey.

Bridegroom, you have taken your pleasure of me,
Tell my mother, she will give you delicacies,
My father, he will give you gifts.

Your spirit, I know where to cheer your spirit,
Bridegroom, sleep in our house until dawn,
Your heart, I know where to gladden your heart,
Lion, sleep in our house until dawn.

You, because you love me,
Give me pray of your caresses,
My lord god, my lord protector,
My Shu-Sin, who gladdens Enlil's heart,
Give my pray of your caresses.

Your place goodly as honey, pray lay (your) hand on it,
Bring (your) hand over like a gishban-garment,
Cup (your) hand over it like a gishban-sikin-garment.

- Translated by Samuel Noah Kramer

En Eski Aşk Şiiri was inspired by the oldest love poem found in recorded history, inscribed circa 4000 BC. It was recited by the brides of King Shu-Sin of Nippur, in what is now modern-day Istanbul. This is a traditional Sumerian perfume, composed of juniper, tamarisk, almond, lavender honey, sesame, myrrh, olive oil, cedar, and rose.


EVE, TO ADAM IN PARADISE
With thee conversing I forget all time;
All seasons, and their change, all please alike.
Sweet is the breath of Morn, her rising sweet,
With charm of earliest birds: pleasant the sun,
When first on this delightful land he spreads
His orient beams, on herb, tree, fruit, and flower,
Glistering with dew; fragrant the fertile earth
After soft showers; and sweet the coming on
Of grateful Evening mild; then silent Night
With this her solemn bird and this fair moon,
And these the gems of Heaven, her starry train:
But neither breath of Morn when she ascends
With charm of earliest birds; nor rising sun
On this delightful land, nor herb, fruit, flower,
Glistering with dew; nor fragrance after showers;
Nor grateful Evening mild; nor silent Night
With this her solemn bird; nor walk by moon,
Or glittering star-light without thee is sweet.

- Paradise Lost, Book IV, Lines 639-652 by John Milton

The First Love: Moroccan rose, white fig, honey, hay absolute, vanilla, chamomile, white musk, pomegranate juice, and morning dew.


A FAREWELL TO FALSE LOVE 2013
Farewell, false love, the oracle of lies,
A mortal foe and enemy to rest,
An envious boy, from whom all cares arise,
A bastard vile, a beast with rage possessed,
A way of error, a temple full of treason,
In all effects contrary unto reason.

A poisoned serpent covered all with flowers,
Mother of sighs, and murderer of repose,
A sea of sorrows whence are drawn such showers
As moisture lend to every grief that grows;
A school of guile, a net of deep deceit,
A gilded hook that holds a poisoned bait.

A fortress foiled, which reason did defend,
A siren song, a fever of the mind,
A maze wherein affection finds no end,
A raging cloud that runs before the wind,
A substance like the shadow of the sun,
A goal of grief for which the wisest run.

A quenchless fire, a nurse of trembling fear,
A path that leads to peril and mishap,
A true retreat of sorrow and despair,
An idle boy that sleeps in pleasure's lap,
A deep mistrust of that which certain seems,
A hope of that which reason doubtful deems.

Sith then thy trains my younger years betrayed,
And for my faith ingratitude I find;
And sith repentance hath my wrongs bewrayed,
Whose course was ever contrary to kind:
False love, desire, and beauty frail, adieu.
Dead is the root whence all these fancies grew.
- Sir Walter Raleigh

Pale lavender, sweet violet, balsam of Peru, and paperwhite narcissus.


I LOVED YOU FIRST: BUT AFTERWARDS YOUR LOVE
Poca favilla gran fiamma seconda. - Dante

Ogni altra cosa, ogni pensier va fore,
E sol ivi con voi rimansi amore.
- Petrarca

I loved you first: but afterwards your love
Outsoaring mine, sang such a loftier song
As drowned the friendly cooings of my dove.
Which owes the other most? my love was long,
And yours one moment seemed to wax more strong;
I loved and guessed at you, you construed me
And loved me for what might or might not be -
Nay, weights and measures do us both a wrong.
For verily love knows not ‘mine’ or ‘thine;’
With separate ‘I’ and ‘thou’ free love has done,
For one is both and both are one in love:
Rich love knows nought of ‘thine that is not mine;’
Both have the strength and both the length thereof,
Both of us, of the love which makes us one.

- Christina Rossetti

A gentle musk suffused with red roses, neroli, Moroccan jasmine, tuberose, white tobacco, and bourbon vanilla.


KHAJURAHO 2013
The fabled Khajuraho temples of India are shrines of love in all its myriad forms. They are a celebration of love itself - transcendental, spiritual and erotic. This is a rejection of sorrow, spiritual ennui and despair. The sexual motifs that adorn the temples, and the temples themselves, are monuments to ecstasy and to passion, and through that, they are also monuments to spiritual fulfillment. It is believed that the realization of moksha by dedicating oneself to adhyatma and dharma can be attained only by first experiencing sexual satisfaction. In the midst of the drudgery and struggle that we sometimes endure during the course of our Earthly lives, it is vitally important that we remember the joy found in kama, and that in kama we can achieve transformation of the body and soul.

This is a blissful, euphoric blend based on an ancient Indian love potion: honey, date palm, tuberose, davana blossom, amber, white sandalwood, vanilla bean, Damask rose, and champaca flower.


LA VITA NUOVA 2013
In that book which is
My memory…
On the first page
That is the chapter when
I first met you
Appear the words…
Here begins a new life
-Dante Alighieri

Apple blossom, white rose, lemon balm, and champagne grape.


LUPERCI 2013
Piss off, Saint Valentine! Lupercalia is an ancient Roman celebration, held on February 15th, that kicked in the advent of Spring with a very, very festive purification, fertility and sexuality ritual. The ritual began near the cave of Lupercal on the Palatine, an area sacred to Faunus, as well as Ruminia, Romulus and Remus. During Lupercalia, Vestal Virgins first made offerings of sacred cakes to the fig tree under which the she-wolf suckled the Sacred Twins. A dog and two goats were then offered in sacrifice to Faunus. The blood of the sacrifice was smeared onto two naked patrician youths, who were assisted by the Virgins, and the blood was wiped clean with sacred wool dipped in milk. The youths donned the skins of the sacrificial goats, wielding whips made from the goat skins, and then led the priests and the Virgins around the pomarium, and around the base hills of Rome. This was a ceremony of great happiness and merriment, and was of particular interest to young women: being touched by the goat-whips young men that led the procession ensured their fertility in the coming year. It is believed that, after the initial rite, male participants would draw the name of an available maiden, with whom he spent the rest of the night. This scent is for the Luperci, the Chosen of Faunus, the Brothers of the Wolf: raw, down and dirty patchouli, Gurjam balsam, and essence of Sampson Root sweetened with the heightened sexuality of beeswax, virile juniper, oakmoss, ambrette seed over honey and East African musk.


NIGHT THOUGHTS
Stars, you are unfortunate, I pity you,
Beautiful as you are, shining in your glory,
Who guide seafaring men through stress and peril
And have no recompense from gods or mortals,
Love you do not, nor do you know what love is.
Hours that are aeons urgently conducting
Your figures in a dance through the vast heaven,
What journey have you ended in this moment,
Since lingering in the arms of my beloved
I lost all memory of you and midnight.
- Johann Wolfgang von Goethe

Lilac, blue musk, dianthus, cedar, neroli, ozone, and luminous Eastern herbs.


OLISBOS 2013
As for old flames and lovers-they're none left.
And since Milesians went against us,
I've not seen a decent eight-fingered dildo.
Yes, it's just leather, but it helps us out.
The ancient Greeks sure weren't shy about taking care of business. The port city of Miletus was once famed throughout the Mediterranean as a source of excellent stone, wood, and padded leather dildos. This scent is the celebration of an age-old pastime: polished wood, well-loved leather, and olive oil.


ON THE BALCONY
In front of the sombre mountains,
a faint, lost ribbon of rainbow
And between us and it, the thunder;
And down below in the green wheat,
the labourers stand like dark stumps,
still in the green wheat.
You are near to me, and naked feet
In their sandals, and through the
scent of the balcony's naked timber
I distinguish the scent of your hair:
so now the limber
Lightning falls from heaven.
Adown the pale-green glacier river floats
A dark boat through the gloom—
and whither? The thunder roars
But still we have each other!
The naked lightnings in the heavens dither
And disappear—
what have we but each other?
The boat has gone.
- DH Lawrence

A haven of warmth glowing within tumultuous darkness: rose-infused amber, copal, and blood lily surrounded by labdanum, opoponax, and myrrh, and splashed by ozone and rain.


THE PASSIONATE SHEPHERD TO HIS LOVE 2013
Come live with me and be my love,
And we will all the pleasures prove,
That valleys, groves, hills and fields,
Woods or steepy mountains yields.

And we will sit upon the rocks,
Seeing the shepherds feed their flocks
By shallow rivers, to whose falls
Melodious birds sing madrigals.

And I will make thee beds of roses,
And a thousand fragrant posies,
A cap of flowers and a kirtle
Embroidered all with leaves of myrtle;

A gown made of the finest wool,
Which from our pretty lambs we pull;
Fair-lined slippers for the cold,
With buckles of the purest gold;

A belt of straw and ivy buds,
With coral clasps and amber studs;
And if these pleasures may thee move,
Come live with me and be my love.

The shepherd swains shall dance and sing
For thy delight each May morning;
If these delights thy mind may move,
Then live with me and be my love.
- Christopher Marlowe

Heather, clover, Irish moss, English ivy, tea rose, and carnation.


THE PERFUMED GARDEN 2013
Under her neck my right hand
Has served her for a cushion,
And to draw her to me
I have sent out my left hand,
Which bore her up as a bed.

The Perfumed Garden for the Soul's Recreation. This scent is based on a venerable Tunisian perfume that was used to excite the senses, inspire sensuality and inflame passion. Myrrh and Moroccan jasmine with apple peel, Indian sandalwood, myrtle, quince, citron, and thyme poured over soft musk.


SIGNIOR DILDO 2013
With thanks to Sir John Wilmot.

This signior is sound, safe, ready, and dumb
As ever was candle, carrot, or thumb;
Then away with these nasty devices, and show
How you rate the just merit of Signior Dildo.

Count Cazzo, who carries his nose very high,
In passion he swore his rival should die;
Then shut himself up to let the world know
Flesh and blood could not bear it from Signior Dildo.

A rabble of pricks who were welcome before,
Now finding the porter denied them the door,
Maliciously waited his coming below
And inhumanly fell on Signior Dildo.

Nigh wearied out, the poor stranger did fly,
And along the Pall Mall they followed full cry;
The women concerned from every window
Cried, 'For heaven's sake, save Signior Dildo.'

The good Lady Sandys burst into a laughter
To see how the ballocks came wobbling after,
And had not their weight retarded the foe,
Indeed't had gone hard with Signior Dildo.

A scent of pearls and ivory: orris, violet leaf, narcissus, and Madagascar vanilla.


TIME DOES NOT BRING RELIEF 2013
Time does not bring relief; you all have lied
Who told me time would ease me of my pain!
I miss him in the weeping of the rain;
I want him at the shrinking of the tide;
The old snows melt from every mountain-side,
And last year's leaves are smoke in every lane;
But last year's bitter loving must remain
Heaped on my heart, and my old thoughts abide.
There are a hundred places where I fear
To go - so with his memory they brim.
And entering with relief some quiet place
Where never fell his foot or shone his face
I say, 'There is no memory of him here!'
And so stand stricken, so remembering him.
-Edna St Vincent Millay

Remembrance: Parma violet and leather accord with beeswax, Egyptian musk, orange blossom, white tea, lavender, myrrh, and copal.






+ Aeacidae Chiron, ego sum praeceptor Amoris
A THOUGHT FROM PROPERTIUS
She might, so noble from head
To great shapely knees
The long flowing line,
Have walked to the altar
Through the holy images
At Pallas Athene's side,
Or been fit spoil for a Centaur
Drunk with the unmixed wine.
- WB Yeats

Sweet honey, white apricot, and a touch of cayenne pepper.


CORINNA
In summer's heat, and mid-time of the day,
To rest my limbs upon a bed I lay;
One window shut, the other open stood,
Which gave such light as twinkles in a wood,
Like twilight glimpse at setting of the sun,
Or night being past, and yet not day begun.
Such light to shamefaced maidens must be shown,
Where they may sport, and seem to be unknown.
Then came Corinna in a long loose gown,
Her white neck hid with tresses hanging down,
Resembling fair Semiramis going to bed
Or Lais of a thousand wooers sped.
I snatched her gown: being thin, the harm was small,
Yet strived she to be covered there withal.
And striving thus, as one that would be cast,
Betrayed herself, and yielded at the last.
Stark naked as she stood before mine eye,
Not one wen in her body could I spy.
What arms and shoulders did I touch and see!
How apt her breasts were to be pressed by me!
How smooth a belly under her waist saw I,
How large a leg, and what a lusty thigh!
To leave the rest, all liked me passing well,
I clinged her naked body, down she fell:
Judge you the rest; being tired she bade me kiss;
Jove send me more such afternoons as this!
- Christopher Marlowe, after Ovid

White amber, mimosa, orris root, osmanthus, labdanum, Siamese benzoin, and jasmine sambac.


SIC ERIT
Esse quid hoc dicam, quod tam mihi dura videntur
strata, neque in lecto pallia nostra sedent,
vacuus somno noctem, quam longa, peregi,
lassaque versati corporis ossa dolent?
nam, puto, sentirem, siquo temptarer amore.
an subit et tecta callidus arte nocet?
sic erit; haeserunt tenues in corde sagittae,
et possessa ferus pectora versat Amor.
Cedimus, an subitum luctando accendimus ignem?
cedamus! leve fit, quod bene fertur, onus.
vidi ego iactatas mota face crescere flammas
et rursus nullo concutiente mori.
verbera plura ferunt, quam quos iuvat usus aratri,
detractant prensi dum iuga prima boves.
asper equus duris contunditur ora lupatis,
frena minus sentit, quisquis ad arma facit.
acrius invitos multoque ferocius urget
quam qui servitium ferre fatentur Amor.
En ego confiteor! tua sum nova praeda, Cupido;
porrigimus victas ad tua iura manus.
nil opus est bello--veniam pacemque rogamus;
nec tibi laus armis victus inermis ero.
necte comam myrto, maternas iunge columbas;
qui deceat, currum vitricus ipse dabit,
inque dato curru, populo clamante triumphum,
stabis et adiunctas arte movebis aves.
ducentur capti iuvenes captaeque puellae;
haec tibi magnificus pompa triumphus erit.
ipse ego, praeda recens, factum modo vulnus habebo
et nova captiva vincula mente feram.
Mens Bona ducetur manibus post terga retortis,
et Pudor, et castris quidquid Amoris obest.
omnia te metuent; ad te sua bracchia tendens
vulgus 'io' magna voce 'triumphe!' canet.
blanditiae comites tibi erunt Errorque Furorque,
adsidue partes turba secuta tuas.
his tu militibus superas hominesque deosque;
haec tibi si demas commoda, nudus eris.
Laeta triumphanti de summo mater Olympo
plaudet et adpositas sparget in ora rosas.
tu pinnas gemma, gemma variante capillos
ibis in auratis aureus ipse rotis.
tunc quoque non paucos, si te bene novimus, ures;
tunc quoque praeteriens vulnera multa dabis.
non possunt, licet ipse velis, cessare sagittae;
fervida vicino flamma vapore nocet.
talis erat domita Bacchus Gangetide terra;
tu gravis alitibus, tigribus ille fuit.
Ergo cum possim sacri pars esse triumphi,
parce tuas in me perdere, victor, opes!
adspice cognati felicia Caesaris arma--
qua vicit, victos protegit ille manu.

WHO is it that can tell me why my bed seems so is hard and why the bedclothes will not stay upon it? Wherefore has this night--and oh, how long it was!--dragged on, bringing no sleep to my eyes? Why are my weary limbs visited with restlessness and pain? If it were Love that had come to make me suffer, surely I should know it. Or stay, what if he slips in like a thief, what if he comes, without a word of warning, to wound me with his cruel arts? Yes, 'tis he! His slender arrows have pierced my heart, and fell Love holds it like a conquered land. Shall I yield me to him? Or shall I strive against him, and so add fuel to this sudden flame? Well, I will yield; burdens willingly borne do lighter weigh. I know that the flames will leap from the shaken torch and die away in the one you leave alone. The young oxen which rebel against the yoke are more often beaten than those which willingly submit. And if a horse be fiery, harsh is the bit that tames him. When he takes to -the fray with a will, he feels the curb less galling. And so it is with Love; for hearts that struggle and rebel against him, he is more implacable and stern than for such as willingly confess his sway.

Ah well, be it so, Cupid; thy prey am I. I am a poor captive kneeling with suppliant hands before my conqueror. What is the use of fighting? Pardon and peace is what I ask. And little, I trow, would it redound to your glory, armed as you are, to strike down a defenceless man. Crown thy brows with myrtle and thy mother's doves yoke to thy car. Thy step-father will give thee the chariot that befits thee, and upon that chariot, amid the acclamations of the throng, thou shalt stand a conqueror, guiding with skill thy harnessed birds. Captives in thy train, youths and maidens shall follow, and splendid shall be thy triumph. And I, thy latest victim, shall be there with my fresh wound, and with submissive mien I will bear my new-wrought fetters. Prudence shall be led captive with hands bound behind her back, and Modesty, and whatsoever else is an obstacle to Love. All things shall be in awe of thee, and stretching forth their arms towards thee the throng with mighty voice shall thunder "Io Triumphe!" Caresses shall be thy escort, and Illusion and Madness, a troop that ever follows in thy train. With these fighting on thy side, nor men nor gods shall stand against thee; but if their aid be lacking, naked shalt thou be. Proud to behold thy triumph, thy mother will applaud thee from High Olympus and scatter roses on thy upturned face. Thy wings and thy locks shall be adorned with precious stones, and all with gold resplendent shalt thou drive thy golden car. Then too, if I know thee well, thou wilt set countless other hearts on fire, and many a wound shalt deal as thou passest on thy way. Repose, even when thou art fain to rest, cometh not to thine arrows. Thy ardent flame turns water itself to vapour. Such was Bacchus when he triumphed over the land of the Ganges. Thou art drawn along by doves; his car was drawn by tigers. Since, then, I am to have a part in thy godlike triumph, lose not the rights which thy victory gives thee over me. Bethink thee of the victories of thy kinsman Cæsar; he shields the conquered with the very hand that conquers them.

- - -

Thus it will be; slender arrows are lodged in my heart,
and Love vexes the chest that it has seized.
Should I surrender or stir up the sudden flame by battling it?
I will surrender; a burden becomes light when it is carried willingly.
- Ovid, translation by J. Lewis May

Slender arrows lodged in my heart: red amber, benzoin, red musk, bourbon geranium, oak bark, Atlas cedar, and 13-year aged Sumatran patchouli.


QAERIS QUOT MIHI BASIATIONES
Quaeris, quot mihi basiationes
tuae, Lesbia, sint satis superque.
quam magnus numerus Libyssae harenae
lasarpiciferis iacet Cyrenis
oraclum Iovis inter aestuosi
et Batti veteris sacrum sepulcrum;
aut quam sidera multa, cum tacet nox,
furtivos hominum vident amores:
tam te basia multa basiare
vesano satis et super Catullo est,
quae nec pernumerare curiosi
possint nec mala fascinare lingua

You ask, my Lesbia, how many of your kisses
are enough and more than enough for me.
As big a number as the Libyan grains of sand
that lie at silphium producing Cyrene
between the oracle of Sultry Jupiter
and the sacred tomb of old Battus;
Or as many stars that see the secret love affairs of men,
when the night is silent.
So many kisses are enough
and more than enough for mad Catullus to kiss you,
these kisses which neither the inquisitive are able to count
nor an evil tongue bewitch.
- Catallus, translation by Daniel San

Infinite kisses: white honey, red currant, sugar cane, and ginger.


UNVEIL THE GRACE IN THINE EYES
Turn to me, dear one, turn thy face,
And unveil for me in thine eyes, their grace.
- Sappho

Orris, luminous ambergris, and golden amber illuminated by a sunlit golden musk.


VIVAMUS, MEA LESBIA, ATQUE AMEMUS
Vivamus, mea Lesbia, atque amemus,
rumoresque senum severiorum
omnes unius aestimemus assis!
soles occidere et redire possunt:
nobis cum semel occidit brevis lux,
nox est perpetua una dormienda.
da mi basia mille, deinde centum,
dein mille altera, dein secunda centum,
deinde usque altera mille, deinde centum.
dein, cum milia multa fecerimus,
conturbabimus illa, ne sciamus,
aut ne quis malus inuidere possit,
cum tantum sciat esse basiorum.

My sweetest Lesbia, let us live and love;
And though the sager sort our deeds reprove,
Let us not weigh them. Heaven's great lamps do dive
Into their west, and straight again revive,
But soon as once is set our little light,
Then must we sleep one ever-during night.
- Catallus, translation by Thomas Campion

Scorn the foolishness of others and love, for life is too brief, and death brings everlasting sleep: Ethiopian ambrette seed, summer honey, Alpine lavender, cognac, mate resinoid, peru balsam, and red musk.




++ BOX O'CHOCOLATES
  • BELGIAN CHOCOLATE, HONEY, CUBEB BERRIES, BLACK MISSION FIG AND AVOCADO
  • DARK CHOCOLATE WITH MERLOT-INFUSED BLACK CHERRIES AND STAR ANISE
  • DARK CHOCOLATE WITH WORMWOOD, FENNEL, SWEET FLAG, AND LEMON VERBENA, DUSTED WITH WHITE SUGAR.
  • MAYAN CHOCOLATE WITH ANNATTO SEED, ANAHEIM PEPPER, CINNAMON, AND VANILLA BEAN
  • WHITE CHOCOLATE WITH MATE, HAZELNUT, AND BANANA CREAM.



The following Lupercalia set contain nudity, depictions of sex acts, and other not-suitable-fer-younguns stuff. By clicking on the links or purchasing these products, you are affirming that you are at least eighteen years of age and that you are permitted by law to view suggestive imagery. Black Phoenix Alchemy Lab is also not responsible for any pearl-clutching reactions to the themes we present. If you are offended by nudity, schtupping, marital aids, or any other naughty business, please go no further. Viewer discretion is advised!

For your pleasure, we are thrilled to present another whimsical sojourn to the bedrooms of Edo-era Japan -- Novel Ideas For Secret Amusements: A Shunga Exhibition.






26 December 2012

Moon of the Terribe

Moon of the Terrible is live at Black Phoenix Alchemy Lab and Trading Post.



MOON OF THE TERRIBLE
On New Year's Day
each thought a loneliness
as winter dusk descends


Desolation at the last moment in the gloaming on New Year's Day: winter snow with lavender, benzoin, lychee, starfruit, carrot seed, white iris, pale resins, and a cluster of melancholy, lachrymose lunar herbs and florals.


And our monthly single note offerings are:

KING MANDARIN
King Mandarin is a refreshing, tart, opulent citrus oil. The scent is uplifting and cheering and creates a strong sense of well-being. It is a relaxing fragrance that promotes sensuality through delight.


MADAGASCAN VANILLA RUM
A complex single note accord that melds pure bourbon vanilla with the scent of fermented molasses. The scent is dark, thick, sweet, heavy and rich, with a slight spicy smokiness.



Wishing all of you a happy, prosperous, magical New Year.





26 November 2012

Whirling Wind Moon

The Whirling Wind Moon is live at Black Phoenix Alchemy Lab and Trading Post.



WHIRLING WIND MOON
Swiftly walk o'er the western wave,
Spirit of Night!
Out of the misty eastern cave,
Where, all the long and lone daylight,
Thou wovest dreams of joy and fear,
'Which make thee terrible and dear, —
Swift be thy flight!


Dreams of joy and fear: swirling dark and airy musks, mogra, plumeria, hyacinth, lily of the valley, dry white sandalwood, raw white ginger, gardenia, pale amber, and oakmoss.



Whirling Wind Moon art by Tanya Bjork!




This month's single note is
GOLGOTHAN MYRRH
I send thee myrrh, not that thou mayest be by it perfumed, but it perfumed by thee.

Myrrh is a sacred plant whose power has been explored for over four thousand years. It is an ingredient in the Kyphi of the ancient Egyptians and in Ketoret, which was used in the used in the First and Second Temples of Jerusalem. Myrrh was also one of the gifts that the Magi were said to have brought to the infant Christ. This tremendously potent and protective plant resonates with the Crone, and is utilized both to explore the Crone's spheres of death and wisdom, and as a tool to help lead the proverbial child of destiny through darkness to a place of enlightenment.

Myrrh, whose name means Bitter Tears, exists within the auspices of both Saturn and Luna, and represents loss and grief as well as the ability to heal and learn from painful experiences.




I hate price increases. There's no gentle way of announcing them, and I always feel like a heel when we have to make 'em. Effective immediately, the price of wand caps is going up to $1 per piece. The cost of the caps themselves has risen on our end, and because they're a high-breakage item, we lose money on them as a whole because they get roughed up in transit despite our best efforts to keep them safe and snug.

Wand caps are available on our Imp's Ears page.

Thank you so much for understanding!




16 November 2012

Happy tenth anniversary, Black Phoenix.

Holy shit. TEN YEARS. TEN!

First off, I'd like to thank our customers – our friends – that have stayed with us through all these years. Thank you for sharing your joys and sorrows, thank you for your limitless kindness, your contagious joy, and the warmth of your friendship. The single most important gift that Black Phoenix has given me throughout this decade is the phenomenal, world-encompassing family that I now have because of all of you. You can't imagine how much you mean to me. Thank you.

With genuine love and gratitude…

Thank you, Brian, for being the dearest and truest of friends. Without you, this company would be a series of abstract ideas without form. You give this company stability, cohesion, and an ever-renewing vigor.

Thank you, Ted, for being my heart's joy, my eternal muse, and my strength. You are as vital to me as breath and light, and as much a part of me as the blood that flows through my veins.

Lilith, though you don't technically work at the Lab (yet!), you are my tiny muse, and I want to thank you. You have shown me the immensity of true love. My tiny muse, my little butterfly… you are my greatest teacher.

Thank you, Kathy, for being a true and wonderful friend. Thank you for all the help you give us, and thank you for sharing your talent, your kindness, and your light. Thank you for being a shoulder to cry on, a friend in joy and in the darkest of times, and a sister in the truest sense.

Thank you, Jacquelynn, for all of your tremendous hard work, your dedication, your creativity, and your huge heart.

Thank you, Lisa, for being an absolute saint. Thank you for everything you do for us; you truly are our knight in shining armor!

Thank you, Piolet, for being an oasis of calm, no matter how crazy things get here! Thank you for your hard work and your strength of character, and thank you for always making me laugh.

Thank you, Will, for your hard work, diligence, and dedication!

Thank you to Sue and Del at Dark Delicacies for everything you do. Thank you for giving a second home to Black Phoenix, and thank you for being the greatest grandparents a little demoness could ask for! You are wonderful, wonderful people, and it is an honor to be your friend.

Thank you, Sara and Lori, for all the love and enthusiasm you put into every event. I adore you!

Thank you to the mods and administrators of bpal.org. I love you guys. Oh, man, I love you guys so much. Thank you for being my sisters. Thank you for always being there for me.

Thank you to Jen, Lisa, Val, Maggie, Ali, Court, and Tom for making this year's road show possible. I know it was Trial By Fire! You were all amazing – thank you so much for being there for us, and for giving so much of yourselves to the events!

Thank you, Donna and Linda, for being our Stuff's babysitters! You are livesavers.

Thank you, Courtney and Suki, for being our extended Will Call family! Thank you for all the energy and love you put into every event! We are all truly grateful!

Huge amounts of love and HUGE amounts of gratitude to Laura Hall and all the wonderful people at Laika studios. Your generosity and kindness is beyond measure.

Thank you to Neil Gaiman, Amanda Palmer, Peter S. Beagle, Terry Pratchett, Terry Moore, Mike and Christine Mignola, George Perez, Peter David, Molly Crabapple, Mark Waid, Storm Constantine, Matt Wagner, Jim Henson Productions, Brian Pulido, Joseph Michael Linsner, Eva Hopkins, Gris Grimly, and Ysanne Spevak for giving Black Phoenix the opportunity to interpret your work.

Thank you, Carolyn Hennesy, for being a wonderful friend and a constant joy. Your stories are adorable, your talent is boundless, and you bring so much joy to so many people!

Thank you to the noble souls at the Comic Book Legal Defense Fund and the Hero Initiative. You are an inspiration.

Thank you, Charles, for being an inspiration and a true friend.

Much thanks to Peter S. Beagle and Connor Cochran for their friendship. You bring so much joy to so many people!

Love and thanks to the artists that have lent us their talent: Adam Hughes, Alicia Dabney, Julie Dillon, Madame Talbot, Quique Alcatena, Jennifer Rodgers, Manda Lander, Tanya Bjork, Andrew Fogel, Brian Kessinger, Abigail Larson, and Sarah Coleman!

Gratitude, love, and thanks to Geek Girl Diva for being a pillar of strength and a wonderful friend. You're always there for me, and I'm grateful beyond words.

Love and thanks to the Mütter Museum, Whole Foods, Pretty Indulgent, Healthy Living, Bedlam Bedlam, and Dark Delicacies for giving our products a home in your stores!

Love and thanks to the bloggers, journalists, magazines, and other media outlets that taken the time to write about Black Phoenix. Honestly, I cannot thank you enough.

I said this last year AND the year before, and it holds just as true now:

‘Thank you for sharing our joy and for standing with us during difficult times. The family that has grown around BPAL is like no other in the world. Every time I wander into the forum, I see people supporting one another in times of need, showing selfless kindness and offering support to one another... to me, you all are models of emotional generosity and true friendship, and it is truly an honor to be a part of your lives. I cannot express my gratitude enough. Thank you for celebrating the beauty of living with us, and for holding our hands during times of stress and sorrow. This year has been turbulent for just about everyone we know. It's been a hard year filled with challenges and hidden lessons, but none of it is insurmountable because we all have this tremendous, genuinely loving family. Thank you.’

Thank you. Thank you so much, everyone, for being with us for the past ten years. I truly hope we've been able to bring you as much joy as you have given to us.

Here's to the next ten years!

And without further ado, the Anniversary scents!



++ BPAL ANNIVERSARY UPDATE
To celebrate our temth anniversary, we created a complex set of scents inspired by the classical planets. Each scent symbolizes a renewal of the spirit as manifested through the benevolent aspects of each celestial body.

May the upcoming year bathe each of our lives in transformational fiery splendor!

MERCURIAL PHOENIX
HERMES, draw near, and to my pray'r incline,
Angel of Jove, and Maia's son divine;
Studious of contests, ruler of mankind,
With heart almighty, and a prudent mind.
Celestial messenger, of various skill,
Whose pow'rful arts could watchful Argus kill:
With winged feet, 'tis thine thro' air to course,
O friend of man, and prophet of discourse:
Great life-supporter, to rejoice is thine,
In arts gymnastic, and in fraud divine:
With pow'r endu'd all language to explain,
Of care the loos'ner, and the source of gain.
Whose hand contains of blameless peace the rod,
Corucian, blessed, profitable God;
Of various speech, whose aid in works we find,
And in necessities to mortals kind:
Dire weapon of the tongue, which men revere,
Be present, Hermes, and thy suppliant hear;
Assist my works, conclude my life with peace,
Give graceful speech, and me memory's increase.

A blessing of wit, opportunity, and skill: yellow sandalwood, bergamot, gum mastic, gum Arabic, lavender, lemongrass, angelica root, and anise.


VENUSIAN PHOENIX
HEAV'NLY, illustrious, laughter-loving queen,
Sea-born, night-loving, of an awful mien;
Crafty, from whom necessity first came,
Producing, nightly, all-connecting dame:
'Tis thine the world with harmony to join,
For all things spring from thee, O pow'r divine.
The triple Fates are rul'd by thy decree,
And all productions yield alike to thee:
Whate'er the heav'ns, encircling all contain,
Earth fruit-producing, and the stormy main,
Thy sway confesses, and obeys thy nod,
Awful attendant of the brumal God:
Goddess of marriage, charming to the sight,
Mother of Loves, whom banquetings delight;
Source of persuasion, secret, fav'ring queen,
Illustrious born, apparent and unseen:
Spousal, lupercal, and to men inclin'd,
Prolific, most-desir'd, life-giving., kind:
Great sceptre-bearer of the Gods, 'tis thine,
Mortals in necessary bands to join;
And ev'ry tribe of savage monsters dire
In magic chains to bind, thro' mad desire.
Come, Cyprus-born, and to my pray'r incline,
Whether exalted in the heav'ns you shine,
Or pleas'd in Syria's temple to preside,
Or o'er th' Egyptian plains thy car to guide,
Fashion'd of gold; and near its sacred flood,
Fertile and fam'd to fix thy blest abode;
Or if rejoicing in the azure shores,
Near where the sea with foaming billows roars,
The circling choirs of mortals, thy delight,
Or beauteous nymphs, with eyes cerulean bright,
Pleas'd by the dusty banks renown'd of old,
To drive thy rapid, two-yok'd car of gold;
Or if in Cyprus with thy mother fair,
Where married females praise thee ev'ry year,
And beauteous virgins in the chorus join,
Adonis pure to sing and thee divine;
Come, all-attractive to my pray'r inclin'd,
For thee, I call, with holy, reverent mind.

A blessing of beauty, passion, and kindness: red rose, benzoin, apple blossom, lemon verbena, red sandalwood, rose mint, sweet cherry, hibiscus, cardamom, tonka, tomato leaf, and vetiver.


MARTIAN PHOENIX
Magnanimous, unconquer'd, boistrous Mars,
In darts rejoicing, and in bloody wars
Fierce and untam'd, whose mighty pow'r can make
The strongest walls from their foundations shake:
Mortal destroying king, defil'd with gore,
Pleas'd with war's dreadful and tumultuous roar:
Thee, human blood, and swords, and spears delight,
And the dire ruin of mad savage fight.
Stay, furious contests, and avenging strife,
Whose works with woe, embitter human life;
To lovely Venus, and to Bacchus yield,
To Ceres give the weapons of the field;
Encourage peace, to gentle works inclin'd,
And give abundance, with benignant mind.

A blessing of strength, energy, and courage: dragon's blood, thistle extract, galangal, opoponax, tobacco absolute, cactus flower, peppermint, black pepper, cumin, white fig, and bloodroot.


JUPITERIAN PHOENIX
O Jove much-honor'd, Jove supremely great,
To thee our holy rites we consecrate,
Our pray'rs and expiations, king divine,
For all things round thy head exalted shine.
The earth is thine, and mountains swelling high,
The sea profound, and all within the sky.
Saturnian king, descending from above,
Magnanimous, commanding, sceptred Jove;
All-parent, principle and end of all,
Whose pow'r almighty, shakes this earthly ball;
Ev'n Nature trembles at thy mighty nod,
Loud-sounding, arm'd with light'ning, thund'ring God.
Source of abundance, purifying king,
O various-form'd from whom all natures spring;
Propitious hear my pray'r, give blameless health,
With peace divine, and necessary wealth.

A blessing of optimism, prosperity, and sound judgment: sarsaparilla, juniper berries, Himalayan cedar, Terebinth pine, sweet clove, green tea, nutmeg, and hyssop.


SATURNIAN PHOENIX
ETHERIAL father, mighty Titan, hear,
Great fire of Gods and men, whom all revere:
Endu'd with various council, pure and strong,
To whom perfection and decrease belong.
Consum'd by thee all forms that hourly die,
By thee restor'd, their former place supply;
The world immense in everlasting chains,
Strong and ineffable thy pow'r contains
Father of vast eternity, divine,
O mighty Saturn, various speech is thine:
Blossom of earth and of the starry skies,
Husband of Rhea, and Prometheus wife.
Obstetric Nature, venerable root,
From which the various forms of being shoot;
No parts peculiar can thy pow'r enclose,
Diffus'd thro' all, from which the world arose,
O, best of beings, of a subtle mind,
Propitious hear to holy pray'rs inclin'd;
The sacred rites benevolent attend,
And grant a blameless life, a blessed end.

A blessing of stability, manifestation, and wisdom-from-sorrow: cypress, myrrh, white lily, cassia, violet, pomegranate, tamarind, and opium poppy.


SOLAR PHOENIX
HEAR golden Titan, whose eternal eye
With broad survey, illumines all the sky.
Self-born, unwearied in diffusing light,
And to all eyes the mirrour of delight:
Lord of the seasons, with thy fiery car
And leaping coursers, beaming light from far:
With thy right hand the source of morning light,
And with thy left the father of the night.
Agile and vig'rous, venerable Sun,
Fiery and bright around the heav'ns you run.
Foe to the wicked, but the good man's guide,
O'er all his steps propitious you preside:
With various founding, golden lyre, 'tis mine
To fill the world with harmony divine.
Father of ages, guide of prosp'rous deeds,
The world's commander, borne by lucid steeds,
Immortal Jove, all-searching, bearing light,
Source of existence, pure and fiery bright
Bearer of fruit, almighty lord of years,
Agil and warm, whom ev'ry pow'r reveres.
Great eye of Nature and the starry skies,
Doom'd with immortal flames to set and rise
Dispensing justice, lover of the stream,
The world's great despot, and o'er all supreme.
Faithful defender, and the eye of right,
Of steeds the ruler, and of life the light:
With founding whip four fiery steeds you guide,
When in the car of day you glorious ride.
Propitious on these mystic labours shine,
And bless thy suppliants with a life divine.

A blessing of nobility, leadership, and generosity: Roman chamomile, yellow rose, pineapple, bay laurel, frankincense, heliotrope, and Ceylon cinnamon.


LUNAR PHOENIX
HEAR, Goddess queen, diffusing silver light,
Bull-horn'd and wand'ring thro' the gloom of Night.
With stars surrounded, and with circuit wide
Night's torch extending, thro' the heav'ns you ride:
Female and Male with borrow'd rays you shine,
And now full-orb'd, now tending to decline.
Mother of ages, fruit-producing Moon,
Whose amber orb makes Night's reflected noon:
Lover of horses, splendid, queen of Night,
All-seeing pow'r bedeck'd with starry light.
Lover of vigilance, the foe of strife,
In peace rejoicing, and a prudent life:
Fair lamp of Night, its ornament and friend,
Who giv'st to Nature's works their destin'd end.
Queen of the stars, all-wife Diana hail!
Deck'd with a graceful robe and shining veil;
Come, blessed Goddess, prudent, starry, bright,
Come moony-lamp with chaste and splendid light,
Shine on these sacred rites with prosp'rous rays,
And pleas'd accept thy suppliant's mystic praise.

A blessing of imagination, pleasure, and foresight: galbanum, orris root, lettuce, pink lotus absolute, purple lily, bay, jasmine, narcissus, camphor, mugwort, narcissus, yam flower, jasmine, passionflower, parsley, and white papaya.





And also! — If you attend any of the November Black Phoenix Will Call events (Vermont, Seattle, or Los Angeles), please consider participating in our food and toy drive. For every $10 in food that you donate, you will receive a 5ml bottle of

FOREVER IS MERCY BUILT
Tamarind, tonka bean, patchouli, golden amber, and white fig.

For every toy valued at $10 or more that you bring, you will receive a 5ml bottle of

G'MILUT CHASADIM
Honeyed pomegranate, rose, myrrh, osmanthus, and wild plum.

We are offering these oils while supplies last, and cannot guarantee that any Will Call location will be able to fulfill all donation exchanges. We'll do our best! Food donations made at our Los Angeles will call will support the Burbank Temporary Aid Center, and the toys will be donated to the Los Angeles location will be given to Spark of Love, the Los Angeles County Fire Department's toy collection campaign.



Make a purchase at Black Phoenix Alchemy Lab on Black Friday, Small Business Saturday, or Cyber Monday, and receive a free imp of ECONOMIC RECOVERY: a fun little blend of traditional money-generating herbs, resins, and flowers, including patchouli, ambrette seed, bergamot, Irish moss, rice flower, and thyme.

If you make a purchase at Black Phoenix Trading Post on Black Friday, Small Business Saturday, or Cyber Monday, you'll get a squirt of a TAL-inspired blend, THRIVE: a warm, vibrant, prosperity-generating blend of ginger root, gingergrass, frankincense, cardamom, tonka, and hay absolute.

A portion of every purchase made from both stores on these three days will go to Kiva, an organization that provides microloans to small businesses all across the globe.

Shared blessings!



Keep your eyes peeled for the Black Phoenix Trading Post Yule update. It's coming soon!




9 November 2012

++ THE MISKATONIC VALLEY YULETIDE FAIRE
Welcome to Innsmouth, the Pearl of New England!

Every December, the Esoteric Order of Dagon hosts the Miskatonic Valley Yuletide Faire, a holiday marketplace at the former Masonic Temple at New Church Green in Innsmouth. Mayor Obed Marsh, may the Deep Ones bless his eternal governance, lights the community sacrificial pyre on the first of the month, and the festivities begin!

Amidst holiday entertainments, local artisans and craftspeople ply their wares. The Voices of Azathoth, our local children's choir, and the Servitor Flautists perform on the Grand Stage of Malignity throughout the month! "Dread Hymns Ancient and Modern" and the canonical cult scriptures are always lovingly reprinted and distributed by the kind folks at the Wilbur Whateley Memorial Library so that residents and visitors can sing and chant with the carolers, Esquimaux wizards, Louisiana swamp-priests, and local cultists. At midnight on Midwinter Eve, the liturgical play "the Adoration of the Mi-Go" is performed under the lights of a synathroesmus of iridescent globes by Arkham's world-famous acting troupe, the Haunters in the Dark, on the Great Stage.

Get ready for holiday parties and ritual feasts with the help of our local farmers, bakers, and candymakers! Every year since 1928, Mother Shub has set up her tempting pastry and confections stand, the Yule Goat, and this year is no exception! Mason & Jenkin's Pantry will be selling their home made preserves, and the Innsmouth Canning Company will be offering a selection of fresh fish, true to their motto: You Are What You Eat!

Shopping for holiday gifts is a breeze at the Miskatonic Valley Yuletide Faire! Old Man Ackerman, proprietor of Miskatonic Valley's renowned toy store and antiquities dealership, Elder Things, brings hand-crafted clockworks and tin machines that spout iridescent, prolately spheroidal bubbles to delight the wee ones. Old Man Ackerman's educational toys make non-Euclidean calculus fun! Curwen Imports brings a selection of exotic merchandise and antiquities from all over the globe and points beyond, including authentic 12th century illuminated manuscripts crafted by Bartolomeo Corsi. There's no better time to get a pet magah bird for little Billy or a new set of yellow Carcosan robes for yourself! Bargains galore!

(For the pleasure of the adults, the Black Temple Burlesque Troupe performs nightly through January at the Vault of Zin in Innsmouth's Red Light District.)

And that's just a sampling of what the Faire has to offer! Fun for the whole family! May this Yule season bring madness and the void's wild vengeance to all!



THE ADORATION OF THE MI-GO
The time-honored ecclesiastical drama that illustrates the piety of the Fungi and First Coming of the Crawling Chaos to the majestic black stone terraces of Yuggoth! Recapture the magic!

Luminous, otherworldly wet and piquant odors mingling with black incense, the pitch-stench of Yuggoth, and fungal lichens.


THE BLACK TEMPLE BURLESQUE TROUPE
Straight from the pits of black, lightless N'kai: the voluptuous bat-winged vixens of the Black Temple Burlesque Troupe!


HELL'S ACRES YULE TREE FARM
Providing Yule trees for the Miskatonic Valley community since the Year of the Black Goat! Our saplings are imported directly from the Land of Three Suns, and are cultivated organically while strictly observing the blood rites necessary for optimum growth.

We have pyre-ready firewood for sale, plus free candy canes and hot cocoa for the kids!

We also offer ceremonial flocking!


LIL' MENES' FELINE ENTERTAINMENTS
A delightful selection of Ultharian cat toys and offerings, guaranteed to propitiate even the orneriest kitty!


MOTHER SHUB'S CTHULHUSTOLLEN
Candied Kadathian orange peel and R'lyehthanese rum give Mother Shub's a little extra pizazz!


MOTHER SHUB'S GINGERBREAD TEMPLES
Mother Shub's lovingly hand-crafted gingerbread temples are sure to summon a little extra joy for the wee ones! Mother Shub's secret gingerbread recipe contains ritually-consecrated resins and pulped root from her own hydroponically-grown Saturnian ginger cultivar. Each temple is decorated with sweets from local candymaker Abyssal Addictions!

Shop local!


MOTHER SHUB'S SPICED LAIT DE CHÈVRE
Nothing warms the cockles like a mug of Mother Shub's egg nog! Goat's milk egg nog with coffee liqueur and spices imported from the Crimson Desert!


MOTHER SHUB'S STYGIAN NOUGAT
A torpid black nougat with belladonna honey, somnolent lavender, and thyme.


MASON & JENKIN'S PORT JELLY
Red and sticky! From a genuine Old Salem recipe!


NABBY GARDNER'S HOLIDAY GLOBULES
Deck your halls with Nabby Gardner's Holiday Globules — the colors are out of this world! Luminous and possibly sentient, they make a fine addition to your holiday décor!

Common sense warning: the globules are mutagenic. Keep away from livestock, crops, and household pets. Nearby objects may be infused with unnatural light for an indefinite period of time. If opened, the globules will occasionally drain the life out of all organic matter in the vicinity.


OLD MAN ACKERMAN'S INSTRUCTIONAL TOYS
Educational toys for tots! Learn non-Euclidean calculus, catoptric theory, quantum physics, and the mysteries of Elder magic the fun way! An ancient baetylus floating within an array of bizarre trapezoidal figures, glimmering tubes, rusting spheres, and whirling gogs formed from peculiar metals, glowing tektites, strangely suspended lead mirrors, and eerie driftings of meteoric dust.


THE SMILIN' SERVITORS' HYPERDIMENSIONAL HOLIDAY HITS
As seen on tv!

A musical extravaganza of madness, terror, and woe! Twenty-three insane interstellar holiday hits from everyone's favorite amorphous toad pipers, including "Doom to the World" and "Here We Go to Sacrifice"!

A discordant scent, silvery and strange like a lunatic's tinsel garland: freesia, eucalyptus, and yuzu, with sicilian lemon, massoia, opoponax, night-blooming jasmine, white bergamot, and copaiba oleoresin.


PET MAGAH BIRD
Every kid wants a pet magah bird! A prism of scent, an explosion of multi-colored feathers: blood orange, black plum, sugar cane, guava, frangipani, coconut, pimento berry, violet, caramel, and pear.


SWEET LAVINIA'S DREAD PUDDINGS
Lavinia Whateley is famous throughout the Miskatonic Valley for her inimitably delightful and suspiciously spicy dread bread puddings!


SWEET LAVINIA'S RISALAMANDE
Clots of rice pudding (harvested from the fair trade rice farms of Bokrug Lake!) and organic whipped goat cream topped with a sebaceous glob of black cherry sauce.


Regional trivia: In keeping with Miskatonic Valley tradition, at midnight on Yule eve, children devour heaping bowls of cold risalamande, and whoever finds a tiny carved whippoorwill in their glop wins a brand new rough-hewn stone idol of their houseshold's patron (or matron!) entity! Fun for the whole family! The whippoorwills are usually cut from glass, stone, Venusian plasticine, or meterorite, and are often passed down as whimsical family heirlooms from generation to generation. The Whateleys stopped including these icons precooked in their batches of risalamande after several Dunwich children were accidentally possessed by Minions of Yog-Sothoth in the winter of '28.


Miskatonic Valley art by Julie Dillon.




++ THE TURN OF THE SCREW
No, no-there are depths, depths! The more I go over it, the more I see in it, and the more I see in it, the more I fear. I don't know what I don't see-what I don't fear!

THE GOVERNESS
"The story's written. It's in a locked drawer-it has not been out for years. I could write to my man and enclose the key; he could send down the packet as he finds it." It was to me in particular that he appeared to propound this-appeared almost to appeal for aid not to hesitate. He had broken a thickness of ice, the formation of many a winter; had had his reasons for a long silence. The others resented postponement, but it was just his scruples that charmed me. I adjured him to write by the first post and to agree with us for an early hearing; then I asked him if the experience in question had been his own. To this his answer was prompt. "Oh, thank God, no!"

"And is the record yours? You took the thing down?"

"Nothing but the impression. I took that HERE"-he tapped his heart. "I've never lost it."

"Then your manuscript-?"

"Is in old, faded ink, and in the most beautiful hand." He hung fire again. "A woman's. She has been dead these twenty years. She sent me the pages in question before she died." They were all listening now, and of course there was somebody to be arch, or at any rate to draw the inference. But if he put the inference by without a smile it was also without irritation. "She was a most charming person, but she was ten years older than I. She was my sister's governess," he quietly said. "She was the most agreeable woman I've ever known in her position; she would have been worthy of any whatever. It was long ago, and this episode was long before. I was at Trinity, and I found her at home on my coming down the second summer. I was much there that year-it was a beautiful one; and we had, in her off-hours, some strolls and talks in the garden-talks in which she struck me as awfully clever and nice. Oh yes; don't grin: I liked her extremely and am glad to this day to think she liked me, too. If she hadn't she wouldn't have told me. She had never told anyone. It wasn't simply that she said so, but that I knew she hadn't. I was sure; I could see. You'll easily judge why when you hear."

"Because the thing had been such a scare?"

He continued to fix me. "You'll easily judge," he repeated: "YOU will."

I fixed him, too. "I see. She was in love."

Brittle white musk, bruised violets, vanilla orchid, and green tea.


THE GENTLEMAN
... this prospective patron proved a gentleman, a bachelor in the prime of life, such a figure as had never risen, save in a dream or an old novel, before a fluttered, anxious girl out of a Hampshire vicarage. One could easily fix his type; it never, happily, dies out. He was handsome and bold and pleasant, offhand and gay and kind. He struck her, inevitably, as gallant and splendid, but what took her most of all and gave her the courage she afterward showed was that he put the whole thing to her as a kind of favor, an obligation he should gratefully incur. She conceived him as rich, but as fearfully extravagant-saw him all in a glow of high fashion, of good looks, of expensive habits, of charming ways with women.

A dapper cologne, distant and refined: white musk, lime rind, and rosemary water with tobacco leaf and lilac.


BLY
Driving at that hour, on a lovely day, through a country to which the summer sweetness seemed to offer me a friendly welcome, my fortitude mounted afresh and, as we turned into the avenue, encountered a reprieve that was probably but a proof of the point to which it had sunk. I suppose I had expected, or had dreaded, something so melancholy that what greeted me was a good surprise. I remember as a most pleasant impression the broad, clear front, its open windows and fresh curtains and the pair of maids looking out; I remember the lawn and the bright flowers and the crunch of my wheels on the gravel and the clustered treetops over which the rooks circled and cawed in the golden sky. The scene had a greatness that made it a different affair from my own scant home, and there immediately appeared at the door, with a little girl in her hand, a civil person who dropped me as decent a curtsy as if I had been the mistress or a distinguished visitor. I had received in Harley Street a narrower notion of the place, and that, as I recalled it, made me think the proprietor still more of a gentleman, suggested that what I was to enjoy might be something beyond his promise.

Rain-lashed stone and fading summer flowers.


MRS. GROSE
He had put them in possession of Bly, which was healthy and secure, and had placed at the head of their little establishment-but below stairs only-an excellent woman, Mrs. Grose, whom he was sure his visitor would like and who had formerly been maid to his mother. She was now housekeeper and was also acting for the time as superintendent to the little girl, of whom, without children of her own, she was, by good luck, extremely fond.

Mixed spice, rosewater, and black tea.


MISS JESSELL
But the next day, as the hour for my drive approached, I cropped up in another place. "What was the lady who was here before?"

"The last governess? She was also young and pretty-almost as young and almost as pretty, miss, even as you."

"Ah, then, I hope her youth and her beauty helped her!" I recollect throwing off. "He seems to like us young and pretty!"

"Oh, he DID," Mrs. Grose assented: "it was the way he liked everyone!" She had no sooner spoken indeed than she caught herself up. "I mean that's HIS way-the master's."

I was struck. "But of whom did you speak first?"

She looked blank, but she colored. "Why, of HIM."

"Of the master?"

"Of who else?"

There was so obviously no one else that the next moment I had lost my impression of her having accidentally said more than she meant; and I merely asked what I wanted to know. "Did SHE see anything in the boy-?"

"That wasn't right? She never told me."

I had a scruple, but I overcame it. "Was she careful-particular?"

Mrs. Grose appeared to try to be conscientious. "About some things-yes."

"But not about all?"

Again she considered. "Well, miss-she's gone. I won't tell tales."

Black roses with myrrh, benzoin, and guiac wood.


PETER QUINT
"Has anything happened?"

"Yes. You must know now. Did I look very queer?"

"Through this window? Dreadful!"

"Well," I said, "I've been frightened." Mrs. Grose's eyes expressed plainly that SHE had no wish to be, yet also that she knew too well her place not to be ready to share with me any marked inconvenience. Oh, it was quite settled that she MUST share! "Just what you saw from the dining room a minute ago was the effect of that. What I saw-just before-was much worse."

Her hand tightened. "What was it?"

"An extraordinary man. Looking in."

"What extraordinary man?"

"I haven't the least idea."

Mrs. Grose gazed round us in vain. "Then where is he gone?"

"I know still less."

"Have you seen him before?"

"Yes-once. On the old tower."

She could only look at me harder. "Do you mean he's a stranger?"

"Oh, very much!"

"Yet you didn't tell me?"

"No-for reasons. But now that you've guessed-"

Mrs. Grose's round eyes encountered this charge. "Ah, I haven't guessed!" she said very simply. "How can I if YOU don't imagine?"

"I don't in the very least."

"You've seen him nowhere but on the tower?"

"And on this spot just now."

Mrs. Grose looked round again. "What was he doing on the tower?"

"Only standing there and looking down at me."

She thought a minute. "Was he a gentleman?"

I found I had no need to think. "No." She gazed in deeper wonder. "No."

"Then nobody about the place? Nobody from the village?"

"Nobody-nobody. I didn't tell you, but I made sure."

She breathed a vague relief: this was, oddly, so much to the good. It only went indeed a little way. "But if he isn't a gentleman-"

"What IS he? He's a horror."

"A horror?"

"He's-God help me if I know WHAT he is!"

Leather, balsam, ambergris, and bay laurel.


- - - - -

They gave me so little trouble-they were of a gentleness so extraordinary. I used to speculate-but even this with a dim disconnectedness-as to how the rough future (for all futures are rough!) would handle them and might bruise them. They had the bloom of health and happiness; and yet, as if I had been in charge of a pair of little grandees, of princes of the blood, for whom everything, to be right, would have to be enclosed and protected, the only form that, in my fancy, the afteryears could take for them was that of a romantic, a really royal extension of the garden and the park. It may be, of course, above all, that what suddenly broke into this gives the previous time a charm of stillness-that hush in which something gathers or crouches. The change was actually like the spring of a beast.

LITTLE FLORA
Flora, a short way off, stood before us on the grass and smiled as if her performance was now complete. The next thing she did, however, was to stoop straight down and pluck-quite as if it were all she was there for-a big, ugly spray of withered fern. I instantly became sure she had just come out of the copse. She waited for us, not herself taking a step, and I was conscious of the rare solemnity with which we presently approached her. She smiled and smiled, and we met; but it was all done in a silence by this time flagrantly ominous. Mrs. Grose was the first to break the spell: she threw herself on her knees and, drawing the child to her breast, clasped in a long embrace the little tender, yielding body. While this dumb convulsion lasted I could only watch it-which I did the more intently when I saw Flora's face peep at me over our companion's shoulder. It was serious now-the flicker had left it; but it strengthened the pang with which I at that moment envied Mrs. Grose the simplicity of HER relation. Still, all this while, nothing more passed between us save that Flora had let her foolish fern again drop to the ground. What she and I had virtually said to each other was that pretexts were useless now. When Mrs. Grose finally got up she kept the child's hand, so that the two were still before me; and the singular reticence of our communion was even more marked in the frank look she launched me. "I'll be hanged," it said, "if I'll speak!"

It was Flora who, gazing all over me in candid wonder, was the first. She was struck with our bareheaded aspect. "Why, where are your things?"

"Where yours are, my dear!" I promptly returned.

She had already got back her gaiety, and appeared to take this as an answer quite sufficient. "And where's Miles?" she went on.

There was something in the small valor of it that quite finished me: these three words from her were, in a flash like the glitter of a drawn blade, the jostle of the cup that my hand, for weeks and weeks, had held high and full to the brim that now, even before speaking, I felt overflow in a deluge. "I'll tell you if you'll tell ME-" I heard myself say, then heard the tremor in which it broke.

"Well, what?"

Mrs. Grose's suspense blazed at me, but it was too late now, and I brought the thing out handsomely.

"Where, my pet, is Miss Jessel?"

Peonies and cream.


MILES
"What does it mean? The child's dismissed his school."

She gave me a look that I remarked at the moment; then, visibly, with a quick blankness, seemed to try to take it back. "But aren't they all-?"

"Sent home-yes. But only for the holidays. Miles may never go back at all."

Consciously, under my attention, she reddened. "They won't take him?"

"They absolutely decline."

At this she raised her eyes, which she had turned from me; I saw them fill with good tears. "What has he done?"

I hesitated; then I judged best simply to hand her my letter-which, however, had the effect of making her, without taking it, simply put her hands behind her. She shook her head sadly. "Such things are not for me, miss."

My counselor couldn't read! I winced at my mistake, which I attenuated as I could, and opened my letter again to repeat it to her; then, faltering in the act and folding it up once more, I put it back in my pocket.

"Is he really BAD?"

The tears were still in her eyes. "Do the gentlemen say so?"

"They go into no particulars. They simply express their regret that it should be impossible to keep him. That can have only one meaning." Mrs. Grose listened with dumb emotion; she forbore to ask me what this meaning might be; so that, presently, to put the thing with some coherence and with the mere aid of her presence to my own mind, I went on: "That he's an injury to the others."

At this, with one of the quick turns of simple folk, she suddenly flamed up. "Master Miles! HIM an injury?"

There was such a flood of good faith in it that, though I had not yet seen the child, my very fears made me jump to the absurdity of the idea. I found myself, to meet my friend the better, offering it, on the spot, sarcastically. "To his poor little innocent mates!"

"It's too dreadful," cried Mrs. Grose, "to say such cruel things! Why, he's scarce ten years old."

"Yes, yes; it would be incredible."

She was evidently grateful for such a profession. "See him, miss, first. THEN believe it!"

A charming, mischievous, and inexplicably sinister blend of balsam of Peru, honey, skin musk, and black pepper.


Turn of the Screw art by Tanya Bjork.



++ YULE REVISITEDS
FRAU HOLLE 2012
Frau Holle, or Holda, is the personification of the changes wrought when winter seizes the land: she rides the chill winds in her chariot, shaking out her featherbeds in order to precipitate snowfall. The rolling fog is the smoke from her hearth fire, and thunder claps when she reels her flax. Holda is a goddess of matrons, who governs spinning, domestic chores, witchcraft and witches, and the Wild Hunt. She presides over the transition of souls, both to and from this world. Though she is childless, she watches over children, and the spirits of newborns spring forth from her sacred pool. Her festival falls during midwinter, when the dead roam free. She holds court in Hörselberg, from which the Wild Hunt is issued, and all the beasts in the land heed her call.

Snow-covered pines, witches herbs, bestial musk, flax, and ethereal flowers that represent both birth and death.


GACELA OF THE DARK DEATH 2012
I want to sleep the sleep of the apples,

I want to get far away from the busyness of the cemeteries.

I want to sleep the sleep of that child

who longed to cut his heart open far out at sea.



I don't want them to tell me again how the corpse keeps all its blood,

how the decaying mouth goes on begging for water.

I'd rather not hear about the torture sessions the grass arranges for

nor about how the moon does all its work before dawn

with its snakelike nose.



I want to sleep for half a second,

a second, a minute, a century,

but I want everyone to know that I am still alive,

that I have a golden manger inside my lips,

that I am the little friend of the west wind,

that I am the elephantine shadow of my own tears.



When it's dawn just throw some sort of cloth over me

because I know dawn will toss fistfuls of ants at me,

and pour a little hard water over my shoes

so that the scorpion claws of the dawn will slip off.



Because I want to sleep the sleep of the apples,

and learn a mournful song that will clean all earth away from me,

because I want to live with that shadowy child

who longed to cut his heart open far out at sea.



Terebinth pine, pitch, and clove.


GELT 2012
Sevivon, sov, sov, sov Chanukah, hu chag tov Chanukah, hu chag tov Sevivon, sov, sov, sov!

Chag simcha hu la-am Nes gadol haya sham Nes gadol haya sham Chag simcha hu la-am.


A bounty of chocolate coins! Dry cocoa and golden amber!


KNECHT RUPRECHT 2012
I came here from the forest

I tell you, it is a very holy night!

All over the tips of the firs

I saw bright flashes of golden light;

And from above, the gates of heaven

I saw with open eyes the Christ-child

and as I wander through the dark forest

I hear a light voice calling me.

"Knecht Ruprecht" it called, "Old man

Lift your legs and hurry! Fast!



The candles alight

the gates of heaven open wide

old and young

shall rest from the hunt of life

and tomorrow I shall fly to earth

as it shall be Christmas again!"



I said: "O dear master, Christ

My trip is almost at an end;

It is only this one town / where the children are good".

"Do you have your sack with you?"

I said: "The sack, it is here;

apples, nuts and almonds

solemn children do enjoy".

"Do you also have your cane?"

I said: "The cane, it is here.

But only for the bad children,

to hit their right rear".



The Christ-child spoke: "That is good;

So go with god my faithful servant!"

I came here from the forest

I tell you, it is a very holy night!

Speak now how I find it here

Are the children good or bad?



The snow-covered foliage of the Black Forest and the fruit and woods of apple and almond trees.


KRAMPUS 2012
Anything BUT jolly! Draped with chains and bells, wielding both whip and rod, this rag-clad, horned, red-skinned, soot-covered leering creature is both the companion and the antithesis of rosy-cheeked and ebullient Kris Kringle. He is called by many names, and, in a myriad of cultures, he is seen with different robes and faces, but he is nevertheless always a sinister and fearsome instrument of Santa's wrath: he wields a switch on all irredeemably naughty children before tossing them into his large black sack and whisking them away.

Be good, or Krampus will toss you in a river! Sinister red musk, black leather, dusty rags, and wooden switches.


LICK IT SOFTLY
This year's minty double ententre! A sticky, sweet peppermint candy cane with a copious dusting of vanilla.


MIDNIGHT MASS 2012
I will wash my hands among the innocent; and will compass thy altar, O Lord: That I may hear the voice of thy praise: and tell of all thy wondrous works. I have loved, O Lord, the beauty of thy house; and the place where thy glory dwelleth. Take not away my soul, O God, with the wicked: nor my life with bloody men: In whose hands are iniquities: their right hand is filled with gifts.

But as for me, I have walked in my innocence: redeem me, and have mercy on me. My foot hath stood in the direct way: in the churches I will bless thee, O Lord.

In Roman Catholic tradition, the Christmas season begins liturgically on Christmas Eve, though it is forbidden to celebrate the Christmas Mass before midnight. The most devout attend Midnight Mass, celebrating both the Eucharist and the drama of the Nativity.

This perfume is a traditional Roman Catholic sacramental incense, most often used during a Solemn Mass. Traditionally, five tears of this incense, each encased individually in wax that has been fashioned into the shape of a nail, are inserted into the paschal candle. This is, of course, represents the Five Wounds of Our Risen Savior. Symbolically, the burning of the incense signifies spiritual fervor, the fragrance itself inspires virtue, and the rising smoke carries our prayers to God.

Credo in unum Deum, Patrem omnipotentem, factorem caeli et terrae, visibilium omnium et invisibilium.

Et in unum Dominum Iesum Christum, Filium Dei unigenitum, et ex Patre natum ante omnia saecula. Deum de Deo, Lumen de Lumine, Deum verum de Deo vero, genitum non factum, consubstantialem Patri; per quem omnia facta sunt. Qui propter nos homines et propter nostram salutem descendit de caelis. Et incarnatus est de Spiritu Sancto ex Maria Virgine, et homo factus est. Crucifixus etiam pro nobis sub Pontio Pilato, passus et sepultus est, et resurrexit tertia die, secundum Scripturas, et ascendit in caelum, sedet ad dexteram Patris. Et iterum venturus est cum gloria, iudicare vivos et mortuos, cuius regni non erit finis.

Et in Spiritum Sanctum, Dominum et vivificantem, qui ex Patre procedit. Qui cum Patre et Filio simul adoratur et conglorificatur: qui locutus est per prophetas. Et unam, sanctam, catholicam et apostolicam Ecclesiam. Confiteor unum baptisma in remissionem peccatorum. Et expecto resurrectionem mortuorum, et vitam venturi saeculi. Amen.



NES GADOL HAYA SHAM 2012
But not long after the king sent a certain old man of Antioch, to compel the Jews to depart from the laws of their fathers and of God:

And to defile the temple that was in Jerusalem, and to call it the temple of Jupiter Olympius: and that in Gazarim of Jupiter Hospitalis, according as they were that inhabited the place.

And very bad was this invasion of evils and grievous to all.

For the temple was full of the riot and reveling of the Gentiles: and of men lying with lewd women. And women thrust themselves of their accord into the holy places, and brought in things that were not lawful.

The altar also was filled with unlawful things, which were forbidden by the laws.

And neither were the sabbaths kept, nor the solemn days of the fathers observed, neither did any man plainly profess himself to be a Jew.

But they were led by bitter constraint on the king's birthday to the sacrifices: and when the feast of Bacchus was kept, they wore compelled to go about crowned with ivy in honour of Bacchus.

And there went out a decree into the neighboring cities of the Gentiles, by the suggestion of the Ptolemeans, that they also should act in like manner against the Jews, to oblige them to sacrifice:

And whosoever would not conform themselves to the ways of the Gentiles, should be put to death: then was misery to be seen.

For two women were accused to have circumcised their children: whom, when they had openly led about through the city with the infants hanging at their breasts, they threw down headlong from the walls.

And others that had met together in caves that were near, and were keeping the sabbath day privately, being discovered by Philip, were burnt with fire, because they made a conscience to help themselves with their hands, by reason of the religious observance of the day.

- The Second Book of the Maccabees, 6:1-11



In order to consolidate his power in Jerusalem and Hellenize the area, the Greek king Antiochus IV Epiphanes outlawed Judaism and ordered the population to worship Zeus and the Hellenic pantheon. As this was anathema to the Jews, they refused, and Antiochus moved to enforce his religious decree by extreme force.

Some origin tales say that the dreidel was used at this time as a method by which the Jewish people were able to continue to study the Talmud in secret under the guise of gambling. Now, in addition to being a light gambling game, the dreidel is also a reminder of the strength, devotion, and perseverance of the Jewish people and the mercy of God.

One scent in four parts:

Nun, the Snake: nuun, nothing. Nah.š, in modern Arabic, means bad luck. Represented by scents of loss and remembrance: opoponax and lemon verbena.

Gimel, the Camel: the Ship of the Desert. Represented by scents of abundance, fortitude, and determination: patchouli, heliotrope, pomegranate, and almond.

He, the Window: sometimes used to represent the Unutterable Name of God, this is the window in our souls through which God's light touches us. Represented by scents of clarity and piety: frankincense, myrtle, and hyssop.

Shin, the Tooth: also stands for Shaddai, one of the names of God. The hand formed into shin acts as a priestly blessing. Represented by scents of strength, generosity, kindness, and benediction: carnation, myrrh, red poppy, and hibiscus.

The essences of Nun, Gimel, He, and Shin are blended to become Nes Gadol Haya Sham.


THE PEACOCK QUEEN 2012
In dramatic contrast to the soft innocence of Snow White and the dew-kissed freshness of her sister, Rose Red, this is a blood red, voluptuous rose, velvet-petaled, at the height of bloom. Haughty and imperious, vain, yet incomparably lovely to the eye, but thick with thorns of jealousy, pride and hatred.


PINK SNOWBALLS 2012
A lighthearted winter scent: chilly vanilla rose snowballs! Dainty, soft, and certainly unfit for flinging!


ROSE RED 2012
The perfected winter rose, dew covered and freshly cut.


THE SHIVERING BOY 2012
Cold, cold forever more. A winter storm roaring through empty stone halls, bearing echoes of despair, desolation, and death on its winds. The scent of frozen, dormant vineyards, bitter sleet, and piercing ozone, hurled through labdanum, benzoin, and olibanum.


SNOW WHITE 2012
A chilly, bright perfume: flurries of virgin snow, crisp winter wind and the faintest breath of night-blooming flowers.


SUGAR COOKIE 2012
Affectionately nicknamed 'The Devil's Bake Sale'.


TALVIKUU 2012
Lo! now the direful monster, whose skin clings

To his strong bones, strides o'er the groaning rocks:

He withers all in silence, and his hand

Unclothes the earth, and freezes up frail life.

Skeletal limbs of birch and fir coated in a thick, impenetrable blanket of snow. This is the death of the year personified.






5 NOVEMBER 2012

At New York Comic Con, we presented exclusives inspired by a gentlemen's guide to the seraglios of New York City that was published in 1870. We had created several products that were unable to go live at the convention due to component and time constraints. We are offering them now as a fundraiser for Hurricane Sandy relief. Proceeds from every single purchase of these limited edition products will go directly to the American Red Cross.

Without further ado, we are thrilled to present an addendum to the Gentleman's Directory.

(All grammatical and spelling deviancies within are sic erat scriptum.)

++ THE GENTLEMAN'S DIRECTORY: NEW YORK CITY IN 1870 ADDENDUM
Nothing extenuate,
Nor set down aught in malice.

We don't intend to tell the reader where the Central Park is, the Croton Aqueduct, the new Court House, Cooper Institute, or Knox the hatter, as any one can point out to him the location of these celebrated places, but we propose to acquaint him with locations and with facts, a knowledge of which he could not procure elsewhere.

We claim no credit got telling a person that Cape Horn is on the island of Terra del Fuego, or that London is on the western side of England; but when we impart information that is not generally known, even to old denizens of the city, and give him an insight into the character and doings of people whose deeds are carefully screened from public view; when we discribe their houses, and give their location, we supply the stranger with information of which he stands in need, we supply a void that otherwise must remain unfilled. Not that we imagine the reader ever desire to visit these houses. Certainly not; he is, we do not doubt, a member of the Bible Society, a bright and shining light, like Awful Gardner or John Allen.

But we point out the location of these places in order that the reader may know how to avoid them, and that he may not select one of them for his boarding house when he comes to the city. Our book will, therefore, be like a warning voice to the unwary – like a buoy attached to a sunken rock, which warns the inexperienced mariner to sheer off, lest he should be wrecked on a dangerous and unknown coast.



++ BPTP RED CROSS FUNDRAISER
MRS. PALMER'S ESTABLISHMENT ATMOSPHERE SPRAY
The house No. 112 Spring street is kept by Mrs. Palmer. It is a low establishment, and frequented only by the lagends of the community.

Aged patchouli, sweet tobacco, oakmoss, leather, and barrel-aged bourbon vanilla.


THE WARS OF VENUS BATH OIL
The house at No. 140 is kept by Mrs. James, and is a very quiet parlor house, devoted to the wars of Venus.

This phrase "Wars of Venus" was too wonderful; it inspired a scent immediately. Gird yourself for battle: sweet honey, French vanilla, honey myrtle, balsam of tolu, and rose otto.



++ BPAL RED CROSS FUNDRAISER
FRANK BURNS
As you pass down Houston street, faro banks abound, till we reach an unpretending red brick building No. 25, kept by Frank Burns, known as the "Judge and Jury". This is a great resort for the sportsmen both of this and the other country. Everything here is conducted in a respectable and orderly manner.

Bay rum, polished oak, exquisite pipe and cigar tobaccos, and a splash of bourbon.


MISS ADDIE
The next house, No. 55, is kept by Miss Addie Blashfield, the dashing brunette, who has eight or ten boarders, both blondes and brunettes. These are a pretty lot of girls, of pleasing and engaging manners. It is regarded as a first class house, very quiet and orderly and is visited by some of our first citizens.

Red sandalwood, vanilla orchid, sweet clove, neroli, apple blossom, and a gentle hint of star anise.





25 OCTOBER 2012

The Snow Moon update is live at BPAL and BPTP!


Snow Moon

SNOW MOON 2012
In December, the skeletal, ice-rimmed fingers of winter take hold, and the nights are long, chill and dark. The first flurries of snow touch the land, and the earth itself becomes quiet. A scent of purity and silence, soft with falling snow, as dark as Midwinter: an icy flurry over the winter blooms of narcissus, hellebore, pansy crocus, dahlia, tulip, chrysanthemum, daphne and white rose, with a hint of fir and birch.


Snow Moon art by the wonderful Julie Dillon!


This month's single notes are:

GALBANUM
Galbanum possesses a complex tart, green, resinous scent that is strangely amorphous and mercurial. There is a balsamic woody tone to it at times, and at others, it appears metallic and aldehydic. Galbanum corresponds to the Fool and the element Air, and embodies the qualities of innocence and surrender. The scent is calming and meditative; the oil can be utilized for self-reflection, initiating new beginnings, and soothing wounded souls.


RUM-SOAKED FRENCH TONKA
I love the hell out of tonka, but using the absolute in perfumery is not a particularly great idea: tonka beans possess a high concentration of coumarin, an anticoagulant that is toxic to both the liver and kidneys, and might be carcinogenic to boot. Not fun stuff! Our tonka accord is a sweet, warmly sensual fragrance redolent of a vaguely clove-touched deep, dark vanilla balsam that has been lightly sweetened with almond and rum.


Snow Moon and the Single Notes are available on our limited edition page.



And this month, we are thrilled to announce some additions to our RPG line.

++ CLASSES
BARD
A ridiculously charismatic blend of bay rum, honey, and white musk mingling with the scent of harp wood and lute strings and the twang of horn brass.

DRUID
A woolen robe infused with the scent of a vast, primordial forest: ancient trees, fertile soil, wild herbs, spring grasses, and burgundy pitch incense.


++ ADVENTURING GEAR
A growing selection of adventuring gear, character-specific items, and dungeoneering accessories to further personalize your character!

DWARVEN ALE
Brewed with fermented mushrooms, honey, and apple rootstock.

THIEVES' ROSIN
Increases the chance of successfully picking pockets by 25%.

VIAL OF HOLY WATER
The gleaming, indescribably clean scent of purified, ritually consecrated holy water.




Also at Trading Post, there are three new RPG Atmosphere Sprays.

THE TRACKLESS ERG
The merciless sun pounds on a sea of endless, wind-battered sand: desolate, lifeless, silent, and without end.


LICH'S LABORATORY
Hissing vials of acid, swirls of thick incense, creeping mosses, flecks of grave loam, and noxious potions clutter the blackened stone biers of an abandoned burial vault.


WERERAT-INFESTED SEWER
Moist, moss-crusted stone, stagnant, silty wastewater, wererat musk, and wet leather.




Stay tuned, the Yules will be here soon.





27 SEPTEMBER 2012

Beaver Moon and the second half of our massive Halloween celebration is live now at BPAL and BPTP!

Beaver Moon

BEAVER MOON 2012
Traditionally, Beaver Moon is named thus for a very obvious reason: during this time of year, beavers are hard at work building their dams and preparing for the onset of winter. However, we at BPAL rarely let an opportunity for sleazy campiness pass us by! For your pleasure and amusement, we present this year's incarnation of Beaver Moon: gooey apple cheesecake!

Beaver Moon art by the awesome Andrew Fogel!


This month's single note accord:

HAITIAN VETIVER
Vetiver is easily one of my favorite base notes. Dark, earthy, and somber, it makes an excellent perfume fixative, and radiates a scent that is profoundly relaxing and gently grounding. In aromatherapy, it is used to treat stress disorders, anxiety, and soul-weariness. It is a truly multidimensional scent, possessing more than a hundred and fifty aromatic molecules, and its fragrance grows even deeper - richly sweeter - and more intense with time.



And a Halloween vision of the past with some spiders, a new gallery exhibition, and a brand new pumpkin patch.

++ HALLOWEEN: MNEMOSYNE
HALLOWEEN IN INNSMOUTH
When I was little, a summoning went awry at the standing stones in the grove by my house, and the ensuing carnage in the neighborhood effectively ruled out the possibility of trick or treating locally that year. My parents didn't want me to be disappointed, so they drove my brother and m'self to Innsmouth for the night. The people manning the festively decked-out skiffs that were moored in the sand-clogged harbor were incredibly generous with their candy, and my brother and I ended the night as happy as two sugar-high little kids could be.

The strange beauty of the crumbling Georgian houses and their widow's walks is forever etched in my memory, along with the distinct scent of fish and kelpy incense.

Innsmouth: Halloween, 1983. Fish and ceremonial incense.


HALLOWEEN IN THE MISKATONIC UNIVERSITY LIBRARY
During my sophomore year in college, I found myself pressed for time while working on a paper about Tsathogguan Rites of Passage in Ancient Cimmeria. It was due on the first Friday of November, and I had barely started. My grades were failing, and I couldn't really afford to blow this. Earlier in the quarter, I'd made the mistake of trying to copy test answers from the person who sat next to me in my Non-Euclidean Geometry class, not realizing he was as big a fuck-up as I was. We both failed, we were both caught, and I was only saved from expulsion by Professor Upham's unfortunate institutionalization. In the hopes of salvaging my GPA, I headed off to the university library instead of going out with friends on Halloween night.

I passed Dr. Armitage, the Head Librarian, as I entered the Antediluvian Anthropology wing. The library was desolate, and for a moment I felt a little lonely and out of sorts. The silence was soothing, though, and the scent of the yellowed books and polished oak tables reminded me strongly of my childhood home. I found myself a table, and set to work.

Around midnight, someone wandered in. Absorbed in my research, I was profoundly irritated at the disturbance, but when I saw who had entered the reading room, I softened. It was a guy who I'd worked with a few times at my day job–I was doing marketing for a junior line of cultist's robes, and he was the photographer for our catalogue. We got to talking. He'd had a falling out with his girlfriend earlier in the evening, and rather than spend the rest of the night at home, he'd come to the library looking for some inspiration for his photography. His breath smelled like pumpkin lattes, and there was a faint trace of cologne swirling around him. He quoted Byron, I told terrible jokes, and in the end I nearly failed my paper, but I fell in love.

To this day, I still wrestle with putting things off 'til the last minute, and I'm still easily distracted by a handsome face.




++ HALLOWEEN: ARACHNAPHOBIA
A noiseless, patient spider,
I mark'd, where, on a little promontory, it stood, isolated;
Mark'd how, to explore the vacant, vast surrounding,
It launch'd forth filament, filament, filament, out of itself;
Ever unreeling them–ever tirelessly speeding them.

And you, O my Soul, where you stand,
Surrounded, surrounded, in measureless oceans of space,
Ceaselessly musing, venturing, throwing,–seeking the spheres, to connect them;
Till the bridge you will need, be form'd–till the ductile anchor hold;
Till the gossamer thread you fling, catch somewhere, O my Soul.

Photography by Madelyn Boudreaux, poem by Walt Whitman, scents by Black Phoenix Alchemy Lab.


GOLDENROD CRAB SPIDER
White mint, coconut, Indonesian champaca flower, lime rind, white ginger, and green tea.


ORB WEAVER SPIDER
East African black patchouli, lilac, lavender, Italian neroli, King mandarin, Terebinth pine, and star anise.


WOLF SPIDER
Tonka bean, patchouli, bourbon vanilla, Cuban tobacco, coconut, clary sage, galbanum, white musk, and chamomile.




++ HALLOWEEN: PUMPKIN PATCH
PUMPKIN I
Pumpkin, hay, champaca, and leather accord.


PUMPKIN II
Pumpkin, coffee absolute, tonka, teakwood, cedar, cypress, and patchouli.


PUMPKIN III
Pumpkin, mandarin, black pepper, frankincense, red sandalwood, and carnation.


PUMPKIN IV
Pumpkin, mimosa, black amber, mahogany, and Madagascan saro.


PUMPKIN V
Lightly spiced pumpkin pulp swirled with bourbon vanilla, French vanilla, and raw vanilla bean.



This month there's also three new additions to our 'Weenies:

PUMPKIN VINES
A tangle of lush greenery and thick, rooty vines with a hint of pumpkin rind, crumbled leaves, and rich soil.


THE TEARS OF LILITH
O lovely demon, half-divine!
Hemlock and hydromel and gall,
Honey and aconite and wine
Mingle to make that mouth of thine—

Thy mouth I love: but most of all
It is thy tears that I desire—
Thy tears, like fountain-drops that fall
In gardens red, Satanical;

Or like the tears of mist and fire,
Wept by the moon, that wizards use
To secret runes when they require
Some silver philter, sweet and dire.
- Clark Ashton Smith

Hemlock and hydromel and gall, honey and aconite and wine, lavishly poured over a blend of deep red musk, velvet-red rose, and silvery ambergris.


WITCH DANCE
As in the Sabatt's ancient round
With strange and subtle steps you went:
And toward the heaven and toward the ground
Your steeple shapen hat was bent
As in the sabbat's ancient round.

Between the windy, swirling fire
And all the stillness of Ihe moon.
Sweet witch, you danced at my desire,
Turning some weird and lovely tune
To paces like the swirling fire.
Your supple youth and loveliness
A glamor left upon the air:
Whether to curse, whether to bless,
You wove a stronger magic there
With your lithe youth and loveliness.

Upon the earth your paces wrought
A circle such as magicians made…
And still some hidden thing you sought
With hands desirous, half afraid,
Beyond the ring your paces wrought.

Your fingers, on the smoke and flame,
Moved in mysterious conjuring,
You seemed to call a silent Name,
And lifted like an outstretched wing
Your somber gown against the flame.

What darkling and demonian Lord,
In fear or triumph, did you call?
Ah! was it then that you implored,
With secret signs equivocal,
The coming of the covens' Lord?

Sweet witch, you conjured forth my heart
To answer always at your will!
Like Merlin, in some place apart,
It lies enthralled and captive still:
Sweet witch, you conjured thus my heart!
- Clark Ashton Smith

Bonfire smoke rising through a cloud of ceremonial incense, encircled by swirling autumn leaves and a dribble of blood red musk.



Beaver Moon, Haitian Vetiver and all of our current Halloweenie offerings are available on our limited edtion page.


And lastly, there's a new exhibit in Pickman's Gallery.


Sadly, something has to go to make room for all this madness, so this month's tribute is Nocnista. Effective immediately, Nocnista is no longer available.


*****


Black Phoenix Trading Post are getting ready for Halloween as well, and are thrilled to present a wee little collection to help put you in the Trick or Treating mood!


++ BPTP HALLOWEEN ATMOSPHERE SPRAYS
APPLE ORCHARD
My long two-pointed ladder's sticking through a tree
Toward heaven still,
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.
And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall.
For all
That struck the earth,
No matter if not bruised or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it's like his
Long sleep, as I describe its coming on,
Or just some human sleep.

Baskets of apples, sun warmed, sit beneath tree boughs dappled with autumn light.


OAK LEAVES AND KYPHI
Oak leaves falling through a haze of kyphi, champaca, and blackened pomegranate rind.


SAMHAIN
Truly the scent of autumn itself -- damp woods, fir needle, and black patchouli with the gentlest touches of warm pumpkin, clove, nutmeg, allspice, sweet red apple and mullein.


THE WITCH'S GARDEN
Hidden beneath the arms of an ancient gnarled oak sits an overgrown, weedy patch of monkshood, sacred to Hecate and brought forth from Cerberus' spittle, that is surrounded by shrieking mandragora, black nightshade, wise sage, dire hemlock, creeping ivy, and thorn apple.



++ BPTP HALLOWEEN BATH OILS
PUMPKIN PIE
Devilishly decadent and a little bit ridiculous!


RED VELVET TRUFFLE
The scent of pulverized red velvet cake mixed with cream cheese frosting, stuffed with candy bark, rolled into balls, and coated with white chocolate.


SPIDER SILK
White coconut, orris root, delicate vanilla, white dammar, papyrus blossom, and osmanthus.


TORN CANDY BAG
Sour gummies, lemon drops, jujubes, and lollipops scattered on a broken patch of cement and dandelion-dotted grass.




++ BPTP HALLOWEENIE PERFUME
BLACK PUMPKIN FLOSS
Pumpkin candyfloss spiked with black licorice, black currant, and smoked maple.


ORANGE PUMPKIN FLOSS
Pumpkin candyfloss with neroli, pink grapefruit, blood orange, and petitgrain.


RED PUMPKIN FLOSS
Pumpkin candyfloss with red licorice, wild cherry, wild plum, and red currant.



++ BPTP HALLOWEENIE CANDLES
ALL SOULS
A day of remembrance and intercession. Without the prayers and sacrifices of their families and loved ones, the faithful departed may not be cleansed of their venal sins, and thereby cannot attain beatific vision. On November 2nd, prayers are sung and offerings are made to aid lost souls in transcending purgatory. An incense blend that invokes the higher qualities of mercy and compassion, mingled with the soft, sugared currant scent of offertory soul cakes.


BLACK CLOVE
Smoky Maluku clove and a hint of aged patchouli.


DEAD LEAVES AND DESOLATION
A barren grove, silent. Dry, crumbling oak leaves dance through the skeletal, grasping arms of ancient trees.


PUMPKIN TART
Fresh pumpkin puree seasoned with brown sugar, ginger, nutmeg, and clove baked into an anise seed crust.



++ BPTP HALLOWEENIE SOAPS
C8H10N4O2
Sweet hazelnut coffee with a triple shot of espresso.


PUMPKIN TART
Fresh pumpkin puree seasoned with brown sugar, ginger, nutmeg, and clove baked into an anise seed crust.


SUBSTRATUM
A deep, earthy blend of soothing, grounding, nurturing oils: Himalayan cedar, Sumatran patchouli, spikenard, and black fig.


TRICK OR TREAT
The sticky sweet scent of candy corn!



Additionally, Spanish Red Carnation has been added to the general catalog soaps.

SPANISH RED CARNATION SOAP
A celebratory scent, spicy and joyful. This is the nation flower of Spain. It symbolizes the suffering of Christ, the passion of lovers, and the laurels of victory.



And, just in time for Halloween, there is a new Dia de los Muertos imp case.



And last but not least, we are introducing:


++ BPTP HALLOWEEN HARD CANDIES
These gourmet hard candies were hand-made exclusively for Black Phoenix by Confounding Confections. Confounding Confections Hard Candies are created and wrapped by hand, using only the finest of natural ingredients.

All ingredients used are natural, vegan, gluten-free, and free of common allergens. Gift tins are made in the U.S.A., and are reusable and recyclable.

VOL. 1 - TRICKS & TREATS
Includes 15 individually wrapped sweeties (2 oz.) packaged in a handsome 4 inch gift tin. In this collection you will find 5 delicious and long-lasting pieces each of the following varieties:

GHOULISH
Black cherry, and coconut amaretto, gently laced with saffron.

BLUE PUMPKIN FLOSS
Puffy clouds of pumpkin candyfloss with a trickle of blackberry juice.

AUTUMN CIDER
Fermented apple juice, brown sugar, spice, lemon zest, butterscotch liquor, and orange slices.



Halloween Candies, Candles, Soaps, Bath Oils, Atmosphere Sprays and Perfume Oils can all be found on Black Phoenix Trading Posts's Halloween limited edtion page.





And that's that while we prep for Yule!





29 August 2012

Raven Moon
RAVEN MOON 2012
The boundaries which divide Life from Death are at best shadowy and vague. Who shall say where the one ends, and where the other begins?

Mournful and Never-ending Remembrance: shining, moonlit ebony musk with benzoin, myrrh, smoky vanilla, patchouli, nutmeg, and dried red chili.



BLUE MOON 2012
The spirit of the full moon is capricious, intense and passionate, yet still distant, aloof and cold. Luna herself governs glamours, bewitchments and dream-work, innocent wonder, transient pleasure and delight, the Moment, impulse, mystery and veils. The Blue Moon is one of her rarest manifestations, and this scent is formulated to encapsulate her most complex and profound nature:

Mugwort, for psychic sensitivity...
Calea Zacatechichi, yarrow, and mastic for divination through dreams...
Frankincense and hyssop for complexity, wisdom and noscere...

... with a potent lunar-charged, oneirongenic blend of blue musk, exquisite woods, moonflower, evening stock, Madagascan ylang ylang, Florentine iris, Greek cypress, green tea absolute, palmarosa, cucumber, rose milkweed, Clary sage, lavender, lemon balm, and passion fruit.



BLAUER MOND
Brian's interpretation of the Blue Moon. A glimmer of hope emerging from a sea of dreams: sea buckthorn berry, terebinth pine, frankincense, hyssop, white sage, Neptune's night-blooming jasmine, cucumber, lavender, ambergris accord, and violet leaf.




This month's accords showcase botanic accents that every haunted garden should possess:

DEVIL'S TRUMPET
Showy, invasive, and highly poisonous, the Devil's Trumpet possesses a strange beauty that is both seductive and quietly menacing. Their fruit is spiked, their seeds are black, their stems are bruise-purple, and their leaves are toothy and uneven. The Devil's Trumpet's grand, glorious blossoms open wide at night, releasing an enchanting and delicately intoxicating perfume.



EVENING STOCK
By day, these tiny blossoms of white, pink, and purple appear withered, fragile, and weedy, but as evening approaches, they reveal their true magnificence: their petals open, and a rich, melodic perfume fills the night air.



SPANISH MOSS
An omnipresent feature of haunted antebellum mansions: drooping, moribund tendrils hanging solemnly from ancient oak and cypress branches.


(No, there is no real datura in our Devil's Trumpet accord. There is no atropine, hyoscine, hyoscyamine, or strychnine in this perfume. Our Devil's Trumpet single note is neither poisonous nor hallucinogenic. This perfume is an artistic representation of datura. It is not in our best interests to poison our clients.)


Raven Moon, Blue Moon, Blauer Mond, the Single Note accords and the Halloweenies are $23 each, and available on our Limited Edition page.





We're going back to our campy, spooky roots with the Haunted House Collection! Twelve Guignolesque, chilling atmospheric blends are being offered for your pleasure and amusement!



atrocious attic
++ HALLOWEEN: THE HAUNTED HOUSE REVISITED
THE APPALLING ABATTOIR
Echoes of crimes long-ago hidden: a slaughter hastily washed away, leaving flecks of gore to settle deep within the rough-hewn stone floor.


THE ATROCIOUS ATTIC
A shadowy shrine filled with forgotten toys, broken dolls. The altar: a collapsing trunk distended by a rotted wedding gown. The air of the room is dusty, laced with the scent of a child's perfume and the remnants of a dried, crumbling bridal bouquet: tea rose, violet, white sandalwood, French lavender, and calla lily.


THE BLOODY BANISTER
A rotting, cracked mahogany balustrade smeared with bloody handprints frames a cascading Imperial staircase that rises unsteadily into oppressive, suffocating shadows.


THE CHILLING CELLAR
Wine just turning to vinegar, crumbling mortar, red clay, and the coppery tang of old blood.


THE FORBIDDING FOYER
Thick shadows hang heavy across fungus-smeared, dilapidated wainscoting, cobwebs hang like fine lace across sagging moldings, rats scuttle past gaping doorways. The faint scent of brimstone, ghostly breath laced with cognac, neglected mahogany panels, and rot.


THE GHASTLY GARDEN
Overgrown oleander, marshy water hemlock, the sugared nectar of carnivorous blooms, putrefying wet greenery, oozing sap, crushed rosary peas, withered climbing roses, and nightshade berries.


THE HEINOUS HEDGE-MAZE
Claustrophobic pathways of neglected boxwood and thorny rosemary intersecting at impossible angles, twisting into itself.


THE LURID LIBRARY
The incense-tinged scent of forbidden tomes and the musk-laden remnants of infernal servants.


THE PERILOUS PARLOR
A memory of pleasure passed. A ghostly rendezvous, delight beyond death. Faint echoes of laughter and the distorted music of a harp drift by, along with the scent of soft white pear and sweet vanilla.


THE SINISTER SALON
Lush carpets, the heavy purple of deep mourning, stretch to touch walls covered in peeling, fading wallpaper and threadbare tapestries. The trompe-l'œil frieze is grotesque: misshapen creatures cavort lewdly, leering and clutching one another in strange embraces. The walls are hung with massive dust-caked portraits of ancestors long-dead, and desiccated calla lilies curl morosely in crystal vases set on ornate end tables. Whiffs of opium, tobacco smoke, sherry, and cologne hint at crumbling decadence and the echoes of buried perversions.


THE TWISTED OAK TREE
Blackened, rotted oak wood blanketed in moss and choked by a cloak of grasping ivy.


THE WRETCHED ROSE WINDOW
Phantasmal patterns warp and weave through panes of leaded glass. Pale shafts of frail sunbeams push through, creating a sickly dance of violet, smoke-grey, blood-red, and blackened plum light on the oaken walls.


Haunted House artwork by the ridiculously talented Andrew Fogel.




WEENIES 2012
++ HALLOWEENIE 2012
ALL SOULS' NIGHT, 1917
You heap the logs and try to fill
The little room with words and cheer,
But silent feet are on the hill,
Across the window veiled eyes peer.
The hosts of lovers, young in death,
Go seeking down the world to-night,
Remembering faces, warmth and breath–
And they shall seek till it is light.
Then let the white-flaked logs burn low,
Lest those who drift before the storm
See gladness on our hearth and know
There is no flame can make them warm.

Embers that give no warmth; cold hands stoking a fire that gives no light. Fragonia, carrot seed, and ashen sandalwood.


THE APPARITION
When by thy scorne, O murdresse, I am dead,
And that thou thinkst thee free
From all solicitation from mee,
Then shall my ghost come to thy bed,
And thee, fain'd vestall, in worse armes shall see;
Then thy sicke taper will begin to winke,
And he,whose thou art then, being tyr'd before,
Will, if thou stirre, or pinch to wake him, thinke
Thou call'st for more,
And in false sleepe will from thee shrinke,
And then poore Aspen wretch, neglected thou
Bath'd in a cold quicksilver swear wilt lye
A veryer ghost than I;
What I will say, I will not tell thee now,
Lest that preserve thee; and since my love is spent,
I'had rather thou shouldst painfully repent,
Than by my threatenings rest still innocent.


Quicksilver-cold and heartless: white sandalwood, immortelle, zdravetz, and oudh.


AUTUMN COOLNESS 2012
Heat lingers
As days are still long;
Early mornings are cool
While autumn is still young.
Dew on the lotus
Scatters pure perfume;
Wind on the bamboos
Gives off a gentle tinkling.
I am idle and lonely,
Lying down all day,
Sick and decayed;
No one asks for me;
Thin dusk before my gates,
Cassia blossoms inch deep.

The scent of wisteria, Cymbidium, lotus blossom, and cassia buds drifting on a breeze through gently swaying bamboo reeds.


BONFIRE NIGHT 2012
Guy Fawkes, Guy;
Stick him up on high!
Hang him on a lamp post
And there let him die!
Guy, Guy, Guy!
Poke Him in the eye!
Put him on the fire,
And there let him die!
Burn his body from his head:
Then you'll say
Guy Fawkes is dead!
Hip, Hip, Hooray!


Beer, woodsmoke, tar, and treacle.


BOO 2012
Eerie billows of spun sugar, fluttering white cotton, and sheets of cream.


DIA DE LOS MUERTOS 2012
A joyous celebration of La Catarina, La Flaca, La Muerte… Glorious, Beautiful Death. In Mexico, death is not something to be feared or hated; She is embraced, loved, and adored. La Muerte is fêted, as the celebrant "…chases after it, mocks it, courts it, hugs it, sleeps with it; it is his favorite plaything and his most lasting love." This is a Mexican paean to La Huesuda: dry, crackling leaves, the incense smoke of altars honoring Death and the Dead, funeral bouquets, the candies, chocolates, foods and tobacco of the ofrenda, amaranth, sweet cactus blossom and desert cereus.


FIZZY JACK O’LANTERN
1.5 oz gin
½ oz dry sherry
½ oz lemon juice
1 tsp pumpkin butter
2 dashes of Averna amaro

Pour the gin, sherry, lemon juice, pumpkin butter, and liqueur to a cocktail shaker filled with ice. Shake that mofo and strain it into a rocks glass filled with ice and a strong, spicy ginger ale. Stir gently, and garnish with a cinnamon stick or human finger bone.


GHOST HOUSE
I dwell in a lonely house I know
That vanished many a summer ago,
And left no trace but the cellar walls,
And a cellar in which the daylight falls,
And the purple-stemmed wild raspberries grow.
O'er ruined fences the grape-vines shield
The woods come back to the mowing field;
The orchard tree has grown one copse
Of new wood and old where the woodpecker chops;
The footpath down to the well is healed.
I dwell with a strangely aching heart
In that vanished abode there far apart
On that disused and forgotten road
That has no dust-bath now for the toad.
Night comes; the black bats tumble and dart;
The whippoorwill is coming to shout
And hush and cluck and flutter about:
I hear him begin far enough away
Full many a time to say his say
Before he arrives to say it out.
It is under the small, dim, summer star.
I know not who these mute folk are
Who share the unlit place with me—
Those stones out under the low-limbed tree
Doubtless bear names that the mosses mar.
They are tireless folk, but slow and sad,
Though two, close-keeping, are lass and lad,--
With none among them that ever sings,
And yet, in view of how many things,
As sweet companions as might be had.


Purple-stemmed raspberries, twining grape vines, Spanish moss, and dusty pale woods.


MANGO-INFUSED PUMPKIN CHAI LATTE
Pumpkin-spiced gunpowder tea with mango peel, red ginger, green cardamom, smoky clove buds, fennel, allspice, saffron, coconut sugar, and foamy milk.


MEDITATION IN AUTUMN 2012
Withered vines, gnarled trees, twilight crows,
river flowing beneath the little bridge,
past someone's home.
The wind blows from the west
where the sun sets, it blows
across the ancient road,
across the bony horse
across the despairing man
who stands at heaven's edge.

A desolate scent, dusty, bleak, and withered: old wood, burnt brown sandalwood, and twisted vines.


MISCHIEF
The scent of petty vandalism: toilet paper wads on damp maple trees, squished pumpkins, raw eggs, beer, pumpkin seed hulls, and soapy glass.


POMONA 2012
I am the ancient apple-queen.
As once I was so am I now —
For evermore a hope unseen
Betwixt the blossom and the bough.

Ah, where's the river's hidden gold!
And where's the windy grave of Troy?
Yet come I as I came of old,
From out the heart of summer's joy.


The Roman festival for Pomona, Goddess of fruit, orchards, and gardens, was celebrated on November 1. On this day, the stores amassed during summer were opened for winter.

Azaroles, nuts, and apple blossoms with red apple pulp, mulberry, blackberry, and pomegranate juice.


PUNKIE NIGHT 2012
Once upon a time, on a wild October night many years ago, a fair took place at Chiselborough. The men of the village of Hinton St. George made their way to the fair, and spent the night in revelry, drinking and carrying on, far into the darkest hours. Their wives grew concerned, and went looking for their unruly husbands. In order to see their way through the autumn gloom, they hollowed out mangel-wurzels and crafted them into makeshift lanterns. The drunken men, in their sloshy haze, saw the ghostly lights approaching, and believed them to be goolies — the furious spirits of unbaptized children. In terror, they fled in panic from their bemused, bewildered wives.

To this day, that night of foolishness is still celebrated! This is a light-hearted scent: apple orchards, bright cranberries, and a touch of warm cider.


SAMHAIN 2012
Truly the scent of autumn itself -- damp woods, fir needle, and black patchouli with the gentlest touches of warm pumpkin, clove, nutmeg, allspice, sweet red apple and mullein.


SUCK IT 2012
A vampiric good time. Sexy and suckable: black cherry brandy.


SUGAR SKULL 2012
Vibrant with the joy and sweetness of life in death! A blend of five sugars, lightly dusted with candied fruits.


THIRD CHARM
The owl is abroad, the bat, and the toad,
And so is the cat-a-mountain,
The ant and the mole sit both in a hole,
And the frog peeps out o' the fountain;
The dogs they do bay, and the timbrels play,
The spindle is now a turning;
The moon it is red, and the stars are fled,
But all the sky is a-burning:

The ditch is made, and our nails the spade,
With pictures full, of wax and of wool;
Their livers I stick, with needles quick;
There lacks but the blood, to make up the flood.
Quickly, Dame, then bring your part in,
Spur, spur upon little Martin,
Merrily, merrily, make him fail,
A worm in his mouth, and a thorn in his tail,
Fire above, and fire below,
With a whip in your hand, to make him go.


There's magic afoot: fiery red musk, luminous elemi, East Indian patchouli, champaca flower, cedar incense, ho wood, and hemlock accord sweetened with a peculiar sweet honey.


THE VAMPIRE BRIDE
"I am come-I am come! once again from the tomb,
In return for the ring which you gave;
That I am thine, and that thou art mine,
This nuptial pledge receive."

He lay like a corse 'neath the Demon's force,
And she wrapp'd him in a shround;
And she fixed her teeth his heart beneath,
And she drank of the warm life-blood!

And ever and anon murmur'd the lips of stone,
"Soft and warm is this couch of thine,
Thou'lt to-morrow be laid on a colder bed-
Albert! that bed will be mine!"


Icy skin touched by a perfume of violet leaf, white tea, olibanum, elemi, myrrh, wormwood, crypt dust, and saffron with a dribble of blood red musk.



And over at Black Phoenix Trading Post…

Blue Moon has returned! Blue Moon shirt featuring art by Sarah Coleman.

Also on the Blue Moon page is the return of Ted's take on Blue Moon…Luna Azul:

LUNA AZUL
Ted's interpretation of the Blue Moon. This is the scent of star-crossed love, folly, and passionate lunacy: white mango, French lavender, orris root, fig leaf, ylang ylang, mugwort, styrax, oakmoss, camphor, and black opium tar.

The Raven Moon shirt will be up shortly.







17 August 2012

Black Phoenix is ridiculously proud and excited to announce a series of scents based on ParaNorman, the new animated zombie comedy from Laika, the makers of Coraline.


BLITHE HOLLOW
Dead leaves and cold, moist breezes set at the edge of a forest of maple, pine, cedar, and cypress.


NORMAN
Hoodie cotton and milk-splashed denim with a hint of pine needles and ectoplasm.


COURTNEY
A sweet and over-the-top girly teenybopper perfume mixed with a little tanning lotion and a healthy dollop of pink (very, very pink) bubblegum.


NEIL
Breakfast cereal and jelly beans.


SALMA
Crisp linen, a smudge of ballpoint pen ink, soap-touched skin, apple shampoo, and effervescent science fair experiment residue.


NORMAN'S GRANDMA
A soft, ethereal scent suffused with gentle comfort. A remembrance of tea roses, lilacs, and soothing hugs.


MR. PRENDERGHAST
Sweet cigar smoke, brown wool, Old Furry Touk accord, and a little bit of coffee.


BUB
A dog's bright, beaming memories of playing in the sun, rolling in the grass, and begging for table scraps.


HIPPIE GHOST
A faded snapshot of patchouli-stained peasant blouses, soft suede boots, and smoke.


THE BOOK
Old, yellowed parchment paper, tattered leather bindings. There's a distinct warmth to the scent, though it is ancient and brittle.


Purchase ParaNorman scents here.





31 July 2012



HARVEST MOON 2012
Harvest Moon is celebrated in almost every culture, and the bounty of the season is marked in a myriad of ways. Harvest Moon touches the Equinox, the festival of Janus, the culmination of Homowo, the "crying of the neck" in Cornwall, and the Women's Festival of the Moon. This is a day that celebrates abundance and beauty, fertility and progress, and the light of this full moon blesses new undertakings and reunites lost loves.

The Harvest Moon, by definition, is the Full Moon that falls closest to the Autumnal Equinox, and thus, it shares some of that Sabbat's characteristics. This Full Moon was thus named because it rises within half an hour of the sun's setting, in the Northern Hemisphere, and at this time farmers are able to work longer into the night by the light of this Moon. As the year draws to a close, the Full Moon rises an average of fifty minutes later each night, with the exception of a few nights surrounding the Harvest Moon, which only rises 10-30 minutes later. This moon is also, to the human eye, the fullest and largest of the year's Moons, hanging gloriously huge, yellow and low in the night sky, and many lunar illusions play tricks on our eyes at this time.

The Harvest ushers in many celebrations, including the Equinox and the Festival of Janus, God of Doors. Janus is the Roman Lord of Gateways, beginnings and endings, and transitions. Thus, the Harvest Moon is a time for blessing new ventures, the onset of new and progressive phases in one's life, and rites of passage into adulthood. This time of year also marks one of the Festivals of Dionysus, Lord of Ecstasy and the Vine.

This Harvest lunacy combines the autumnal scents of balsam fir, cedar, sorrel, thyme, juniper berry, clove, saffron, damson plum, chrysanthemum, sage, black cherry, and fennel with dry maple leaves, golden ale, the crushed wine grapes of Dionysus, and Janus' lingum aloes.


Art by Abigail Larson.


BLUE MOON 2012
The spirit of the full moon is capricious, intense and passionate, yet still distant, aloof and cold. Luna herself governs glamours, bewitchments and dream-work, innocent wonder, transient pleasure and delight, the Moment, impulse, mystery and veils. The Blue Moon is one of her rarest manifestations, and this scent is formulated to encapsulate her most complex and profound nature:

Mugwort, for psychic sensitivity...
Calea Zacatechichi, yarrow, and mastic for divination through dreams...
Frankincense and hyssop for complexity, wisdom and noscere...

... with a potent lunar-charged, oneirongenic blend of blue musk, exquisite woods, moonflower, evening stock, Madagascan ylang ylang, Florentine iris, Greek cypress, green tea absolute, palmarosa, cucumber, rose milkweed, Clary sage, lavender, lemon balm, and passion fruit.



BLAUER MOND
Brian's interpretation of the Blue Moon. A glimmer of hope emerging from a sea of dreams: sea buckthorn berry, terebinth pine, frankincense, hyssop, white sage, Neptune's night-blooming jasmine, cucumber, lavender, ambergris accord, and violet leaf.






This month's single notes:


EIGHT-PETALED LOTUS
On the day when the lotus bloomed, alas, my mind was straying,
and I knew it not. My basket was empty and the flower remained unheeded.

Only now and again a sadness fell upon me, and I started up from my
dream and felt a sweet trace of a strange fragrance in the south wind.

That vague sweetness made my heart ache with longing and it seemed to
me that is was the eager breath of the summer seeking for its completion.

I knew not then that it was so near, that it was mine, and that this
perfect sweetness had blossomed in the depth of my own heart.



- Rabindranath Tagore


The Sacred Lotus represents spiritual illumination, boundless creative regeneration, the mysteries of the cosmos, infinite consciousness, divine love, and purity of spirit, mind, and body.



SIBERIAN MUSK
Our vegetal musk blend that emulates the scent of Siberian musk deer gland secretions. The description doesn't sound sexy, but the scent sure is.

This is a vegan, cruelty-free perfume. No animals were harmed, fondled, squeezed, prodded, or in any way violated in the making of this accord.


Harvest Moon, Blue Moon, Blauer Mond, Eight-Petaled Lotus and Siberian Musk are $23 each, and available on our Limited Edition page. Also this month…

The first two scents from upcoming series based on Neil Gaiman’s Coraline, Butterscotch Balls and Blackbeetles, and Mouse Circus, are now live.


Coraline features art from Vera Brosgol, author/artist of the Eisner-winning graphic novel Anya’s Ghost.



Only 180 bottles of Butterscotch Balls and Blackbeetles remain, and when they're gone, they're gone.



BUTTERSCOTCH BALLS AND BLACKBEETLES
The other mother sat down on the big sofa. She picked up a shopping bag from beside the sofa and took out a white, rustling, paper bag from inside it.

She extended the hand with it to Coraline. “Would you like one?” she asked politely.

Expecting it to be a toffee or a butterscotch ball, Coraline looked down. The bag was half filled with large shiny blackbeetles, crawling over each other in their efforts to get out of the bag.

“No,” said Coraline. “I don’t want one.”

“Suit yourself,” said her other mother. She carefully picked out a particularly large and black beetle, pulled off its legs (which she dropped, neatly, into a big glass ashtray on the small table beside the sofa), and popped the beetle into her mouth. She crunched it happily.

“Yum,” she said, and took another.

“You’re sick,” said Coraline. “Sick and evil and weird.”

“Is that any way to talk to your mother?” her other mother asked, with her mouth full of blackbeetles.


Butterscotch candies flecked with dirt, encased in a shiny black shell of myrrh, patchouli, and anise seed.



MOUSE CIRCUS
In the flat above Coraline’s, under the roof, was a crazy old man with a big mustache. He told Coraline that he was training a mouse circus. He wouldn’t let anyone see it.

“One day, little Caroline, when they are all ready, everyone in the whole world will see the wonders of my mouse circus. You ask me why you cannot see it now. Is that what you asked me?”

“No,” said Coraline quietly, “I asked you not to call me Caroline. It’s Coraline.”

“The reason you cannot see the mouse circus,” said the man upstairs, “is that the mice are not yet ready and rehearsed. Also, they refuse to play the songs I have written for them. All the songs I have written for the mice to play go oompah oompah. But the white mice will only play toodle oodle, like that. I am thinking of trying them on different types of cheese.”


A toodle oodle of pink cotton candy noses, vanilla spun sugar fur, scattered kernels of popcorn, and a touch of polished golden wood.




And finally, August brings us a series of scents based on Carolyn Hennesy’s Pandora series of young adult books. She walked up the steps and out into the middle of the stage, the sack held behind her, and turned to face the crowd.

“My name is Pandora Atheneus Andromaeche Helena, daughter of the House…the great House of Prometheus.”

She heard a few whispers and a loud hoot.

“You all know the story,” she plunged on, “of how my father stole fire from Zeus and brought it down to earth so that mankind could be warm and safe. And you know of my father’s horrible punishment. But there was a second part to his punishment that you do not know about. Something that my father never talks about because it is so terrible that many of you will…faint. And because that’s just my dad.”

Several girls stopped whispering.

“Zeus gave my father a box containing,” she paused, “all of the misery of the world.”

The teachers began staring at her strangely.

“Each of the great Olympians put something really bad into the box and they gave it to my dad for safekeeping. If the box is ever opened, plagues of every kind will…will…fly out and torment each of you for the rest of your lives. Your skin will bubble. Your hair will fall out. Wild beasts will eat you in your sleep. It will hail everyday and there will be lots of floods. And, there will be nothing you can do but cry and beseech the gods. Nothing!”

In one swift motion she brought the sack out from behind her back, withdrew the box and lifted it high over her head.

“And they’re all in here!”





IOLE
The newcomer. The brains. Pensive and thoughtful. Small and frail, even now Iole sometimes can't keep up as Pandy and Alcie stride through the market place or the olive orchards or swim in nearby lakes and rivers. But…but…she’s smart as a whip; often using big words when she speaks; not to show off, but only because her mighty mind can’t come up with anything smaller. Will gladly tutor in algebra and calculus!

A serious, studious scent: fig, night-blooming jasmine, red sandalwood, bourbon vanilla, oak bark, leather accord, and black amber.

ALCIE
Sassy. Impetuous. Loyal. Alcestis Artemisia Medusa, with her red hair and brown-green eyes, is prettier than most and is having a much easier time with all the “maiden stuff.” Alcie’s father, a wealthy man, buys all the latest toga clasps, hair irons and ankle bracelets for his daughter, so she’s always rather lovely. However, Alcie is also a distant niece of the great Gorgon Medusa, a creature so hideous that anyone who looked into its eyes would immediately turn to stone. A young hero, Perseus, had cut off Medusa’s head some years earlier, so at least all the relatives didn’t have to worry about Medusa showing up for feast days, but Alcie was still embarrassed by the blot on the family name.

Just a hint of gorgon blood: bright nectarine, honey, sandalwood, green musk, sea buckthorn berry, and oakmoss.

PANDY
Every girl you’d ever want to be or know. Although she doesn’t quite know it…yet. Ever since she had turned thirteen and had officially become a maiden, Pandora Atheneus Andromaeche Helena, only daughter of the titan Prometheus, was bored to tears. Well…not bored exactly…but she couldn’t quite put her finger on what she was feeling. She looked skyward and saw Bellerophon, now a tiny speck, rocketing about on his magnificent winged horse. Gods, how exciting that must be! And there were other heroes, men and women, all over Greece doing wonderful, brave, death-defying things right at that very moment. Her curiosity rose inside her like steam. What would it feel like to have a sword in her hand or fly on the back of a magical animal? How she wished she could have some kind, any kind, of adventure.

Fresh white musk, honeycomb, sweet apricot, elemi, orange blossom, and mischievous pink pepper.

Art by Abigail Larson.



——




And over at Black Phoenix Trading Post…

There are four new t-shirts!
Harvest Moon tee featuring art by by Abigail Larson.

Blue Moon shirt featuring art by Sarah Coleman.

And two Cupcake Monster tees by Mariah Huehner.



Also on the Blue Moon page is Ted's take on Blue Moon…Luna Azul:

LUNA AZUL
Ted's interpretation of the Blue Moon. This is the scent of star-crossed love, folly, and passionate lunacy: white mango, French lavender, orris root, fig leaf, ylang ylang, mugwort, styrax, oakmoss, camphor, and black opium tar.





A new addition to our soap line:



MISKATONIC UNIVERSITY SOAP
The scent of Irish coffee, dusty tomes and polished oakwood halls.

The soap: Spent coffee grounds for gentle exfoliation in a silken, wood-warm lather





A silver Last Unicorn pendant featuring art by Renae de Liz.





and a line of candles, hand-made by Sara Robey:

BLISS CANDLE
A shot of pure, self-indulgent euphoria! A scent that is very, very wicked in its own way: the serotonin-slathered scent of pure milk chocolate.

DRAGON'S BLOOD
Powerful, commanding, blazing with strength.

MISKATONIC UNIVERSITY
The scent of Irish coffee, dusty tomes and polished oakwood halls.

SPANISH RED CARNATION
A celebratory scent, spicy and joyful. This is the nation flower of Spain. It symbolizes the suffering of Christ, the passion of lovers, and the laurels of victory.

SHUB-NIGGURATH
The lust incense of a corrupted Astarte. A blend of ritual herbs and dark resins, shot through with three gingers and aphrodisiacal spices.

WHITE RABBIT
Strong black tea and milk with white pepper, ginger, honey and vanilla, spilled over the crisp scent of clean linen.





And last but not least, check out Etsy shop for some new additions! BPAL orders can be combined with BPAL Etsy orders; email answers @ blackphoenixalchemylab.com for further information.







12 July 2012

13
13 is significant, whether you consider it lucky, unlucky or just plain odd. Many believe it to be unfortunate…

…because there were 13 present at the Last Supper.
…Loki crashed a party of 12 at Valhalla, which ended in Baldur's death.
…Oinomaos killed 13 of Hippodamia's suitors before Pelops finally, in his own shady way, defeated the jealous king.
…In ancient Rome, Hecate's witches gathered in groups of 12, the Goddess herself being the 13th in the coven.

Concern over the number thirteen echoes back beyond the Christian era. Line 13 was omitted form the Code of Hammurabi.

The shivers over Friday the 13th also have some interesting origins:

…Christ was allegedly crucified on Friday the 13th.
…On Friday, October 13, 1307, King Philip IV of France ordered the arrests of Jaques de Molay, Grand Master of the Knights Templar, and sixty of his senior knights.
…In British custom, hangings were held on Fridays, and there were 13 steps on the gallows leading to the noose.

To combat the superstition, Robert Ingersoll and the Thirteen Club held thirteen-men dinners during the 19th Century. Successful? Hardly. The number still invokes trepidation to this day. A recent whimsical little serial killer study showed that the following murderers all have names that total thirteen letters:


Theodore Bundy
Jeffrey Dahmer
Albert De Salvo
John Wayne Gacy

And, with a little stretch of the imagination, you can also fit "Jack the Ripper" and "Charles Manson" into that equation.

More current-era paranoia: modern schoolchildren stop their memorization of the multiplication tables at 12. There were 13 Plutonium slugs in the atomic bomb that was dropped on Nagasaki. Apollo 13 wasn't exactly the most successful space mission. All of these are things that modern triskaidekaphobes point to when justifying their fears.

For some, 13 is an extremely fortuitous and auspicious number…

…In Jewish tradition, God has 13 Attributes of Mercy. Also, there were 13 tribes of Israel, 13 principles of Jewish faith, and 13 is considered the age of maturity.
…The ancient Egyptians believed that there were 12 stages of spiritual achievement in this lifetime, and a 13th beyond death.
…The word for thirteen, in Chinese, sounds much like the word which means “must be alive”?.

Thirteen, whether you love it or loathe it, is a pretty cool number all around.

…In some theories of relativity, there are 13 dimensions.
…It is a prime number, lucky number, star number, Wilson Prime, and Fibonacci number.
…There are 13 Archimedean solids.

AND…
…There were 13 original colonies when the United States were founded.

Says a lot about the US, doesn't it?

This 13 was created by Brian Constantine. Voluptuous and somber: a Thirteen created as a reflection on the capricious nature of Tyche - bittersweet cacao and dragon's blood resin sweetened by honey and vanilla bean, brightened by saffron, and touched by the contemplative depths of oak leaf, solemn opoponax, frankincense, myrrh, black amber, hiba wood, aged patchouli, burgundy pitch, and Balm of Gilead.






29 June 2012

Singing Moon is now live at BPAL and BPTP!

singing moon
SINGING MOON
The Banshee mournful wails
In the midst of the silent, lonely, lonely night,
Plaining, she sings the song of death.


The song of a host of dread spirits wailing their grief to the moonlit heavens: grey, silken ambergris and cold davana cascading over a landscape of bog rosemary, marsh cinquefoil, sea holly, grey willow, bog asphodel, sundew, lowland meadow grass, and frost-limned peat.




This month we are welcoming back a long-lost old friend...single note accords!

The availability of our single notes is limited: one or two will be offered each lunar cycle, full moon til full moon, for the next twelve months. Single notes are available on our limited edition page.


ANNURCA APPLE BLOSSOM
While this scent is fresh, crisp, refreshing, and redolent of spring mornings, it also possesses an ancient timbre: this is the fragrance of the apple orchards of ancient Herculaneum.



SPANISH RED CARNATION
A celebratory scent, spicy and joyful. This is the nation flower of Spain. It symbolizes the suffering of Christ, the passion of lovers, and the laurels of victory.




Sadly, while we warmly embrace new friends, we must bid farewell to a few old favorites.

Effective immediately, the following general catalog scents have been discontinued:

  • All in the Golden Afternoon
  • Danube
  • Hermia
  • Hymn to Proserpine
  • Moonshine & Mist


Also, when the next lunacy rises, the Salon
will close its doors. The Salon scents will be available until July 30th, 2012.





1 June 2012

Smoky Moon is live at BPAL and BPTP!

Smoky Moon

SMOKY MOON 2012
Light-winged Smoke, Icarian bird,
Melting thy pinions in thy upward flight,
Lark without song, and messenger of dawn
Circling above the hamlets as they nest;
Or else, departing dream, and shadowy form
Of midnight vision, gathering up thy skirts;
By night star-veiling, and by day
Darkening the light and blotting out the sun;
Go thou my incense upward from this hearth,
And ask the gods to pardon this clear flame.


Aged champaca, golden amber, guiac wood, dusky patchouli, twilit oudh, and feathery orris, with a touch of grapefruit, davana, and elemi to help lift it to the heavens


Art by the illustrious Julie Dillon. Smoky Moon will be available until June 11, 2012.



And, it is with great pride that we introduce the second part of our collaboration with the Jim Henson Company, eight scents based on Henson's Fraggle Rock!

The Fraggle Rock Collection

GOBO
Gobo is the natural leader of the Fraggle Five. He is an explorer, spending his days charting the unexplored (and explored-but-forgotten) regions of Fraggle Rock. Gobo is following, often quite literally, in the footsteps of his Uncle Traveling Matt Fraggle, the greatest living Fraggle explorer.

Tangerine, lemon peel, sugared pink grapefruit, and vanilla cream.


BOOBER
According to Boober Fraggle, there are only two things certain in this world: death and laundry. Boober is terrified by the former and fascinated by the latter. He is also paranoid and superstitious. According to Boober, anything that can go wrong surely will, and when it does, it will inevitably happen to him.

A fretfully clean scent: freshly-washed laundry, linden blossom, soap suds, and a sprinkle of vanilla.


RED
Red Fraggle is a nonstop whirligig of activity. To her fellow Fraggles, Red is often seen as a flash of crimson racing to her next athletic pursuit. She is Fraggle Rock champion in Tug-of-War, Diving while Singing Backwards, the Blindfolded One-Legged Radish Relay, and a number of other traditional Fraggle sports. She is outgoing, enthusiastic, and athletic, but take note – her impetuosity can get her into real trouble.

Sporty and energetic: sweet red currant, tangy cranberry, pink musk, and spicy pink pepper.


MOKEY
Mokey is an artist, poet and philosopher. She seems to be in touch with some sort of higher Fraggle consciousness. Mokey is fascinated by the beauty and intricacy of the world around her, and is always seeking new ways to share this feeling with others.

A gentle, contemplative fragrance: lilac blossoms, violet sugar, orris root, stephanotis, and osmanthus.


WEMBLEY
To Wemble is a Fragglish word that means (roughly) “to be so unable to make up one's mind that it's ridiculous.” Wembley is indecision personified. Wembley has an uncanny ability to find merit on both sides of any issue. This talent occasionally casts him in the role of peacemaker.

Innocently indecisive: white musk, banana, orange blossom honey, pineapple, and mint.


UNCLE TRAVELING MATT
The magic is always there, as long as we keep looking for it.

Gobo's Uncle Travelling Matt is the greatest living Fraggle explorer – the Fraggle equivalent of an astronaut. After completing his exploration of Fraggle Rock, he ventured forth into our world, a place the Fraggles call “Outer Space.”

Dark chocolate, figgy vanilla, pear, and quince.


DOOZERS
Totally unlike the Fraggles, Doozers spend their lives working. The greatest joy in a Doozer's life is to get up, put on a hard hat and take a place on the Doozer work crew.

The scent of industrious cooperation: glittering crystals, soft soil, and radish dust.


GORG'S GARDEN
The Fraggles raid the Gorgs' garden for the vegetables (particularly the radishes) that they eat.

Radishes, freshly-turned soil, and soft herbs.




3 May 2012
O, hello, Strawberry Moon!

STRAWBERRY MOON 2012
Strawberries that in gardens grow
Are plump and juicy fine,
But sweeter far as wise men know
Spring from the woodland vine.

No need for bowl or silver spoon,
Sugar or spice or cream,
Has the wild berry plucked in June
Beside the trickling stream.

One such to melt at the tongue's root,
Confounding taste with scent,
Beats a full peck of garden fruit:
Which points my argument.

May sudden justice overtake
And snap the froward pen,
That old and palsied poets shake
Against the minds of men.

Blasphemers trusting to hold caught
In far-flung webs of ink,
The utmost ends of human thought
Till nothing's left to think.

But may the gift of heavenly peace
And glory for all time
Keep the boy Tom who tending geese
First made the nursery rhyme.


Wild strawberries, strawberry flower, strawberry blossom honey, vanilla-infused sugar, early summer grasses, and milky dandelion sap.


A little while back, we wrote a bit about strawberries on the Gazette: http://www.blackphoenixgazette.com/?p=1425.


Strawberry Moon is also live on Black Phoenix Trading Post! Please welcome Tanya Bjork to our family of artists!






“Just living is not enough," said the butterfly, "one must have sunshine, freedom and a little flower.”

This month, we revisit the Metamorphosis:

METAMORPHOSIS
Lo, the bright train their radiant wings unfold!
With silver fringed, and freckled o'er with gold:

On the gay bosom of some fragrant flower
They, idly fluttering, live their little hour;
Their life all pleasure, and their task all play,
All spring their age, and sunshine all their day.
- " To Mrs. P--------., With Some Drawings…", Anna Laetitia Aikin

The grace, beauty, and complexity of butterflies and moths have permeated myths all over the globe. The symmetry and elegance of their form and the coquettish rhythm of their dance inspires visions of fleeting romance:

The dawn is smiling on the dew that covers
The tearful roses; lo, the little lovers
That kiss the buds, and all the flutterings
In jasmine bloom, and privet, of white wings,
That go and come, and fly, and peep and hide,
With muffled music, murmured far and wide.
Ah, the Spring time, when we think of all the lays
That dreamy lovers send to dreamy mays,
Of the fond hearts within a billet bound,
Of all the soft silk paper that pens wound,
The messages of love that mortals write
Filled with intoxication of delight,
Written in April and before the May time
Shredded and flown, playthings for the wind's playtime,
We dream that all white butterflies above,
Who seek through clouds or waters souls to love,
And leave their lady mistress in despair,
To flit to flowers, as kinder and more fair,
Are but torn love-letters, that through the skies
Flutter, and float, and change to butterflies
- " The Genesis of Butterflies", Victor Hugo

Though in some myths - notably, China's Butterfly Lovers, Liang Shanbo and Zhu Yingtai, and Japan's tale of Takahama and Akiko - butterflies are symbols of eternal love and devotion.

Most often, butterflies and moths represent change, transition, and metamorphosis. Butterflies are also seen as personifications of the soul, and symbols of mankind's desire for spiritual evolution. They are harbingers of both love and death, and some believe that errant souls manifest in this form.

Moths and butterflies are, to some, symbols of blind desire and madness, perilously drawn to the splendor of light and flame. This mad desire is also portrayed, at times, as transcendence:

Tell it none except the wise,
for the common crowd defames:
of the living I shall praise
that which longs for death in flames.

In the love night which created
you where you create, a yearning
wakes: you see, intoxicated,
far away a candle burning.
Darkness now no longer snares you,
shadows lose their ancient force,
as a new desire tears you
up to higher intercourse.

Now no distance checks your flight,
charmed you come and you draw night
till, with longing for the light,
you are burnt, O butterfly.

And until you have possessed
dying and rebirth,
you are but a sullen guest
on the gloomy earth.
- " Blissful Yearning", Goethe, translation by Walter Kaufmann

This series, though seemingly simple, is a complex narrative in scent. It was created with the intention of illustrating the beauty of transformation and transcendence, the sweetness of romance, the joy of freedom and personal liberty, and the perpetuity of true love.

Wake, butterfly -
It's late, we've miles
To go together.
- Matsuo Basho



This year's butterfly series was inspired by our many, many trips to Mexico, and is focused on the butterflies and moths of the Yucatan and Quintana Roo.

BERNARDINO DOTTED BLUE
Lily of the valley, patchouli, copal, violet leaf, ambrette seed, Cyprian bergamot, chocolate peppermint, and tobacco absolute.

CEANOTHUS SILKMOTH
Blood orange, night-blooming jasmine, vanilla bean, bog wood, Spanish moss, benzoin, and oudh.

JUNIPER HAIRSTREAK
Smoky brown musk, cucumber, green-tinged ozone, cypress, white mint, jungle orchid, and juniper berry.

RUDDY DAGGERWING
Cacao, tobacco absolute, Chilean coffee bean, osage-orange, and ebony.

PASSION BUTTERFLY
Red mandarin, mimosa, pink grapefruit, copal, petitgrain, and black amber.

SPHAEROMACHIA GAUMERI
Iris, iced lemon peel, anise seed, red current, coriander, cilantro, and white musk.

TWO-BARRED FLASHER
Orris root, lilac, galbanum, white tea, Italian bergamot, and blueberry.

WHITE PEACOCK
Teak, ebony wood, osmanthus, patchouli, red sandalwood, vanilla orchid, tonka bean, tobacco, wild musk, spikenard, and sugandh kokila.

ZEBRA HELICONIAN
Opium tar, frankincense, lemongrass, ambergris accord, Himalayan cedarwood, coffee absolute, coconut meat, clary sage, tobacco flower, vetiver, and white plum.




The Metamorphosis series is dedicated, as always, to my daughter. Lilith, my angel, my dearest love. I love you, little butterfly. I love your laugh, I love your smile, I love your huge, compassionate heart. You are the joy of my life, you are the song of my spirit. I'm so very grateful to be your mother.

Inspired by our sojourns into the jungles of Latin America, we present two sweet, raw, prickly blends as a small tribute to our omnipresent hematophagous travel companions:

AE. ALBOPICTUS
Saffron, pimento, cardamom, beeswax, cajeput, tomato leaf, geranium, and pink pepper honey.

AE. AEGYPTI
Five honeys with vanilla orchid, gardenia, dragon's blood resin, gingergrass, and turmeric.




Butterflies are also swarming the 'Post!



BUTTERFLY GARDEN ATMOSPHERE SPRAY
Butterfly bush blossoms, dew-damp moss, mist flower, purple coneflower, Brazilian verbena, ground ivy, pink clover, lantana accord, and sunflower.



CANDLELIGHT ATMOSPHERE SPRAY
O Candle! Why does the moth love you?
Why is this restless soul devoted to you?

Your charm keeps it restless like mercury
Did you teach it the etiquette of Love?

It circumambulates the site of your manifestation
Is it inspired with the fire of your lightning?

Do the woes of death give it the peace of life?
Does your flame possess the quality of eternal life?

If you do not brighten this sorrowful world
This burning heart's tree of Longing may not green up

Falling before you is the prayer of this little heart
The taste for impassioned Love knows this little heart

It has some zeal of the Primeval Beauty's Lover
You are a small ñër , it is a small Kalam

The moth and the taste for the Sight of the Light!
This small insect and the Longing for the Light!

Beeswax candles burning softly in a shadowed room, touched with a wisp of smoky foreboding.





BUTTERFLY NECTAR BATH OIL
The butterfly counts not months but moments, and has time enough.
- Rabindranath Tagore

A bath of honeyed petals and sugar-dusted leaves.



Trading Post has added a few new hair glosses to their catalog:

AMBER & PATCHOULI
COCONUT, VANILLA BEAN, AND TIARE
JUNIPER MINT
MOROCCO



Dark Delicacies will be debuting a new scent in the Lace series at West Coast Will Call! It will also be available on the Dark Delicacies web site.



DARK DELICACIES: ABSINTHE AND LACE
Inspired by Edgar Degas' L'Absinthe, and created in the vein of the Dark Delicacies / Black Phoenix lace-themed collaborations. A scent of dissipation and ennui: green cognac and icy absinthe, louched, spilling onto lace that is drooping with neglect and darkened by tobacco smoke.



The following bat-themed scents will be available at Bats Day:

++ BPAL: BATS DAY 2012
GREAT VAMPIRE BAT
Incense-touched jungle orchid.

SILVER-HAIRED BAT
Gleaming white amber and silvered ambergris accord with copoiba balsam, benzoin, Atlas cedar, black pepper, and oudh.

VESPERTILIO PROTERUS
Warm golden ginger, wild fig, and vanilla cream spiced with saffron, limu amani, nutmeg, coriander, and angelica.

EPOMOPHORUS MONSTROSUS
Black patchouli, tonka bean, mahogany bark, gurjum balsam, and decadent cacao absolute surrounded by two dark, feral musks and sweet sarsaparilla.

PTEROPUS LEUCOPTERUS
White sandalwood, white sage, East Indian patchouli, muguet, golden frankincense, and Balsam of Mecca.



And also at Bats Day, these Black Phoenix Trading Post offerings:

++ BPTP: BATS DAY 2012
VIRGIN'S BLOOD BATH OIL
Rose petals and fresh cream.
No virgins were harmed in the making of this product. Everlasting youth and eternal beauty not guaranteed.

PYRIPHLEGETHONIAN POMEGRANATE ATMOSPHERE SPRAY
An infernal bounty: fiery, blood red pomegranate, black fig, opoponax, patchouli, black pepper, tobacco absolute, cypress, yew berry, and dragon's blood resin.





27 April 2012

Desdemona, Eos, Fascinum, Nero, and Sri Lanka have also been discontinued due to component issues



25 April 2012

Due to a component issue, Baghdad is temporarily on back order. We hope to be able to start shipping it again by the end of May.

The Hanging Gardens has been discontinued, effective immediately, also due to a component issue.



12 April 2012

13
13 is significant, whether you consider it lucky, unlucky or just plain odd. Many believe it to be unfortunate…

…because there were 13 present at the Last Supper.
…Loki crashed a party of 12 at Valhalla, which ended in Baldur's death.
…Oinomaos killed 13 of Hippodamia's suitors before Pelops finally, in his own shady way, defeated the jealous king.
…In ancient Rome, Hecate's witches gathered in groups of 12, the Goddess herself being the 13th in the coven.

Concern over the number thirteen echoes back beyond the Christian era. Line 13 was omitted form the Code of Hammurabi.

The shivers over Friday the 13th also have some interesting origins:

…Christ was allegedly crucified on Friday the 13th.
…On Friday, October 13, 1307, King Philip IV of France ordered the arrests of Jaques de Molay, Grand Master of the Knights Templar, and sixty of his senior knights.
…In British custom, hangings were held on Fridays, and there were 13 steps on the gallows leading to the noose.

To combat the superstition, Robert Ingersoll and the Thirteen Club held thirteen-men dinners during the 19th Century. Successful? Hardly. The number still invokes trepidation to this day. A recent whimsical little serial killer study showed that the following murderers all have names that total thirteen letters:


Theodore Bundy
Jeffrey Dahmer
Albert De Salvo
John Wayne Gacy

And, with a little stretch of the imagination, you can also fit "Jack the Ripper" and "Charles Manson" into that equation.

More current-era paranoia: modern schoolchildren stop their memorization of the multiplication tables at 12. There were 13 Plutonium slugs in the atomic bomb that was dropped on Nagasaki. Apollo 13 wasn't exactly the most successful space mission. All of these are things that modern triskaidekaphobes point to when justifying their fears.

For some, 13 is an extremely fortuitous and auspicious number…

…In Jewish tradition, God has 13 Attributes of Mercy. Also, there were 13 tribes of Israel, 13 principles of Jewish faith, and 13 is considered the age of maturity.
…The ancient Egyptians believed that there were 12 stages of spiritual achievement in this lifetime, and a 13th beyond death.
…The word for thirteen, in Chinese, sounds much like the word which means “must be alive”?.

Thirteen, whether you love it or loathe it, is a pretty cool number all around.

…In some theories of relativity, there are 13 dimensions.
…It is a prime number, lucky number, star number, Wilson Prime, and Fibonacci number.
…There are 13 Archimedean solids.

AND…
…There were 13 original colonies when the United States were founded.

Says a lot about the US, doesn't it?

I believe we could all use a little more good fortune. This 13 is contains thirteen flowers of good luck swirled in white chocolate and a touch of honey: white carnation, stephanotis, blood-flower, yellow rose, eggplant flower, tiare, chamomile blossom, champaca flower, pink heather, wild orchid, pink peony, sweet basil flower, and Bells of Ireland.





4 April 2012

Dragon Moon is high in the sky over Black Phoenix!

Dragon Moon 2012

DRAGON MOON 2012
In some cultures, the Dragon is benevolent, bestowing blessings and granting wishes. In others, the Dragon is an icon of destruction and harbinger of catastrophe. In all its incarnations, both baneful and benign, the Dragon is a symbol of strength, authority, and the raw power of nature. This Dragon Moon represents the forces of rebirth and the vigor that springtime brings: dragon's blood resin, galbanum, coriander, patchouli, wild arbor vitae, blue sage, lavender, peppermint, sweetgrass, frankincense, moonglow magnolia, bergamot, Terebinth pine, fire-blackened wood, and green cedar.

Art by Julie Dillon.


Also? Big. Happy. Golden. Balls.


++ PON POKO PON NO PON
Sho-sho- Shojo-Ji
Shojo-Ji no niwa wa
Tsu-tsu-tsuki yo de minna dete koi koi koi!
Oira no tomodacha
Pon poko pon no pon.


Makeru na, makeru na
Oshosan ni makeru na
Koi koi koi koi koi koi
Minna dete koi koi koi!

Sho-sho-shojo-Ji
Shojo-Ji no hagi wa
Tsu-tsu-tsuki yo ni
Hanazakari.
Oira wa ukarete
Pon poko pon no pon.

Stuffed full of beans and sake, the magical, shapeshifting Tanuki are harbingers of joy, prosperity, and change. These big-bellied, big-balled raccoon dogs are clever schemers and irrepressible tricksters. They conjure illusions and play pranks on the unwary, often raising up the downtrodden and casting foolish, prideful, and despotic people low.

Bring a little more light and laughter into your life with our Pon Poko series! The garden is bright under the moonlit night! Let's thump a snazzy little beat on our golden drums together!


JIBIKI DANUKI
Casting a fishing net.

Purple sage and oakmoss with black and white musks.


TANUKI NO AMIUCHI
Catching birds.

Sandalwood incense, patchouli, matcha, cumin, white cedar, white gardenia, ti leaf, and vetiver.


TANUKI NO DÔKE DARUMA
A raccoon dog having his scrotum painted in imitation of a Daruma doll.

Red currant, champaca flower, apple blossom and apple pulp, goma, tomato leaf, and brown grasses.


TANUKI NO HIKIFUNE
Towing a scrotum boat.

Honeydew, honey, and sparkling golden-green musk.


TANUKI NO KANBAN
Tanuki shopkeepers putting out their signboards.

Golden musk, ginkgo nut, persimmon rind, and bitter almond.


TANUKI NO ÔRAI
Comings and goings.

White peach, golden peach, mango, persimmon, lotus petal, osmanthus, and shishito.


TANUKI NO SENKIMOCHI
Afflicted with senki.

Anise seed, furry brown musk, cypress sap, myrrh, and smoky woods.


TANUKI NO YÛDACHI
Seeking shelter from an evening rainstorm.

Lilium speciosum, rice wine, white grapefruit, lotus root, bourbon vanilla, and vanilla orchid.




Three new comic scents are going live, benefiting Hero Initiative! So much love and thanks to Jim McLauchlin, Matt Wagner, Joseph Linsner, and all the wonderful people at Top Cow Productions!

Proceeds from every bottle sold of Dawn: Mourning Victory, Grendel: Cyborg, and Magdalena go to Hero Initiative, the first federally recognized not-for-profit organization dedicated to helping comic book creators, writers and artists in need. Founded in late 2000 by a consortium of comic book and trade publishers including Marvel Comics, Image Comics, Dark Horse Comics, Wizard Entertainment, CrossGen Comics and Dynamic Forces Inc., the 501(c)(3) charity aims to assist comic creators with health, medical, and quality-of-life assistance.


++ HERO INITIATIVE

DAWN: MOURNING VICTORY
Red sandalwood, night-blooming jasmine, white tea, hyacinth, rosehips, and tuberose.


GRENDEL: CYBORG
Gleaming metal and black leather over a khus-darkened bay rum.


THE MAGDALENA
Frankincense, myrrh, leather, ti leaf, saint wood, benzoin, and labdanum absolute.


And last, but zomg not least…

THE LABYRINTH SERIES IS LIVE.


A million, trillion thanks to the Jim Henson Company and Labyrinth Enterprises for enabling us to interpret the fantastical world of Labyrinth to life through scent! It is both an honor and a pleasure to work with a company that we respect so tremendously, and with a story that we cherish so fondly. We are thrilled to present the first in our Labyrinth series…


++ LABYRINTH

Frustrated with babysitting on yet another weekend night, Sarah, a teenager with an active imagination, summons the Goblins to take her baby stepbrother away. When little Toby actually disappears, Sarah must follow him into a fantastical world to rescue him from the Goblin King. Guarding his castle is the labyrinth itself, a twisted maze of deception, populated with outrageous characters and unknown dangers.


JARETH
"I ask for so little.

Just let me rule you… and you can have—everything that you want.

Just fear me…
…love me…
…do as I say and I will be your slave."

Ethereal lilac fougere and gleaming leather with ti leaf, tonka absolute, white musk, and oudh.


HOGGLE
"I ain't never been no one's friend before."

Fermented pumpkin, brown leather, dust, tobacco leaf, and dark woods.


GOBLIN CIDER
A dark, earthy ginger cider.


13 HOURS
"You have 13 hours in which to solve the Labyrinth…before your baby brother becomes one of us…forever."

A scent of profound foreboding: dusty black stone, dried rosehips, black moss, and creeping ivy.


FAIRY BITES
"It bit me!"

"What did you expect fairies to do?"

"I thought they did nice things. Like — like granting wishes."

"Shows what you know, don't it?"

Osmanthus and raw honey with lavender, chamomile, white peppermint, raspberry, honeysuckle, thyme, and Dracula orchid.





6 March 2012

Pink Moon

PINK MOON
The name of this moon refers to the color of wild ground phlox, a primary component of this Lunacy Blend, which is one of the most widespread floral signposts of springtime in North America. This Lunar blend is soft with phlox, tulip, daffodil, pink columbine, delphinium, pink carnation, peony, and muscari, dusted with pink sugar and honey, bourbon vanilla, a hint of white chocolate, and a touch of the first strawberries of the season.



As a preview for the upcoming addition to Somnium, we present the compass points of Sidney Sime's map of the Land of Dreams.


++ THE LAND OF DREAMS: COMPASS POINTS
I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand—
How few! yet how they creep
Through my fingers to the deep,
While I weep—while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

WAKE
Pink grapefruit, peppermint, orange blossom, bitter orange, juniper berry, cumin, tuberose, and lemon balm.

SLEEP
Lavender with tobacco, zdravetz, Haitian vetiver, and blue lotus absolute.

DREAM
White rose, lavender, kush accord, oudh, opium poppy, white musk, and shamama attar.

NIGHTMARE
Black currant, black orchid, lavender, black dammar, myrrh, oakmoss, champaca flower, and mandrake root.





28 February 2012

FREDERIC 2012
Now with more pirates!


For some ridiculous reason, to which, however, I've no desire to be disloyal,
Some person in authority, I don't know who, very likely the Astronomer Royal,
Has decided that, although for such a beastly month as February, twenty-eight days as a rule are plenty,
One year in every four his days shall be reckoned as nine and twenty.
Through some singular coincidence ? I shouldn't be surprised if it were owing to the agency of an ill-natured fairy ?
You are the victim of this clumsy arrangement, having been born in leap-year, on the twenty-ninth of February;
And so, by a simple arithmetical process, you'll easily discover,
That though you've lived twenty-one years, yet, if we go by birthdays,you're only five and a little bit over!


Alas, poor Frederic the Leapling! – bound to the merry Pirates of Penzance until his twenty-first birthday.

As his birthday comes around only every four years, so does his scent!

Victorian whimsy and piratical romance: a reluctant seaman's chypre sloshed with a mix of bay rum, patchouli, amber musk, salty woods, tobacco absolute, black tea, English roses, and red currant.




14 February 2012

BOX OF CHOCOLATES 2012
Each chocolate is limited to 100 pieces.

DARK CHOCOLATE WITH SUN-DRIED TOMATO, PINK PEPPERCORN, THYME, AND COMFREY
DARK CHOCOLATE WITH TULSI, TUMERIC, AND WHITE GINGER
MILK CHOCOLATE WITH MACADAMIA NUT, COCONUT, BUTTON MUSHROOM, AND MARSHMALLOW
WHITE CHOCOLATE WITH LEMONGRASS, CORIANDER, AND ALMOND CREAM




3 February 2012



Candles Moon


CANDLES MOON 2012
To-day is the Day of Bride,
The serpent shall come from his hole,
I will not molest the serpent,
And the serpent will not molest me.

The serpent will come from the hole
On the brown day of Bride,
Though there should be three feet of snow
On the flat surface of the ground.

Moonlight shining on the Quickening Tree, the heat and wax of sacred candles, the milk of ewes, Brigid's blackberry, the sting of keening wind, and the last flutter of the Cailleach's winter snow.



THE IDES OF MARCH 2012
The Ides marked an auspicious time in the Roman calendar. Depending on the month in question, the Ides fell on the thirteenth or fifteenth, and usually marked the Full Moon. As we all know, it was not an auspicious day for Julius Caesar, nor was it fortuitous for H.P. Lovecraft, who also met his maker on this infamous day. Tu quoque, Brute, fili mi! A mixture of springtime greenery and classical Roman cologne: rosemary, bergamot, lemon rind and vervain with costus, benzoin, coriander, rosewood, gray amber, cardamom, white narcissus, dark musk, and iris.



THEOTOKOS
It is truly meet and right to bless you, O Theotokos,

Ever-blessed and most-pure mother of our God.

More honourable than the Cherubim,

And beyond compare more glorious than the Seraphim,

Who without corruption gave birth to God the Word,

True Theotokos: we magnify you.


Calla lily, Egyptian amber, frankincense, chrysanthemum, daphne, and red roses.



++ THE BARDS OF IRELAND 2012
Irish bards were members of a hereditary caste of learned poets. They were officials of the courts of their chieftains and kings, and served as historians, storytellers, and satirists. They were immersed in the rich history of their clan and country, and learned the intricacies of their craft from birth. Their words held so much power that it was believed that a glam dicing, or satirical incantation, spoken by a bard held the magic of a curse.


THE FAIRIES
Up the airy mountain

Down the rushy glen,

We dare n't go a-hunting,

For fear of little men;

Wee folk, good folk,

Trooping all together;

Green jacket, red cap,

And white owl's feather.

Down along the rocky shore

Some make their home,

They live on crispy pancakes

Of yellow tide-foam;

Some in the reeds

Of the black mountain-lake,

With frogs for their watch-dogs,

All night awake.



High on the hill-top

The old King sits;

He is now so old and gray

He's nigh lost his wits.

With a bridge of white mist

Columbkill he crosses,

On his stately journeys

From Slieveleague to Rosses;

Or going up with music,

On cold starry nights,

To sup with the Queen,

Of the gay Northern Lights.



They stole little Bridget

For seven years long;

When she came down again

Her friends were all gone.

They took her lightly back

Between the night and morrow;

They thought she was fast asleep,

But she was dead with sorrow.

They have kept her ever since

Deep within the lake,

On a bed of flag leaves,

Watching till she wake.



By the craggy hill-side,

Through the mosses bare,

They have planted thorn trees

For pleasure here and there.

Is any man so daring

As dig them up in spite?

He shall find the thornies set

In his bed at night.



Up the airy mountain

Down the rushy glen,

We dare n't go a-hunting,

For fear of little men;

Wee folk, good folk,

Trooping all together;

Green jacket, red cap,

And white owl's feather.



- William Allingham



Supping with the Queen of the Fae: apple blossom, white clover, huckleberry wine, dandelion sap, milkweed, primrose, thyme, pink moss, thorny thistles, and opium pod.


IN THE FOREST
Out of the mid-wood's twilight
Into the meadow's dawn,
Ivory limbed and brown-eyed,
Flashes my Faun!


He skips through the copses singing,
And his shadow dances along,
And I know not which I should follow,
Shadow or song!


O Hunter, snare me his shadow!
O Nightingale, catch me his strain!
Else moonstruck with music and madness
I track him in vain!

- Oscar Wilde


A wild, passion-inflamed skin musk with black pine pitch, brown leather, black clove, copal, white sage, oakmoss, patchouli, and saffron.



LIADAIN AND CURITHIR
When thou art hidden fears throng into my heart:

I am as one who has found a treasure of gold

Whom the stars watch

And the winds threaten

And swords wait in the dark.

Or can the dream break, Curithir, into the cold dawn?

Do not even the angels tremble gazing on us?

For only within God's Dún such joy can live.



Come let us dream, love, that we sail to the west

And in enchanted islands are free of the sun

And the cold blind eyes of the years that pass unheeding sorrow.

O by the sweetness of love and joy like the piercing of spears

I have known the vain life that dies beaten back to the sod,

And the moan of all impotent things cries in my heart;

For that which can wither the budding trees can wither love.



O Curithir hast thou bidden the birds to sing of thee?

They have awoken me to the grey sweet skies

And the out-breathed light stealing over the stars.



There is no bird whose song is not of thy love

No laughter of sudden dawn winds whose joy thou art not –

O that the world could know thou lovest me, Curithir!

- Moireen Fox



An hour of love, all-too-fleeting, set against the tumble and crash of the somber seaside: honeysuckle, ivy, white moss, and salty spray.



STRINGS IN THE EARTH AND AIR
Strings in the earth and air
Make music sweet;
Strings by the river where
The willows meet.

There's music along the river
For Love wanders there,
Pale flowers on his mantle,
Dark leaves on his hair.

All softly playing,
With head to the music bent,
And fingers straying
Upon an instrument.

- James Joyce


White sage, white musk, honey myrtle, galbanum, lilac, and everlasting flower.



This weekend, Pink Lace and Mourning Lace go live at Dark Delicacies.


MOURNING LACE
A contemplation of death: fragile vanilla blossom with polished oak, bitter clove, frankincense, myrrh, and green cognac.

PINK LACE
A sweet prelude to grief: delicate tea rose and strawberry-laced vanilla stained by tobacco, champaca incense, and white cognac.




13 January 2012

Happy Friday the 13th, all!

13
13 is significant, whether you consider it lucky, unlucky or just plain odd. Many believe it to be unfortunate…

…because there were 13 present at the Last Supper.
…Loki crashed a party of 12 at Valhalla, which ended in Baldur's death.
…Oinomaos killed 13 of Hippodamia's suitors before Pelops finally, in his own shady way, defeated the jealous king.
…In ancient Rome, Hecate's witches gathered in groups of 12, the Goddess herself being the 13th in the coven.

Concern over the number thirteen echoes back beyond the Christian era. Line 13 was omitted form the Code of Hammurabi.

The shivers over Friday the 13th also have some interesting origins:

…Christ was allegedly crucified on Friday the 13th.
…On Friday, October 13, 1307, King Philip IV of France ordered the arrests of Jaques de Molay, Grand Master of the Knights Templar, and sixty of his senior knights.
…In British custom, hangings were held on Fridays, and there were 13 steps on the gallows leading to the noose.

To combat the superstition, Robert Ingersoll and the Thirteen Club held thirteen-men dinners during the 19th Century. Successful? Hardly. The number still invokes trepidation to this day. A recent whimsical little serial killer study showed that the following murderers all have names that total thirteen letters:


Theodore Bundy
Jeffrey Dahmer
Albert De Salvo
John Wayne Gacy

And, with a little stretch of the imagination, you can also fit "Jack the Ripper" and "Charles Manson" into that equation.

More current-era paranoia: modern schoolchildren stop their memorization of the multiplication tables at 12. There were 13 Plutonium slugs in the atomic bomb that was dropped on Nagasaki. Apollo 13 wasn't exactly the most successful space mission. All of these are things that modern triskaidekaphobes point to when justifying their fears.

For some, 13 is an extremely fortuitous and auspicious number…

…In Jewish tradition, God has 13 Attributes of Mercy. Also, there were 13 tribes of Israel, 13 principles of Jewish faith, and 13 is considered the age of maturity.
…The ancient Egyptians believed that there were 12 stages of spiritual achievement in this lifetime, and a 13th beyond death.
…The word for thirteen, in Chinese, sounds much like the word which means “must be alive”?.

Thirteen, whether you love it or loathe it, is a pretty cool number all around.

…In some theories of relativity, there are 13 dimensions.
…It is a prime number, lucky number, star number, Wilson Prime, and Fibonacci number.
…There are 13 Archimedean solids.

AND…
…There were 13 original colonies when the United States were founded.

Says a lot about the US, doesn't it?

In our paean to all the mysteries surrounding this enigmatic number, there are thirteen lucky and unlucky components in this fragrance: cacao absolute, Holy basil, Jamaican ginger, High John the Conqueror root, lucky hand root, manzanilla, nutmeg, Queen of the Meadow, star anise, thyme, frankincense, Irish moss, and huckleberry leaf.


WATER DRAGON
A new year's blessing! Peony, China's national flower, with bamboo for flexibility, Buddha's Hand for introspective spiritual growth, plum blossom for perseverance, courage, and hope, coconut for camaraderie, chrysanthemum for a life free of grief and struggle, tangerine and orchid for wealth, orange for happiness, lychee for household peace, pine resin for constancy, golden kumquat, pussy willow, and quince for prosperity, sesame for sweetness, narcissus and King mandarin for good fortune, and peach blossom for longevity, with a splash of blazing red of dragon's blood… to help you scare away the rampaging Nian.



Love is in the air at Black Phoenix Alchemy Lab, and we're celebrating the Season of Schtupping in myriad ways!


SMUT 2012
Three swarthy, smutty musks sweetened with sugar and woozy with dark booze notes.

WOMB FURIE 2012
In the middle of the flanks of women lies the womb, a female viscus, closely resembling an animal; for it is moved of itself hither and thither in the flanks, also upwards in a direct line to below the cartilage of the thorax and also obliquely to the right or to the left, either to the liver or spleen; and it likewise is subject to falling downwards, and, in a word, it is altogether erratic. It delights, also, in fragrant smells, and advances towards them; and it has an aversion to fetid smells, and flees from them; and on the whole the womb is like an animal within an animal.
-- Aretaeus the Cappadocian

Oh, that wily womb! Hippocrates and his followers considered the womb a mobile creature, causing mayhem as it writhed its way through a woman's body. Sometimes this ornery organ, due to lack of sexual activity, would create conflicts within a woman's system or would become blocked itself, causing anxiety, nervousness, water retention, and sleeplessness. With the assistance of doctors, nursemaids, hand tools, or, occasionally, self-manipulation, this vexing condition could be alleviated through hysterical paroxysms.

Or, as we call it nowadays: orgasm.

An itch that needs to be scratched: Snake Oil and three types of honey.



And also – a celebration of the language of love:

+ LOVE POEMS
THE BALCONY
Mother of memories, mistress of mistresses,
O thou, my pleasure, thou, all my desire,
Thou shalt recall the beauty of caresses,
The charm of evenings by the gentle fire,
Mother of memories, mistress of mistresses!

The eves illumined by the burning coal,
The balcony where veiled rose-vapour clings—
How soft your breast was then, how sweet your soul!
Ah, and we said imperishable things,
Those eves illumined by the burning coal.

Lovely the suns were in those twilights warm,
And space profound, and strong life's pulsing flood,
In bending o'er you, queen of every charm,
I thought I breathed the perfume in your blood.
The suns were beauteous in those twilights warm.

The film of night flowed round and over us,
And my eyes in the dark did your eyes meet;
I drank your breath, ah! sweet and poisonous,
And in my hands fraternal slept your feet—
Night, like a film, flowed round and over us.

I can recall those happy days forgot,
And see, with head bowed on your knees, my past.
Your languid beauties now would move me not
Did not your gentle heart and body cast
The old spell of those happy days forgot.

Can vows and perfumes, kisses infinite,
Be reborn from the gulf we cannot sound;
As rise to heaven suns once again made bright
After being plunged in deep seas and profound?
Ah, vows and perfumes, kisses infinite!

- Charles Baudelauire

Voluptuous darkness: Bourbon vetiver, red patchouli, honey, helichrysum, and black rose.


BODY, REMEMBER
Body, remember not only how much you were loved,
not only the beds on which you lay,
but also those desires for you
that glowed plainly in the eyes,
and trembled in the voice–and some
chance obstacle made futile.
Now that all of them belong to the past,
it almost seems as if you had yielded
to those desires–how they glowed,
remember, in the eyes gazing at you;
how they trembled in the voice, for you, remember, body.

- Constantine Cavafy translated by Rae Dalven

Profoundly sensual. The echo of caresses: raw black coconut, ambergris accord, ambrette seed, champaca flower, and sugar cane.


THE DOOM OF BEAUTY
Choice soul, in whom, as in a glass, we see,
Mirrored in thy pure form and delicate,
What beauties heaven and nature can create,
The paragon of all their works to be!
Fair soul, in whom love, pity, piety,
Have found a home, as from thy outward state
We clearly read, and are so rare and great
That they adorn none other like to thee!
Love takes me captive; beauty binds my soul;
Pity and mercy with their gentle eyes
Wake in my heart a hope that cannot cheat.
What law, what destiny, what fell control,
What cruelty, or late or soon, denies
That death should spare perfection so complete?

- Michelangelo Buonarroti

An opulent, bittersweet Renaissance-inspired fragrance: Hungary water, parma violets, and roseated oil.


ELIZABETH of BOHEMIA
You meaner beauties of the night,
That poorly satisfy our eyes
More by your number than your light,
You common people of the skies;
What are you when the moon shall rise?

You curious chanters of the wood,
That warble forth Dame Nature's lays,
Thinking your passions understood
By your weak accents; what's your praise
When Philomel her voice shall raise?

You violets that first appear,
By your purple mantles known
Like the proud virgins of the year,
As if the spring were all your own;
What are you when the rose is blown?

So, when my mistress shall be seen
In form and beauty of her mind,
By virtue first, then choice, a Queen,
Tell me, if she were not design'd
Th'eclipse and glory of her kind?

- Sir Henry Wotton

Incomparable loveliness: the perfect rose oude.


THE FACE OF ALL THE WORLD IS CHANGED, I THINK
The face of all the world is changed, I think,
Since first I heard the footsteps of thy soul
Move still, oh, still, beside me, as they stole
Betwixt me and the dreadful outer brink
Of obvious death, where I, who thought to sink,
Was caught up into love, and taught the whole
Of life in a new rhythm. The cup of dole
God gave for baptism, I am fain to drink,
And praise its sweetness, Sweet, with thee anear.
The names of country, heaven, are changed away
For where thou art or shalt be, there or here;
And this …this lute and song…loved yesterday,
(The singing angels know) are only dear
Because thy name moves right in what they say.

- Elizabeth Barrett Browning

Absinthe accord, opoponax, green cardamom, olibanum, honey, prickly juniper, and rockrose.


THE FIRST ENCOUNTER
She was only half-dressed
And equally bare trees tossed
Their few leaves against the window pane
Playfully and with reckless abandon.

Sprawling half naked in my desk chair,
Hands pressed modestly against her pale breasts,
She tapped small, delicate feet on the floor
Betraying sweet anticipation.

Her body was the colour of wax, and I watched
As an eager little ray of light
Fluttered across her laughing lips,
Across her peeking breast, like an insect on the rose-bush.

I knelt and kissed her little ankles.
She laughed softly and produced
A perfect string of clear trills,
A delightful crystal laugh.

Her delicate feet disappeared
Underneath her: "Stop! You're so naughty!"
Yet the first act of daring permitted,
She pretended to punish me only with a laugh!

I rose and kissed her eyelids softly.
They trembled beneath my lips, poor things:
And she tossed her head back, eyes shining…
"You're not trying to take advantage of me…are you?

"If you are, darling, you know I'll have to--"
But I silenced the protest, dipping my mouth to her breast,
Which caused an explosion of ringing laughter
And she opened herself willingly…

She was only half-dressed
And equally bare trees tossed
Their few leaves against the window pane
Playfully and with reckless abandon.

- Arthur Rimbaud

Candied apricot and orange blossom honey with grandiflorum jasmine, orris C02, tonka, patchouli, quince, and skin musk.


LIAISON
A big bud of moon hangs out of the twilight,
Star-spiders spinning their thread
Hang high suspended, withouten respite
Watching us overhead.

Come then under the trees, where the leaf-cloths
Curtain us in so dark
That here we're safe from even the ermin-moth's
Flitting remark.

Here in this swarthy, secret tent,
Where black boughs flap the ground,
You shall draw the thorn from my discontent,
Surgeon me sound.

This rare, rich night! For in here
Under the yew-tree tent
The darkness is loveliest where I could sear
You like frankincense into scent.

Here not even the stars can spy us,
Not even the white moths write
With their little pale signs on the wall, to try us
And set us affright.

Kiss but then the dust from off my lips,
But draw the turgid pain
From my breast to your bosom, eclipse
My soul again.

Waste me not, I beg you, waste
Not the inner night:
Taste, oh taste and let me taste
The core of delight.

- DH Lawrence

The loveliest darkness, the core of delight: Moroccan black musk, white tea leaf, Indonesian black sandalwood, frankincense, honeycomb, jonquil, and clove.


MY SWEEETEST LESBIA
My sweetest Lesbia, let us live and love,
And though the sager sort our deeds reprove,
Let us not weigh them. Heaven's great lamps do dive
Into their west, and straight again revive.
But, soon as once set our little light,
Then must we sleep one ever-during night.

If all would lead their lives in love like me,
Then bloody swords and armor should not be;
No drum or trumpet peaceful sleeps should move,
Unless alarm came from the camp of Love:
But fools do live and waste their little light,
And seek with pain their ever-during night.

When timely death my life and fortune ends,
Let not my hearse be vext with mourning friends,
But let all lovers rich in triumph come
And with sweet pastimes grace my happy tomb:
And, Lesbia, close up thou my little light,
And crown with love my ever-during night.

- Caius Valerius Catullus

Osmanthus, hay absolute, ambergris accord, catnip, and Egyptian musk.


ON THE DEATH OF HIS MISTRESS
Dost thou wonder that I flew
Charm'd to meet my Leila's view?
Dost thou wonder that I hung
Raptur'd on my Leila's tongue?—
If her ghost's funereal screech
Thro' the earth my grave should reach,
On that voice I lov'd so well
My transported ghost would dwell:
If in death I can descry
Where my Leila's relics lie,
Saher's dust will flit away,
There to join his Leila's clay.

- Abu Sahet Alhedhily

Plum musk, ambergris accord, matcha tea, oakmoss, patchouli, violet leaf, and cypress.


THE ROSE IN THE DEEPS OF HIS HEART
All things uncomely and broken,
all things worn-out and old,
The cry of a child by the roadway,
the creak of a lumbering cart,

The heavy steps of the ploughman,
splashing the wintry mould,
Are wronging your image that blossoms
a rose in the deeps of my heart.

The wrong of unshapely things
is a wrong too great to be told;
I hunger to build them anew
and sit on a green knoll apart,
With the earth and the sky and the water,
remade, like a casket of gold
For my dreams of your image that blossoms
a rose in the deeps of my heart.

- William Butler Yeats

Golden amber, red rose, frankincense, Egyptian musk, galbanum, and immortelle.


THE SORROW OF LOVE
The quarrel of the sparrow in the eaves,
The full round moon and the star-laden sky,
And the loud song of the ever-singing leaves,
Had hid away earth's old and weary cry.
And then you came with those red mournful lips,
And with you came the whole of the world's tears,
And all the sorrows of her labouring ships,
And all the burden of her myriad years.
And now the sparrows warring in the eaves,
The curd-pale moon, the white stars in the sky,
And the loud chaunting of the unquiet leaves,
Are shaken with earth's old and weary cry.

- William Butler Yeats

Stargazer lily, white musk, white gardenia, white rose, stephanotis, delphinium, orris root, white sandalwood, bergamot, and magnolia.


THE VINE
I dream'd this mortal part of mine
Was Metamorphoz'd to a Vine;
Which crawling one and every way
Enthralled my dainty Lucia.
Me thought, her long small legs & thighs
I with my Tendrils did surprize;
Her Belly, Buttocks, and her Waste
By my soft Nerv'lits were embrac'd:
About her head I writhing hung,
And with rich clusters (hid among
The leaves) her temples I behung:
So that my Lucia seem'd to me
Young Bacchus ravisht by his tree.
My curles about her neck did craule,
And armes and hands they did enthrall:
So that she could not freely stir,
(All parts there made one prisoner.)
But when I crept with leaves to hide
Those parts, which maids keep unespy'd,
Such fleeting pleasures there I took,
That with the fancie I awook;
And found (Ah me!) this flesh of mine
More like a Stock, than like a Vine.

- Robert Herrick

Bradford pear, honey, and vanilla cream.




And finally, the porn.


NOVEL IDEAS FOR SECRET AMUSEMENTS







Black Phoenix Trading Post's Lupercalia update will be live early next week. Keep your eyes peeled!


Coming soon to Dark Delicacies: Pink Lace and Mourning Lace! They will be available in store and at www.darkdel.com in early February.





6 January 2012

Blackbear Moon

BLACKBEAR MOON
The bear puts both arms around the tree above her
And draws it down as if it were a lover
And its chokecherries lips to kiss good-by,
Then lets it snap back upright in the sky.
Her next step rocks a boulder on the wall
(She's making her cross-country in the fall).
Her great weight creaks the barbed wire in its staples
As she flings over and off down through the maples,
Leaving on one wire tooth a lock of hair.
Such is the uncaged progress of the bear.
The world has room to make a bear feel free;
The universe seems cramped to you and me.

In February, black bears give birth to their cubs, nurturing and protecting them as the snow melts, the days grow warmer, and winter gives way to spring. Hazelnuts, acorns, black cherries, wild winter berries, and warm black fur dusted by moonlight, honey, and pine needles.

Blackbear Moon is available for a limited time.


The Blackbear Moon T-shirt from Black Phoenix Trading Post features art by Julie Dillon.


Lupercalia will be here next week, alongside a new 13.

Visitors to our upcoming lunacy events will have a chance to test out many of the upcoming Lupercalia scents, as well as a few upcoming suprises!




30 December 2011

Happy New Year, everyone! Here's to a 2012 filled with mirth, sweetness, love, excitement, and light!

WARAIZOME

BPAL's First Laughter of 2012 is inspired by an image of Tanuki merchants honoring the first transaction of the year by thumping a huge testicle taiko! This is an airy, cheerful prosperity-themed scent talisman that celebrates the creation of wealth through joy, creativity, kindness, honesty, and community: German chamomile, red sandalwood, oakmoss, sassafras, verbena, and aniseseed.



8 December 2011

Old Moon is waxing at Black Phoenix Alchemy Lab and Black Phoenix Trading Post!

Old Moon 2012

OLD MOON
The scent of things drifting just on the edge of memory, hiding in shadowed corners. Old, yellowing books, dust-covered toys pushed to the back of the attic, windows obscured by thick, thorny vines, letters discarded, and photographs of people long-forgotten.

Art by the laudable Julie Dillon!


17 November 2011
I've been stuck trying to write an introduction to tomorrow's update. Tomorrow is Black Phoenix's birthday, y'see, and at the moment I'm all flubbled up. I don't have writer's block, per se; I just don't know how to articulate the depth of my gratitude. I decided about 34 seconds ago to stop agonizing over how to say things, and just talk. (Grammar be damned!) I'm trying to thank everyone but words are failing me. How do I explain how much Brian and Ted mean to me? How do I put into words how much I love Kathy and Jacquelynn? How do I tell the world how much I appreciate all the hard work that Bill, Will, Piolet, and Norman put in every single day at BPAL? How do I put into words how grateful I am for the friendship and sisterhood I have with the moderators at bpal.org? Or how enriched my life has become because of the friendships that have been formed with our customers? Jesus. You guys make my world a whole lot better every single fucking day. There are no words for how grateful I am for Neil and Amanda, Peter and Connor, the Henson crew, Matt Wagner… I've tried before… every year… and the words never seem to be enough.

With genuine love and gratitude…

Thank you, Brian, for being the best business partner and best brother anyone could ask for.

Thank you, Ted, for being my muse, my light, and my strength.

Thank you, Kathy, for pulling me out of that damned fiery house in a past life. I know we ended up a pair of Roman candles, but at least we went out with a bang!

Thank you, Jacquelynn, for all of your dedication, for your friendship, and for your insight.

Come to think of it… extra thanks to Brian, Ted, Kathy, and Jax for always putting up with my shit.

Thank you, Bill, for your patience, your kindness, and your resolve.

Thank you, Will, Piolet, and Norman, for your hard work and dedication.

Thank you to Sue and Del at Dark Delicacies for housing our schtuff, for always being there for us, and for being the best. damn. grandparents. ever.

Thank you, Lisa, for being our knight in shining armor.

Thank you, Lori and Sara, for all the love that you guys put into every will call. We are all very, very grateful.

Thank you to the mods and administrators of bpal.org. Fuck, I love you. Thank you for being my sisters, and thank you for being there for me and holding my hand even when I'm too muddled, overwhelmed, and lost to be fully present.

Thank you to Neil Gaiman, Amanda Palmer, Peter S. Beagle, Terry Pratchett, Terry Moore, Mike and Christine Mignola, George Perez, Peter David, Molly Crabapple, Mark Waid, Storm Constantine, Matt Wagner, Jim Henson Productions, Brian Pulido, Joseph Michael Linsner, Eva Hopkins, Gris Grimly, and Richard Matheson for giving Black Phoenix the opportunity to interpret your work.

Thank you to the noble souls at the Comic Book Legal Defense Fund and the Hero Initiative. You are an inspiration.

Much thanks to Peter S. Beagle and Connor Cochran for participating in the Last Unicorn Screening. You bring so much joy to so many people!

Love and thanks to the artists that have lent us their talent: Adam Hughes, Alicia Dabney, Julie Dillon, Madame Talbot, Quique Alcatena, Jennifer Rodgers, Manda Lander, and Sarah Coleman!

Love and thanks to the Mütter Museum, knows perfume, Whole Foods, Pretty Indulgent, and Healthy Living for giving our products a home in your stores!

Love and thanks to the bloggers, journalists, magazines, and other media outlets that taken the time to write about Black Phoenix. Honestly, I cannot thank you enough.

Much love and many thanks to Wow Insider for profiling Brian and inviting us down to the WOW Insider Meet-Up at BlizzCon, and to Lance Horne for inviting us to participate in his November show in Los Angeles.

Huge thanks to Geek Girl Diva, Theresa Wollenstein, and Lauren Rothman for helping us initiate new projects!

Thank you to our clients - you truly are our extended family.

I said this last year, and it holds just as true now:

˜ Thank you for sharing our joy and for standing with us during difficult times. The family that has grown around BPAL is like no other in the world. Every time I wander into the forum, I see people supporting one another in times of need, showing selfless kindness and offering support to one another… to me, you all are models of emotional generosity and true friendship, and it is truly an honor to be a part of your lives. I cannot express my gratitude enough. Thank you for celebrating the beauty of living with us, and for holding our hands during times of stress and sorrow. This year has been turbulent for just about everyone we know. It's been a hard year filled with challenges and hidden lessons, but none of it is insurmountable because we all have this tremendous, genuinely loving family. Thank you. ˜

Last year was turbulent, yes, but fuck, this year has been tough as hell, too. Just about everyone I know, IRL and online, has been going through a rough patch. The fucking economy is disemboweling most of us, so many people I know and love are dealing with terrible health issues or tremendous blows of grief and loss. There's a lot of despair, a lot of fear, and a lot of instability. A lot of the time, it feels to me like we're all playing a game of Perfection. I fucking hated Perfection when I was a kid. I hate being startled. I really believe that love and friendship are only things that can sustain us through tough times, and I don't know how to express how thankful I am for the family that I have because of Black Phoenix. I don't know what I'd do without you.

Gratitude is a funny thing. Really, there aren't words that can express it fully. I just hope that I, and that we as a company, are able to show how grateful we are to everyone that we work with and all of our customers through our actions day to day.

Before I get so choked up that I can't write out scent notes, on with the anniversary update!



++ ODE TO THE DAY: BPAL ANNIVERSARY 2011
THE PHOENIX AT DAWN
Ecstatic bird songs pound
the hollow vastness of the sky
with metallic clinkings—
beating color up into it
at a far edge,—beating it, beating it
with rising, triumphant ardor,—
stirring it into warmth,
quickening in it a spreading change,—
bursting wildly against it as
dividing the horizon, a heavy sun
lifts himself—is lifted—
bit by bit above the edge
of things,—runs free at last
out into the open—!lumbering
glorified in full release upward—
songs cease.

The pearly, opalescent flames of the morning: pink rose, apricot, orange blossom, carnation, red sandalwood, lemon blossom, rose musk, Madagascar vanilla, white wine grape, pink grapefruit, and white patchouli. This Phoenix embodies liberty, renewal, vitality, and creativity.


THE PHOENIX AT MIDDAY
Your hands lie open in the long fresh grass, —
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup-fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
'Tis visible silence, still as the hour-glass.

Deep in the sun-searched growths the dragon-fly
Hangs like a blue thread loosened from the sky: —
So this wing'd hour is dropt to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companioned inarticulate hour
When twofold silence was the song of love.

The blazing fires of nona hora: blood orange, mimosa, gingergrass, golden amber, saffron, tonka absolute, pomegranate, neroli, and bourbon geranium. This Phoenix embodies vitality, ferocity, determination, passion, and strength of will.


THE PHOENIX AT DUSK
  Dreams in the dusk,
Only dreams closing the day
And with the day's close going back
To the gray things, the dark things,
The far, deep things of dreamland.

Dreams, only dreams in the dusk,
Only the old remembered pictures
Of lost days when the day's loss
Wrote in tears the heart's loss.

Tears and loss and broken dreams
May find your heart at dusk.

The muted flame of in-between time, the stillness of the gloaming: blue chamomile, green tea, Spanish moss, champaca flower, white sage, jonquil, wisteria, and white honey. This Phoenix embodies the strange beauty of the dreamscape, the force of the imagination, and the power of the spirit.


THE PHOENIX AT MIDNIGHT
THIS is thy hour O Soul, thy free flight into the wordless,
Away from books, away from art, the day erased, the lesson done,
Thee fully forth emerging, silent, gazing, pondering the themes thou
     lovest best.
Night, sleep, death and the stars.

The cold fire of distant stars: indigo musk, black iris, orris root, rosewood, night-blooming jasmine, and honeysuckle. This Phoenix embodies introspection, reflection, spiritual freedom, and hope springing eternal.


And, because I've been waiting a long time for this…

LEATHER PHOENIX
In 2005, I was messing around with some of our rarer oils while creating a blend for personal use. It contained a small bit of wardh taifi, some 22-year old oudh, golden champaca CO2, and narcissus absolute. It was a strange and lovely creation, and jokingly, I called it Leather Phoenix. "Ha ha! Leather Phoenix. BDSM Phoenix. Wouldn't it be awesome if we actually saw our leather anniversary?" Lord, it seemed so far away.

Holy shit, here we are. (ZOMGWTF?!)

And here's Leather Phoenix: matcha tea, wild frankincense, champaca, petitgrain, star anise, aged oudh, rose taifi, narcissus, Himalayan cedar, 11-year aged patchouli, and black leather accord.

Only 213 bottles of Leather Phoenix exist, and when they're gone, they're gone.


Holy. Shit. Here we are! Thank you so much to every single person that has made this possible. Happy anniversary, BPAL.




8 November 2011

Oak Moon is rising at Black Phoenix Alchemy Lab and Black Phoenix Trading Post!

Oak Moon

OAK MOON
Live thy Life,
Young and old,
Like yon oak,
Bright in spring,
Living gold;

Summer-rich
Then; and then
Autumn-changed
Soberer-hued
Gold again.

All his leaves
Fall'n at length,
Look, he stands,
Trunk and bough
Naked strength.

Eternally evolving, blooming in power and grace: acorns, oak leaves, oak bark, and oak sap rising through a mist of traditional lunar oils.


Art by the delectable Julie Dillon!


Also this month, Yules start glittering, a creature rises, and a match girl finds her light.


++ YULE 2011
AUTUMN AND WINTER 2011
Three months bade wane and wax the wintering moon
Between two dates of death, while men were fain
Yet of the living light that all too soon
Three months bade wane.

Cold autumn, wan with wrath of wind and rain,
Saw pass a soul sweet as the sovereign tune
That death smote silent when he smote again.

First went my friend, in life's mid light of noon,
Who loved the lord of music: then the strain
Whence earth was kindled like as heaven in June
Three months bade wane.

A herald soul before its master's flying
Touched by some few moons first the darkling goal
Where shades rose up to greet the shade, espying
A herald soul;

Shades of dead lords of music, who control
Men living by the might of men undying,
With strength of strains that make delight of dole.

The deep dense dust on death's dim threshold lying
Trembled with sense of kindling sound that stole
Through darkness, and the night gave ear, descrying
A herald soul.

One went before, one after, but so fast
They seem gone hence together, from the shore
Whence we now gaze: yet ere the mightier passed
One went before;

One whose whole heart of love, being set of yore
On that high joy which music lends us, cast
Light round him forth of music's radiant store.

Then went, while earth on winter glared aghast,
The mortal god he worshipped, through the door
Wherethrough so late, his lover to the last,
One went before.

A star had set an hour before the sun
Sank from the skies wherethrough his heart's pulse yet
Thrills audibly: but few took heed, or none,
A star had set.

All heaven rings back, sonorous with regret,
The deep dirge of the sunset: how should one
Soft star be missed in all the concourse met?

But, O sweet single heart whose work is done,
Whose songs are silent, how should I forget
That ere the sunset's fiery goal was won
A star had set?

Bitter currant and dry leaves. Winter wind at dusk.


CHANUKKIYAH 2011
Baruch ata Ado-nai, Elo-heinu Melech ha'olam, Asher kid'shanu b'mitzvosav v'tzivanu l'hadlik ner shel Chanukah.

Baruch ata Ado-nai, Elo-heinu Melech ha'olam, She'asah nisim la'avoseinu, bayamim ha'hem baz'man hazeh.

Baruch ata Ado-nai, Elo-heinu Melech ha'olam, She'hecheyanu, vekiyemanu vehigi'anu laz'man hazeh.


Olive oil, beeswax, glowing amber, sweet sufganiyot, pomegranate, and fig.

Ha'Neiros halalu anachnu madlikin al hanisim ve'al hanifla'os, ve'al hat'shu'os ve'al hamilchamos, sh'asisa la'avoseinu bayamim hahem baz'man hazeh, al yedei kohaneicha hakedoshim. Vechol sh'monas yemei Chanukah, haneiros halalu kodesh hem. Ve'ein lanu reshus le'hishtamesh ba'hem, eh'la lir'osam bilvad, ke'dei le'hodos u'lehalel leshimcha hagadol al nisecha ve'al nifle'osecha ve'al yeshu'oshecha.

Ma'oz tzur yeshu'asi Lecha na'eh leshabe'ach Tikone bais tefilasi Ve'sham todah nezabe'ach Le'es Tachin Mabe'ach Mitzar ham'nabe'ach Az egmor beshir mizmor Chanukas hamizbe'ach.



CLOTH OF GOLD
Vibrant yellow petals bursting exultantly through a patch of snow.


DIABLE EN BOÎTE 2011
The crickets sing, and man's o'er-labour'd sense
Repairs itself by rest. Our Tarquin thus
Did softly press the rushes, ere he waken'd
The chastity he wounded. Cytherea,
How bravely thou becomest thy bed, fresh lily,
And whiter than the sheets! That I might touch!
But kiss; one kiss! Rubies unparagon'd,
How dearly they do't! 'Tis her breathing that
Perfumes the chamber thus: the flame o' the taper
Bows toward her, and would under-peep her lids,
To see the enclosed lights, now canopied
Under these windows, white and azure laced
With blue of heaven's own tinct. But my design,
To note the chamber: I will write all down:
Such and such pictures; there the window; such
The adornment of her bed; the arras; figures,
Why, such and such; and the contents o' the story.
Ah, but some natural notes about her body,
Above ten thousand meaner moveables
Would testify, to enrich mine inventory.
O sleep, thou ape of death, lie dull upon her!
And be her sense but as a monument,
Thus in a chapel lying! Come off, come off:
As slippery as the Gordian knot was hard!
'Tis mine; and this will witness outwardly,
As strongly as the conscience does within,
To the madding of her lord. On her left breast
A mole cinque-spotted, like the crimson drops
I' the bottom of a cowslip: here's a voucher,
Stronger than ever law could make: this secret
Will force him think I have pick'd the lock and ta'en
The treasure of her honour. No more. To what end?
Why should I write this down, that's riveted,
Screw'd to my memory? She hath been reading late
The tale of Tereus; here the leaf's turn'd down
Where Philomel gave up. I have enough:
To the trunk again, and shut the spring of it.
Swift, swift, you dragons of the night, that dawning
May bare the raven's eye! I lodge in fear;
Though this a heavenly angel, hell is here.
One, two, three: time, time!
- Iachimo, Cymbeline Act II, Scene 2

There are few things more disturbing than a Jack in the Box. A strangely sinister, unnerving holiday scent: redwood, bitter clove, tonka, hemp accord, and tobacco with peach blossom, black currant, and red musk.


DUST OF SNOW
The way a crow
Shook down on me
The dust of snow
From a hemlock tree

Has given my heart
A change of mood
And saved some part
Of a day I had rued.

- Robert Frost

Snowflakes and hemlock leaves with snowdrop, iris, and Peruvian lily.


EGG NOG 2011
Sweet brandy, dark rum, heavy cream, sugar, and a dash of nutmeg.


FROST AT MIDNIGHT
The Frost performs its secret ministry,
Unhelped by any wind. The owlet's cry
Came loud—and hark, again! loud as before.
The inmates of my cottage, all at rest,
Have left me to that solitude, which suits
Abstruser musings: save that at my side
My cradled infant slumbers peacefully.
'Tis calm indeed! so calm, that it disturbs
And vexes meditation with its strange
And extreme silentness. Sea, hill, and wood,
This populous village! Sea, and hill, and wood,
With all the numberless goings-on of life,
Inaudible as dreams! the thin blue flame
Lies on my low-burnt fire, and quivers not;
Only that film, which fluttered on the grate,
Still flutters there, the sole unquiet thing.
Methinks, its motion in this hush of nature
Gives it dim sympathies with me who live,
Making it a companionable form,
Whose puny flaps and freaks the idling Spirit
By its own moods interprets, every where
Echo or mirror seeking of itself,
And makes a toy of Thought.

          But O! how oft,
How oft, at school, with most believing mind,
Presageful, have I gazed upon the bars,
To watch that fluttering stranger! and as oft
With unclosed lids, already had I dreamt
Of my sweet birth-place, and the old church-tower,
Whose bells, the poor man's only music, rang
From morn to evening, all the hot Fair-day,
So sweetly, that they stirred and haunted me
With a wild pleasure, falling on mine ear
Most like articulate sounds of things to come!
So gazed I, till the soothing things, I dreamt,
Lulled me to sleep, and sleep prolonged my dreams!
And so I brooded all the following morn,
Awed by the stern preceptor's face, mine eye
Fixed with mock study on my swimming book:
Save if the door half opened, and I snatched
A hasty glance, and still my heart leaped up,
For still I hoped to see the stranger's face,
Townsman, or aunt, or sister more beloved,
My play-mate when we both were clothed alike!

     Dear Babe, that sleepest cradled by my side,
Whose gentle breathings, heard in this deep calm,
Fill up the intersperséd vacancies
And momentary pauses of the thought!
My babe so beautiful! it thrills my heart
With tender gladness, thus to look at thee,
And think that thou shalt learn far other lore,
And in far other scenes! For I was reared
In the great city, pent 'mid cloisters dim,
And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze
By lakes and sandy shores, beneath the crags
Of ancient mountain, and beneath the clouds,
Which image in their bulk both lakes and shores
And mountain crags: so shalt thou see and hear
The lovely shapes and sounds intelligible
Of that eternal language, which thy God
Utters, who from eternity doth teach
Himself in all, and all things in himself.
Great universal Teacher! he shall mould
Thy spirit, and by giving make it ask.

Therefore all seasons shall be sweet to thee,
Whether the summer clothe the general earth
With greenness, or the redbreast sit and sing
Betwixt the tufts of snow on the bare branch
Of mossy apple-tree, while the nigh thatch
Smokes in the sun-thaw; whether the eave-drops fall
Heard only in the trances of the blast,
Or if the secret ministry of frost
Shall hang them up in silent icicles,
Quietly shining to the quiet Moon.


- Samuel Taylor Coleridge

The liberating glory of nature, a celebration of wildness of spirit: fierce musk and immortelle, clary sage and oud, terebinth pine and ambrette seed, ivy and tobacco, honeysuckle and orange blossom.


GELT 2011
Sevivon, sov, sov, sov
Chanukah, hu chag tov
Chanukah, hu chag tov
Sevivon, sov, sov, sov!

Chag simcha hu la-am
Nes gadol haya sham
Nes gadol haya sham
Chag simcha hu la-am.

A bounty of chocolate coins! Dry cocoa and golden amber!


HALÔA 2011
Sacred to both Demeter and Dionysus, this is a celebration of the of the pruning of the vines, the first fermentation of the year's wine, and of the consecration of the next year's planting. The service was lead by the heterai and the Eleusinian Arkhontes, and began with the preparation of a banquet that honors Demeter's bounty and the fertility aspect of Dionysus with pudenda- and phallus-shaped cakes. After the preliminary feast, the magistrates departed, and the heterai held a second rite that consisted of copious wine consumption, ritual symbolic fornication, and formal offerings of incense, grain, and cakes to sacred statues of the deities and to clay images of genitalia. Finally, the magistrates and priests were permitted to rejoin the ritual. A Priest and Priestess bore torches that symbolizes Demeter and her daughter Persephone presided over the final ceremony, which culminated in the ultimate celebration of fertility: an orgy that lasted til dawn.

Wine grapes, pomegranate, myrrh, frankincense and olive leaf, and the warm scent of offertory cakes.


JACOB’S LADDER 2011
And Jacob went out from Beersheba, and went toward Haran.

And he lighted upon a certain place, and tarried there all night, because the sun was set; and he took of the stones of that place, and put them for his pillows, and lay down in that place to sleep.

And he dreamed, and behold a ladder set up on the earth, and the top of it reached to heaven: and behold the angels of God ascending and descending on it.

And, behold, the Lord stood above it, and said, I am the Lord God of Abraham thy father, and the God of Isaac: the land whereon thou liest, to thee will I give it, and to thy seed;

And thy seed shall be as the dust of the earth, and thou shalt spread abroad to the west, and to the east, and to the north, and to the south: and in thee and in thy seed shall all the families of the earth be blessed.

And, behold, I am with thee, and will keep thee in all places whither thou goest, and will bring thee again into this land; for I will not leave thee, until I have done that which I have spoken to thee of.

And Jacob awaked out of his sleep, and he said, Surely the Lord is in this place; and I knew it not.

And he was afraid, and said, How dreadful is this place! this is none other but the house of God, and this is the gate of heaven.

The meeting of Heaven and Earth: golden amber, galbanum, benzoin, ambrette, rockrose, costus and tonka.


JÓLASVEINAR 2011
The Jólasveinar are the seventy-some offspring of Grýla and Leppalúði, an ogre couple with a taste for chomping naughty children. This impish brood delights in causing discomfort, sowing confusion, and all-out raising hell during the Yule season. Their names are indicative of their malicious intentions — Strap Loosener, Door Slammer, Window Peeper, Sausage Snatcher, Doorway Sniffer, Icebreaker — and their creepy natures — Lamp Shadow, Smoke Gulper, Crevice Imp. The devillish Jólasveinar finally cease their mischief and head for home at Þrettándinn.

Their scent is a mishmash of snow, dirt, Icelandic moss, marsh felwort, and the smushed petals of buttercups and moorland spotted orchids, with the barest hint of the scent of pilfered Christmas pastries.


LICK IT DISCREETLY
This year's minty double ententre! A sticky, chilly peppermint candy cane with sweet vanilla and an extra jolt of sugar.


MAISON EN PAIN D'ÉPICES
This is the scent of a freshly assembled gingerbread house, with swirls of multicolored icing, spice drop lights, meringue snow, pinwheel mint accents, chocolate roof tiles, candy wafer pavers, and jelly candy stained glass. We used a French translation for ‘gingerbread house’ as the name to make it sound fancier. French adds +40% Fancy!


MIDNIGHT MASS 2011
I will wash my hands among the innocent; and will compass thy altar, O Lord: That I may hear the voice of thy praise: and tell of all thy wondrous works. I have loved, O Lord, the beauty of thy house; and the place where thy glory dwelleth. Take not away my soul, O God, with the wicked: nor my life with bloody men: In whose hands are iniquities: their right hand is filled with gifts.

But as for me, I have walked in my innocence: redeem me, and have mercy on me. My foot hath stood in the direct way: in the churches I will bless thee, O Lord.

In Roman Catholic tradition, the Christmas season begins liturgically on Christmas Eve, though it is forbidden to celebrate the Christmas Mass before midnight. The most devout attend Midnight Mass, celebrating both the Eucharist and the drama of the Nativity.

This perfume is a traditional Roman Catholic sacramental incense, most often used during a Solemn Mass. Traditionally, five tears of this incense, each encased individually in wax that has been fashioned into the shape of a nail, are inserted into the paschal candle. This is, of course, represents the Five Wounds of Our Risen Savior. Symbolically, the burning of the incense signifies spiritual fervor, the fragrance itself inspires virtue, and the rising smoke carries our prayers to God.

Credo in unum Deum, Patrem omnipotentem, factorem caeli et terrae, visibilium omnium et invisibilium.

Et in unum Dominum Iesum Christum, Filium Dei unigenitum, et ex Patre natum ante omnia saecula. Deum de Deo, Lumen de Lumine, Deum verum de Deo vero, genitum non factum, consubstantialem Patri; per quem omnia facta sunt. Qui propter nos homines et propter nostram salutem descendit de caelis. Et incarnatus est de Spiritu Sancto ex Maria Virgine, et homo factus est. Crucifixus etiam pro nobis sub Pontio Pilato, passus et sepultus est, et resurrexit tertia die, secundum Scripturas, et ascendit in caelum, sedet ad dexteram Patris. Et iterum venturus est cum gloria, iudicare vivos et mortuos, cuius regni non erit finis.

Et in Spiritum Sanctum, Dominum et vivificantem, qui ex Patre procedit. Qui cum Patre et Filio simul adoratur et conglorificatur: qui locutus est per prophetas. Et unam, sanctam, catholicam et apostolicam Ecclesiam. Confiteor unum baptisma in remissionem peccatorum. Et expecto resurrectionem mortuorum, et vitam venturi saeculi. Amen.


MIDWINTER’S EVE 2011
A melancholy, deep scent, poignant and brimming with nostalgia. The perfume of sugared plums over a breeze of winter flowers.


NOCHA BUENA 2011
A celebration of the Nativity: the light, uplifting incense of the Misa de Noche Buena, purple sage, and a vibrant bouquet of plumeria, chrysanthemum, tuberose, Angel's Trumpet, Mexican tiger lily, dahlia, and azucenas.


ÖNDURDIS
The Ski Lady, jötunn goddess of winter, bowhunting, mountains, and skiing. The scent of winter wind blowing over snow-capped mountains.


PEACOCK QUEEN 2011
In dramatic contrast to the soft innocence of Snow White and the dew-kissed freshness of her sister, Rose Red, this is a blood red, voluptuous rose, velvet-petaled, at the height of bloom. Haughty and imperious, vain, yet incomparably lovely to the eye, but thick with thorns of jealousy, pride and hatred.


PINK SNOWBALLS 2011
A lighthearted winter scent: chilly vanilla rose snowballs! Dainty, soft, and certainly unfit for flinging!


PUMPKIN MASALA ROOIBOS
Rooibos tea with red ginger, green cardamom, fennel, peppercorns, almond, and licorice, sweetened with coconut sugar and jaggery.


ROSE RED 2011
The perfected winter rose, dew covered and freshly cut.


SNOW WHITE 2011
A chilly, bright perfume: flurries of virgin snow, crisp winter wind and the faintest breath of night-blooming flowers.


SUGAR COOKIE 2011
The Devil's Bake Sale returns!


WINTER HEAVENS
Sharp is the night, but stars with frost alive
Leap off the rim of earth across the dome.
It is a night to make the heavens our home
More than the nest whereto apace we strive.
Lengths down our road each fir-tree seems a hive,
In swarms outrushing from the golden comb.
They waken waves of thoughts that burst to foam:
The living throb in me, the dead revive.
Yon mantle clothes us: there, past mortal breath,
Life glistens on the river of the death.
It folds us, flesh and dust; and have we knelt,
Or never knelt, or eyed as kine the springs
Of radiance, the radiance enrings:
And this is the soul's haven to have felt.

- George Meredith

Black midnight winter skies glittering with points of light: chill air, champaca flower, white musk, fir needle, papyrus reeds, and grey amber.


WOODS IN WINTER 2011
When winter winds are piercing chill,
And through the hawthorn blows the gale,
With solemn feet I tread the hill,
That overbrows the lonely vale.

O'er the bare upland, and away
Through the long reach of desert woods,
The embracing sunbeams chastely play,
And gladden these deep solitudes.

Where, twisted round the barren oak,
The summer vine in beauty clung,
And summer winds the stillness broke,
The crystal icicle is hung.

Where, from their frozen urns, mute springs
Pour out the river's gradual tide,
Shrilly the skater's iron rings,
And voices fill the woodland side.

Alas! how changed from the fair scene,
When birds sang out their mellow lay,
And winds were soft, and woods were green,
And the song ceased not with the day!

But still wild music is abroad,
Pale, desert woods! within your crowd;
And gathering winds, in hoarse accord,
Amid the vocal reeds pipe loud.

Chill airs and wintry winds! my ear
Has grown familiar with your song;
I hear it in the opening year,
I listen, and it cheers me long.

Wild hemlock and juniper berries scattered in the snow beneath leafless trees bedecked with glittering icicles.


YELLOW SNOWBALLS
Because I am very, very crass this year. Slushy white mint, vanilla cream, lemon drops, grapefruit, and yuzu!


YULE 2011
It is Yule, and the Holly King has slain the Oak: blood red holly berry, mistletoe, wild thyme, verbena, cinquefoil, hemp, winter rose, evergreen, frankincense, juniper, and myrrh.




Like one who, on a lonely road,
Doth walk in fear and dread,
And, having once turned round, walks on,
And turns no more on his head;
Because he knows a frightful fiend
Doth close behind him tread.

- the Rime of the Ancient Mariner


++ FRANKENSTEIN
AMIABLE AND LOVELY CREATURES
Sometimes I allowed my thoughts, unchecked by reason, to ramble in the fields of Paradise, and dared to fancy amiable and lovely creatures sympathizing with my feelings and cheering my gloom; their angelic countenances breathed smiles of consolation. But it was all a dream; no Eve soothed my sorrows nor shared my thoughts; I was alone. I remembered Adam's supplication to his Creator. But where was mine? He had abandoned me, and in the bitterness of my heart I cursed him.

Amiable and lovely creatures: honey and rosewater with fig, patchouli, night-blooming jasmine, and white almond.


BEAUTIFUL AND ADORED
They consulted their village priest, and the result was that Elizabeth Lavenza became the inmate of my parents' house--my more than sister--the beautiful and adored companion of all my occupations and my pleasures.

Beautiful and adored: rose musk, white gardenia, English pear, vanilla bean, red currant, and honey.


A BLOT UPON THE EARTH
Of my creation and creator I was absolutely ignorant, but I knew that I possessed no money, no friends, no kind of property. I was, besides, endued with a figure hideously deformed and loathsome; I was not even of the same nature as man. I was more agile than they and could subsist upon coarser diet; I bore the extremes of heat and cold with less injury to my frame; my stature far exceeded theirs. When I looked around I saw and heard of none like me. Was I, then, a monster, a blot upon the earth, from which all men fled and whom all men disowned?

A blot upon the earth: black plum, Spanish moss, opoponax, davana, vetiver, and opium poppy.


BREATHLESS HORROR
I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room and continued a long time traversing my bed-chamber, unable to compose my mind to sleep. At length lassitude succeeded to the tumult I had before endured, and I threw myself on the bed in my clothes, endeavouring to seek a few moments of forgetfulness. But it was in vain; I slept, indeed, but I was disturbed by the wildest dreams. I thought I saw Elizabeth, in the bloom of health, walking in the streets of Ingolstadt. Delighted and surprised, I embraced her, but as I imprinted the first kiss on her lips, they became livid with the hue of death; her features appeared to change, and I thought that I held the corpse of my dead mother in my arms; a shroud enveloped her form, and I saw the grave-worms crawling in the folds of the flannel. I started from my sleep with horror; a cold dew covered my forehead, my teeth chattered, and every limb became convulsed; when, by the dim and yellow light of the moon, as it forced its way through the window shutters, I beheld the wretch --the miserable monster whom I had created. He held up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me. His jaws opened, and he muttered some inarticulate sounds, while a grin wrinkled his cheeks. He might have spoken, but I did not hear; one hand was stretched out, seemingly to detain me, but I escaped and rushed downstairs. I took refuge in the courtyard belonging to the house which I inhabited, where I remained during the rest of the night, walking up and down in the greatest agitation, listening attentively, catching and fearing each sound as if it were to announce the approach of the demoniacal corpse to which I had so miserably given life.

Breathless horror: icy white musk and thick olibanum with niaouli, carrot seed, white mint, and camphor.


A COMPANION OF THE SAME NATURE
"If you consent, neither you nor any other human being shall ever see us again: I will go to the vast wilds of South America. My food is not that of man; I do not destroy the lamb and the kid to glut my appetite; acorns and berries afford me sufficient nourishment. My companion will be of the same nature as myself, and will be content with the same fare. We shall make our bed of dried leaves; the sun will shine on us as on man, and will ripen our food. The picture I present to you is peaceful and human, and you must feel that you could deny it only in the wantonness of power and cruelty. Pitiless as you have been towards me, I now see compassion in your eyes; me seize the favourable moment, and persuade you to promise what. I so ardently desire."

A companion of the same nature: skin musk, red rose petals, mums, carnations, white linen, and sunlit amber on a bed of soft dry leaves.


THE COUNTRY OF ETERNAL LIGHT
I am already far north of London, and as I walk in the streets of Petersburgh, I feel a cold northern breeze play upon my cheeks, which braces my nerves and fills me with delight. Do you understand this feeling? This breeze, which has travelled from the regions towards which I am advancing, gives me a foretaste of those icy climes. Inspirited by this wind of promise, my daydreams become more fervent and vivid. I try in vain to be persuaded that the pole is the seat of frost and desolation; it ever presents itself to my imagination as the region of beauty and delight. There, Margaret, the sun is forever visible, its broad disk just skirting the horizon and diffusing a perpetual splendour. There -- for with your leave, my sister, I will put some trust in preceding navigators -- there snow and frost are banished; and, sailing over a calm sea, we may be wafted to a land surpassing in wonders and in beauty every region hitherto discovered on the habitable globe. Its productions and features may be without example, as the phenomena of the heavenly bodies undoubtedly are in those undiscovered solitudes. What may not be expected in a country of eternal light? I may there discover the wondrous power which attracts the needle and may regulate a thousand celestial observations that require only this voyage to render their seeming eccentricities consistent forever. I shall satiate my ardent curiosity with the sight of a part of the world never before visited, and may tread a land never before imprinted by the foot of man. These are my enticements, and they are sufficient to conquer all fear of danger or death and to induce me to commence this laborious voyage with the joy a child feels when he embarks in a little boat, with his holiday mates, on an expedition of discovery up his native river. But supposing all these conjectures to be false, you cannot contest the inestimable benefit which I shall confer on all mankind, to the last generation, by discovering a passage near the pole to those countries, to reach which at present so many months are requisite; or by ascertaining the secret of the magnet, which, if at all possible, can only be effected by an undertaking such as mine.

The country of eternal light: icy wind, depth hoar, and frost-limned lichen.


DAYS AND NIGHTS IN VAULTS AND CHARNEL HOUSES
Darkness had no effect upon my fancy, and a churchyard was to me merely the receptacle of bodies deprived of life, which, from being the seat of beauty and strength, had become food for the worm. Now I was led to examine the cause and progress of this decay and forced to spend days and nights in vaults and charnel-houses. My attention was fixed upon every object the most insupportable to the delicacy of the human feelings.

Days and nights in vaults and charnel houses: grave soil, necrophagous insect chitins, moss, mold, dried blood, rot, dirt-smeared wool, and sweat-drenched citrus lilac aftershave.


THE DEEPEST MYSTERIES OF CREATION
So much has been done, exclaimed the soul of Frankenstein-more, far more, will I achieve; treading in the steps already marked, I will pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation.

The deepest mysteries of creation: wild frankincense, rose otto, hyssop, and oude.


A DENSE AND FRIGHTFUL DARKNESS
The cup of life was poisoned forever; and although the sun shone upon me as upon the happy and gay of heart, I saw around me nothing but a dense and frightful darkness, penetrated by no light but the glimmer of two eyes that glared upon me. Sometimes they were the expressive eyes of Henry languishing in death, the dark orbs nearly covered by the lids, and the long black lashes that fringed them; sometimes it was the watery, clouded eyes of the monster as I first saw them in my chamber at Ingolstadt.

A dense and frightful darkness: black musk, vetiver, myrrh, opoponax, hemp, crushed sage, oakmoss, and tobacco.


A DREARY NIGHT OF NOVEMBER
It was on a dreary night of November that I beheld the accomplishment of my toils. With an anxiety that almost amounted to agony, I collected the instruments of life around me, that I might infuse a spark of being into the lifeless thing that lay at my feet. It was already one in the morning; the rain pattered dismally against the panes, and my candle was nearly burnt out, when, by the glimmer of the half-extinguished light, I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs.

How can I describe my emotions at this catastrophe, or how delineate the wretch whom with such infinite pains and care I had endeavoured to form? His limbs were in proportion, and I had selected his features as beautiful. Beautiful!--Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun white sockets in which they were set, his shrivelled complexion and straight black lips.

A dreary night of November: bone-white sandalwood, ink-black vetiver, Spanish moss, bitter clove, beeswax, and lotus root.


THE HORRORS OF MY SECRET TOIL
Who shall conceive the horrors of my secret toil as I dabbled among the unhallowed damps of the grave or tortured the living animal to animate the lifeless clay?

The horrors of my secret toil: vetiver and rose.


INEXTINGUISHABLE HATRED
"You are in the wrong," replied the fiend; "and instead of threatening, I am content to reason with you. I am malicious because I am miserable. Am I not shunned and hated by all mankind? You, my creator, would tear me to pieces and triumph; remember that, and tell me why I should pity man more than he pities me? You would not call it murder if you could precipitate me into one of those ice-rifts and destroy my frame, the work of your own hands. Shall I respect man when he condemns me? Let him live with me in the interchange of kindness, and instead of injury I would bestow every benefit upon him with tears of gratitude at his acceptance. But that cannot be; the human senses are insurmountable barriers to our union. Yet mine shall not be the submission of abject slavery. I will revenge my injuries; if I cannot inspire love, I will cause fear, and chiefly towards you my archenemy, because my creator, do I swear inextinguishable hatred. Have a care; I will work at your destruction, nor finish until I desolate your heart, so that you shall curse the hour of your birth."

Inextinguishable hatred: red ginger and black opoponax with black pepper, stinging neroli, myrrh, and tobacco absolute.


INSUPPORTABLE MISERY
"Cursed, cursed creator! Why did I live? Why, in that instant, did I not extinguish the spark of existence which you had so wantonly bestowed? I know not; despair had not yet taken possession of me; my feelings were those of rage and revenge. I could with pleasure have destroyed the cottage and its inhabitants and have glutted myself with their shrieks and misery. "When night came I quitted my retreat and wandered in the wood; and now, no longer restrained by the fear of discovery, I gave vent to my anguish in fearful howlings. I was like a wild beast that had broken the toils, destroying the objects that obstructed me and ranging through the wood with a staglike swiftness. Oh! What a miserable night I passed! The cold stars shone in mockery, and the bare trees waved their branches above me; now and then the sweet voice of a bird burst forth amidst the universal stillness. All, save I, were at rest or in enjoyment; I, like the arch-fiend, bore a hell within me, and finding myself unsympathized with, wished to tear up the trees, spread havoc and destruction around me, and then to have sat down and enjoyed the ruin. "But this was a luxury of sensation that could not endure; I became fatigued with excess of bodily exertion and sank on the damp grass in the sick impotence of despair. There was none among the myriads of men that existed who would pity or assist me; and should I feel kindness towards my enemies? No; from that moment I declared everlasting war against the species, and more than all, against him who had formed me and sent me forth to this insupportable misery.

Insupportable misery: violet leaf, saffron, gunpowder tea, bruised lilac, and despairing lavender.


THE MOON GAZED ON MY MIDNIGHT LABOURS
These thoughts supported my spirits, while I pursued my undertaking with unremitting ardour. My cheek had grown pale with study, and my person had become emaciated with confinement. Sometimes, on the very brink of certainty, I failed; yet still I clung to the hope which the next day or the next hour might realise. One secret which I alone possessed was the hope to which I had dedicated myself; and the moon gazed on my midnight labours, while, with unrelaxed and breathless eagerness, I pursued nature to her hiding-places. Who shall conceive the horrors of my secret toil, as I dabbled among the unhallowed damps of the grave, or tortured the living animal to animate the lifeless clay? My limbs now tremble and my eyes swim with the remembrance; but then a resistless, and almost frantic, impulse urged me forward; I seemed to have lost all soul or sensation but for this one pursuit. It was indeed but a passing trance that only made me feel with renewed acuteness so soon as, the unnatural stimulus ceasing to operate, I had returned to my old habits.

The moon gazed on my midnight labours: Moroccan musk, black opium poppy, clove, and orris root.


MOCKING THE INVISIBLE WORLD WITH ITS OWN SHADOWS
After having made a few preparatory experiments, he concluded with a panegyric upon modern chemistry, the terms of which I shall never forget: "The ancient teachers of this science," said he, "promised impossibilities and performed nothing. The modern masters promise very little; they know that metals cannot be transmuted and that the elixir of life is a chimera but these philosophers, whose hands seem only made to dabble in dirt, and their eyes to pore over the microscope or crucible, have indeed performed miracles. They penetrate into the recesses of nature and show how she works in her hiding-places. They ascend into the heavens; they have discovered how the blood circulates, and the nature of the air we breathe. They have acquired new and almost unlimited powers; they can command the thunders of heaven, mimic the earthquake, and even mock the invisible world with its own shadows.

Mocking the invisible world with its own shadows: olibanum and murky ambergris accord with verbena, white sandalwood, and wisteria.


PALE STUDENT OF UNHALLOWED ARTS
I saw-with shut eyes, but acute mental vision-I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life and stir with an uneasy, half-vital motion. Frightful must it be, for supremely frightful would be the effect of any human endeavor to mock the stupendous mechanism of the Creator of the world.

A pale student of unhallowed arts: fading Georgian cologne and split O3 molecules.


PRIDE OF WISDOM
As I spoke, rage sparkled in my eyes; the magistrate was intimidated. "You are mistaken," said he. "I will exert myself, and if it is in my power to seize the monster, be assured that he shall suffer punishment proportionate to his crimes. But I fear, from what you have yourself described to be his properties, that this will prove impracticable; and thus, while every proper measure is pursued, you should make up your mind to disappointment." "That cannot be; but all that I can say will be of little avail. My revenge is of no moment to you; yet, while I allow it to be a vice, I confess that it is the devouring and only passion of my soul. My rage is unspeakable when I reflect that the murderer, whom I have turned loose upon society, still exists. You refuse my just demand; I have but one resource, and I devote myself, either in my life or death, to his destruction." I trembled with excess of agitation as I said this; there was a frenzy in my manner, and something, I doubt not, of that haughty fierceness which the martyrs of old are said to have possessed. But to a Genevan magistrate, whose mind was occupied by far other ideas than those of devotion and heroism, this elevation of mind had much the appearance of madness. He endeavoured to soothe me as a nurse does a child and reverted to my tale as the effects of delirium. "Man," I cried, "how ignorant art thou in thy pride of wisdom! Cease; you know not what it is you say."

The pride of wisdom: Roman chamomile, rosehips, ginseng, and fig.


THE REWARD OF MY BENEVOLENCE
"I was scarcely hid when a young girl came running towards the spot where I was concealed, laughing, as if she ran from someone in sport. She continued her course along the precipitous sides of the river, when suddenly her foot slipped, and she fell into the rapid stream. I rushed from my hiding-place and with extreme labour, from the force of the current, saved her and dragged her to shore. She was senseless, and I endeavoured by every means in my power to restore animation, when I was suddenly interrupted by the approach of a rustic, who was probably the person from whom she had playfully fled. On seeing me, he darted towards me, and tearing the girl from my arms, hastened towards the deeper parts of the wood. I followed speedily, I hardly knew why; but when the man saw me draw near, he aimed a gun, which he carried, at my body and fired. I sank to the ground, and my injurer, with increased swiftness, escaped into the wood. This was then the reward of my benevolence! I had saved a human being from destruction, and as a recompense I now writhed under the miserable pain of a wound which shattered the flesh and bone. The feelings of kindness and gentleness which I had entertained but a few moments before gave place to hellish rage and gnashing of teeth. Inflamed by pain, I vowed eternal hatred and vengeance to all mankind. But the agony of my wound overcame me; my pulses paused, and I fainted."

The reward of my benevolence: boneflower, olive blossom, white sandalwood, clary sage, Himalayan cedar, and oakmoss


SOLITARY AND ABHORRED
Another circumstance strengthened and confirmed these feelings. Soon after my arrival in the hovel I discovered some papers in the pocket of the dress which I had taken from your laboratory. At first I had neglected them, but now that I was able to decipher the characters in which they were written, I began to study them with diligence. It was your journal of the four months that preceded my creation. You minutely described in these papers every step you took in the progress of your work; this history was mingled with accounts of domestic occurrences. You doubtless recollect these papers. Here they are. Everything is related in them which bears reference to my accursed origin; the whole detail of that series of disgusting circumstances which produced it is set in view; the minutest description of my odious and loathsome person is given, in language which painted your own horrors and rendered mine indelible. I sickened as I read. `Hateful day when I received life!' I exclaimed in agony. `Accursed creator! Why did you form a monster so hideous that even YOU turned from me in disgust? God, in pity, made man beautiful and alluring, after his own image; but my form is a filthy type of yours, more horrid even from the very resemblance. Satan had his companions, fellow devils, to admire and encourage him, but I am solitary and abhorred.

Solitary and abhorred: carrot seed, East Indian patchouli, white tea, and peru balsam.


SORROWFUL AFFECTION
he appearance of Justine was calm. She was dressed in mourning, and her countenance, always engaging, was rendered, by the solemnity of her feelings, exquisitely beautiful. Yet she appeared confident in innocence and did not tremble, although gazed on and execrated by thousands, for all the kindness which her beauty might otherwise have excited was obliterated in the minds of the spectators by the imagination of the enormity she was supposed to have committed. She was tranquil, yet her tranquillity was evidently constrained; and as her confusion had before been adduced as a proof of her guilt, she worked up her mind to an appearance of courage. When she entered the court she threw her eyes round it and quickly discovered where we were seated. A tear seemed to dim her eye when she saw us, but she quickly recovered herself, and a look of sorrowful affection seemed to attest her utter guiltlessness.

Sorrowful affection: lily of the valley, tuberose, pink carnation, green tea absolute, orange zest, bourbon geranium, and blue musk.


TILL DEATH
Everyone loved Elizabeth. The passionate and almost reverential attachment with which all regarded her became, while I shared it, my pride and my delight. On the evening previous to her being brought to my home, my mother had said playfully, "I have a pretty present for my Victor--tomorrow he shall have it." And when, on the morrow, she presented Elizabeth to me as her promised gift, I, with childish seriousness, interpreted her words literally and looked upon Elizabeth as mine--mine to protect, love, and cherish. All praises bestowed on her I received as made to a possession of my own. We called each other familiarly by the name of cousin. No word, no expression could body forth the kind of relation in which she stood to me--my more than sister, since till death she was to be mine only.

Till death: white rose, black locust blossom, French magnolia, globe amaranth, iris root, and honeysuckle.


A TORRENT OF LIGHT
When I found so astonishing a power placed within my hands, I hesitated a long time concerning the manner in which I should employ it. Although I possessed the capacity of bestowing animation, yet to prepare a frame for the reception of it, with all its intricacies of fibres, muscles, and veins, still remained a work of inconceivable difficulty and labour. I doubted at first whether I should attempt the creation of a being like myself, or one of simpler organisation; but my imagination was too much exalted by my first success to permit me to doubt of my ability to give life to an animal as complex and wonderful as man. The materials at present within my command hardly appeared adequate to so arduous an undertaking; but I doubted not that I should ultimately succeed. I prepared myself for a multitude of reverses; my operations might be incessantly baffled, and at last my work be imperfect: yet, when I considered the improvement which every day takes place in science and mechanics, I was encouraged to hope my present attempts would at least lay the foundations of future success. Nor could I consider the magnitude and complexity of my plan as any argument of its impracticability. It was with these feelings that I began the creation of a human being. As the minuteness of the parts formed a great hinderance to my speed, I resolved, contrary to my first intention, to make the being of a gigantic stature; that is to say, about eight feet in height, and proportionably large. After having formed this determination, and having spent some months in successfully collecting and arranging my materials, I began.

No one can conceive the variety of feelings which bore me onwards, like a hurricane, in the first enthusiasm of success. Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me. No father could claim the gratitude of his child so completely as I should deserve theirs. Pursuing these reflections, I thought, that if I could bestow animation upon lifeless matter, I might in process of time (although I now found it impossible) renew life where death had apparently devoted the body to corruption.

A torrent of light: eucalyptus petals, white mint, white amber, and ozone.


WORKSHOP OF FILTHY CREATION
I collected bones from charnel-houses and disturbed, with profane fingers, the tremendous secrets of the human frame. In a solitary chamber, or rather cell, at the top of the house, and separated from all the other apartments by a gallery and staircase, I kept my workshop of filthy creation; my eyeballs were starting from their sockets in attending to the details of my employment. The dissecting room and the slaughter-house furnished many of my materials; and often did my human nature turn with loathing from my occupation, whilst, still urged on by an eagerness which perpetually increased, I brought my work near to a conclusion.

The workshop of filthy creation: electricity-scarred cypress beams, ancient stone slabs, damp metal, the coppery tang of coagulating blood, and ozone.





++THE LITTLE MATCH GIRL
THE LAST EVENING OF THE YEAR
Most terribly cold it was; it snowed, and was nearly quite dark, and evening-- the last evening of the year. In this cold and darkness there went along the street a poor little girl, bareheaded, and with naked feet. When she left home she had slippers on, it is true; but what was the good of that? They were very large slippers, which her mother had hitherto worn; so large were they; and the poor little thing lost them as she scuffled away across the street, because of two carriages that rolled by dreadfully fast.

Snow settling on cold skin, tea rose petals, and dusty, threadbare linen.


COLDER AND COLDER
In a corner formed by two houses, of which one advanced more than the other, she seated herself down and cowered together. Her little feet she had drawn close up to her, but she grew colder and colder, and to go home she did not venture, for she had not sold any matches and could not bring a farthing of money: from her father she would certainly get blows, and at home it was cold too, for above her she had only the roof, through which the wind whistled, even though the largest cracks were stopped up with straw and rags.

Peppermint, spearmint, white musk, and elemi settling into a deepening darkness.


A WONDERFUL LIGHT
Her little hands were almost numbed with cold. Oh! a match might afford her a world of comfort, if she only dared take a single one out of the bundle, draw it against the wall, and warm her fingers by it. She drew one out. "Rischt!" how it blazed, how it burnt! It was a warm, bright flame, like a candle, as she held her hands over it: it was a wonderful light. It seemed really to the little maiden as though she were sitting before a large iron stove, with burnished brass feet and a brass ornament at top. The fire burned with such blessed influence; it warmed so delightfully.

Three radiant ambers with honey, linden blossom, bourbon vanilla, and orange zest.


THE MOST MAGNIFICENT CHRISTMAS TREE
She lighted another match. Now there she was sitting under the most magnificent Christmas tree: it was still larger, and more decorated than the one which she had seen through the glass door in the rich merchant's house.

Spruce pine with hints of silver birch and warm, dark woods.


THOUSANDS OF LIGHTS
Thousands of lights were burning on the green branches, and gaily-colored pictures, such as she had seen in the shop-windows, looked down upon her. The little maiden stretched out her hands towards them when--the match went out. The lights of the Christmas tree rose higher and higher, she saw them now as stars in heaven; one fell down and formed a long trail of fire.

Indian ambrette seed, beeswax, champaca flower, saffron, Italian bergamot, frankincense, oak bark, and vanilla orchid.


IN BRIGHTNESS AND IN JOY
"Grandmother!" cried the little one. "Oh, take me with you! You go away when the match burns out; you vanish like the warm stove, like the delicious roast goose, and like the magnificent Christmas tree!" And she rubbed the whole bundle of matches quickly against the wall, for she wanted to be quite sure of keeping her grandmother near her. And the matches gave such a brilliant light that it was brighter than at noon-day: never formerly had the grandmother been so beautiful and so tall. She took the little maiden, on her arm, and both flew in brightness and in joy so high, so very high, and then above was neither cold, nor hunger, nor anxiety--they were with God.

Divine mercy: sweet winter berry, orange blossom, frankincense, golden sandalwood, angel's trumpet, and red rose.


THE COLD HOUR OF DAWN
But in the corner, at the cold hour of dawn, sat the poor girl, with rosy cheeks and with a smiling mouth, leaning against the wall--frozen to death on the last evening of the old year.

Esprit de eucalyptus, blue musk, davana, frosty iris, and tagetes.

Halloweenies at both the Lab and the Trading Post have been extended another month. Yules will hang around until February 2012.

Joyous Holidays to you all!





Beaver Moon is rising at Black Phoenix Alchemy Lab and Black Phoenix Trading Post!

beaver moon vibrator corp




Also new this month —

++ LIMITED EDITION
LOI KRATHONG
วัน เพ็ญ เดือน สิบสอง
น้ำ ก็ นอง เต็ม ตลิ่ง
เรา ทั้ง หลาย ชาย หญิง สนุก กัน จริง วัน ลอย กระทง
ลอย ลอย กระทง, ลอย ลอย กระทง
ลอย ลอย กระทง กัน แล้ว ขอ เชิญ น้อง แก้ว ออก มา รำวง
รำวง วัน ลอย กระทง, รำวง วัน ลอย กระทง
บุญ จะ ส่ง ให้ เรา สุข ใจ, บุญ จะ ส่ง ให้ เรา สุข ใจ

The Festival of Lights! On the evening of the twelfth full moon of the Dai calendar, small lotus-shaped offering boats are released out to the rivers and canals of Thailand, carrying prayers and wishes out into the waters. It is a preparation for renewal, and a time for releasing and banishing the darker parts of ourselves.

Banana leaves, betel nuts, coconut bark, spider lilies, candle wax, and incense.


The first incarnation of Lady Death comes to Black Phoenix!

++ LADY DEATH
Set in medieval times, Lady Death is the story of Hope, a woman who renounces her humanity to save her mother’s soul from evil forces in the darkest domain. Through insurmountable trials, she’s forged into Lady Death: a brutal, rebel warrior who rallies the downtrodden and topples once unstoppable kings.

LADY DEATH: SAVAGE
Lady Death in all her savage glory: an unrelenting supernatural warrior witch!

White musk, grey amber, Calabrian bergamot, vanilla absolute, French labdanum, styrax, wormwood, caraway, and bois de jasmin.


Batty is coming to Dark Delicacies!
++ DARK DELICACIES
batty
BATTY
This year’s Black Phoenix Alchemy Lab Halloween scent for Dark Delicacies! Dark and fuzzy, yet also dapper and debonair! If Fred Astaire was a werebat, he’d totally smell like this: dark chocolate, black oudh, tonka absolute, cassia, white oleander, sandalwood, and free-tailed bat musk. Artwork by Manda Lander!

Batty will be available on the Dark Delicacies site. If you purchase Batty at Dark Del’s brick and mortar shop in-person, you will receive a free aristobat holiday ornament while supplies last!


Halloween: Montreal is available at Pretty Indulgent!
++ PRETTY INDULGENT
HALLOWEEN: MONTREAL
When Halloween comes to Montreal, winter doesn’t lag far behind. Trick–or–treating is done in mad, giddy dashes between houses, an exhilarated rush in the darkness. The air is crisp, sometimes biting, and more than one toddler waddles through the eve, bundled in a snowsuit beneath their inevitably rotund costumes. Chimney smoke and woodstove fires, and all the classic scents of Halloween – loads of candy, leaves, cold earth, smashed pumpkins left over from Mat Night’s debauchery – are sharp and clear in the frosty air.
– Maggie Stepien

La fumée de cheminée et toutes les odeurs de l’Halloween – bonbons en masse, feuilles mortes, terre gelée, citrouilles écrasées – parfument l’air glacial.

http://www.prettyindulgent.com/products/halloween-montreal-perfume



And that’s that while we prep for Yule!




Updated 1 October 2011:

occupy wall street




From the 7 September 2011 update:

First things first! - the BPTP Halloweenie / Blood Moon update won't be live until the beginning of next week. Trading Post will be going live at Regularly Scheduled Lunacy Time.

Another quick announcement - Halloween: Montreal will be coming to Pretty Indulgent soon. Keep your eyes peeled!


The Blood Moon rising red, low, and full in the sky -

BLOOD MOON 2011
It was night, and the rain fell; and falling, it was rain, but, having fallen, it was blood.

A Lunacy inspired by the magnificently morbid fantasies of Edgar Allan Poe: laudanum-stained linen scented by an ink-smeared tobacco musk and phantom bloodstains illuminated by monstrous moonlight.


Two new scents have been added to the general catalogue that are loosely tied to one another by their theme:

++ GC: WANDERLUST
AMELES POTAMOS
Near the Cimmerii a cavern lies deep in the hollow of a mountainside, the home and sanctuary of lazy Hypnos, where Phoebus' beams can never reach at morn or noon or eve, but cloudy vapours rise in doubtful twilight . . . there silence dwells: only the lazy stream of Lethe 'neath the rock with whisper low o'er pebbly shallows trickling lulls to sleep. Before the cavern's mouth lush poppies grow and countless herbs, from whose bland essences a drowsy infusion dewy Nyx distils and sprinkles sleep across the darkening world.

The River of Unmindfulness: bittersweet black water swollen with forgotten tears.



++ GC: ARS AMATORIA
LE LÈTHÈ
Viens sur mon coeur, âme cruelle et sourde,
Tigre adoré, monstre aux airs indolents;
Je veux longtemps plonger mes doigts tremblants
Dans l'épaisseur de ta crinière lourde;

Dans tes jupons remplis de ton parfum
Ensevelir ma tête endolorie,
Et respirer, comme une fleur flétrie,
Le doux relent de mon amour défunt.

Je veux dormir! dormir plutôt que vivre!
Dans un sommeil aussi doux que la mort,
J'étalerai mes baisers sans remords
Sur ton beau corps poli comme le cuivre.

Pour engloutir mes sanglots apaisés
Rien ne me vaut l'abîme de ta couche;
L'oubli puissant habite sur ta bouche,
Et le Léthé coule dans tes baisers.

À mon destin, désormais mon délice,
J'obéirai comme un prédestiné;
Martyr docile, innocent condamné,
Dont la ferveur attise le supplice,

Je sucerai, pour noyer ma rancoeur,
Le népenthès et la bonne ciguë
Aux bouts charmants de cette gorge aiguë
Qui n'a jamais emprisonné de coeur.


-

Come, lie upon my breast, cruel, insensitive soul,
Adored tigress, monster with the indolent air;
I want to plunge trembling fingers for a long time
In the thickness of your heavy mane,

To bury my head, full of pain
In your skirts redolent of your perfume,
To inhale, as from a withered flower,
The moldy sweetness of my defunct love.

I wish to sleep! to sleep rather than live!
In a slumber doubtful as death,
I shall remorselessly cover with my kisses
Your lovely body polished like copper.

To bury my subdued sobbing
Nothing equals the abyss of your bed,
Potent oblivion dwells upon your lips
And Lethe flows in your kisses.

My fate, hereafter my delight,
I'll obey like one predestined;
Docile martyr, innocent man condemned,
Whose fervor aggravates the punishment.

I shall suck, to drown my rancor,
Nepenthe and the good hemlock
From the charming tips of those pointed breasts
That have never guarded a heart.


- Charles Baudelaire, translated by William Aggeler

Red musk and sweat-damp golden skin musk with labdanum, golden amber, nutmeg, tobacco absolute, black orchid, and hemlock accord.




And, withour further ado:

HAPPY HALLOWEEN, EVERYONE!

++ HALLOWEEN 2011
A NOCTURNAL REVERIE
In such a night, when every louder wind
Is to its distant cavern safe confined;
And only gentle Zephyr fans his wings,
And lonely Philomel, still waking, sings;
Or from some tree, famed for the owl's delight,
She, hollowing clear, directs the wand'rer right:
In such a night, when passing clouds give place,
Or thinly veil the heav'ns' mysterious face;
When in some river, overhung with green,
The waving moon and trembling leaves are seen;
When freshened grass now bears itself upright,
And makes cool banks to pleasing rest invite,
Whence springs the woodbind, and the bramble-rose,
And where the sleepy cowslip sheltered grows;
Whilst now a paler hue the foxglove takes,
Yet checkers still with red the dusky brakes
When scattered glow-worms, but in twilight fine,
Shew trivial beauties watch their hour to shine;
Whilst Salisb'ry stands the test of every light,
In perfect charms, and perfect virtue bright:
When odors, which declined repelling day,
Through temp'rate air uninterrupted stray;
When darkened groves their softest shadows wear,
And falling waters we distinctly hear;
When through the gloom more venerable shows
Some ancient fabric, awful in repose,
While sunburnt hills their swarthy looks conceal,
And swelling haycocks thicken up the vale:
When the loosed horse now, as his pasture leads,
Comes slowly grazing through th' adjoining meads,
Whose stealing pace, and lengthened shade we fear,
Till torn-up forage in his teeth we hear:
When nibbling sheep at large pursue their food,
And unmolested kine rechew the cud;
When curlews cry beneath the village walls,
And to her straggling brood the partridge calls;
Their shortlived jubilee the creatures keep,
Which but endures, whilst tyrant man does sleep;
When a sedate content the spirit feels,
And no fierce light disturbs, whilst it reveals;
But silent musings urge the mind to seek
Something, too high for syllables to speak;
Till the free soul to a composedness charmed,
Finding the elements of rage disarmed,
O'er all below a solemn quiet grown,
Joys in th' inferior world, and thinks it like her own:
In such a night let me abroad remain,
Till morning breaks, and all's confused again;
Our cares, our toils, our clamors are renewed,
Or pleasures, seldom reached, again pursued.


- Anne Finch, Countess of Winchilsea

Violet musk and oudh with black amber, ambergris, agarwood, black currant, dark musk, fig, and lavender incense.


ARAW NG MGA PATAY
The first half of Undas, this is the Day of the Dead in the Philippines. It is a time to remember those who have passed before you, and to do honor to your ancestors. Crypts are whitewashed, cemetery plots are weeded, cleaned, groomed, and decorated with bushels of bright flowers. Offerings of sweets are made to the departed and shared with the living, and toasts are made in remembrance.

A cheerful, raucous celebration of life and death: bouquets overflowing with gerbera daisies, waling waling, sampaguita, ylang ylang, hibiscus, night-blooming dama de noche, santan, and everlasting flower with piles upon piles of bibingka, ube halaya, rice muffins, champorado, purple yam cake, and turon, and plates of gooey kalabasa leche flan.


AUTUMN CIDER
Fermented apple juice, brown sugar, cinnamon, nutmeg, allspice, clove, lemon zest, butterscotch liquor, and orange slices.


BOO 2011
Eerie billows of spun sugar, fluttering white cotton, and sheets of cream.


DEVIL'S NIGHT 2011
Devil's Eve, Devil's Night, Gate Night, Trick Night, Mischief Night; whatever your name for it might be, the chaos is still the same. Contrary to popular belief, this festival of pandemonium isn't unique to Detroit. Falling on October 30th, it is an evening of mayhem and destruction. On the gentler side, it may be celebrated by practical jokes, an egging, Ding-Dong-Ditch, or enthusiastic TP'ing of your most hated neighbor's trees, and on the more violent side, arson and vandalism. This is the scent of autumn night, fires in the distance, with a touch of boozy swoon, playful sugar and thuggish musk.


ELEGY IX: THE AUTUMNAL
No spring nor summer Beauty hath such grace
As I have seen in one autumnall face.
Young beauties force our love, and that's a rape,
This doth but counsel, yet you cannot 'scape.
If 'twere a shame to love, here 'twere no shame,
Affection here takes Reverence's name.
Were her first years the Golden Age; that's true,
But now she's gold oft tried, and ever new.
That was her torrid and inflaming time,
This is her tolerable Tropique clime.
Fair eyes, who asks more heat than comes from hence,
He in a fever wishes pestilence.
Call not these wrinkles, graves; if graves they were,
They were Love's graves; for else he is no where.
Yet lies not Love dead here, but here doth sit
Vowed to this trench, like an Anachorit.

And here, till hers, which must be his death, come,
He doth not dig a grave, but build a tomb.
Here dwells he, though he sojourn ev'ry where,
In progress, yet his standing house is here.
Here, where still evening is; not noon, nor night;
Where no voluptuousness, yet all delight
In all her words, unto all hearers fit,
You may at revels, you at counsel, sit.
This is Love's timber, youth his under-wood;
There he, as wine in June enrages blood,
Which then comes seasonabliest, when our taste
And appetite to other things is past.
Xerxes' strange Lydian love, the Platane tree,
Was loved for age, none being so large as she,
Or else because, being young, nature did bless
Her youth with age's glory, Barrenness.
If we love things long sought, Age is a thing
Which we are fifty years in compassing;
If transitory things, which soon decay,
Age must be loveliest at the latest day.
But name not winter-faces, whose skin's slack;
Lank, as an unthrift's purse; but a soul's sack;
Whose eyes seek light within, for all here's shade;
Whose mouths are holes, rather worn out than made;
Whose every tooth to a several place is gone,
To vex their souls at Resurrection;
Name not these living deaths-heads unto me,
For these, not ancient, but antique be.
I hate extremes; yet I had rather stay
With tombs than cradles, to wear out a day.
Since such love's natural lation is, may still
My love descend, and journey down the hill,
Not panting after growing beauties so,
I shall ebb out with them, who homeward go.


- John Donne

Red maplewood, plum leaves, fir needle, wildflower honey, patchouli, hazelnut, and green cognac.


GHOSTS IN LOVE
"Tell me, where do ghosts in love
Find their bridal veils?"

"If you and I were ghosts in love
We'd climb the cliffs of Mystery,
Above the sea of Wails.
I'd trim your gray and streaming hair
With veils of Fantasy
From the tree of Memory.
'Tis there the ghosts that fall in love
Find their bridal veils."


- Vachel Lindsay

White sandalwood, tobacco flower, lily of the valley, white carnation, and magnolia blossom with tea rose, labdanum, and oudh.


JOHN BARLEYCORN 2011
There was three men come out o' the west
their fortunes for to try,
And these three men made a solemn vow,
John Barleycorn must die,
They plowed, they sowed, they harrowed him in,
throwed clods upon his head,
And these three men made a solemn vow,
John Barleycorn was dead.


Barley, beer, blood, and whiskey.


LA CALAVERA CATRINA
The Lady of the Graveyard! Autumn leaves, wild roses, bourbon vanilla, dry chamomile, and a bouquet of bright chrysanthemums and Mexican marigolds.


LE REVENANT
Comme les anges à l'oeil fauve,
Je reviendrai dans ton alcôve
Et vers toi glisserai sans bruit
Avec les ombres de la nuit;

Et je te donnerai, ma brune,
Des baisers froids comme la lune
Et des caresses de serpent
Autour d'une fosse rampant.

Quand viendra le matin livide,
Tu trouveras ma place vide,
Où jusqu'au soir il fera froid.

Comme d'autres par la tendresse,
Sur ta vie et sur ta jeunesse,
Moi, je veux régner par l'effroi.


-

Like angels with wild beast's eyes
I shall return to your bedroom
And silently glide toward you
With the shadows of the night;

And, dark beauty, I shall give you
Kisses cold as the moon
And the caresses of a snake
That crawls around a grave.

When the livid morning comes,
You'll find my place empty,
And it will be cold there till night.

I wish to hold sway over
Your life and youth by fear,
As others do by tenderness.


-- Charles Baudelaire, translation by William Aggeler.

A shroud of gardenia, narcissus, and sandalwood with ambrette seed, white cognac, muguet, davana, and white musk.


MICTECACIHUATL 2011
Known as the Mistress of Bones and the Lady of the Dead, she is the Queen of Mictlan, the Aztec Underworld, who still presides over today's Day of the Dead rituals. Sometimes known now as La Huesuda, she brings peace and joy to the spirits of the deceased, and blesses the living who do honor to those who have passed before them.

Copal, precious woods, South American spices, agave nectar, cigar tobacco, and roses.



NOTHING BUT DEATH
There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.

And there are corpses,
feet made of cold and sticky clay,
death is inside the bones,
like a barking where there are no dogs,
coming out from bells somewhere, from graves somewhere,
growing in the damp air like tears of rain.

Sometimes I see alone
coffins under sail,
embarking with the pale dead, with women that have dead hair,
with bakers who are as white as angels,
and pensive young girls married to notary publics,
caskets sailing up the vertical river of the dead,
the river of dark purple,
moving upstream with sails filled out by the sound of death,
filled by the sound of death which is silence.

Death arrives among all that sound
like a shoe with no foot in it, like a suit with no man in it,
comes and knocks, using a ring with no stone in it, with no
finger in it,
comes and shouts with no mouth, with no tongue, with no
throat.
Nevertheless its steps can be heard
and its clothing makes a hushed sound, like a tree.

I'm not sure, I understand only a little, I can hardly see,
but it seems to me that its singing has the color of damp violets,
of violets that are at home in the earth,
because the face of death is green,
and the look death gives is green,
with the penetrating dampness of a violet leaf
and the somber color of embittered winter.

But death also goes through the world dressed as a broom,
lapping the floor, looking for dead bodies,
death is inside the broom,
the broom is the tongue of death looking for corpses,
it is the needle of death looking for thread.

Death is inside the folding cots:
it spends its life sleeping on the slow mattresses,
in the black blankets, and suddenly breathes out:
it blows out a mournful sound that swells the sheets,
and the beds go sailing toward a port
where death is waiting, dressed like an admiral.


- Pablo Neruda

A dark purple river swelling with tears of rain, damp violets, and specks of bone thick with green scents that speak of mortality: black dried fruits, opopponax, moss, violet leaf and petal, tobacco absolute, saltwater accord, niaouli, and brushed sage.


OCTOBER 2011
Ay, thou art welcome, heaven's delicious breath!
When woods begin to wear the crimson leaf,
And suns grow meek, and the meek suns grow brief
And the year smiles as it draws near its death.
Wind of the sunny south! oh, still delay
In the gay woods and in the golden air,
Like to a good old age released from care,
Journeying, in long serenity, away.
In such a bright, late quiet, would that I
Might wear out life like thee, 'mid bowers and brooks
And dearer yet, the sunshine of kind looks,
And music of kind voices ever nigh;
And when my last sand twinkled in the glass,
Pass silently from men, as thou dost pass.


Dry, cold autumn wind. A rustle of red leaves, a touch of smoke and sap in the air.


PUMPKIN LATTE 2011
Espresso, pumpkin syrup, smoky vanilla bean, milk, raw sugar, and a dash of cinnamon and nutmeg.


PUMPKIN PRINCESS
Before the Grand Dame was the Pumpkin Queen, she was a Pumpkin Princess! Bright, sweet pumpkin with vanilla fluff, guava, chocolate-dusted white amber, tiare, red currant, raw honey, and meringue.


SAMHAIN 2011
Truly the scent of autumn itself -- damp woods, fir needle, and black patchouli with the gentlest touches of warm pumpkin, clove, nutmeg, allspice, sweet red apple and mullein.


SAMHAINOPHOBIA 2011
The fear of Halloween. Menacing Haitian vetiver, patchouli, and clove with a shock of bourbon geranium, grim oakmoss, and dread-inspiring balsams pierce the innocuous scent of autumn leaves.


SONNET D'AUTOMNE
Ils me disent, tes yeux, clairs comme le cristal:
"Pour toi, bizarre amant, quel est donc mon mérite?"
- Sois charmante et tais-toi! Mon coeur, que tout irrite,
Excepté la candeur de l'antique animal,

Ne veut pas te montrer son secret infernal,
Berceuse dont la main aux longs sommeils m'invite,
Ni sa noire légende avec la flamme écrite.
Je hais la passion et l'esprit me fait mal!

Aimons-nous doucement. L'Amour dans sa guérite,
Ténébreux, embusqué, bande son arc fatal.
Je connais les engins de son vieil arsenal:

Crime, horreur et folie! - Ó pâle marguerite!
Comme moi n'es-tu pas un soleil automnal,
Ô ma si blanche, ô ma si froide Marguerite?

-

They say to me, your eyes, clear as crystal:
"For you, bizarre lover, what is my merit then?"
- Be charming and be still! My heart, which all things irk,
Except the candor of the animals of old,

Does not wish to reveal its black secret to you,
Whose lulling hands invite me to long sleep,
Nor its somber legend written with flame.
I hate passion; intelligence makes me suffer!

Let us love each other sweetly. Tenebrous Love,
Ambushed in his shelter, stretches his fatal bow.
I know all the weapons of his old arsenal:

Crime, horror, and madness! - pale marguerite!
Are you not, like me, an autumnal sun,
O my Marguerite, so white and so cold?


-- Charles Baudelaire, translated by William Aggeler

Tenebrous Love: a shivering white musk with vanilla-infused white cocoa, amber incense, and dead, dry leaves.


THE VAMPIRE BRIDE
"I am come-I am come! once again from the tomb,
In return for the ring which you gave;
That I am thine, and that thou art mine,
This nuptial pledge receive."

He lay like a corse 'neath the Demon's force,
And she wrapp'd him in a shround;
And she fixed her teeth his heart beneath,
And she drank of the warm life-blood!

And ever and anon murmur'd the lips of stone,
"Soft and warm is this couch of thine,
Thou'lt to-morrow be laid on a colder bed-
Albert! that bed will be mine!"


- Henry Thomas Liddell

Icy skin touched by a perfume of violet leaf, white tea, olibanum, elemi, myrrh, wormwood, crypt dust, and saffron with a dribble of blood red musk.


- - -

This Halloween, we're also taking a short trip to Hades:

++ HALLOWEEN: AN EVENING IN HADES
Ceres was resolved to win her daughter back from Haides. Not so fate permitted, for the girl had broken her fast and wandering, childlike, through the orchard trees from a low branch had picked a pomegranate and peeled the yellow rind and found the seeds and nibbled seven. The only one who saw was Orphne's son, Ascalaphus, whom she, no the least famous of the Nymphae Avernales, bore once to Acheron in her dusky bower. He saw and told, in spite, and by his tale stole her return away. The Regina Erebi groaned in distress and changed the tale-bearer into a bird. She threw into his face water from Phlegethon, and lo! a beak and feathers and enormous eyes! Reshaped, he wears great tawny wings, his head swells huge . . . a loathsome bird, ill omen for mankind, a skulking screech-owl, sorrow's harbinger.

THE NYMPHAE AVERNALES
The nymphs of the Underworld: pomegranate, lilac musk, red rose, red sandalwood, honey, and frankincense.

REGINA EREBI
The Queen of Hell: pomegranate, spear mint, black mulberry, and myrrh.

ASKALAPHOS
The daimon that tends the orchards of the Underworld: pomegranate, wonder-flowers, asphodel, and black soil.

- - -

And we also wander though hollow lands and hilly lands:

++ THE SILVER APPLES OF THE MOON, THE GOLDEN APPLES OF THE SUN
Though I am old with wandering
Through hollow lands and hilly lands
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass
And pluck till time and times are done,
The silver apples of the moon,
The golden apples of the sun.


THE SILVER APPLE OF THE MOON
White apple with orris, agave nectar, moonflower, white sandalwood, and lotus root.

THE GOLDEN APPLE OF THE SUN
Golden apple with amber, hibiscus, carnation, frankincense, golden spiced tea, ginger, and champaca flower.

THE BLACK APPLE OF SATURN
Dried Arkansas black apple, opoponax, cypress, myrrh, tobacco absolute, quince, black musk, and galbanum.

THE GREEN APPLE OF VENUS
Sweet green apple, apple blossom, sweet strawberry, pink pomegranate, violet leaf, tea rose, and red sandalwood.

THE GLITTERING APPLE OF THE STARS
Heirloom Malus, ylang ylang, white and blue musks, crystallized vanilla, tiare, frangipani, and bergamot.

- - -

And finally, after a short trip to Vegas, we make our way back to Arkham. There's no place like home.

- - -

Happy Halloween, y'all!





From the 26 August 2011 update!

Today, we present a Twilight Alchemy Lab Limited Edition blend. This liquid talisman was created over the days of August 15th through 17th during the conjunction of Mercury, Venus, and Sol in Leo. This oil endeavors to capture the energy of the Leo Stellium: it is an oil of rediscovering yourself, and achieving a better understanding of who you really are. Filtered through the splendid golden majesty of Leo, Venus is manifested in this oil as an internal mirror and a reminder of the immortality of the soul. Mercury manifests in this blend as a force for dynamic movement and change, and as a roadmap illustrating all possibilities. Mercury also manifests in its Trickster aspect, forcing us to confront self-delusion as exposed by the bright light of Sol. In this Stellium blend, Sol itself shows us how to bolster our self-esteem, confidence, and courage by confronting, understanding, and accepting our true will.

Through working with this energy, we can reinvent ourselves through serious and profound reflection regarding who we want to be and how we want the world to see us.

283 bottles of Leo Stellium oil were created. In an attempt to make things a bit easier for everyone, stock has been split between the BPAL site and TAL’s etsy page.

Also on TAL’s etsy shop:

Leo Stellium incense, an Exodus-inspired Anointing oil, a non-cosmetic Samhain oil, Samhain incense, and Honey of Love bath oil.

Once they’re gone, they’re gone.



From the 11 August 2011 update:

The Harvest Moon update is live at Black Phoenix Alchemy Lab and Black Phoenix Trading Post!

HARVEST MOON
Harvest Moon is celebrated in almost every culture, and the bounty of the season is marked in a myriad of ways. Harvest Moon touches the Equinox, the festival of Janus, the culmination of Homowo, the “crying of the neck” in Cornwall, and the Women’s Festival of the Moon. This is a day that celebrates abundance and beauty, fertility and progress, and the light of this full moon blesses new undertakings and reunites lost loves.

The Harvest Moon, by definition, is the Full Moon that falls closest to the Autumnal Equinox, and thus, it shares some of that Sabbat’s characteristics. This Full Moon was thus named because it rises within half an hour of the sun’s setting, in the Northern Hemisphere, and at this time farmers are able to work longer into the night by the light of this Moon. As the year draws to a close, the Full Moon rises an average of fifty minutes later each night, with the exception of a few nights surrounding the Harvest Moon, which only rises 10-30 minutes later. This moon is also, to the human eye, the fullest and largest of the year’s Moons, hanging gloriously huge, yellow and low in the night sky, and many lunar illusions play tricks our eyes at this time.

The Harvest ushers in many celebrations, including the Equinox and the Festival of Janus, God of Doors. Janus is the Roman Lord of Gateways, beginnings and endings, and transitions. Thus, the Harvest Moon is a time for blessing new ventures, the onset of new and progressive phases in one’s life, and rites of passage into adulthood. This time of year also marks one of the Festivals of Dionysus, Lord of Ecstasy and the Vine.

This Harvest lunacy combines the autumnal scents of dry leaves, warm, brown spices, white oak, Himalayan cedar, Russian sage, red apple, sweet black plum, juniper berry, clove, saffron, verbena, and yarrow with Dionysus’ sacred grapes and ivy, the amaranth and lingum aloes of Janus, and a gentle breath of Harvest Festival woodsmoke and sweet red wine.
So much thanks to Julie Dillon for illustrating Harvest Moon!

Harvest Moon will be live on both sites until August 15th, 2011.



Also this month, we are pleased to introduce scents that benefit the CBLDF and The Hero Initiative.



It’s a tag team for free speech when Black Phoenix Alchemy Lab and J. Gonzo team up to benefit the CBLDF with incredible new Luchadore inspired scents celebrating the launch of J. Gonzo’s amazing new series La Mano del Destino!

It’s a battle of titans with the First Amendment at stake! In this corner: La Mano del Destino, fighting for your freedom of speech! His opponent, El Nuevo Puritano, bringing the wicked wrath of moral panic and outrageous censorship into the ring!

LA MANO DEL DESTINO
Powerful Sumatran patchouli and enigmatic Brazilian copaiba with pao d’arco, cacao absolute, bourbon vanilla, Ceylon cinnamon, and tobacco.

EL NUEVO PURITANO
The wicked wrath of moral panic: unmoving, rigid oak, dry leather, tonka, gunpowder tea, and pious olibanum with a core of perverse and furtive vanilla bean, bay leaf, clove bud, and lime.



Next up, to benefit the Hero Initiative, we have scents based on Matt Wagner's Grendel comic book series.

MASTERMIND
The first of the Grendel legacy, a stylish, best-selling author who leads a double life as a relentless assassin and all-powerful mob overlord.

An elegant cologne of olibanum, opoponax, leather accord, black amber, bois de jasmine, cade wood, pale balsam, orange blossom, oudh, black plum, bourbon vanilla, and sandalwood.

AVENGER
A fashionable and fiery journalist who adopts the Grendel persona to avenge the death of her only child and is consumed by the dark identity.

Plush vanilla bourbon and rum accord with pink pepper, patchouli, clove, pikaki, golden amber, caraway, tuberose, and jacarandã-da-bahia.

EXORCIST
Christine's lover who, in the aftermath of her violent death, becomes haunted and possessed by what he sees as the "entity" of Grendel.

A refined lilac fougère with frankincense, labdanum, styrax, and dark musk.

HARLEQUIN
A futuristic, gothic harlequin, addicted to a heinous hallucinogen with the street name "Grendel", who leads chaotic attacks against the corrupt Catholic Church.

Psychotomimetic: pink grapefruit, white honey, orange blossom, saffron, champagne grape, elemi, guaiac, blonde tobacco, and olibanum.



And last, but certainly not least, this update brings us the third series of Last Unicorn scents.

THE KING'S DAUGHTER
There were a prince and a princess sitting by a stream in a wooded valley. Their seven servants had set up a scarlet canopy beneath a tree, and the royal young couple ate a box lunch to the accompaniment of lutes and theorbos. They hardly spoke a word to one another until they had finished the meal, and then the princess sighed and said, “Well, I suppose I’d best get the silly business over with.” The prince began to read a magazine.

“You might at least –” said the princess, but the prince kept on reading. The princess made a sign to two of the servants, who began to play an older music on their lutes. Then she took a few steps on the grass, held up a bridle bright as butter, and called, “Here, unicorn, here! Here, my pretty, here to me! Comecomecomecomecome!”

The prince snickered. “It’s not your chickens you’re calling, you know,” he remarked without looking up. “Why don’t you sing something, instead of clucking like that?”

“Well, I’m doing the best I can,” the princess cried. “I’ve never called one of these things before.” But after a little silence, she began to sing.

I am a king’s daughter,
And if I cared to care,
The moon that has no mistress
Would flutter in my hair.
No one dares to cherish
What I choose to crave.
Never have I hungered,
That I did not have.

I am a king’s daughter,
And I grow old within
The prison of my person,
The shackles of my skin.
And I would run away
And beg from door to door,
Just to see your shadow
Once, and never more.

So she sang, and sang again, and then she called, “Nice unicorn, pretty, pretty, pretty,” for a little longer, and then she said angrily, “Well, I’ve done as much as I’ll do. I’m going home.”

The prince yawned and folded his magazine. “You satisfied custom well enough,” he told her, “and no one expected more than that. It was just a formality. Now we can be married.”

“Yes,” the princess said, “now we can be married.” The servants began to pack everything away again, while the two with the lutes played joyous wedding music. The princess’s voice was a little sad and defiant as she said, “If there really were such things as unicorns, one would have come to me. I called as sweetly as anyone could, and I had the golden bridle. And of course I am pure and untouched.”

“For all of me, you are,” the prince answered indifferently. “As I say, you satisfy custom. You don’t satisfy my father, but then neither do I. That would take a unicorn.” He was tall, and his face was as soft and pleasant as a marshmallow.

When they and their retinue were gone, the unicorn came out of the wood, followed by Molly and the magician, and took up her journey again. A long time later, wandering in another country where there were no streams and nothing green, Molly asked her why she had not gone to the princess’s song. Schmendrick drew near to listen to the answer, though he stayed on his side of the unicorn. He never walked on Molly’s side.

The unicorn said, “That king’s daughter would never have run away to see my shadow. If I had shown myself, and she had known me, she would have been more frightened than if she had seen a dragon, for no one makes promises to a dragon. I remember that once it never mattered to me whether or not princesses meant what they sang. I went to them all and laid my head in their laps, and a few of them rode on my back, though most were afraid. But I have no time for them now, princesses or kitchenmaids. I have no time.”


A matter of formality: lilac musk, sandalwood, sweet pea, watermelon accord, pale woods, elemi, and oakmoss.

HAGSGATE
“When those words were first spoken,” Drinn said, “Haggard had not been long in the country, and all of it was still soft and blooming – all but the town of Hagsgate. Hagsgate was then as this land has become: a scrabbly, bare place where men put great stones on the roofs of their huts to keep them from blowing away.” He grinned bitterly at the older men. “Crops to harvest, stock to tend! You grew cabbages and rutabagas and a few pale potatoes, and in all of Hagsgate there was but one weary cow. Strangers thought the town accursed, having offended some vindictive witch or other.”

Molly felt the unicorn go by in the street, then turn and come back, restless as the torches on the walls, that bowed and wriggled. She wanted to run out to her, but instead she asked quietly, “And afterward, when that had come true?”

Drinn answered, “From that moment, we have known nothing but bounty. Our grim earth has grown so kind that gardensand orchards spring up by themselves – we need neither to plant nor to tend them. Our flocks multiply; our craftsmen become more clever in their sleep; the air we breathe and the water we drink keep us from ever knowing illness. All sorrow parts to go around us – and this has come about while the rest of the realm, once so green, has shriveled to cinders under Haggard’s hand. For fifty years, none but he and we have prospered. It is as though all others had been cursed.”


An accursed bounty: rich black soil and hay, cucumber, tomato, red lettuce, summer squash, black eggplant, arugula, grape vine, artichoke, and a tangle of herbs marred by an undercurrent of vetiver, patchouli, and black moss

LADY AMALTHEA
Molly Grue had taken the white girl’s head onto her lap, and was whispering over and over, “What have you done?” The girl’s face, quiet in sleep and close to smiling, was the most beautiful that Schmendrick had ever seen. It hurt him and warmed him at the same time. Molly smoothed the strange hair, and Schmendrick noticed on the forehead, above and between the closed eyes, a small, raised mark, darker than the rest of the skin. It was neither a scar nor a bruise. It looked like a flower.

A luminous white winter musk with lilac, wisteria, white chocolate, white mint, and tuberose

WITCH-CURSED CASTLE
You whom Haggard holds in thrall,
Share his feast and share his fall.
You shall see your fortune flower
Till the torrent takes the tower.
Yet none but one of Hagsgate town
May bring the castle swirling down.

Beyond the town, darker than dark, King Haggard’s castle teetered like a lunatic on stilts, and beyond the castle the sea slid. Drinn stopped him as he raised his glass. “Not that toast, my friend. Will you drink to a woe fifty years old? It is that long since our sorrow fell, when King Haggard built his castle by the sea.”

“When the witch built it, I think.” Schmendrick wagged a finger at him. “Credit where it’s due, after all.”

“Ah, you know that story,” Drinn said. “Then you must also know that Haggard refused to pay the witch when her task was completed.”

The magician nodded. “Aye,” and she cursed him for his greed – cursed the castle, rather. “But what had that to do with Hagsgate? The town had done the witch no wrong.”

“No,” Drinn replied. “But neither had it done her any good. She could not unmake the castle – or would not, for she fancied herself an artistic sort and boasted that her work was years ahead of its time. Anyway, she came to the elders of Hagsgate and demanded that they force Haggard to pay what was due her. ‘Look at me and see yourselves,’ she rasped. ‘That’s the true test of a town, or of a king. A lord who cheats an ugly old witch will cheat his own folk by and by. Stop him while you can, before you grow used to him.’” Drinn sipped his wine and thoughtfully filled Schmendrick’s glass once more.

“Haggard paid her no money,” he went on, “and Hagsgate, alas, paid her no heed. She was treated politely and referred to the proper authorities, whereupon she flew into a fury and screamed that in our eagerness to make no enemies at all, we had now made two.” He paused, covering his eyes with lids so thin that Molly was sure he could see through them, like a bird. With his eyes closed, he said, “It was then that she cursed Haggard’s castle, and cursed our town as well. Thus his greed brought ruin upon us all.”

In the sighing silence, Molly Grue’s voice came down like a hammer on a horseshoe, as though she were again berating poor Captain Cully. “Haggard’s less at fault than you yourselves,” she mocked the folk of Hagsgate, “for he was only one thief, and you were many. You earned your trouble by your own avarice, not your king’s.”

Drinn opened his eyes and gave her an angry look. “We earned nothing,” he protested. “It was our parents and grandparents whom the witch asked for help, and I’ll grant you that they were as much to blame as Haggard, in their way. We would have handled the matter quite differently.” And every middle-aged face in the room scowled at every older face.

One of the old men spoke up in a voice that wheezed and miaowed. “You would have done just as we did. There were crops to harvest and stock to tend, as there still are. There was Haggard to live with, as there still is. We know very well how you would have behaved. You are our children.”

Weed-strewn oak, opoponax, wet stone, creaking redwood, and desolate olibanum.

PRINCE LÍR
“Heroes,” Prince Lír replied sadly. “Heroes know about order, about happy endings – heroes know that some things are better than others. Carpenters know grains and shingles, and straight lines.” He put his hands out to the Lady Amalthea, and took one step toward her. She did not draw back from him, nor turn her face; indeed, she lifted her head higher, and it was the prince who looked away.

“You were the one who taught me,” he said. “I never looked at you without seeing the sweetness of the way the world goes together, or without sorrow for its spoiling. I became a hero to serve you, and all that is like you. Also to find some way of starting a conversation.”

Chivalry, love, and sacrifice. A noble cologne touched by a sweet sadness: vanilla fougere, bright citrus, juniper berry, ambergris accord, and basil.

KING HAGGARD
His eyes were the same color as the horns of the Red Bull. He was taller than Schmendrick, and though his face was bitterly lined there was nothing fond or foolish in it. It was a pike’s face: the jaws long and cold, the cheeks hard, the lean neck alive with power.

Dry cedar, bitter balsam, and ashes.


Halloweenies will be up before the month is over!



Updated 13 July 2011:

Berry Moon is live at Alchemy Lab and Trading Post!



BERRY MOON
In August, the large masses of berries, which, when in flower, had attracted many wild bees, gradually assumed their bright velvety crimson hue, and by their weight again bent down and broke their tender limbs.
-- Henry David Thoreau

A sensuous, deep berry bouquet: blackberries, raspberries, and blueberries with Morello cherries, apricots, and strawberries, swirled in heady red musk and brandy.

Berry Moon art by Manda Lander!



We are also thrilled to introduce a Salon limited-run miniseries inspired by the works of Gustav Klimt. Happy birthday, Gustav! Proceeds from every sale of Donna Con Ventaglio, Pallas Athene, Hygeia, and Tree of Life benefit RAINN, the nation's largest anti-sexual violence organization. Donna Con Ventaglio, Pallas Athene, Hygeia, and Tree of Life will be live until 13 October 2011.

DONNA CON VENTAGLIO
A white chypre with bergamot, rose otto, ylang ylang, tonka absolute, lotus root, blood orange, white fig, rock rose, mate, and violet leaf.

HYGEIA
Red musk and red amber, sweet incense, Mysore sandalwood, tobacco absolute, golden musk, orris root, frankincense, and helichrysum.

PALLAS ATHENE
Antiqued amber, cumin, saffron, frankincense, Atlas cedar, myrrh, mandarin, Ceylon cinnamon bark, and osmanthus.

TREE OF LIFE
Ash bark, Kashmir wood, tonka bean, clary sage, Spanish moss, cocoa absolute, King mandarin, galangal root, and matcha tea.




From the 29 June 2011 update:

The Dark Moon is a time of secrets and hidden truths, of veils and binding, justice and revenge. It is sacred to the Crone, and to Gods and Goddesses of magick, death, and mysteries. The Black Moon has many meanings, but in any incarnation, it signifies a swelling of power. To us, it is the Blue Moon’s dark sister. This month, we are sharing three interpretations of the Black Moon’s energy.

BLACK MOON 2011: BETH'S CREATION
The absence of light: black orchid, motia attar, mugwort, English pear, jonquil, violet leaf, myrrh, opoponax, crystal musk, ylang ylang, and 5-year aged patchouli.

SCHWARZER MOND: BRIAN'S CREATION
The keeper of secrets: opoponax, Tunisian black amber, night musk, antique patchouli, zdravetz, terebinth, myrrh, and Pimenta racemosa.

LUNA NEGRA: TED'S CREATION
The solace of shadows: blackberry and blackcurrant with Nepalese amber, kewda attar, and a deep, rich, sweet dark musk.

The Black Moon will be live until July 1,2001.



Updated 13 June 2011:

Hungry Ghost Moon is live at Alchemy Lab and Trading Post!



HUNGRY GHOST MOON
On the 14th day of the seventh month of the lunar calendar, the Gates of Hell burst open, and ghosts pour forth from the Nine Darknesses into the sunlit world. To placate the dead, Hell Money is burned, offerings are made, and paper boats and floating lanterns are set out to give comfort and direction to wayward spirits. Though many spirits simply seek out the comforts of their former homes and the company of their loved ones, rancorous spirits also roam the streets, seeking revenge on those who have wronged them before, and after, their deaths. Offerings of sweet rice, ginger candy, sugar cane, smoky vanilla and rice wine mingle with a ghost's perfume of white sandalwood, wisteria, ho wood, ti, white grapefruit, and crystalline musk. This scent is tempered by the presence of ten herbs, woods and resins used in the purification of the spirit. Through this scent, we can release ourselves from sorrow and discontentment, unbinding our souls from the chains that shackle us to our baser needs so we may truly understand and experience compassion, empathy, and joy.

Illustration by Julie Dillon!




We've got a small addition to Black Phoenix Alchemy Lab's RPG line:

GNOME
An explosive blend of effervescent golden ginger and black peppercorn with sarsaparilla, gurjum balsam, nutmeg, gear lubricant, and smoke.




... and a ginormical addition to Black Phoenix Trading Post's Atmosphere line! Hello thar, RPG Atmosphere sprays!

+ RPG ATMOSPHERE SPRAYS
These atmosphere sprays (and the accompanying fragrance line at BPAL!) were inspired by the many years that I played pen and paper role-playing games. Each of these atmosphere sprays is inspired by a RPG location trope: Entering a musty crypt? We’ve got the scent for you! Confronting a cult of nefarious evildoers? Shoot a bit of Unspeakbly Evil Temple into the air! Your party is crawling through a wererat-infested sewer? We’ve got that comin’, too.

While these scents were created to be used to enhance pen and paper RPG gameplay, they can also be used in your living space to evoke the illusion of a mist-shrouded elven forest, a gnomish workshop, an exotic bazaar, or a lich’s laboratory.

The scents were created by Black Phoenix Alchemy Lab for the Trading Post. These sprays are generously scented with copious amounts of Black Phoenix perfume oil and disperse beautifully. A little goes a long way.

Labels printed on an Earth-friendly corn biopolymer.

The Black Phoenix Partnership does not test on animals. We test on friends and family, and on the linens of friends and family!

FAE FOREST
Mist-shrouded woods: Siberian fir needles, white pine bark, aspen leaf, wild lily, bergamot, wood violet, thimbleberry, sun-star, golden bell, snowdrop, heartsease, and bloodroot.

UNSPEAKABLY EVIL TEMPLE
A profane blend of opoponax, galangal root, dried mosses, wormwood accord, sandarac, frankincense, myrrh, and black copal.

EXOTIC BAZAAR
Nepalese amber, white sandalwood, black peppercorn, ambrette seed, neroli, coconut sugar, cardamom pods, ginger, fennel, bitter almond, liquorice root, henna, copaiba balsam, and spikenard.




And for a limited time...

The cicadas have hatched, and they're swarming the Lab --

BROOD XIX
Under the heat of the summer sun, a Cicada was hopping about in a large field, chirping and singing lazily. An Ant passed him by, busily heaving along, with tremendous effort, bits of corn he was taking to the nest.

"Why not come and chat with me," asked the Cicada, "instead of toiling like that? The day is too lovely to spend in such a manner."

"I am helping my fellow ants lay up food for the winter," squealed the Ant indignantly, "and I recommend that you do the same."

"Why bother about winter?" said the Cicada; "we have got plenty of food at present. Climb this tree with me and enjoy the sun-warmed bark and the gentle swaying leaves."

Turning away, the Ant went on its way and continued its work dutifully. The Cicada pitied the Ant, calling it foolish for wasting time working on such a lovely day, and went back to singing his summer songs of joy.

When the winter came, the Cicada had no food and no shelter. The Cicada found itself dying of hunger, while the resourceful and hardworking ants were snug in their warm holes, full of corn and grain from their stores.

Then the Cicada knew: It is best to prepare for the days of necessity.

The Cicada, in myth, represents indifference and idleness, brevity and impermanence, and dissolution through pleasure:

The story is that once upon a time these creatures were men-men of an age before there were any Muses; and that when the latter came into the world and music made its appearance, some of the people of those days were so thrilled with pleasure that they went on singing, and quite forgot to eat and drink until they actually died without noticing it. From them in due course sprang the race of cicadas.

(John Sallis on Plato's Plaedrus)

The cicadas also represent immortality and rebirth because of their emergent resurrection from the womb of the earth, and they embody transformation and self-preservation through guile because of the way they shed their golden skins.

The Great Southern Brood of cicadas is now hatching.

Tree sap, hay, almond blossoms, moss, hemp, corn stalks, acorn, sweet amber, and rice milk.




Fair Child of Sun and Summer! we behold
With eager eyes thy wings bedropp’d with gold;
The purple spots that o’er thy mantle spread,
The sapphire’s lively blue, the ruby’s red,
Ten thousand various blended tints surprise,
Beyond the rainbow’s hues or peacock’s eyes:
Not Judah’s king in eastern pomp array’d,
Whose charms allur'd from far the Sheban maid,
High on his glitt’ring throne, like you could shine
(Nature’s completest miniature divine):
For thee the rose her balmy buds renews,
And silver lilies fill their cups with dews;
Flora for thee the laughing fields perfumes,
For thee Pomona sheds her choicest blooms,
Soft Zephyr wafts thee on his gentlest gales
O’er Hackwood’s sunny hill and verdant vales;
For thee, gay queen of insects! do we rove
From walk to walk, from beauteous grove to grove;
And let the critics know, whose pedant pride
And awkward jests our sprightly sport deride:
That all who honours, fame, or wealth pursue,
Change but the name of things--they hunt for you.

-- "Verses on a Butterfly", Joseph Wharton


This month, we revisit the Metamorphosis:

METAMORPHOSIS
Lo, the bright train their radiant wings unfold!
With silver fringed, and freckled o'er with gold:

On the gay bosom of some fragrant flower
They, idly fluttering, live their little hour;
Their life all pleasure, and their task all play,
All spring their age, and sunshine all their day.
- " To Mrs. P--------., With Some Drawings...", Anna Laetitia Aikin

The grace, beauty, and complexity of butterflies and moths have permeated myths all over the globe. The symmetry and elegance of their form and the coquettish rhythm of their dance inspires visions of fleeting romance:

The dawn is smiling on the dew that covers
The tearful roses; lo, the little lovers
That kiss the buds, and all the flutterings
In jasmine bloom, and privet, of white wings,
That go and come, and fly, and peep and hide,
With muffled music, murmured far and wide.
Ah, the Spring time, when we think of all the lays
That dreamy lovers send to dreamy mays,
Of the fond hearts within a billet bound,
Of all the soft silk paper that pens wound,
The messages of love that mortals write
Filled with intoxication of delight,
Written in April and before the May time
Shredded and flown, playthings for the wind's playtime,
We dream that all white butterflies above,
Who seek through clouds or waters souls to love,
And leave their lady mistress in despair,
To flit to flowers, as kinder and more fair,
Are but torn love-letters, that through the skies
Flutter, and float, and change to butterflies
- " The Genesis of Butterflies", Victor Hugo

Though in some myths - notably, China's Butterfly Lovers, Liang Shanbo and Zhu Yingtai, and Japan's tale of Takahama and Akiko - butterflies are symbols of eternal love and devotion.

Most often, butterflies and moths represent change, transition, and metamorphosis. Butterflies are also seen as personifications of the soul, and symbols of mankind's desire for spiritual evolution. They are harbingers of both love and death, and some believe that errant souls manifest in this form.

Moths and butterflies are, to some, symbols of blind desire and madness, perilously drawn to the splendor of light and flame. This mad desire is also portrayed, at times, as transcendence:

Tell it none except the wise,
for the common crowd defames:
of the living I shall praise
that which longs for death in flames.

In the love night which created
you where you create, a yearning
wakes: you see, intoxicated,
far away a candle burning.
Darkness now no longer snares you,
shadows lose their ancient force,
as a new desire tears you
up to higher intercourse.

Now no distance checks your flight,
charmed you come and you draw night
till, with longing for the light,
you are burnt, O butterfly.

And until you have possessed
dying and rebirth,
you are but a sullen guest
on the gloomy earth.

- " Blissful Yearning", Goethe, translation by Walter Kaufmann

This series, though seemingly simple, is a complex narrative in scent. It was created with the intention of illustrating the beauty of transformation and transcendence, the sweetness of romance, the joy of freedom and personal liberty, and the perpetuity of true love.

Wake, butterfly -
It's late, we've miles
To go together.
- Matsuo Basho



+ THE MOTHS
ATLAS
Mallow, oak bark, coffee bean, hinoki wood, and khus.

BRAHMIN
Rose otto, red ginger, caraway seed, myrrh, orange peel, mandarin leaf, black peppercorn, and vanilla orchid.

IO
Red musk, pomegranate, cranberry, blackberry, mango, purple sage, thyme, and angelica root.

PUSSY
Orange blossom honey, brown sugar, saffron, tonka absolute, and tobacco leaf.



+ THE BUTTERFLIES
BLUE MORPHO
Wild orchid, pikake, honeysuckle, calla lily, agave nectar, pink geranium, violet leaf, and white amber.

GOLIATH BIRDWING
White sage, lemongrass, lemon balm, dusty beige musk, and drops of anise.

MOURNING CLOAK
Opoponax, kumaru, cocoa butter, Mysore sandalwood, verbena, almond milk, guiac wood, beeswax, and myrrh.

PURPLE SPOTTED SWALLOWTAIL
Black plum, opium poppy, dusky amber, opoponax, castoreum accord, dried berries, tolu balsam, clove bud, and lime.


Butterfly, moth, and cicada illustrations by Alicia Dabney!



The Metamorphosis series is dedicated, as always, to my daughter. Lilith, you're growing so quickly. Every day you blossom more and more. I love you, little butterfly. You are the joy of my life, and I'm so grateful to be your mother.





And in other news:

A new Dark Delicacies / Black Phoenix scent is live on the Dark Delicacies web site! It is also available at their brick and mortar shop in Burbank, CA!

TATTERED LACE
An allegory of Victorian melancholy and madness: tea-stained bourbon vanilla, with white cognac, coconut bark, Oman frankincense, and woodmoss over opium tar-stained silk.

Tattered Lace is available exclusively through Dark Delicacies.

Dark Delicacies
3512 W. Magnolia Blvd.
Burbank, CA 91505
888-DARKDEL
http://www.darkdel.com



Please extend glops of love and a warm welcome to the newest member of the BPAL family: Pretty Indulgent in Quebec, Canada! Aw yeah - BPAL is international now.

Black Phoenix Alchemy Lab and Pretty Indulgent present a celebration of the rich culture and history of Quebec.

For your consideration:
+ QUEBEC: SERIES I
HOCHELAGA
Warm musk with soft leather, a dusting of dry wildflowers and herbs, sweetgrass, sage, shagbark hickory, and Canadian balsam.

Un musc chaud avec une note de cuir souple, saupoudré de fleurs sauvages et d’herbes, de foin d’odeur, de sauge, de caryer ovale, et de baume du Canada.


UNE FOLLE ENTREPRISE
A mélange of silvery musk, iris, licorice root, black currant, apple blossom, patchouli root, violet, heliotrope, anise, and tonka bean.

Un mélange: musc argenté, iris, racine de réglisse, cassis, fleur de pommier, racine de patchouli, violette, héliotrope, anis, et fève tonka.


VILLE-MARIE
An elegant blend of native and imported flowers twirled around a sophisticated vanilla-touched white musk: Madonna lily, crabapple blossom, Begonia juliana, dendrobium and phalaenopsis orchids, and five varieties of lilac.

Un musc blanc sophistiqué, touché de vanille et marié à des fleurs indigènes et étrangères: lys, fleur de pommier, Bégonia, orchidées dendrobium et phalaenopsis , et cinq variétés de lilas.


These scents were created by Black Phoenix Alchemy Lab for Pretty Indulgent, and are sold only through the Pretty Indulgent web site.




Stuff is being posted all the friggin’ time on BPAL's etsy shop, Trading Post's etsy shop, and the Black Phoenix ebay thingydooder.

And for the moment... that's that!





From the Friday the 13th update! --

Happy Friday the 13th! We've taken a slightly different angle on the traditional BPAL 13: this 13 is all about getting lucky!

13
13 is significant, whether you consider it lucky, unlucky or just plain odd. Many believe it to be unfortunate...

... because there were 13 present at the Last Supper.
... Loki crashed a party of 12 at Valhalla, which ended in Baldur's death.
... Oinomaos killed 13 of Hippodamia's suitors before Pelops finally, in his own shady way, defeated the jealous king.
... In ancient Rome, Hecate's witches gathered in groups of 12, the Goddess herself being the 13th in the coven.

Concern over the number thirteen echoes back beyond the Christian era. Line 13 was omitted form the Code of Hammurabi.

The shivers over Friday the 13th also have some interesting origins:

... Christ was allegedly crucified on Friday the 13th.
... On Friday, October 13, 1307, King Philip IV of France ordered the arrests of Jaques de Molay, Grand Master of the Knights Templar, and sixty of his senior knights.
... In British custom, hangings were held on Fridays, and there were 13 steps on the gallows leading to the noose.

To combat the superstition, Robert Ingersoll and the Thirteen Club held thirteen-men dinners during the 19th Century. Successful? Hardly. The number still invokes trepidation to this day. A recent whimsical little serial killer study showed that the following murderers all have names that total thirteen letters:

Theodore Bundy
Jeffrey Dahmer
Albert De Salvo
John Wayne Gacy

And, with a little stretch of the imagination, you can also fit 'Jack the Ripper' and 'Charles Manson' into that equation.

More current-era paranoia: modern schoolchildren stop their memorization of the multiplication tables at 12. There were 13 Plutonium slugs in the atomic bomb that was dropped on Nagasaki. Apollo 13 wasn't exactly the most successful space mission. All of these are things that modern triskaidekaphobes point to when justifying their fears.

For some, 13 is an extremely fortuitous and auspicious number...

... In Jewish tradition, God has 13 Attributes of Mercy. Also, there were 13 tribes of Israel, 13 principles of Jewish faith, and 13 is considered the age of maturity.
... The ancient Egyptians believed that there were 12 stages of spiritual achievement in this lifetime, and a 13th beyond death.
... The word for thirteen, in Chinese, sounds much like the word which means "must be alive" .

Thirteen, whether you love it or loathe it, is a pretty cool number all around.

... In some theories of relativity, there are 13 dimensions.
... It is a prime number, lucky number, star number, Wilson Prime, and Fibonacci number.
... There are 13 Archimedean solids.

AND...
... There were 13 original colonies when the United States were founded.

Says a lot about the US, doesn't it?

A base of rich cacao absolute and honey with thirteen lust-inspiring oils: patchouli, vanilla absolute, rose otto, red sandalwood, devil's bit, caraway, cardamom, cubeb, carrot seed, ginseng, yohimbe, saffron, and grains of paradise.


Moon of Horses is also live on BPAL and BPTP!



Charmingly apocalyptic artwork by Julie Dillon!


MOON OF HORSES
One woe is past; and, behold, there come two woes more hereafter.

And the sixth angel sounded, and I heard a voice from the four horns of the golden altar which is before God,

Saying to the sixth angel which had the trumpet, Loose the four angels which are bound in the great river Euphrates.

And the four angels were loosed, which were prepared for an hour, and a day, and a month, and a year, for to slay the third part of men.

And the number of the army of the horsemen were two hundred thousand thousand: and I heard the number of them.

And thus I saw the horses in the vision, and them that sat on them, having breastplates of fire, and of jacinth, and brimstone: and the heads of the horses were as the heads of lions; and out of their mouths issued fire and smoke and brimstone.

By these three was the third part of men killed, by the fire, and by the smoke, and by the brimstone, which issued out of their mouths.

For their power is in their mouth, and in their tails: for their tails were like unto serpents, and had heads, and with them they do hurt.

Grape vines, cinnamon, frankincense, olive leaf, red wine, saffron, stacte, galbanum, costus root, smoke, and brimstone.



The bees in Rappaccini's Apiary have been busy this month: Chokecherry Honey and Redoul Honey.



This month, we're proud to present what amounts to a Twilight Alchemy Lab Limited Edition blend. Created on May 11, 2011 to encapsulate the conjunction of Mercury, Venus, and Jupiter, this liquid talisman unites the energies of the two Benefics with Mercury, resulting in an oil of movement, adaptability, expansion, optimism, creativity, confidence, attraction, and inspiration. It holds the qualities of positive fearlessness, expansive courage, and helps to bolster the spirit so barriers that we have erected for ourselves in the past can finally be overcome.

Through this liquid talisman, your possibilities are limitless, and reality is yours to create.

283 bottles were created. Once they're gone, they're gone.



The Black Phoenix Trading Post RPG line of atmosphere sprays will be live later this month!





From the 15 April 2011 update:
The Weeping Moon update is live at Black Phoenix Alchemy Lab and Black Phoenix Trading Post!

WEEPING BRANCHES MOON
The moon glimmers like bright snow, and plum blossoms appear like reflected stars
Ah! The golden mirror of the moon passes overhead as fragrance from the jade chamber fills the garden

Graceful, arching branches, heavy with plum and apricot blossoms, sweet ichigo, and a bouquet of peony, anemone, honeysuckle, spider lily, and hydrangea against a backdrop of luminescent, gently glowing lunar oils.


So much thanks to Julie Dillon for illustrating Weeping Branches Moon!

Weeping Branches Moon will be live on both sites until April 19, 2011.




Also live: a scent created to benefit the CBLDF's ongoing fight to protect First Amendment rights -

COHEN V. CALIFORNIA
In April of 1968, Paul Robert Cohen was arrested for wearing a jacket emblazoned with "Fuck the Draft" inside a Los Angeles County Courthouse. He was convicted of violating California Penal Code § 415, prohibiting "maliciously and willfully disturb[ing] the peace or quiet of any neighborhood or person [by] offensive conduct," and was sentenced to thirty days imprisonment.

The California Court of Appeal upheld the conviction, and the California Supreme Court denied review:

On April 26, 1968, the defendant was observed in the Los Angeles County Courthouse in the corridor outside of division 20 of the municipal court wearing a jacket bearing the words 'Fuck the Draft' which were plainly visible. There were women and children present in the corridor. The defendant was arrested. The defendant testified that he wore the jacket knowing that the words were on the jacket as a means of informing the public of the depth of his feelings against the Vietnam War and the draft.

In affirming the conviction, California's Court of Appeal held that offensive conduct translates to "behavior which has a tendency to provoke others to acts of violence or to in turn disturb the peace," and that "it was certainly reasonably foreseeable that such conduct might cause others to rise up to commit a violent act against the person of the defendant or attempt to forcibly remove his jacket."

However, the US Supreme Court granted a writ of certiorari, and the case went off to the highest court in the land. In essence, the Supreme Court had to decide whether or not Cohen's unseemly speech was punishable or protected under the auspices of the First Amendment. The Court held, by a vote of 5[en dash]4, that "Absent a more particularized and compelling reason for its actions, the State may not, consistently with the First and Fourteenth Amendments, make the simple public display of this single four-letter expletive a criminal offense." Cohen, by way of his "Fuck the Draft" jacket, was not tossing out "fighting words," and was not provoking violence through his jacket [sartorial display]. The Court denied the State the broad power to censor its citizens in the name of creating a clean, civil society through the censorship of public discourse: "[T]he issue flushed by this case stands out in bold relief. It is whether California can excise, as 'offensive conduct,' one particular scurrilous epithet from the public discourse, either upon the theory . . . that its use is inherently likely to cause violent reaction or upon a more general assertion that the States, acting as guardians of public morality, may properly remove this offensive word from the public vocabulary."

The whole of Justice John Marshall Harlan II's closing arguments were eloquent and compelling, but there is one phrase that strikes to the core of what I feel is the essence of the First Amendment:

"For, while the particular four-letter word being litigated here is perhaps more distasteful than most others of its genre, it is nevertheless true that one man's vulgarity is another's lyric."

One man's vulgarity is another's lyric: black tea, apricot, honey, saffron, apple blossom, tolu balsam, ginger grass, white ginger root, and vetiver.

Cohen V CA is a charitable, not-for-profit venture: proceeds from every single bottle go to the Comic Book Legal Defense Fund, which works to preserve and protect the First Amendment rights of the comics community.

Beanworld art on the Cohen V. CA label courtesy of Larry Marder. Used with permission. Thank you so much, Larry!




Also new this month! -

The RPG Series is live!

++ THE RPG SERIES
"You all meet at an inn.…"
Pen and paper role-playing games have been a tremendous influence in my life since my formative years. My parents bought me the magenta D&D boxed set back in 1982, along with the Player's Handbook, Dungeon Master's Guide, and Monster Manual. My lifelong passion for fantasy, science fiction, war games, and mythology was well-channeled through RPGs, and I credit playing D&D with helping me sustain my imagination and sense of wonder through adulthood.

I played with one particular group through the bulk of my late teens and early 20s, and this series - along with the atmosphere tools that Black Phoenix Trading Post will be introducing - was inspired, specifically, by the time that we spent campaigning together. Our group was somewhat prop-driven in our gaming: we felt that setting a mood was conducive to our style of gameplay. Little things like changes in lighting, minor sound effects, and music made a world of difference, and we found that utilizing miniatures, model railroad scenery, and other tools in order to physically illustrate strategies and provide visual cues was tremendously useful. How much more immersive would it have been if we'd been able to smell the crypt we were crawling through? Or the stench of steel and blood that permeates a warrior's cloak? What do the wizard's spell components smell like? What does winter in the desert smell like? Or spring in a druid's sanctuary?

Pen and paper role playing games are, to me, dynamic stories that are propelled by the active participation of many individuals. You can't have a strong storyline without creating characters of some depth. When you create a character, you generally have their personalities, priorities, and history in mind, along with a clear vision of what your character looks and sounds like. But how does she smell? What does the world around her smell like? In most pen and paper fantasy RPGs, three of the primary attributes that you must choose for your character are race, class, and alignment. Black Phoenix Alchemy Lab's RPG scent series was designed to emulate the character creation process, and are meant to be layered in order to create a character concept. In short: you layer your class, race, and the two fragrances that compose your alignment to construct your character scent. RPGs in all their myriad forms - CRPGs, MMOs, and old school pen and paper - have brought me immeasurable joy. This is my homage. This series is dedicated to my first DMs - my parents - for laughing off the nutter-perpetuated AD&D Satan Scare of the 80's. Thanks for taking the time to play with your little girl. I miss you, and I love you.

This series was illustrated by Julie Dillon!

+ RACES
In gaming terms, choosing your character's race means you will select which sentient species you would like to belong to.

DWARF
Iron filings and chips of stone, Styrian Golding hops, and soot-covered leather.

ELF
Pale golden musk, honeycomb, amber, parma violet, hawthorne bark, aspen leaf, forest lily, life everlasting, white moss, and a hint of wild berry.

HALF-ELF
White sandalwood, beeswax, white tea leaf, oud, and a hint of sophisticated urban musk.

HALFLING
Porridge, kukui nuts, and pastry crumbs.

ORC
Field grey courgette musk, roughly cured leather, and vetiver.


+ CLASSES
Class refers to your character's choice of adventuring profession.

CLERIC
Rose amber, frankincense, myrrh, champaca flower, Peru balsam, cistus, palisander, cananga, hyssop, and narcissus absolute.

FIGHTER
Leather, musk, blood, and steel.

MAGE
All mystique and thrumming power: gurjum balsam, Sumatran dragon's blood resin, olibanum, galangal, oleo gum resin, and frankincense.

PALADIN
Immaculate white musk, sweet frankincense, bourbon vanilla, white leather, and shining armor.

RANGER
Untamed wilderness: buckskin accord with Terebinth pine, Russian birch, black ironwood, elder bark, hay, armoise, juniper, patchouli, galangal root, Spanish moss, and cabreuva.

ROGUE
Soft, well-worn black leather, hemp, and rosin.


+ ALIGNMENT
Alignment refers to your character's ethics: which way does his or her moral compass point? There are two aspects to alignment: law vs. chaos, and good vs. evil. Does your character respect authority and venerate tradition? She's likely Lawful. Does she value personal freedom above all else? Chaotic. Does your character give alms to the poor and protect the innocent? He's Good. Is your character of a mercenary bend, willing and eager to step on others to get ahead? Evil. A character that is Neutral (or any combination of Neutral) either finds perfect balance in their worldview, or is apathetic towards the constraints of either good and evil or law and chaos. A lawful neutral character values the letter of the law above any concern for good or evil, and the chaotic neutral character is, generally, driven completely by a desire for absolute freedom. Sometimes they're just nuts.

NEUTRAL
A flawless skin musk.

LAWFUL
Rigid oak, blue chamomile, rhubarb, and fig leaf.

CHAOTIC
A whirling mélange of multicolored musks with wasabi, rooibos, heliotrope, and mastic.

GOOD Shimmering celestial musk with vanilla, white honey, acacia, and sugar cane.

EVIL Smouldering opium tar, tobacco absolute, green tea, black plum, kush, ambergris accord, ambrette seed, and costus root.


Gamers! Please take a moment and join our RPG discussion on the Gazette!




This month, Black Phoenix Trading Post is introducing Snow, Glass, Apples soap!

She said nothing. Her eyes were black as coal, black as her hair; her lips were redder than blood. She looked up at me and smiled. Her teeth seemed sharp, even then, in the lamplight.

"What are you doing away from your room?"

"I'm hungry," she said, like any child.

It was winter, when fresh food is a dream of warmth and sunlight; but I had strings of whole apples, cored and dried, hanging from the beams of my chamber, and I pulled an apple down for her.

"Here."

Autumn is the time of drying, of preserving, a time of picking apples, of rendering the goose fat. Winter is the time of hunger, of snow, and of death; and it is the time of the midwinter feast, when we rub the goose-fat into the skin of a whole pig, stuffed with that autumn's apples, then we roast it or spit it, and we prepare to feast upon the crackling.

She took the dried apple from me and began to chew it with her sharp yellow teeth.

"Is it good?"

She nodded. I had always been scared of the little princess, but at that moment I warmed to her and, with my fingers, gently, I stroked her cheek. She looked at me and smiled -- she smiled but rarely -- then she sank her teeth into the base of my thumb, the Mound of Venus, and she drew blood.

I began to shriek, from pain and from surprise; but she looked at me and I fell silent.



Black Phoenix Trading Post is thrilled to present a handcrafted soap inspired by Neil Gaiman's acclaimed short story, Snow, Glass, Apples. The soap was created by the fiercely talented master soaper Brooke Stant, and the label, designed by Kira Butler, includes one of Julie Dillon's haunting illustrations from Black Phoenix Alchemy Lab's chapbook of the tale. The soaps are scented with Black Phoenix Alchemy Lab's 2008 Limited Edition scent, Snow, Glass Apples. In Neil's words, 'It smells like green apples and like sex and vampires, all at the same time. (Actually, it smells like sexy vampire apples.)' Snow, Glass, Apples will be available as long as supplies last.

These gloriously luxuriant soaps were created with the finest skin-nurturing ingredients. They are made by hand, from scratch, by Villainess, and are generously scented with Black Phoenix Alchemy Lab perfume. Each bar is at least 3.5oz (without any water weight), and are cut 1" thick from a 3" square block of soap. The faces of the bars are smooth and bear unique, undulating, surrealistically beautiful swirls and marbles - rivulets of blood swirling though snow - and the sides are textured and raw, exhibiting the complex landscape of unsculpted handmade soap.

As always, no animals were harmed during the creation of this soap, and all products were tested on friends and family.

This is a charitable, not-for-profit venture: proceeds from every single set go to the Comic Book Legal Defense Fund, which works to preserve and protect the First Amendment rights of the comics community.

A million thanks and all our love to Neil, and to Charles Brownstein and his staff at the CBLDF!




In other news, @EmpressPixie set up a great feed that you can subscribe to on twitter (@bpaletsyupdates) that'll keep you posted whenever the BPAL or BPTP etsy sites are updated!


We are grieved to announce that the Atomic Luau Lounge will be disappearing when next month's lunacy comes down. Any orders placed before the pull date will be honored.


And that's that!





From the 31 March 2011 update:

++ MONSTERBAIT: COULROPHOBIA
Everybody loves a clown.

bones trombone



Updated 17 March 2011:

Worm Moon is live at Black Phoenix Alchemy Lab and Black Phoenix Trading Post!


Gloriously ghoulish artwork by Julie Dillon!


WORM MOON
Do not smirk as a hearse goes by,
For you may be the next to die.
They wrap you up in a big white sheet
And throw you down six feet deep.
They put you in a big black box,
And cover you up with dirt and rocks.

All goes well for a week or two,
Then things start changing; all is new.
The worms crawl in, the worms crawl out,
The worms play pinochle on your snout.

A big green worm with rolling eyes,
Crawls in your stomach and out your eyes.
Til your blood turns mossy green
And oozes out like Devonshire cream.


Worm Moon marks the season of rains, when the worms scuttle forth, aerating the earth with their movements and enriching the soil by digesting waste in organic material, which creates organic fertilizer. This is a melding of Victorian Grotesquery and springtime fecundity: mold-crusted dirt, decomposing organic matter, coffin wood, drooping funeral flowers, congealed blood, gloomy lunar oils, and cuckoo flower with something moist lurking underneath.




This month, we are introducing a Limited Edition series inspired by the vivid beauty of Yoshitoshi's imagery: Holding Back the Night.

These Limited Edition scents were initially intended to be the introduction to a full Yoshitoshi Salon series at BPAL, and was slated for Summer of 2011. Because of recent events in Japan, we have pulled this series forward. Proceeds from these five scents benefit Doctors Without Borders. The Path of Dreams Atmosphere spray at Black Phoenix Trading Post, inspired by Ono No Komachi, also benefits Doctors Without Borders. In addition, Black Phoenix Alchemy Lab will be donating proceeds from all March sales of their Shanghai and Kyoto perfumes to the American Red Cross. Black Phoenix Trading Post will be doing the same for all March sales of Shanghai bath oil and Glowing Vulva bath oil.

This is a Limited Edition series that will run from 17 March 2011 until 19 May 2011. No imp's ears are available for this series.




+ HOLDING BACK THE NIGHT: SCENTS BENFITTING JAPAN RELIEF
KUSUNOKI TAMONMARU MASATSURA SURPRISING A FOX GHOST
Deep blue musk, olibanum, passion flower, galbanum, immortelle, and sweet myrrh.

LORD TEISHIN WITH A DEMON BEHIND A SCREEN
Blood red musk, Spanish mandarin, candied red fruits, Chinese geranium, red pepper, and effervescent tangerine pulp.

II NO HAYATA KILLS THE NUE AT THE IMPERIAL PALACE
Brown musk, antiqued amber, black pepper, tolu balsam, and West Indian Bay.

MINAMOTO NO YORIMITSU CUTS AT THE EARTH SPIDER
Toasted sandalwood, tobacco flower, teakwood, castoreum accord, bourbon vanilla, and patchouli.

ENLIGHTENMENT OF THE COURTESAN JIGOKUDAYU
Silken coconut, angelica, soft golden incense, tiare, carnation, and Asian pear.



+ THE PATH OF DREAMS: BPTP ATMOSPHERE SPRAY
THE PATH OF DREAMS
Although I come to you constantly
over the roads of dreams,
those nights of love
are not worth one waking touch of you.


Wisteria, ti, peach tree leaf, osmanthus, hinoki wood, bergamot, night-blooming jasmine, and ume blossoms.




Also new this month: the next installation of our Last Unicorn series!

THE HARPY CELAENO
The unicorn began to walk toward the harpy's cage. Schmendrick the Magician, tiny and pale, kept opening and closing his mouth at her, and she knew what he was shrieking, though she could not hear him. "She will kill you, she will kill you! Run, you fool, while she's still a prisoner! She will kill you if you set her free!" But the unicorn walked on, following the light of her horn, until she stood before Celaeno, the Dark One.

For an instant the icy wings hung silent in the air, like clouds, and the harpy's old yellow eyes sank into the unicorn's heart and drew her close. "I will kill you if you set me free," the eyes said. "Set me free."

The unicorn lowered her head until her horn touched the lock of the harpy's cage. The door did not swing open, and the iron bars did not thaw into starlight. But the harpy lifted her wings, and the four sides of the cage fell slowly away and down, like the petals of some great flower waking at night. And out of the wreckage the harpy bloomed, terrible and free, screaming, her hair swinging like a sword. The moon withered and fled.

The unicorn heard herself cry out, not in terror but in wonder, "Oh, you are like me!" She reared joyously to meet the harpy's stoop, and her horn leaped up into the wicked wind. The harpy struck once, missed, and swung away, her wings clanging and her breath warm and stinking. She burned overhead, and the unicorn saw herself reflected on the harpy's bronze breast and felt the monster shining from her own body. So they circled one another like a double star, and under the shrunken sky there was nothing real but the two of them. The harpy laughed with delight, and her eyes turned the color of honey. The unicorn knew that she was going to strike again.

Clanging metal, smouldering hatred, and terror: vetiver, myrrh, patchouli, tolu balsam, black clove, bergamot, orange flower, and horseradish.


ELLI'S SONG
"Most shows," said Rukh after a time, "would end here, for what could they possibly present after a genuine unicorn? But Mommy Fortuna's Midnight Carnival holds one more mystery yet - a demon more destructive than the dragon, more monstrous than the manticore, more hideous than the harpy, and certainly more universal than the unicorn." He waved his hand toward the last wagon and the black hangings began to wriggle open, though there was no one pulling them. "Behold her!" Rukh cried. "Behold the last, the Very End! Behold Elli!"

Inside the cage, it was darker than the evening, and cold stirred behind the bars like a live thing. Something moved in the cold, and the unicorn saw Elli - an old, bony, ragged woman who crouched in the cage rocking and warming herself before a fire that was not there. She looked so frail that the weight of the darkness should have crushed her, and so helpless and alone that the watchers should have rushed forward in pity to free her. Instead, they began to back silently away, for all the world as though Elli were stalking them. But she was not even looking at them. She sat in the dark and creaked a song to herself in a voice that sounded like a saw going through a tree, and like a tree getting ready to fall.

What is plucked will grow again,
What is slain lives on,
What is stolen will remain -
What is gone is gone.

"She doesn't look like much, does she?" Rukh asked. "But no hero can stand before her, no god can wrestle her down, no magic can keep her out - or in, for she's no prisoner of ours. Even while we exhibit her here, she is walking among you, touching and taking. For Elli is Old Age."

The cold of the cage reached out to the unicorn, and wherever it touched her she grew lame and feeble. She felt herself withering, loosening, felt her beauty leaving her with her breath. Ugliness swung from her mane, dragged down her head, stripped her tail, gaunted her body, ate up her coat, and ravaged her mind with remembrance of what she had once been. Somewhere nearby, the harpy made her low, eager sound, but the unicorn would gladly have huddled in the shadow of her bronze wings to hide from this last demon. Elli's song sawed away at her heart.

What is sea-born dies on land,
Soft is trod upon.
What is given burns the hand -
What is gone is gone.

The horrors of entropy, death, and decay: desiccated black mosses, vetiver, olibanum, patchouli, and ashes.


CAPTAIN CULLY
"I'm merry twenty-four hours a day, Dick Fancy," Cully said coldly. "That is a fact."

A cocky light musk with leather, tonka, a dusting of dry woods, and a splash of porter.

MAGIC, DO AS YOU WILL Cully smiled impatiently, and Jack Jingly dozed, but it startled the magician to see the disappointment in Molly Grue's restless eyes. Sudden anger made him laugh. He dropped seven spinning balls that had been glowing brighter and brighter as he juggled them (on a good evening, he could make them catch fire), let go all his hated skills, and closed his eyes. "Do as you will," he whispered to the magic. "Do as you will."

It sighed through him, beginning somewhere secret - in his shoulderblade, perhaps, or in the marrow of his shinbone. His heart filled and tautened like a sail, and something moved more surely in his body than he ever had. It spoke with his voice, commanding. Weak with power, he sank to his knees and waited to be Schmendrick again.

I wonder what I did. I did something.

He opened his eyes. Most of the outlaws were chuckling and tapping their temples, glad of the chance to mock him. Captain Cully had risen, anxious to pronounce that part of the entertainment ended. Then Molly Grue cried out in a soft, shaking voice, and all turned to see what she saw.

The ecstasy of magic and the power of transformation: frankincense, guggul gum, onycha accord, styrax, and deep purple fruits.


THE AMOROUS TREE
"Gently, gently," he counseled himself. "No man with the power to summon Robin Hood - indeed, to create him - can be bound for long. A word, a wish, and this tree must be an acorn on a branch again, this rope be green in a marsh." But he knew before he called on it that whatever had visited him for a moment was gone again, leaving only an ache where it had been. He felt like an abandoned chrysalis.

"Do as you will," he said softly. Captain Cully roused at his voice, and sang the fourteenth stanza.

"There are fifty swords without the house, and fifty more within,
And I do fear me, captain, they are like to do us in."
"Ha' done, ha' done," says Captain Cully, "and never fear again,
For they may be a hundred swords, but we are seven men."

"I hope you get slaughtered," the magician told him, but Cully was asleep again. Schmendrick attempted a few simple spells for escaping, but he could not use his hands, and he had no more heart for tricks. What happened instead was that the tree fell in love with him and began to murmur fondly of the joy to be found in the eternal embrace of a red oak. "Always, always," it sighed, "faithfulness beyond any man's deserving. I will keep the color of your eyes when no other in the world remembers your name. There is no immortality but a tree's love."

"I'm engaged," Schmendrick excused himself. "To a western larch. Since childhood. Marriage by contract, no choice in the matter. Hopeless. Our story is never to be."

A gust of fury shook the oak, as though a storm were coming to it alone. "Galls and fireblight on her!" it whispered savagely. "Damned softwood, cursed conifer, deceitful evergreen, she'll never have you! We will perish together, and all trees shall treasure our tragedy!"

Along his length Schmendrick could feel the tree heaving like a heart, and he feared that it might actually split in two with rage. The ropes were growing steadily tighter around him, and the night was beginning to turn red and yellow. He tried to explain to the oak that love was generous precisely because it could never be immortal, and then he tried to yell for Captain Cully, but he could only make a small, creaking sound, like a tree. She means well, he thought, and gave himself up for loved.

A tree in love: misty, rose-flecked leaves, warm bark, and shuddering branches.


SCHMENDRICK
Wonder and love and great sorrow shook Schmendrick the Magician then, and came together inside him, and filled him, filled him until he felt himself brimming and flowing with something that was none of these. He did not believe it, but it came to him anyway, as it had touched him twice before and left him more barren than he had been. This time, there was too much of it for him to hold: it spilled through his skin, sprang from his fingers and toes, welled up equally in his eyes and his hair and the hollows of his shoulders. There was too much to hold, too much ever to use; and still he found himself weeping with the pain of his impossible greed. He thought, or said, or sang, I did not know that I was so empty, to be so full.

A scent of unexplored potential: sweet, raw tobacco leaves, chamomile, clary sage, Mysore sandalwood, sultana raisins, and caramel.

MOLLY GRUE
Molly said something strange then, for a woman who never slept a night through without waking many times to see if the unicorn was still there, and whose dreams were all of golden bridles and gentle young thieves. "It's the princesses who have no time," she said. "The sky spins and drags everything along with it, princesses and magicians and poor Cully and all, but you stand still. You never see anything just once. I wish you could be a princess for a little while, or a flower, or a duck. Something that can't wait."

She sang a verse of a doleful, limping song, halting after each line as she tried to recall the next.

Who has choices need not choose.
We must, who have none.
We can love but what we lose -
What is gone is gone.

Schmendrick peered over the unicorn's back into Molly's territory. "Where did you hear that song?" he demanded. It was the first he had spoken to her since the dawn when she joined the journey. Molly shook her head.

"I don't remember. I've known it a long time."

The land had grown leaner day by day as they traveled on, and the faces of the folk they met had grown bitter with the brown grass; but to the unicorn's eyes Molly was becoming a softer country, full of pools and caves, where old flowers came burning out of the ground. Under the dirt and indifference, she appeared only thirty-seven or thirty-eight years old - no older than Schmendrick, surely, despite the magician's birthdayless face. Her rough hair bloomed, her skin quickened, and her voice was nearly as gentle to all things as it was when she spoke to the unicorn. The eyes would never be joyous, any more than they could ever turn green or blue, but they too had wakened in the earth. She walked eagerly into King Haggard's realm on bare, blistered feet, and she sang often.

An angry little beetle with her own kitchen beauty: fig, sesame, hazelnut, and cooking spices softened by rice flower.


UNICORN HORN: PACK OF SERIES II IMP'S EARS
Imp's ears are not sold individually for this series.
They must be purchased in a set.
This set contains 7 imps for $38.50US, and contains samples of:
  • The Harpy Celaeno
  • Elli's Song
  • Captain Cully
  • Magic, Do As You Will
  • The Amorous Tree
  • Schmendrick
  • Molly Grue



Not-so-awesome news —
We grieve: Silk Road is being discontinued, effective immediately. Outstanding orders will be filled, but we cannot accept new orders for this scent.


VERY awesome news —

Coming soon!





From the 17 February 2011 update:


Lemon-Scented Sticky Bats have flown into the Lab! Inspired by Neil Gaiman's Blog! What's a lemon-scented sticky bat? Well...

LEMON-SCENTED STICKY BAT
...last week Maddy woke me up early in the morning.

"Daddy," she said, "There's a bat on the kitchen window."

"Grumphle," I said and went back to sleep.

Soon, she woke me up again. "I did a drawing of the bat on the kitchen window," she said, and showed me her drawing. For a five year old she's a very good artist. It was a schematic of the kitchen windows, showing a bat on one of the windows.

"Very nice dear," I said. Then I went back to sleep.

When I went downstairs...

We have, instead of dangling fly papers, transparent strips of gluey clear plastic, about six inches long and an inch high, stuck to the windows on the ground floor. When they accumulate enough flies, you peel them off the window and throw them away.

There was a bat stuck to one. He was facing out into the room. "I think he's dead," said my assistant Lorraine.

I peeled the plastic off the window. The bat hissed at me.

"Nope," I said. "He's fine. Just stuck."

The question then became, how does one get a bat (skin and fur) off a fly-strip. Luckily, I bethought me of the Bram Stoker award. After the door had fallen off (see earler in this topic) I had bought some citrus solvent to take the old glue to reglue the door on.

So I dripped citrus solvent onto the grumpy bat, edging him off the plastic with a twig, until a lemon-scented sticky bat crawled onto a newspaper. Which I put on the top of a high woodpile, and watched the bat crawl into the logs. With any luck he was as right as rain the following night...

Sticky-sweet iced lemon sugar!


This is a charitable, not-for-profit venture: proceeds from every single bottle go to the Comic Book Legal Defense Fund, which works to preserve and protect the First Amendment rights of the comics community.

Label artwork by Alicia Dabney!



Sugar Moon is live at Black Phoenix Alchemy Lab and Black Phoenix Trading Post!

SUGAR MOON 2011
No way to see him
on this moonless night ---
I lie awake longing, burning,
breasts racing fire,
heart in flames.


Sugar cane, black currant, violet musk, black orchid, gardenia, plum nectar, carrot seed, teak, strawberry, and dusky rose.



The artwork for the tee was illustrated by Sarah Coleman. Both the babydoll and the crew are made from organic cotton, and the tee is a soft off-white color.




Also new at the Lab and the 'Post:
The next installment from Neil Gaiman's 15 Painted Cards from a Vampire Tarot: the Lovers.

The scent is available at Black Phoenix Alchemy Lab, and the tee is available at Black Phoenix Trading Post.

This is one of the most disturbing scents that we have created to date, and is not for the faint of heart.

Romantically ghoulish artwork by the inimitable Madame Talbot.



Also new!
ANATHESTERIA
Anthesteria, one of the four central feasts of Dionysus, is held for three days during the month of Anthesterion-- the time of blooming. It is a celebration of the birth of spring, expressed symbolically though the ceremonial opening of the pithoi containing the previous year's vintage. A time of joy and drunkenness, it is both a celebration of earth's renewal and springtime's bright passions and a festival of the dead. During the three nights of Anthesteria, the ghosts of our ancestors roam the streets. This commemoration of death and rebirth, passion and springtime was one of the few, precious moments when all were equal in the Hellenic world; during Anthesteria, man, woman, and child, free man and slave, human and spirit were all unified under the auspices of Nature's great cycle.

Dénthis wine and Bibline grape, with honey and a touch of thyme and oregano.


The bath oil is available at Black Phoenix Trading Post, and the scent is available at Black Phoenix Alchemy Lab.



Aaaaaaaaaaaaaand also at Black Phoenix Trading Post:
RED LANTERN ATMOSPHERE SPRAY
A tribute to the opium den cum bawdyhouses of Shanghai in the 1930's. Golden amber, blonde tobacco, Sudanese black coconut, rich caramel, black currant, white opium and delphinium laced with a sensual blend of Asian spice.


GLOWING VULVA BATH OIL
Cream accord, amber, teak, and lotus blossom.


SPANKED REVISITED PERFUME OIL
Whip leather, cardamom, patchouli, and bourbon.


The labels for Red Lantern, Glowing Vulva, and Spanked are all very naughty and contain explicit depictions of sexual acts and nudity. By purchasing any of these, you a are stating that you are eighteen years of age, or older, and that you are choosing to purchase products whose labels feature adult content.



The Courtesans series is live at Black Phoenix Trading Post!

Every action we take, everything we do, is either a victory or defeat in the struggle to become what we want to be.

Dazzling in their wit, charm, and beauty, courtesans have danced on the edge of society for centuries. They served as companions, lovers, and confidantes of fearsomely powerful men, and as such, courtesans have helped shape the world, sometimes surreptitiously commanding nations with the force of their charisma and the power of bodies Born into eras when women were worth little more than their dowries or the fecundity of their wombs, these were self-made women who defied the constraints of their time. Though they could never be considered paragons of purity or propriety, these women were poets, authors, and power brokers who dared to embrace the unconventional while taking control of their own lives, and are truly worthy of admiration.

Each set comes with a 5ml bottle of the Courtesans' perfume, a 12oz bottle of the Courtesans' bath salts, an imp/condom case with the Courtesans' image emblazoned upon it, and an imp of Éclat: a vivacious blend of green tea, osmanthus, pomelo flower, white musk, and verbena. All of the items, with the exception of Éclat, are available individually. Éclat is only available with the set, and is not for purchase on its own.

Our wet bath salts are nutrient-dense, and are blended with an exquisite mixture of healthy oils: Himalayan pink salt, Dead Sea salt, Breton sea salt, refined rice bran oil, fractionated coconut oil, shea oil, rosehip seed oil, dendritic salt, evening primrose, Vitamin E, and Black Phoenix Alchemy Lab perfume. They are packaged in an elegant velveteen pouch. Illustration on the pouches designed by Alicia Dabney.

The cases are handmade, and have been crafted out of stainless steel. They fit seven imps side-by-side or two condoms within them.

And last, but not least: NEW SOCKS at the 'Post! Many thanks to the wonderful people at Sock Dreams. It is always a pleasure working with you!



A million, trillion thanks to Kathy Flynn, Alicia Dabney, Sarah Coleman, and Ali Butterfass. You are my angels, and I love you.





From the 18 January 2011 update:

First things first! Pop open the champagne…Will Call has come to New England! New England Will Call Healthy Living Market (inside the Learning Center) 222 Dorset Street, South Burlington, VT, 05403 They will be hosting will call on Sunday, January 23rd, from 4 to 8pm. Welcome to the family, Courtney and crew! We love you guys!


Kung Hei Fat Choi! Happy New Year, one and all! It's the year of the Metal Rabbit!

METAL RABBIT
A new year's blessing! Peony, China's national flower, with bamboo for flexibility, plum blossom for perseverance, courage, and hope, tangerine for wealth, orange for happiness, lychee for household peace, pine resin for constancy, golden kumquat and quince for prosperity, narcissus and King mandarin for good fortune, cypress for longevity, and peach fruit and hemp to represent the fourth phase of Wu Xing, with a splash of blazing red of dragon's blood... to help you scare away the rampaging Nian.


Love is in the air at Black Phoenix, and to celebrate both Lupercalia /and/ our favorite Hallmark Holiday, we present a selection of seasonal scents, lecherous and lovely. Heartbreak, fascination, lust, loss, and licentiousness: we've got it all.

As always, our offerings during this Season of Schtupping contain adult material, and by clicking through to view the images and purchase our Lupercalia products, you are admitting that you are a dirty bird who is 18 or older, and that you are permitted by law to view suggestive imagery.

Blessed Lupercalia, everyone! The Season of Schtupping is here!

++ LUPERCALIA
THE ARBOR
He seems to be a god, that man
Facing you, who leans to be close,
Smiles, and, alert and glad, listens
To your mellow voice

And quickens in love at your laughter
That stings my breasts, jolts my heart
If I dare the shock of a glance.
I cannot speak,

My tongue sticks to my dry mouth,
Thin fire spreads beneath my skin,
My eyes cannot see and my aching ears
Roar in their labyrinths.

Chill sweat glides down my back,
I shake, I turn greener than grass.
I am neither living nor dead and cry
From the narrow between.

(Sappho, translation by Guy Davenport)

Shuddering, thundering, passionate: red musk, East African red patchouli, tonka bean, white gardenia, black narcissus, champaca flower, Roman chamomile, and massoia bark.


DOLCE STIL NUOVO 2011
Love always finds shelter in the gentle heart. Dolce Stil Nuovo is a 13th & 14th century Florentine literary style that celebrates love and womanhood through heartfelt, delicate, and melodious sonnets, ballate, and canzones. This is fin'amor, Courtly Love, in its most moving form, and the emotions that these words express reflect love that both spiritual and idealized.

Within this literary movement, earthly love reaches for the Divine.

Who is she coming, whom all gaze upon,
Who makes the air tremulous with light,
And at whose side is Love himself? that none
Dare speak, but each man's sighs are infinite.
Ah me! how she looks round from left to right,
Let Love discourse: I may not speak thereon.
Lady she seems of such high benison
As makes all others graceless in men's sight.
The honor which is hers cannot be said;
To whom are subject all things virtuous,
While all things beauteous own her deity.
Ne'er was the mind of man so nobly led
Nor yet was such redemption granted us
That we should ever know her perfectly.


Our interpretation of Dolce Stil Nuovo is a blend of rose otto, carnation, vanilla flower, lavender and jasmine with the clarity of crystalline white musk and the warmth of golden amber.


KHAJURAHO 2011
The fabled Khajuraho temples of India are shrines of love in all its myriad forms. They are a celebration of love itself - transcendental, spiritual and erotic. This is a rejection of sorrow, spiritual ennui and despair. The sexual motifs that adorn the temples, and the temples themselves, are monuments to ecstasy and to passion, and through that, they are also monuments to spiritual fulfillment. It is believed that the realization of moksha by dedicating oneself to adhyatma and dharma can be attained only by first experiencing sexual satisfaction. In the midst of the drudgery and struggle that we sometimes endure during the course of our Earthly lives, it is vitally important that we remember the joy found in kama, and that in kama we can achieve transformation of the body and soul. This is a blissful, euphoric blend based on an ancient Indian love potion: honey, date palm, tuberose, davana blossom, amber, white sandalwood, vanilla bean, Damask rose, and champaca flower.


LUPERCI 2011
Piss off, Saint Valentine! Lupercalia is an ancient Roman celebration, held on February 15th, that kicked in the advent of Spring with a very, very festive purification, fertility and sexuality ritual. The ritual began near the cave of Lupercal on the Palatine, an area sacred to Faunus, as well as Ruminia, Romulus and Remus. During Lupercalia, Vestal Virgins first made offerings of sacred cakes to the fig tree under which the she-wolf suckled the Sacred Twins. A dog and two goats were then offered in sacrifice to Faunus. The blood of the sacrifice was smeared onto two naked patrician youths, who were assisted by the Virgins, and the blood was wiped clean with sacred wool dipped in milk. The youths donned the skins of the sacrificial goats, wielding whips made from the goat skins, and then led the priests and the Virgins around the pomarium, and around the base hills of Rome. This was a ceremony of great happiness and merriment, and was of particular interest to young women: being touched by the goat-whips young men that led the procession ensured their fertility in the coming year. It is believed that, after the initial rite, male participants would draw the name of an available maiden, with whom he spent the rest of the night. This scent is for the Luperci, the Chosen of Faunus, the Brothers of the Wolf: raw, down and dirty patchouli, Gurjam balsam, and essence of Sampson Root sweetened with the heightened sexuality of beeswax, virile juniper, oakmoss, ambrette seed over honey and East African musk.


NIGHT'S PAVILION 2011
I worship you like night's pavilion,
O vase of sadness, o great silent one,
And love you more since you escape from me,
And since you seem, my night's sublimity,
To mock me and increase the leagues that lie
Between my arms and blue immensity.

I move to attack, beseige, assail,
Like eager worms after a funeral.
I even love, o beast implacable,
The coldness which makes you more beautiful.

Not the desperation, desolation and anguish of unrequited love, but the distant, chill and pitiless scent of the object of that doomed desire. White musk, osmanthus, Nile lily and frankincense.


OLISBOS 2011
As for old flames and lovers-they're none left.
And since Milesians went against us,
I've not seen a decent eight-fingered dildo.
Yes, it's just leather, but it helps us out.

The ancient Greeks sure weren't shy about taking care of business. The port city of Miletus was once famed throughout the Mediterranean as a source of excellent stone, wood, and padded leather dildos. This scent is the celebration of an age-old pastime: polished wood, well-loved leather, and olive oil.

PARLEMENT OF FOULES 2011
For the Valentine's Day purists.

For this was on seynt Volantynys day

Whan euery bryd comyth there to chese his mate.

Medieval romance and courtly love. White rose and soft resins.


RED LANTERN 2011
A tribute to the opium den cum bawdyhouses of Shanghai in the 1930's. Golden amber, blonde tobacco, Sudanese black coconut, rich caramel, black currant, white opium and delphinium laced with a sensual blend of Asian spice.


SMUT 2011
After all these years, BPAL is smuttier than ever.

Three swarthy, smutty musks sweetened with sugar and woozy with dark booze notes.


TEARS, IDLE TEARS
Tears, idle tears, I know not what they mean,
Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,
In looking on the happy Autumn-fields,
And thinking of the days that are no more.

Fresh as the first beam glittering on a sail,
That brings our friends up from the underworld,
Sad as the last which reddens over one
That sinks with all we love below the verge;
So sad, so fresh, the days that are no more.

Ah, sad and strange as in dark summer dawns
The earliest pipe of half-awakened birds
To dying ears, when unto dying eyes
The casement slowly grows a glimmering square;
So sad, so strange, the days that are no more.

Dear as remembered kisses after death,
And sweet as those by hopeless fancy feigned
On lips that are for others; deep as love,
Deep as first love, and wild with all regret;
O Death in Life, the days that are no more!

(Lord Alfred Tennyson)

A bittersweet aquatic lifted by white rose, olibanum, amber, orris root, davana, and oude.


TIME DOES NOT BRING RELIEF
Time does not bring relief; you all have lied
Who told me time would ease me of my pain!
I miss him in the weeping of the rain;
I want him at the shrinking of the tide;
The old snows melt from every mountain-side,
And last year's leaves are smoke in every lane;
But last year's bitter loving must remain
Heaped on my heart, and my old thoughts abide.
There are a hundred places where I fear
To go - so with his memory they brim.
And entering with relief some quiet place
Where never fell his foot or shone his face
I say, 'There is no memory of him here!'
And so stand stricken, so remembering him.

(Edna St Vincent Millay)

Remembrance: Parma violet and leather accord with beeswax, Egyptian musk, orange blossom, white tea, lavender, myrrh, and copal.


VALENTINE OF ROME 2011
Many legends surround St. Valentine, and history has yet to show, conclusively, which ones are true and which are fiction. One tale claims that Valentine was a 3rd century Christian priest. When Emperor Claudius II declared that his soldiers were never to marry - the emperor believed that single men made better soldiers than those with wives and children - Valentine continued to perform wedding ceremonies in secret. When the emperor learned of Valentine's disobedience, he imprisoned the priest. The emperor chose to interrogate the priest himself, and despite his fury at his orders being flagrantly disobeyed, he was impressed with the priest's intelligence, wisdom, and passion. He attempted to convert the priest to the Roman faith, and was furious when he failed.

While incarcerated, Valentine fell in love with his jailor's blind daughter. Through God's grace and the power of Valentine's pure and true love for this woman, he was able to cure her blindness with a touch. Before he was beaten and beheaded, he sent her a letter expressing his feelings for her, signed 'From Your Valentine'.

Ecclesiastical incense, Roman flora, and the fruits of martyrdom: cypress, olive blossom, frankincense, myrrh, and blood accord.


WOMB FURIE 2011
In the middle of the flanks of women lies the womb, a female viscus, closely resembling an animal; for it is moved of itself hither and thither in the flanks, also upwards in a direct line to below the cartilage of the thorax and also obliquely to the right or to the left, either to the liver or spleen; and it likewise is subject to falling downwards, and, in a word, it is altogether erratic. It delights, also, in fragrant smells, and advances towards them; and it has an aversion to fetid smells, and flees from them; and on the whole the womb is like an animal within an animal.

-- Aretaeus the Cappadocian

Oh, that wily womb! Hippocrates and his followers considered the womb a mobile creature, causing mayhem as it writhed its way through a woman's body. Sometimes this ornery organ, due to lack of sexual activity, would create conflicts within a woman's system or would become blocked itself, causing anxiety, nervousness, water retention, and sleeplessness. With the assistance of doctors, nursemaids, hand tools, or, occasionally, self-manipulation, this vexing condition could be alleviated through hysterical paroxysms.

Or, as we call it nowadays: orgasm.

An itch that needs to be scratched: Snake Oil and three types of honey.



We are thrilled to present another set of psychotically tantalizing confections from Arkham's finest chocolatier and the Miskatonic Valley's preeminent importer of otherworldly sweets: the Sugared She-Goat!

Maddeningly addictive! This Valentine's Day, melt your lover's heart, figuratively, with a gift from the Miskatonic Valley's premiere boutique chocolatier! This season's specialty truffles are handmade by subjugated monks from Ghatanothoa's monestary at Mount Yaddith-Gho, under the watchful eye of Mother Shub's high priests. Imported to Arkham from Mu, they are distributed exclusively through the Sugared She-Goat. IÃ, Shub-Niggurath, the Malefic She-Goat of Many Sugary Treats!

++ LUPERCALIA: BOX OF CHOCOLATES
Dark Chocolate, Fig, and Tamarind
Dark Chocolate, Lime, and Chocolate Mint
Milk Chocolate, Cassia, and Bacon
Milk Chocolate, Raw Ginger, and Butterscotch
White Chocolate Martini
White Chocolate Mango Buttercream

(There is no bacon in the bacon chocolate. It's bacon accord, if you will, and contains no animal products whatsoever.)



Even though I just said it, this does bear repeating. The following Lupercalia sets contain nudity, depictions of sex acts, and other not-suitable-fer-younguns stuff. By clicking on the links or purchasing these products, you are affirming that you are at least eighteen years of age and that you are permitted by law to view suggestive imagery. Black Phoenix Alchemy Lab is also not responsible for any pearl-clutching reactions to the themes we present. If you are offended by nudity, schtupping, marital aids, or any other naughty business, please go no further. Viewer discretion is advised!

For your pleasure, we are thrilled to present another whimsical sojourn to the bedrooms of Edo-era Japan -- Novel Ideas For Secret Amusements IV: A Shunga Exhibition.




This year, we also return to Cyprus and Cythera where we do honor to the Goddess Rising Out of the Sea.




And finally, we present Venustas: A tribute to William Etty and the Elegance of the Human Form.




++ LUPERCALIA: NOVEL IDEAS FOR SECRET AMUSEMENTS
AN APPRAISAL OF SENSUAL PLEASURE IN THE FOUR SEASONS
Wild plum, lemongrass, frankincense, honeysuckle, and teak.

BIWA
Tangerine, black currant, white musk, honey, and tagetes.

BURNING VULVA
Vanilla-infused amber, leather, beeswax, cyclamen, oakmoss, peru balsam, orange blossom, red ginger, tonka, opoponax, myrrh, and black pepper.

COUPLE ENGAGED IN LOVEMAKING
Honey, lemongrass, black tea, white ginger, and grains.

COPULATING MICE
Bergamot, clove, hazelnut, pecan, lavender, tonka, and thyme.

DANCING KOI
Brown musk, leather accord, toasted sandalwood, clove, labdanum, and champaca.

FESTIVAL MASK
Rubbed sage, ti leaf, osmanthus, immortelle, patchouli, amber, and mandarin.

GODS OF INTERCOURSE
Peach and peach blossom with rose geranium, red currant, pink musk, and gardenia.

HARIGATA II
Coconut, white amber, hazelnut, and anise.

LOOSENING OF THE OBI
Rice wine, white sandalwood, vanilla bean, and white musk.

SPRINGTIME PLAYFULNESS
Green and brown musks, coconut husk, wisteria, lemongrass, hydrangea, cranberry, woody sandalwood, and ripe squash.

TEA
Darjeeling tea, lemon verbena, star anise, and honeycomb.

USHI
Red musk, crushed tomatoes, mango, and fig.



To Aphrodite. Ourania, illustrious, laughter-loving queen, sea-born, night-loving, of awful mien; crafty, from whom Ananke first came, producing, nightly, all-connecting dame. 'Tis thine the world with harmony to join, for all things spring from thee, O power divine. The triple Moirai are ruled by thy decree, and all productions yield alike to thee: whatever the heavens, encircling all, contain, earth fruit-producing, and the stormy main, thy sway confesses, and obeys thy nod, awful attendant of Bakkhos God. Goddess of marriage, charming to the sight, mother of the Erotes, whom banquetings delight; source of Peitho, secret, favouring queen, illustrious born, apparent and unseen; spousal Lukaina, and to men inclined, prolific, most-desired, life-giving, kind. Great sceptre-bearer of the Gods, 'tis thine mortals in necessary bands to join; and every tribe of savage monsters dire in magic chains to bind through mad desire. Come, Kyprogenes, and to my prayer incline, whether exalted in the heavens you shine, or pleased in odorous Syria to preside, or over the Aigyptian plains they care to guide, fashioned of gold; and near its sacred flood, fertile and famed, to fix they blest abode; or if rejoicing in the azure shores, near where the sea with foaming billows roars, the circling choirs of mortals thy delight, or beauteous Nymphai with eyes cerulean bright, pleased by the sandy banks renowned of old, to drive thy rapid two-yoked car of gold; or if in Kypros thy famed mother fair, where Nymphai unmarried praise thee every year, the loveliest Nymphai, who in the chorus join, Adonis pure to sing, and thee divine. Come, all-attractive, to my prayer inclined, for thee I call, with holy, reverent mind.

++ LUPERCALIA: ODE TO APHRODITE
ANTHEIA
The Blooming / Friend of Flowers
Grandiflorum jasmine, Damask rose, ylang ylang, gardenia, sweetbriar, and apple blossom dusted by golden amber.

APATOUROS
Deceptive One
Black fig, green tea, opoponax, ciste absolute, myrrh, carnation, nutmeg, and Brazilian vetiver.

APATROPHIA
She Who Expels Sinful Lusts
A complex Eastern musk with orange blossom, peppermint, lime peel, spikenard, petitgrain, and white cedar.

APHROGENÊS
Foam Born
Orris root, iris, white honey, white sandalwood, coconut, and cherry blossom.

AREIA
Warlike
Dragon's blood resin, pimento berry, olive wood, rosemary, black cherry, persimmon, red musk, and red rose.

HEKAERGÊ
She Who Strikes From a Distance
Red patchouli, myrrh, lemongrass, gurjum balsam, lemongrass, lavender, and honey.

KATASKOPIA
She Who Spies
Tuberose, mandarin, jonquil, black sandalwood, green musk, styrax, hyacinth, and violet musk.

KYPRIS
She Who Furnishes Pregnancy
Peru balsam, vanilla bean, Rainier cherry, bitter almond, golden honey, rose water, lemon peel, sugar cane, and benzoin.

KYTHERIAN
She Who Conceals Love-Affaris
Black narcissus, purple orchid, neroli, white sandalwood, ambergris, plum musk, jonquil, thyme, oakmoss, and grapefruit.

NIKÊPHOROS
Bringer of Victory
Black currant, patchouli, blood orange, oakmoss, galbanum, benzoin, and white mint.

NYMPHIA
She Who Blesses Brides
White rose, apple blossom, spun sugar, mango, cucumber, freesia, coconut, and lavender.



++ LUPERCALIA: VENUSTAS
FEMALE NUDE, THREE-QUARTER LENGTH, BESIDE HER LEFT AN APPLE TREE
Mahogany, rosewood, and red apple.

MALE NUDE, ARMS UPSTRETCHED
Dark musk, linen, and red chypre.

MANILUS HURLED FROM THE ROCK
Frankincense, leather accord, sandalwood, Himalayan cedar, nutmeg, and violet leaf.

NUDE WOMAN RECLINING
Calla lily, honeysuckle, Turkish jasmine, ambrette seed, galbanum, iris, and bourbon vanilla.

THE RING
Antiqued amber, frankincense, patchouli, hay, oakmoss, skin musk, and white mint.

STANDING FEMALE NUDE
Red rose and red currant with amber, blood orange, myrrh, and golden musk.

SLEEPING NYMPH AND SATYRS
Wild woods, Bulgarian rose, tolu balsam, vanilla absolute, ambergris, honey, and vanilla.

WRESTLERS
Vetiver, guiac wood, peru of balsam, two musks, labdanum, saffron, and rum accord.




Look! Up in the sky! Bony Moon is live at Black Phoenix Alchemy Lab and Black Phoenix Trading Post!



BONY MOON 2011
In the stark darkness of February, food is so scarce that some are forced to chew bones and make marrow soup for nourishment. It is a time when we honor our ancestors with fasting, solemn ritual, and reflection on the triumphs and accomplishments of those who have passed before us.

White sandalwood, dry cedar, and radiant, crisp lunar herbs.


Amazing, AMAZING artwork by Julie Dillon! Julie, we are so grateful to you for sharing your immense talent with us!

Buy the companion shirt here.




The Dark Delicacies / Black Phoenix Valentine's Day scent is live on the Dark Delicacies web site, and are also available at their brick and mortar shop in Burbank, CA!

RED LACE
Blood-stained sweetness. Red musk, tobacco, red sandalwood, dried pomegranate, patchouli, dusty frankincense, and raspberry clotted over blackened sugar-spun vanilla cream cotton.

Red Lace is available exclusively through Dark Delicacies.

Dark Delicacies
3512 W. Magnolia Blvd.
Burbank, CA 91505
888-DARKDEL
http://www.darkdel.com



The Black Phoenix Trading Post Lupercalia update will be along shortly. We're shooting for a week from now.

Embalming Fluid and Snake Oil are now part of the permanent bath collection. Morocco and Shanghai bath oils have also been added! The price for Snake Oil has gone up, as several of the components of Snake oil are very precious and rare and it is extremely expensive to keep in production in this format. And, frankly… Ted uses a metric shit ton of Snake Oil in the mix.

I hate closing this update out on a gloomy note, but I have no choice. The following scents are being discontinued, effective immediately.

Cottonmouth
Ether
The High Priest Not to be Described
I Died for Beauty
Little Sparrow
The Macabray
Melancholia
Pannychis
The Unicorn

Please accept my heartfelt apologies for the lack of notice; we don't have a choice. We will be able to fill outstanding orders that contain these scents, but we cannot accept new orders for them.

Blessed Lupercalia, Happy Valentine's Day to All!





From the Wolf Moon update:

This month's lunacy is --

wolf moon


WOLF MOON 2011
This pale and glittering moon hangs high over the deep snows and freezing winds of midwinter. January's full moon has been named the Wolf Moon by many cultures, as the nights are filled with the howls of ravenous Wolf packs, and the danger of falling prey to the animal's desperate hunger is at its peak.

This scent is that of unending, unquenchable hunger and feral madness. This is the dead of winter: a frozen night, chill wind, and the sharp, warm perfume of blood, fur, fang, and claw. Winter air, Terebinth pine, black spruce, long-dead maple leaves, juniper berry, dusty orris, deep amber, white sandalwood, brown musk, blue cedar, ambrette seed, benzoin, and tonka.

Buy the companion shirt here.

Artwork by Julie Dillon.


And also --
WINTER SOLSTICE LUNAR ECLIPSE
Thy shadow, Earth, from Pole to Central Sea,
Now steals along upon the Moon's meek shine
In even monochrome and curving line
Of imperturbable serenity.

How shall I link such sun-cast symmetry
With the torn troubled form I know as thine,
That profile, placid as a brow divine,
With continents of moil and misery?

And can immense Mortality but throw
So small a shade, and Heaven's high human scheme
Be hemmed within the coasts yon arc implies?

Is such the stellar gauge of earthly show,
Nation at war with nation, brains that teem,
Heroes, and women fairer than the skies?


On December 21st, the longest night of 2010, a total lunar eclipse will occur. There will be seventy-two minutes of glorious totality while the moon is enveloped in a cloak of luminous, blood-tinged amber. Totality will begin at 11:41 pm Black Phoenix Standard Time.

If this isn't a magical night, I don't know what is.

A voluptuous and brittle blend of lunar oils and white chypre shimmering with darkly glowing red musk, golden amber, black currant, patchouli, rose peppercorn, blackberry, ylang ylang, and daemonorops astride Yuletide's holly berry, white pine, winter rose, and myrrh.



Plus, a little something for bpal.org forum members -

WILF
…because vampires aren't the only supernatural beings worthy of our amorous attentions.

Warm fur coupled with red and black musk, vanilla bean, patchouli, champaca flower, juniper berry, chocolate peppermint, frangipani, browned sandalwood, ferntop ash resin, and massoia bark.

Love and gratitude to Stephen Huang for the inspiration and for blessing us with his adorable, whimsical artwork!

- - -

Some recaps of recent announcements —

A KISS FROM KRAMPUS!
Ein Kuss Von Krampus and a few other seasonally-appropriate spooky Black Phoenix Yule scents are still available on the Dark Delicacies web site!

EIN KUSS VON KRAMPUS SCENT
Ein Kuss Von Krampus - A kiss from Krampus! Willow and beechwood branches, Austrian chocolate, fresh Alpine milk, with paprika, horseradish, black pepper, juniper, mustard seed, and caraway. Goes on like candy, but morphs into a reedy, bittersweet spiced cocoa.

CRIMSON CHRISTMAS
Have you been bad or good? Santa has sharpened his candy canes, and he's got his eye on you! Gore-splattered snow, chimney smoke, and bloody, broken peppermint sweets.

INVASION OF THE FLESH-EATING REINDEER FROM URANUS
Trampled gingerbread cookies, scattered rum balls, and indestructible, rock-hard fruitcake and a gargantuan squirt of musk.


Dark Delicacies will be offering 10% off of all of their in-house items during the night of BPAL's December Will Call!

- - -

* The Miller's Daughter (Marchen) and VILF (Vampires Don't Sleep Alone) have been discontinued, effective immediately. Pending orders will still be filled, but we do not have enough stock to accept new orders for these scents. We are hopeful that The Miller's Daughter will be able to return in early 2011.

* Happy Mercury Retrograde! Twilight Alchemy Lab's email is currently down. If you need to order, have a question, or have placed an order in the past few days that hasn't shipped yet, please email wickedgoddess @ blackphoenixalchemylab.com and she will take care of you over there.

* Friday (December 10th) was the last day to submit domestic orders for Christmas delivery. We will get orders placed after December 10th out as quickly as possible.

- - -

On December 21, we will have our last Will Call of 2010, and it feature the return of themed Will Calls!

The theme for this Will Call is Santa vs. Krampus. Dress up if you are feeling festive!

Just in time for your holiday celebrations we will have five exclusive scents available only at the three Will Call events!

* Champagne and Party Hats
* Champagne and Absinthe
* Champagne and Opium
* Pink Champagne
* Sparkling Apple Cider

Champagne scents are $20 each and only available at Will Call, while supplies last. Supplies are limited and no preorders will be accepted for these items.

- - -

All three Will Call locations will also be hosting a toy drive for Toys for Tots. Everyone who brings a toy ($10 value or higher, please) will receive a 5ml of Mitzvah Goreret Mitzvah.

MITZVAH GORERET MITZVAH
Kindness begets kindness. Holy hyssop, red apple, massoia bark, and pomegranate with eight different types of honey that represent the sweetness of life and new beginnings.

Additionally, at West Coast Will Call only, Black Phoenix Trading Post will be hosting a soap drive for Clean the World. Bring in soap and get a small spritzer bottle of Hispaniola Extrait.

HISPANIOLA
Brilliant in thy grand hemisphere
The marshaled host of Heaven appear,
Whence evening's star, unclouded and serene,
Emits afar her sparkling rays
Where e'er the nightly traveller strays,
And on his pathway sheds her silvery sheen.

Though silent when all creatures shun
The fierce blaze of the mid-day sun,
Myriads of insects walk abroad at night;
And when cool dews from Heaven descend,
The air with gladsome voices rend,
And hail the star-bright beams of milder light.

Bay rum, coconut, wild olive, avocado, bitterwood, sugar cane syrup, muskwood, Creolean pine, lime rind, cacao, and West Indian cedar.

Black Phoenix Trading Post will also donate the cost of shipping the soaps to the Clean the World headquarters in Orlando, Florida.

- - -

The west coast will call event will be held on Tuesday, December 21st, from 7 to 10pm at Dark Delicacies.

Dark Delicacies
3512 W. Magnolia Blvd
(1 block east of Hollywood Way)
Burbank, CA 91505

- - -

GA Will Call will be at Whole Foods Market, aka Harry's Farmer's Market, in Roswell, GA, on Tuesday, December 21st, from 5:30 to 8:30pm, inside Salud (which is inside the store.)

Whole Foods Market is located at 1180 Upper Hembree Road, Roswell, GA, 30076.

Whole Foods accepts Visa, Master Card, Discover, American Express and cash. They will not be able to accept any preorders.

- - -

Seattle Will Call will be held on Tuesday, December 21st from 7:30 to 10:30pm at Knows Perfume.

knows perfume
4536 California Ave, SW
Seattle, WA 98116
(206) 397-3141

- - -

The blends that will be available for purchase include those that went live on the Black Phoenix Alchemy Lab website up to and including the Cold Moon update. Forum only scents will not be available at Will Call.

We will no longer be accepting preorders at West Coast Will Call, with the exception of orders paid with Paypal, and orders for Twilight Alchemy Lab oils. We will do our best to accommodate all orders, but sales will be based on availability. At this time, Twilight Alchemy Lab oils will only be available at Dark Delicacies via preorder. Items from Black Phoenix Trading Post will be available at Dark Delicacies, subject to stock on hand.

If you have any questions, please email us at willcall @ blackphoenixalchemylab . com.

- - -

The beginning of 2011 will see a handful of d20's, the building blocks of the universe, tarot cards both old and new, smoke and mirrors, madness in the Salon, ancient alchemists, bewitching bath brews, a game of love and lust, a sojourn to the Miskatonic Valley, February Filth, another installation of Last Unicorn scents, and so very much more. Also in the early months of 2011 - a new Will Call location! Please check the Black Phoenix Gazette often for details. Other ways of staying in touch:

" Join our mailing list.
" Participate in the bpal.org forum.
" Follow us on Twitter.
" Say hello on Facebook.

- - -

Black Phoenix Alchemy Lab and Black Phoenix Trading Post wish all of our beloved clients, friends, and loved ones a new year free from grief, care, and melancholy. Here's to 2011 bringing bright blessings and limitless light to us all.





From the 8 December 2010 update:

The Miller's Daughter (Marchen) and VILF (Vampires Don't Sleep Alone) have been discontinued, effective immediately. Pending orders will still be filled, but we do not have enough stock to accept new orders for these scents.

Updated 24 November 2010:

For both Black Phoenix Alchemy Lab and Black Phoenix Trading Post, the cutoff dates for Christmas shipping are as follows:

Domestic: December 10
International: December 5

Please do not wait until the last minute to place your orders. We will do everything we can to get every order placed by these dates out in time for Christmas Eve delivery, but we cannot make any guarantees.

Our etsy shop will be going on hiatus starting on December 1.

Thanks everyone, and happy holidays!



Updated 17 November 2010:

Happy birthday, BPAL! Every year I attempt to put my gratitude into words, and it never seems to be enough. It's almost impossible to convey how thankful I am for everyone that makes Black Phoenix possible, from our customers to my coworkers and business associates, but I will try…

Thank you to my brother and partner, Brian, the mastermind behind Black Phoenix's Production Department. I love you, dearest brother. Your dedication and compassion helped to form the company's foundation, and your strength and clarity of purpose propel us forward. Without you, Black Phoenix is idea without form. You are the greatest of brothers, and I love you.

Thank you to my husband, Ted. You are my love and my inspiration. Lord, how I love you. Thank you for everything you do… for your kindness, your wit, and your dedication to your work. You are a truly great man, and I am honored beyond words to be your wife and your business associate. I adore you.

Thank you, Kathy, my right hand woman. Thank you for being a wonderful friend, and thank you for always being there for me. You handle every bump in the road with dignity, strength, and grace, and I am eternally grateful for your friendship. I love you!

Thank you, Jacquelynn, BPAL's General Manager. You are phenomenal, and we adore you!

Thank you to Bill, our patron saint of customer service. You are an amazing man, and I love you!

Thank you to Will, Piolet, and Norman, our production staff, for their dedication, perseverance, and hard work. You guys enable us to share our creations, and I am truly grateful for everything you do.

Thank you to the mods and administrators of bpal.org for being the most amazing, wonderful friends I could imagine. Modding the forum is no small task, and it is often a thankless one. I cannot thank you all enough for the hard work and love that you put into the forum. Thank you for being my dearest sisters, and for lending me strength during difficult times. You are all fuckin' amazing people, and I love you.

Thank you to Sue and Del at Dark Delicacies for giving BPAL a home away from home, for always being there for us, and for being the best goddamn grandparents a Little Demoness could ask for. We love you!

Thank you to the artists that work with us — Adam Hughes, Jennifer Williamson, Alicia Dabney, Julie Dillon, Madame Talbot, Quique Alcatena, Jennifer Rodgers, Manda Lander, and Sarah Coleman, for bringing our scents to life!

A huge thank you to Lisa and the crew at Whole Foods in Roswell, GA and Christen Cottam at knows perfume for giving their all to make the Dirty South and Pacific Northwest will calls happen!

Thank you to the Mütter Museum, knows perfume, Whole Foods, Urban Outfitters, Pretty Indulgent, and Healthy Living for giving our products a home in your stores!

Thank you to the bloggers, journalists, magazines, and other media outlets that have shown interest in Black Phoenix, and have taken the time to do writeups on our shops! Thank you for your time and energy; it means the world to us!

Thank you to Neil Gaiman for affecting me like no other author, for being such a supportive friend, and for allowing me the pleasure of interpreting your beautiful, witty, soul-moving stories through scent.

Thank you to Peter S Beagle, Amanda Palmer, Terry Pratchett, Terry Moore, Mike and Christine Mignola, George Perez, Peter David, Molly Crabapple, Mark Waid, Storm Constantine, Ross Ritchie, Jill Thompson, Brian Pulido, Joseph Michael Linsner, Eva Hopkins, and Gris Grimly for giving us such all such joy through the beauty of your art, and for giving Black Phoenix the opportunity to interpret your work.

Thank you to the kind people at the Comic Book Legal Defense Fund and the Hero Initiative. You help those who cannot help themselves, and you are an inspiration to us all.

Many thanks to Mark Waid, Ross Richie, Chip Mosher, and Kate the Shark for inviting us to participate in the Irredeemable 1st birthday party at Challenger Comics in Chicago.

Much love and thanks to Charles Brownstein for inviting us to be a part of "An Evening with Neil Gaiman" at C2E2.

Much thanks to Pop Culture 2 and Reggie's Rock Club for hosting our meet n sniff in Chicago!

Huge thanks to Geek Girl Diva, Connor Cochran, Susan Auger, Filip Sablik and the rest of the crew at Top Cow, and Mariah Huehner and Chris Ryall at IDW for helping us get new projects moving!

And finally...

Thank you to our extended family: our clients. Thank you for being there with us and for us throughout these past eight years. Thank you for sharing our joy and for standing with us during difficult times. The family that has grown around BPAL is like no other in the world. Every time I wander into the forum, I see people supporting one another in times of need, showing selfless kindness and offering support to one another… to me, you all are models of emotional generosity and true friendship, and it is truly an honor to be a part of your lives. I cannot express my gratitude enough. Thank you for celebrating the beauty of living with us, and for holding our hands during times of stress and sorrow. This year has been turbulent for just about everyone we know. It's been a hard year filled with challenges and hidden lessons, but none of it is insurmountable because we all have this tremendous, genuinely loving family. Thank you.

Somehow making our anniversary post always makes me cry. Without further ado… the new shit:

COLD MOON 2010
The Full Moon that shines over the frost-rimed heart of winter. Traditional lunar oils combined with glittering snow flowers, soft breezes and frozen ferns.

cold moon

Buy the companion shirt here.

Artwork by Julie Dillon.

The Cold Moon perfume and tee will be live until Tuesday, November 23, 2010.



The world is in tumult, and we are all experiencing a time of transformative change. For our anniversary this year, we are exploring the phoenix as it moves through the seasons, through its cycle of death and rebirth.

++THE SEASONAL PHOENIXES
THE PHOENIX IN SPRING
Newborn, with flecks of myrrh still dusting its wings, the Phoenix emerges: dandelion florets, cherry blossom, spring wildflowers, and myrrh.

THE PHOENIX IN SUMMER
The Phoenix soars through a summer thunderstorm: Nepalese amber, galangal, red musk, saffron, ozone, and the scent of hot rain striking pavement.

THE PHOENIX IN AUTUMN
Through swirling winds, the Phoenix restlessly wanders: dry leaves, Indonesian patchouli, coffee bean, twining ivy, teak, hyssop, and tonka.

THE PHOENIX IN WINTER
Blood and fire illuminate the darkness of winter: daemonorops, holly berries, and juniper berries in a snowdrift.



++THE NUTCRACKER: ACT 3
THE KINGDOM OF SWEETS
An empire of jellybeans, rock candy, sours, lollipops, gumdrops, peppermint sticks, held together by taffy mortar.

SUGAR PLUM FAIRY
Queen of the Kingdom of Sweets: sugar plums, vanilla-infused sugar, tiare, amber musk, apricot peel, and a light dusting of cacao.

MOTHER GINGER
From beneath her skirts emerge eight gingerbread children: gingerbread, French vanilla, sugar, nutmeg, cinnamon, and marshmallow cream.

+ Divertissment
THE SPANISH DANCE
Chocolate, orange blossom honey, and pomegranate.

THE ARABIAN DANCE
Leather, coffee, hazelnut, tobacco, and Middle Eastern spices.

THE CHINESE DANCE
Green and black tea, King mandarin, violet, blackcurrant, and wormwood.

THE RUSSIAN DANCE
Florentine iris, black tea, labdanum, patchouli, champaca flower, benzoin, and ambergris.

DANCE OF THE MIRLITONS
Marzipan, Burmese rosewood, white sandalwood, Somalian rose, tonka bean, rum accord, and white musk.

THE WALTZ OF THE FLOWERS
White musk, Madonna lily, jasmine sambac, ylang ylang, bourbon vanilla, and clove.

VALSE FINALE ET APOTHÉOSE
The return journey: three honeys, white mint, and apple blossom.



++YULE
MIDWINTER'S EVE 2010
A melancholy, deep scent, poignant and brimming with nostalgia. The perfume of sugared plums over a breeze of winter flowers.



And last but not least, Black Phoenix presents Heroine, the first scent created specifically for the Hero Initiative, with label art by the fabulous Adam Hughes!

HEROINE
Nepalese amber, East African patchouli, dark musk, apple blossom, petitgrain, aged leather, skin musk, and rhubarb.

Proceeds from every bottle of Heroine sold go to the Hero Initiative, the first federally recognized not-for-profit organization dedicated to helping comic book creators, writers and artists in need. Founded in late 2000 by a consortium of comic book and trade publishers including Marvel Comics, Image Comics, Dark Horse Comics, Wizard Entertainment, CrossGen Comics and Dynamic Forces Inc., the 501(c)(3) charity aims to assist comic creators with health, medical, and quality-of-life assistance.



Things are stirring over at the Trading Post as well!

+ IMP BAGS $16
* SACK OF SWITCHES
Fern Frost
Strawberry Lemon Drop Candy Cane
Sweet Winter Berry Ale

* BAG OF COAL
Chocolate Espresso Gingerbread
Kourabiedes
Shortbread Snowflakes


+ MASSAGE OIL
4oz $20.00

HOLIDAY JOY
Find ecstasy in life; the mere sense of living is joy enough. — Emily Dickinson

Clary sage, peppermint, blood orange, lavender, geranium, juniper berry, bay laurel, King mandarin, and opoponax.

Almond oil, refined rice bran oil, fractionated coconut, rosehip seed oil, Citrus aurantium subspecies amara, Pelargonium graveolens, Lavandula angustifolia, Salvia sclarea, Juniperus communis, evening primrose, vitamin E, and our Black Phoenix Alchemy Lab perfume blend.


HOLIDAY STRESS RELIEF
Relax, revive, restore.

Peppermint, spearmint, geranium bourbon, lavender, clary sage, white amber, juniper berry, laurel leaf, coriander, opoponax, and mandarin.

Almond oil, refined rice bran oil, fractionated coconut, rosehip seed oil, Lavandula angustifolia, Juniperus communis, Salvia sclarea, Pelargonium graveolens, evening primrose, vitamin E, and our Black Phoenix Alchemy Lab perfume blend.



+ BATH OIL
8oz $30 for all except for F&M which is $35

CRANBERRY COOKIE BARK
Shortbread, white and dark chocolate, dried cranberries, and a smattering of crushed candy cane.


FRANKINCENSE & MYRRH
O Sanctissima, O Piissima
Dulcis Virgo Maria
Mater amata, Intemerata
Ora, Ora Pro Nobis

Somalian frankincense and Ethiopian myrrh.


POLAR BEAR PLUNGE
Dive into an invigorating icy vanilla mint bath!


SNOW WHITE
A chilly, bright perfume: flurries of virgin snow, crisp winter wind and the faintest breath of night-blooming flowers.


Black Phoenix is thrilled to present our first Salon bath oil.
Inspired by Albert Beck Wenzell's painting.
VICTORIAN VIRGIN WITH CHERUBS
Ángelus Dómini nuntiávit Maríæ.
Et concépit de Spíritu Sancto.
Ecce ancílla Dómini.
Fiat mihi secúndum verbum tuum.
Et Verbum caro factum est.
Et habitávit in nobis.
Ora pro nobis, sancta Dei génetrix.
Ut digni efficiámur promissiónibus Christi.

Gilded amber, white mint, white chocolate, Christmas rose, and honeysuckle.



+ ROOM SPRAY
4oz $25

BLOC NA NOLLAIG
Nollaig faoi shéan is faoi shonas duit!

A fresh-chopped Yule log glowing in a holly wreath-festooned hearth, with snow-dappled evergreens, bay leaf, bittersweet winter berries, and apple beer.


HOLIDAY ARGUMENT DIFFUSING SPRAY
Soothe the tensions of the holidays with a kerfuffle-quelling blend of carnation, white sandalwood, vanilla bean, Roman chamomile, ylang ylang, bergamot, and lemon peel! Spray around your home or office to take the edge off of Yuletime gatherings.

(Please do not spray this in anyone's face, or near anyone's body at all. It isn't a very nice thing to do, and in addition to being unsafe, it will likely escalate whatever drama you're attempting to diffuse.)


MR. FEZZIWIG'S BALL
"Yo ho, my boys!" said Fezziwig. "No more work to-night. Christmas Eve, Dick. Christmas, Ebenezer! Let's have the shutters up," cried old Fezziwig, with a sharp clap of his hands, "before a man can say Jack Robinson!"

You wouldn't believe how those two fellows went at it! They charged into the street with the shuttersâ€"one, two, threeâ€"had ’em up in their placesâ€"four, five, sixâ€"barred ’em and pinned ’emâ€"seven, eight, nineâ€"and came back before you could have got to twelve, panting like race-horses.

“Hilli-ho!” cried old Fezziwig, skipping down from the high desk, with wonderful agility. "Clear away, my lads, and let's have lots of room here! Hilli-ho, Dick! Chirrup, Ebenezer!"

Clear away! There was nothing they wouldn’t have cleared away, or couldn’t have cleared away, with old Fezziwig looking on. It was done in a minute. Every movable was packed off, as if it were dismissed from public life for evermore; the floor was swept and watered, the lamps were trimmed, fuel was heaped upon the fire; and the warehouse was as snug, and warm, and dry, and bright a ball-room, as you would desire to see upon a winter’s night.

In came a fiddler with a music-book, and went up to the lofty desk, and made an orchestra of it, and tuned like fifty stomach-aches. In came Mrs. Fezziwig, one vast substantial smile. In came the three Miss Fezziwigs, beaming and lovable. In came the six young followers whose hearts they broke. In came all the young men and women employed in the business. In came the housemaid, with her cousin, the baker. In came the cook, with her brother’s particular friend, the milkman. In came the boy from over the way, who was suspected of not having board enough from his master; trying to hide himself behind the girl from next door but one, who was proved to have had her ears pulled by her mistress. In they all came, one after another; some shyly, some boldly, some gracefully, some awkwardly, some pushing, some pulling; in they all came, anyhow and everyhow. Away they all went, twenty couple at once; hands half round and back again the other way; down the middle and up again; round and round in various stages of affectionate grouping; old top couple always turning up in the wrong place; new top couple starting off again, as soon as they got there; all top couples at last, and not a bottom one to help them! When this result was brought about, old Fezziwig, clapping his hands to stop the dance, cried out, “Well done!” and the fiddler plunged his hot face into a pot of porter, especially provided for that purpose. But scorning rest, upon his reappearance, he instantly began again, though there were no dancers yet, as if the other fiddler had been carried home, exhausted, on a shutter, and he were a bran-new man resolved to beat him out of sight, or perish.

There were more dances, and there were forfeits, and more dances, and there was cake, and there was negus, and there was a great piece of Cold Roast, and there was a great piece of Cold Boiled, and there were mince-pies, and plenty of beer. But the great effect of the evening came after the Roast and Boiled, when the fiddler (an artful dog, mind! The sort of man who knew his business better than you or I could have told it him!) struck up “Sir Roger de Coverley.” Then old Fezziwig stood out to dance with Mrs. Fezziwig. Top couple, too; with a good stiff piece of work cut out for them; three or four and twenty pair of partners; people who were not to be trifled with; people who would dance, and had no notion of walking.

But if they had been twice as manyâ€"ah, four timesâ€"old Fezziwig would have been a match for them, and so would Mrs. Fezziwig. As to her, she was worthy to be his partner in every sense of the term. If that’s not high praise, tell me higher, and I’ll use it. A positive light appeared to issue from Fezziwig’s calves. They shone in every part of the dance like moons. You couldn’t have predicted, at any given time, what would have become of them next. And when old Fezziwig and Mrs. Fezziwig had gone all through the dance; advance and retire, both hands to your partner, bow and curtsey, corkscrew, thread-the-needle, and back again to your place; Fezziwig “cut”â€"cut so deftly, that he appeared to wink with his legs, and came upon his feet again without a stagger.

Mince pie, dark beer, a well-loved spruce wood fiddle, and bow resin.


SNOW WHITE
A chilly, bright perfume: flurries of virgin snow, crisp winter wind and the faintest breath of night-blooming flowers.


VESPERS
Alma Redemptoris Mater,
quae pervia caeli porta manes,
et stella maris, succurre cadenti,
surgere qui curat, populo: tu quae genuisti,
natura mirante, tuum sanctum Genitorem,
Virgo prius ac posterius, Gabrielis ab ore,
sumens illud Ave, peccatorum miserere.

Aromatic woods, frankincense, saffron, pine pitch, black amber, and balsam.



+ SOAPS
$9
FRANKINCENSE & MYRRH
O Sanctissima, O Piissima
Dulcis Virgo Maria
Mater amata, Intemerata
Ora, Ora Pro Nobis

Somalian frankincense and Ethiopian myrrh.


GINGERBREAD POPPET
And he ran till he came across a fox, and to him he called out:

I've run away from a little old woman,
A little old man,
A barn full of threshers,
A field full of mowers,
A cow and a horse,
And I can run away from you, I can!

Then the fox set out to run. Now foxes can run very fast, and so the fox soon caught the gingerbread boy and began to eat him up. Presently the gingerbread boy said, "Oh dear! I'm quarter gone!" And then, "Oh, I'm half gone!" And soon, "I'm three-quarters gone!" And at last, "I'm all gone!" and never spoke again.


Brown sugar, molassass, ginger, cinnamon, clove, raisin, orange zest, and a little frosting.


PEACOCK QUEEN
In dramatic contrast to the soft innocence of Snow White and the dew-kissed freshness of her sister, Rose Red, this is a blood red, voluptuous rose, velvet-petaled, at the height of bloom. Haughty and imperious, vain, yet incomparably lovely to the eye, but thick with thorns of jealousy, pride and hatred.


SNOW WHITE
A chilly, bright perfume: flurries of virgin snow, crisp winter wind and the faintest breath of night-blooming flowers.



On a less festive note, due to the increased cost of components, the price of Snake Oil Bath Oil is now $35.



***

Updated 12 November 2010:

We do have a bit of bad news: several scents have been discontinued immediately due to component issues. We apologize sincerely for the lack of warning; it hit us suddenly.

The following scents are no longer available, effective immediately:

  • Midnight on the Midway (Carnaval Diabolique)
  • Gluttony (Sin and Salvation)
  • Fairy Market (Stardust)
  • The Great Red Dragon (Salon)
  • Phantom Queen (Diablous)
  • Regan (Illyria)
  • Suspiro (Ars Amatoria)
  • Sophia (Excolo)
  • Shadow Witch Orchid (Rappaccini's Garden)
  • Pais de la Canela (Wanderlust)
  • March Hare (Mad Tea Party)
  • The Coil (Phoenix Steamworks)
  • Midnight (Ars Amatoria)
  • Moon Rose (Rappaccini's Garden)
  • Niflheim (Wanderlust)
  • Nuit (Excolo)
  • Silence (Salon)
  • Flora (The District)
  • Szepasszony (Diabolus)
  • Violet Ray (Phoenix Steamworks)
Pending orders will still be filled, but we do not have enough stock to accept new orders for these scents.

The price for the Salon series 1 & 2 imp packs have been adjusted to reflect this change, as well.

The following scents will be discontinued when the update goes live on Wednesday night:

  • Black Dahlia (Sin and Salvation)
  • Ile de la Tortuga (Wanderlust)
  • Magdalene (Sin and Salvation)
  • Psyche (Ars Amatoria)
  • Sundew (Rappaccini's Garden)
Thank you for understanding!



Updated 20 October 2010:

Beaver Moon, the Yules, and the first series of the Last Unicorn scents are live at BPAL!

BEAVER MOON 2010
Here we go with the double entendres again! Strawberry and peach cheesecake, heavy on the sticky glaze.

beaver moon

Buy the companion shirt here.

Artwork by Julie Dillon.

The Beaver Moon perfume and tee will be live until Monday, October 25, 2010.


++THE NUTCRACKER
KLARA
Honey dusting powder, mandarin, iris, ylang ylang, tea rose, and carnation.

HERR DROSSELMEYER 2010
Magus, toymaker, and Godfather to Klara. An enigmatic man, seemingly somewhat sinister, but bearing a gentle air and a sincere love for children. This scent is dignified, refined, but dark, and hints towards esoteric mysteries and the secrets that tie mechanics to magick. Pipe smoke, sweet leather, woods and linen.

+ Brought to life by the Master Toymaker, they dance:
HARLEQUIN AND COLUMBINE
French vanilla, red currant, sage, balsam, rosewood, mandarin, lemon peel, pomegranate, and cedar.

THE SOLDIER
Red musk, vanilla cream, black tea, black pepper, leather, and pie.

GROßVATER TANZ
The evening’s celebration winds down with a traditional German folk song: rice porridge, candied fruits, heavy cream, powdered clove, and Lebkuchen.

THE NUTCRACKER
Klara’s most prized Christmas gift. Broken by Fritz in a fit of jealousy, repaired by Drosselmeyer’s magic: frankincense, black mission fig, and galbanum.

THE CLOCK STRIKES MIDNIGHT
The moment of passage between the waking world and the swirling mist of dreams: black currant, frankincense, blue musk, mugwort, and wisteria.

THE RAT KING 2010
The Nine-Headed nemesis of the Nutcracker Prince. Dust, wood and feral musk with a fang-sharp undertone.

THE WALTZ OF THE SNOWFLAKES
The Snow Queen and Snow King greet Klara and the Nutcracker Prince as they journey through the Enchanted Forest: vanilla-laced snow, graceful and sweet, with fir needle and black pine bark.



++A CHRISTMAS CAROL
EBENEZER SCROOGE
Oh! But he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days; and didn’t thaw it one degree at Christmas.

External heat and cold had little influence on Scrooge. No warmth could warm, no wintry weather chill him. No wind that blew was bitterer than he, no falling snow was more intent upon its purpose, no pelting rain less open to entreaty. Foul weather didn’t know where to have him. The heaviest rain, and snow, and hail, and sleet, could boast of the advantage over him in only one respect. They often “came down” handsomely, and Scrooge never did.

Nobody ever stopped him in the street to say, with gladsome looks, “My dear Scrooge, how are you? When will you come to see me?” No beggars implored him to bestow a trifle, no children asked him what it was o’clock, no man or woman ever once in all his life inquired the way to such and such a place, of Scrooge. Even the blind men’s dogs appeared to know him; and when they saw him coming on, would tug their owners into doorways and up courts; and then would wag their tails as though they said, “No eye at all is better than an evil eye, dark master!”

A dry, dusty, soulless scent, flinty with greed, sour with ill-temper: neglected leather, oakmoss, tonka bean, black pepper, cumin, and vetiver.

CHRISTMAS EVE IN THE COUNTING HOUSE
It was cold, bleak, biting weather: foggy withal: and he could hear the people in the court outside, go wheezing up and down, beating their hands upon their breasts, and stamping their feet upon the pavement stones to warm them. The city clocks had only just gone three, but it was quite dark alreadyâ€"it had not been light all dayâ€"and candles were flaring in the windows of the neighbouring offices, like ruddy smears upon the palpable brown air. The fog came pouring in at every chink and keyhole, and was so dense without, that although the court was of the narrowest, the houses opposite were mere phantoms. To see the dingy cloud come drooping down, obscuring everything, one might have thought that Nature lived hard by, and was brewing on a large scale.

Creaky wood, thick fog, and dying embers.

A WORLD OF FOOLS
“A merry Christmas, uncle! God save you!” cried a cheerful voice. It was the voice of Scrooge’s nephew, who came upon him so quickly that this was the first intimation he had of his approach.

“Bah!” said Scrooge, “Humbug!”

He had so heated himself with rapid walking in the fog and frost, this nephew of Scrooge’s, that he was all in a glow; his face was ruddy and handsome; his eyes sparkled, and his breath smoked again.

“Christmas a humbug, uncle!” said Scrooge’s nephew. “You don’t mean that, I am sure?”

“I do,” said Scrooge. “Merry Christmas! What right have you to be merry? What reason have you to be merry? You’re poor enough.”

“Come, then,” returned the nephew gaily. “What right have you to be dismal? What reason have you to be morose? You’re rich enough.”

Scrooge having no better answer ready on the spur of the moment, said, “Bah!” again; and followed it up with “Humbug.”

“Don’t be cross, uncle!” said the nephew.

“What else can I be,” returned the uncle, “when I live in such a world of fools as this? Merry Christmas! Out upon merry Christmas! What’s Christmas time to you but a time for paying bills without money; a time for finding yourself a year older, but not an hour richer; a time for balancing your books and having every item in ’em through a round dozen of months presented dead against you? If I could work my will,” said Scrooge indignantly, “every idiot who goes about with ‘Merry Christmas’ on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart. He should!”

“Uncle!” pleaded the nephew.

“Nephew!” returned the uncle, sternly, “keep Christmas in your own way, and let me keep it in mine.”

Figgy pudding with a stake of holly through its heart.

MARLEY'S GHOST
The same face: the very same. Marley in his pigtail, usual waistcoat, tights and boots; the tassels on the latter bristling, like his pigtail, and his coat-skirts, and the hair upon his head. The chain he drew was clasped about his middle. It was long, and wound about him like a tail; and it was made (for Scrooge observed it closely) of cash-boxes, keys, padlocks, ledgers, deeds, and heavy purses wrought in steel. His body was transparent; so that Scrooge, observing him, and looking through his waistcoat, could see the two buttons on his coat behind.

Scrooge had often heard it said that Marley had no bowels, but he had never believed it until now.

No, nor did he believe it even now. Though he looked the phantom through and through, and saw it standing before him; though he felt the chilling influence of its death-cold eyes; and marked the very texture of the folded kerchief bound about its head and chin, which wrapper he had not observed before; he was still incredulous, and fought against his senses.

“How now!” said Scrooge, caustic and cold as ever. “What do you want with me?”

“Much!”â€"Marley’s voice, no doubt about it.

“Who are you?”

“Ask me who I was.”

“Who were you then?” said Scrooge, raising his voice. “You’re particular, for a shade.” He was going to say “to a shade,” but substituted this, as more appropriate.

“In life I was your partner, Jacob Marley.”

“Can youâ€"can you sit down?” asked Scrooge, looking doubtfully at him.

“I can.”

“Do it, then.”

Scrooge asked the question, because he didn’t know whether a ghost so transparent might find himself in a condition to take a chair; and felt that in the event of its being impossible, it might involve the necessity of an embarrassing explanation. But the ghost sat down on the opposite side of the fireplace, as if he were quite used to it.

“You don’t believe in me,” observed the Ghost.

“I don’t,” said Scrooge.

“What evidence would you have of my reality beyond that of your senses?”

“I don’t know,” said Scrooge.

“Why do you doubt your senses?”

“Because,” said Scrooge, “a little thing affects them. A slight disorder of the stomach makes them cheats. You may be an undigested bit of beef, a blot of mustard, a crumb of cheese, a fragment of an underdone potato. There’s more of gravy than of grave about you, whatever you are!”

Scrooge was not much in the habit of cracking jokes, nor did he feel, in his heart, by any means waggish then. The truth is, that he tried to be smart, as a means of distracting his own attention, and keeping down his terror; for the spectre’s voice disturbed the very marrow in his bones.

To sit, staring at those fixed glazed eyes, in silence for a moment, would play, Scrooge felt, the very deuce with him. There was something very awful, too, in the spectre’s being provided with an infernal atmosphere of its own. Scrooge could not feel it himself, but this was clearly the case; for though the Ghost sat perfectly motionless, its hair, and skirts, and tassels, were still agitated as by the hot vapour from an oven.

“You see this toothpick?” said Scrooge, returning quickly to the charge, for the reason just assigned; and wishing, though it were only for a second, to divert the vision’s stony gaze from himself.

“I do,” replied the Ghost.

“You are not looking at it,” said Scrooge.

“But I see it,” said the Ghost, “notwithstanding.”

“Well!” returned Scrooge, “I have but to swallow this, and be for the rest of my days persecuted by a legion of goblins, all of my own creation. Humbug, I tell you! humbug!”

At this the spirit raised a frightful cry, and shook its chain with such a dismal and appalling noise, that Scrooge held on tight to his chair, to save himself from falling in a swoon. But how much greater was his horror, when the phantom taking off the bandage round its head, as if it were too warm to wear in-doors, its lower jaw dropped down upon its breast!

Scrooge fell upon his knees, and clasped his hands before his face.

“Mercy!” he said. “Dreadful apparition, why do you trouble me?”

“Man of the worldly mind!” replied the Ghost, “do you believe in me or not?”

“I do,” said Scrooge. “I must. But why do spirits walk the earth, and why do they come to me?”

Chains of avarice binding an unquiet spirit: grave-cold phantasmal iron links.

INCESSANT TORTURE OF REMORSE
“You are fettered,” said Scrooge, trembling. “Tell me why?”

“I wear the chain I forged in life,” replied the Ghost. “I made it link by link, and yard by yard; I girded it on of my own free will, and of my own free will I wore it. Is its pattern strange to you?”

Scrooge trembled more and more.

“Or would you know,” pursued the Ghost, “the weight and length of the strong coil you bear yourself? It was full as heavy and as long as this, seven Christmas Eves ago. You have laboured on it, since. It is a ponderous chain!”

Scrooge glanced about him on the floor, in the expectation of finding himself surrounded by some fifty or sixty fathoms of iron cable: but he could see nothing.

“Jacob,” he said, imploringly. “Old Jacob Marley, tell me more. Speak comfort to me, Jacob!”

“I have none to give,” the Ghost replied. “It comes from other regions, Ebenezer Scrooge, and is conveyed by other ministers, to other kinds of men. Nor can I tell you what I would. A very little more is all permitted to me. I cannot rest, I cannot stay, I cannot linger anywhere. My spirit never walked beyond our counting-houseâ€"mark me!â€"in life my spirit never roved beyond the narrow limits of our money-changing hole; and weary journeys lie before me!”

It was a habit with Scrooge, whenever he became thoughtful, to put his hands in his breeches pockets. Pondering on what the Ghost had said, he did so now, but without lifting up his eyes, or getting off his knees.

“You must have been very slow about it, Jacob,” Scrooge observed, in a business-like manner, though with humility and deference.

“Slow!” the Ghost repeated.

“Seven years dead,” mused Scrooge. “And travelling all the time!”

“The whole time,” said the Ghost. “No rest, no peace. Incessant torture of remorse.”

“You travel fast?” said Scrooge.

“On the wings of the wind,” replied the Ghost.

“You might have got over a great quantity of ground in seven years,” said Scrooge.

The Ghost, on hearing this, set up another cry, and clanked its chain so hideously in the dead silence of the night, that the Ward would have been justified in indicting it for a nuisance.

“Oh! captive, bound, and double-ironed,” cried the phantom, “not to know, that ages of incessant labour by immortal creatures, for this earth must pass into eternity before the good of which it is susceptible is all developed. Not to know that any Christian spirit working kindly in its little sphere, whatever it may be, will find its mortal life too short for its vast means of usefulness. Not to know that no space of regret can make amends for one life’s opportunity misused! Yet such was I! Oh! such was I!”

Life’s opportunity misused: opopponax, lavender, blackberry, patchouli, olive leaf, myrtle, and white cognac.

THE CHAINED PHANTOMS
The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley’s Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, upon a doorstep. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever.

Purgatorial wretchedness and despair: ice-limned white wine grape, balsam of peru, and chamomile

THE FIRST OF THE THREE SPIRITS
It was a strange figureâ€"like a child: yet not so like a child as like an old man, viewed through some supernatural medium, which gave him the appearance of having receded from the view, and being diminished to a child’s proportions. Its hair, which hung about its neck and down its back, was white as if with age; and yet the face had not a wrinkle in it, and the tenderest bloom was on the skin. The arms were very long and muscular; the hands the same, as if its hold were of uncommon strength. Its legs and feet, most delicately formed, were, like those upper members, bare. It wore a tunic of the purest white; and round its waist was bound a lustrous belt, the sheen of which was beautiful. It held a branch of fresh green holly in its hand; and, in singular contradiction of that wintry emblem, had its dress trimmed with summer flowers. But the strangest thing about it was, that from the crown of its head there sprung a bright clear jet of light, by which all this was visible; and which was doubtless the occasion of its using, in its duller moments, a great extinguisher for a cap, which it now held under its arm.

Even this, though, when Scrooge looked at it with increasing steadiness, was not its strangest quality. For as its belt sparkled and glittered now in one part and now in another, and what was light one instant, at another time was dark, so the figure itself fluctuated in its distinctness: being now a thing with one arm, now with one leg, now with twenty legs, now a pair of legs without a head, now a head without a body: of which dissolving parts, no outline would be visible in the dense gloom wherein they melted away. And in the very wonder of this, it would be itself again; distinct and clear as ever.

“Are you the Spirit, sir, whose coming was foretold to me?” asked Scrooge.

“I am!”

The voice was soft and gentle. Singularly low, as if instead of being so close beside him, it were at a distance.

“Who, and what are you?” Scrooge demanded.

“I am the Ghost of Christmas Past.”

“Long Past?” inquired Scrooge: observant of its dwarfish stature.

“No. Your past.”

Shimmering white amber, voluminous vanilla, white musk, zdravetz, and summer flowers.

A COLD, CLEAR WINTER DAY
“Good Heaven!” said Scrooge, clasping his hands together, as he looked about him. “I was bred in this place. I was a boy here!”

The Spirit gazed upon him mildly. Its gentle touch, though it had been light and instantaneous, appeared still present to the old man’s sense of feeling. He was conscious of a thousand odours floating in the air, each one connected with a thousand thoughts, and hopes, and joys, and cares long, long, forgotten!

“Your lip is trembling,” said the Ghost. “And what is that upon your cheek?”

Scrooge muttered, with an unusual catching in his voice, that it was a pimple; and begged the Ghost to lead him where he would.

“You recollect the way?” inquired the Spirit.

“Remember it!” cried Scrooge with fervour; “I could walk it blindfold.”

“Strange to have forgotten it for so many years!” observed the Ghost. “Let us go on.”

They walked along the road, Scrooge recognising every gate, and post, and tree; until a little market-town appeared in the distance, with its bridge, its church, and winding river. Some shaggy ponies now were seen trotting towards them with boys upon their backs, who called to other boys in country gigs and carts, driven by farmers. All these boys were in great spirits, and shouted to each other, until the broad fields were so full of merry music, that the crisp air laughed to hear it!

Winter tuberoses bending gently in a crisp, cold breeze.

THE SCHOOL
“The school is not quite deserted,” said the Ghost. “A solitary child, neglected by his friends, is left there still.”

Scrooge said he knew it. And he sobbed.

They left the high-road, by a well-remembered lane, and soon approached a mansion of dull red brick, with a little weathercock-surmounted cupola, on the roof, and a bell hanging in it. It was a large house, but one of broken fortunes; for the spacious offices were little used, their walls were damp and mossy, their windows broken, and their gates decayed. Fowls clucked and strutted in the stables; and the coach-houses and sheds were over-run with grass. Nor was it more retentive of its ancient state, within; for entering the dreary hall, and glancing through the open doors of many rooms, they found them poorly furnished, cold, and vast. There was an earthy savour in the air, a chilly bareness in the place, which associated itself somehow with too much getting up by candle-light, and not too much to eat.

They went, the Ghost and Scrooge, across the hall, to a door at the back of the house. It opened before them, and disclosed a long, bare, melancholy room, made barer still by lines of plain deal forms and desks. At one of these a lonely boy was reading near a feeble fire; and Scrooge sat down upon a form, and wept to see his poor forgotten self as he used to be.

Not a latent echo in the house, not a squeak and scuffle from the mice behind the panelling, not a drip from the half-thawed water-spout in the dull yard behind, not a sigh among the leafless boughs of one despondent poplar, not the idle swinging of an empty store-house door, no, not a clicking in the fire, but fell upon the heart of Scrooge with a softening influence, and gave a freer passage to his tears.

The Spirit touched him on the arm, and pointed to his younger self, intent upon his reading. Suddenly a man, in foreign garments: wonderfully real and distinct to look at: stood outside the window, with an axe stuck in his belt, and leading by the bridle an ass laden with wood.

“Why, it’s Ali Baba!” Scrooge exclaimed in ecstasy. “It’s dear old honest Ali Baba! Yes, yes, I know! One Christmas time, when yonder solitary child was left here all alone, he did come, for the first time, just like that. Poor boy! And Valentine,” said Scrooge, “and his wild brother, Orson; there they go! And what’s his name, who was put down in his drawers, asleep, at the Gate of Damascus; don’t you see him! And the Sultan’s Groom turned upside down by the Genii; there he is upon his head! Serve him right. I’m glad of it. What business had he to be married to the Princess!”

To hear Scrooge expending all the earnestness of his nature on such subjects, in a most extraordinary voice between laughing and crying; and to see his heightened and excited face; would have been a surprise to his business friends in the city, indeed.

“There’s the Parrot!” cried Scrooge. “Green body and yellow tail, with a thing like a lettuce growing out of the top of his head; there he is! Poor Robin Crusoe, he called him, when he came home again after sailing round the island. ‘Poor Robin Crusoe, where have you been, Robin Crusoe?’ The man thought he was dreaming, but he wasn’t. It was the Parrot, you know. There goes Friday, running for his life to the little creek! Halloa! Hoop! Halloo!”

In the corner of a desolate, dismal schoolhouse, all lonely stone walls, beeswax, and dusty wooden writing desks, stirs the scent of gold coins hidden in forest outside Baghdad, waves crashing against the hull of a Salé pirate ship, the lofty halls of Pépin le Bossu’s court, and a wild child’s home in the woods.

MR. FEZZIWIG'S BALL
“Yo ho, my boys!” said Fezziwig. “No more work to-night. Christmas Eve, Dick. Christmas, Ebenezer! Let’s have the shutters up,” cried old Fezziwig, with a sharp clap of his hands, “before a man can say Jack Robinson!”

You wouldn’t believe how those two fellows went at it! They charged into the street with the shuttersâ€"one, two, threeâ€"had ’em up in their placesâ€"four, five, sixâ€"barred ’em and pinned ’emâ€"seven, eight, nineâ€"and came back before you could have got to twelve, panting like race-horses.

“Hilli-ho!” cried old Fezziwig, skipping down from the high desk, with wonderful agility. “Clear away, my lads, and let’s have lots of room here! Hilli-ho, Dick! Chirrup, Ebenezer!”

Clear away! There was nothing they wouldn’t have cleared away, or couldn’t have cleared away, with old Fezziwig looking on. It was done in a minute. Every movable was packed off, as if it were dismissed from public life for evermore; the floor was swept and watered, the lamps were trimmed, fuel was heaped upon the fire; and the warehouse was as snug, and warm, and dry, and bright a ball-room, as you would desire to see upon a winter’s night.

In came a fiddler with a music-book, and went up to the lofty desk, and made an orchestra of it, and tuned like fifty stomach-aches. In came Mrs. Fezziwig, one vast substantial smile. In came the three Miss Fezziwigs, beaming and lovable. In came the six young followers whose hearts they broke. In came all the young men and women employed in the business. In came the housemaid, with her cousin, the baker. In came the cook, with her brother’s particular friend, the milkman. In came the boy from over the way, who was suspected of not having board enough from his master; trying to hide himself behind the girl from next door but one, who was proved to have had her ears pulled by her mistress. In they all came, one after another; some shyly, some boldly, some gracefully, some awkwardly, some pushing, some pulling; in they all came, anyhow and everyhow. Away they all went, twenty couple at once; hands half round and back again the other way; down the middle and up again; round and round in various stages of affectionate grouping; old top couple always turning up in the wrong place; new top couple starting off again, as soon as they got there; all top couples at last, and not a bottom one to help them! When this result was brought about, old Fezziwig, clapping his hands to stop the dance, cried out, “Well done!” and the fiddler plunged his hot face into a pot of porter, especially provided for that purpose. But scorning rest, upon his reappearance, he instantly began again, though there were no dancers yet, as if the other fiddler had been carried home, exhausted, on a shutter, and he were a bran-new man resolved to beat him out of sight, or perish.

There were more dances, and there were forfeits, and more dances, and there was cake, and there was negus, and there was a great piece of Cold Roast, and there was a great piece of Cold Boiled, and there were mince-pies, and plenty of beer. But the great effect of the evening came after the Roast and Boiled, when the fiddler (an artful dog, mind! The sort of man who knew his business better than you or I could have told it him!) struck up “Sir Roger de Coverley.” Then old Fezziwig stood out to dance with Mrs. Fezziwig. Top couple, too; with a good stiff piece of work cut out for them; three or four and twenty pair of partners; people who were not to be trifled with; people who would dance, and had no notion of walking.

But if they had been twice as manyâ€"ah, four timesâ€"old Fezziwig would have been a match for them, and so would Mrs. Fezziwig. As to her, she was worthy to be his partner in every sense of the term. If that’s not high praise, tell me higher, and I’ll use it. A positive light appeared to issue from Fezziwig’s calves. They shone in every part of the dance like moons. You couldn’t have predicted, at any given time, what would have become of them next. And when old Fezziwig and Mrs. Fezziwig had gone all through the dance; advance and retire, both hands to your partner, bow and curtsey, corkscrew, thread-the-needle, and back again to your place; Fezziwig “cut”â€"cut so deftly, that he appeared to wink with his legs, and came upon his feet again without a stagger.

Mince pie, dark beer, a well-loved spruce wood fiddle, and bow resin.

A GOLDEN IDOL
For again Scrooge saw himself. He was older now; a man in the prime of life. His face had not the harsh and rigid lines of later years; but it had begun to wear the signs of care and avarice. There was an eager, greedy, restless motion in the eye, which showed the passion that had taken root, and where the shadow of the growing tree would fall.

He was not alone, but sat by the side of a fair young girl in a mourning-dress: in whose eyes there were tears, which sparkled in the light that shone out of the Ghost of Christmas Past.

“It matters little,” she said, softly. “To you, very little. Another idol has displaced me; and if it can cheer and comfort you in time to come, as I would have tried to do, I have no just cause to grieve.”

“What Idol has displaced you?” he rejoined.

“A golden one.”

“This is the even-handed dealing of the world!” he said. “There is nothing on which it is so hard as poverty; and there is nothing it professes to condemn with such severity as the pursuit of wealth!”

“You fear the world too much,” she answered, gently. “All your other hopes have merged into the hope of being beyond the chance of its sordid reproach. I have seen your nobler aspirations fall off one by one, until the master-passion, Gain, engrosses you. Have I not?”

“What then?” he retorted. “Even if I have grown so much wiser, what then? I am not changed towards you.”

She shook her head.

“Am I?”

“Our contract is an old one. It was made when we were both poor and content to be so, until, in good season, we could improve our worldly fortune by our patient industry. You are changed. When it was made, you were another man.”

“I was a boy,” he said impatiently.

“Your own feeling tells you that you were not what you are,” she returned. “I am. That which promised happiness when we were one in heart, is fraught with misery now that we are two. How often and how keenly I have thought of this, I will not say. It is enough that I have thought of it, and can release you.”

“Have I ever sought release?”

“In words. No. Never.”

“In what, then?”

“In a changed nature; in an altered spirit; in another atmosphere of life; another Hope as its great end. In everything that made my love of any worth or value in your sight. If this had never been between us,” said the girl, looking mildly, but with steadiness, upon him; “tell me, would you seek me out and try to win me now? Ah, no!”

He seemed to yield to the justice of this supposition, in spite of himself. But he said with a struggle, “You think not.”

“I would gladly think otherwise if I could,” she answered, “Heaven knows! When I have learned a Truth like this, I know how strong and irresistible it must be. But if you were free to-day, to-morrow, yesterday, can even I believe that you would choose a dowerless girlâ€"you who, in your very confidence with her, weigh everything by Gain: or, choosing her, if for a moment you were false enough to your one guiding principle to do so, do I not know that your repentance and regret would surely follow? I do; and I release you. With a full heart, for the love of him you once were.”

Glittering gold and loss beyond understanding: antiqued amber, English lavender, vetiver, and tea rose.

THE SECOND OF THE THREE SPIRITS
The moment Scrooge’s hand was on the lock, a strange voice called him by his name, and bade him enter. He obeyed.

It was his own room. There was no doubt about that. But it had undergone a surprising transformation. The walls and ceiling were so hung with living green, that it looked a perfect grove; from every part of which, bright gleaming berries glistened. The crisp leaves of holly, mistletoe, and ivy reflected back the light, as if so many little mirrors had been scattered there; and such a mighty blaze went roaring up the chimney, as that dull petrification of a hearth had never known in Scrooge’s time, or Marley’s, or for many and many a winter season gone. Heaped up on the floor, to form a kind of throne, were turkeys, geese, game, poultry, brawn, great joints of meat, sucking-pigs, long wreaths of sausages, mince-pies, plum-puddings, barrels of oysters, red-hot chestnuts, cherry-cheeked apples, juicy oranges, luscious pears, immense twelfth-cakes, and seething bowls of punch, that made the chamber dim with their delicious steam. In easy state upon this couch, there sat a jolly Giant, glorious to see; who bore a glowing torch, in shape not unlike Plenty’s horn, and held it up, high up, to shed its light on Scrooge, as he came peeping round the door.

“Come in!” exclaimed the Ghost. “Come in! and know me better, man!”

Scrooge entered timidly, and hung his head before this Spirit. He was not the dogged Scrooge he had been; and though the Spirit’s eyes were clear and kind, he did not like to meet them.

“I am the Ghost of Christmas Present,” said the Spirit. “Look upon me!”

Scrooge reverently did so. It was clothed in one simple green robe, or mantle, bordered with white fur. This garment hung so loosely on the figure, that its capacious breast was bare, as if disdaining to be warded or concealed by any artifice. Its feet, observable beneath the ample folds of the garment, were also bare; and on its head it wore no other covering than a holly wreath, set here and there with shining icicles. Its dark brown curls were long and free; free as its genial face, its sparkling eye, its open hand, its cheery voice, its unconstrained demeanour, and its joyful air. Girded round its middle was an antique scabbard; but no sword was in it, and the ancient sheath was eaten up with rust.

Pine boughs, plum pudding, spiced pears, sugared chestnuts, punch floated with oranges, boughs of holly, and myrica berries.

BOB CRATCHIT'S HEARTH
At last the dinner was all done, the cloth was cleared, the hearth swept, and the fire made up. The compound in the jug being tasted, and considered perfect, apples and oranges were put upon the table, and a shovel-full of chestnuts on the fire. Then all the Cratchit family drew round the hearth, in what Bob Cratchit called a circle, meaning half a one; and at Bob Cratchit’s elbow stood the family display of glass. Two tumblers, and a custard-cup without a handle.

These held the hot stuff from the jug, however, as well as golden goblets would have done; and Bob served it out with beaming looks, while the chestnuts on the fire sputtered and cracked noisily. Then Bob proposed:

“A Merry Christmas to us all, my dears. God bless us!”

Which all the family re-echoed.

“God bless us every one!” said Tiny Tim, the last of all.

Glowing firewood and sherry-cobbler.

CHRISTMAS EVE ON THE MOOR
And now, without a word of warning from the Ghost, they stood upon a bleak and desert moor, where monstrous masses of rude stone were cast about, as though it were the burial-place of giants; and water spread itself wheresoever it listed, or would have done so, but for the frost that held it prisoner; and nothing grew but moss and furze, and coarse rank grass. Down in the west the setting sun had left a streak of fiery red, which glared upon the desolation for an instant, like a sullen eye, and frowning lower, lower, lower yet, was lost in the thick gloom of darkest night.

“What place is this?” asked Scrooge.

“A place where Miners live, who labour in the bowels of the earth,” returned the Spirit. “But they know me. See!”

A light shone from the window of a hut, and swiftly they advanced towards it. Passing through the wall of mud and stone, they found a cheerful company assembled round a glowing fire. An old, old man and woman, with their children and their children’s children, and another generation beyond that, all decked out gaily in their holiday attire. The old man, in a voice that seldom rose above the howling of the wind upon the barren waste, was singing them a Christmas songâ€"it had been a very old song when he was a boyâ€"and from time to time they all joined in the chorus. So surely as they raised their voices, the old man got quite blithe and loud; and so surely as they stopped, his vigour sank again.

Windswept moor grass, grey moss, mud, and stone warmed by a small, comfortable fire.

IGNORANCE AND WANT
From the foldings of its robe, it brought two children; wretched, abject, frightful, hideous, miserable. They knelt down at its feet, and clung upon the outside of its garment.

“Oh, Man! look here. Look, look, down here!” exclaimed the Ghost.

They were a boy and girl. Yellow, meagre, ragged, scowling, wolfish; but prostrate, too, in their humility. Where graceful youth should have filled their features out, and touched them with its freshest tints, a stale and shrivelled hand, like that of age, had pinched, and twisted them, and pulled them into shreds. Where angels might have sat enthroned, devils lurked, and glared out menacing. No change, no degradation, no perversion of humanity, in any grade, through all the mysteries of wonderful creation, has monsters half so horrible and dread.

Scrooge started back, appalled. Having them shown to him in this way, he tried to say they were fine children, but the words choked themselves, rather than be parties to a lie of such enormous magnitude.

“Spirit! are they yours?” Scrooge could say no more.

“They are Man’s,” said the Spirit, looking down upon them. “And they cling to me, appealing from their fathers. This boy is Ignorance. This girl is Want. Beware them both, and all of their degree, but most of all beware this boy, for on his brow I see that written which is Doom, unless the writing be erased. Deny it!” cried the Spirit, stretching out its hand towards the city. “Slander those who tell it ye! Admit it for your factious purposes, and make it worse. And abide the end!”

“Have they no refuge or resource?” cried Scrooge.

“Are there no prisons?” said the Spirit, turning on him for the last time with his own words. “Are there no workhouses?”

The bell struck twelve.

Bog myrtle, wormwood accord, carrot seed, lovage, Roman chamomile, orris root, myrrh, and patchouli.

A GAME CALLED YES & NO
“Here is a new game,” said Scrooge. “One half hour, Spirit, only one!”

It was a Game called Yes and No, where Scrooge’s nephew had to think of something, and the rest must find out what; he only answering to their questions yes or no, as the case was. The brisk fire of questioning to which he was exposed, elicited from him that he was thinking of an animal, a live animal, rather a disagreeable animal, a savage animal, an animal that growled and grunted sometimes, and talked sometimes, and lived in London, and walked about the streets, and wasn’t made a show of, and wasn’t led by anybody, and didn’t live in a menagerie, and was never killed in a market, and was not a horse, or an ass, or a cow, or a bull, or a tiger, or a dog, or a pig, or a cat, or a bear. At every fresh question that was put to him, this nephew burst into a fresh roar of laughter; and was so inexpressibly tickled, that he was obliged to get up off the sofa and stamp. At last the plump sister, falling into a similar state, cried out:

“I have found it out! I know what it is, Fred! I know what it is!”

“What is it?” cried Fred.

“It’s your Uncle Scro-o-o-o-oge!”

Which it certainly was. Admiration was the universal sentiment, though some objected that the reply to “Is it a bear?” ought to have been “Yes;” inasmuch as an answer in the negative was sufficient to have diverted their thoughts from Mr. Scrooge, supposing they had ever had any tendency that way.

“He has given us plenty of merriment, I am sure,” said Fred, “and it would be ungrateful not to drink his health. Here is a glass of mulled wine ready to our hand at the moment; and I say, ‘Uncle Scrooge!’ ”

“Well! Uncle Scrooge!” they cried.

“A Merry Christmas and a Happy New Year to the old man, whatever he is!” said Scrooge’s nephew. “He wouldn’t take it from me, but may he have it, nevertheless. Uncle Scrooge!”

Mulled wine and marzipan.

THE LAST OF THE SPIRITS
The Phantom slowly, gravely, silently approached. When it came near him, Scrooge bent down upon his knee; for in the very air through which this Spirit moved it seemed to scatter gloom and mystery.

It was shrouded in a deep black garment, which concealed its head, its face, its form, and left nothing of it visible save one outstretched hand. But for this it would have been difficult to detach its figure from the night, and separate it from the darkness by which it was surrounded.

He felt that it was tall and stately when it came beside him, and that its mysterious presence filled him with a solemn dread. He knew no more, for the Spirit neither spoke nor moved.

“I am in the presence of the Ghost of Christmas Yet To Come?” said Scrooge.

The Spirit answered not, but pointed onward with its hand.

“You are about to show me shadows of the things that have not happened, but will happen in the time before us,” Scrooge pursued. “Is that so, Spirit?”

The upper portion of the garment was contracted for an instant in its folds, as if the Spirit had inclined its head. That was the only answer he received.

Although well used to ghostly company by this time, Scrooge feared the silent shape so much that his legs trembled beneath him, and he found that he could hardly stand when he prepared to follow it. The 70 Spirit paused a moment, as observing his condition, and giving him time to recover.

But Scrooge was all the worse for this. It thrilled him with a vague uncertain horror, to know that behind the dusky shroud, there were ghostly eyes intently fixed upon him, while he, though he stretched his own to the utmost, could see nothing but a spectral hand and one great heap of black.

“Ghost of the Future!” he exclaimed, “I fear you more than any spectre I have seen. But as I know your purpose is to do me good, and as I hope to live to be another man from what I was, I am prepared to bear you company, and do it with a thankful heart. Will you not speak to me?”

It gave him no reply. The hand was pointed straight before them.

“Lead on!” said Scrooge. “Lead on! The night is waning fast, and it is precious time to me, I know. Lead on, Spirit!”

Blackcurrant, myrrh, and vetiver.

AN ALTAR TO COLD, RIGID, DREADFUL DEATH
He recoiled in terror, for the scene had changed, and now he almost touched a bed: a bare, uncurtained bed: on which, beneath a ragged sheet, there lay a something covered up, which, though it was dumb, announced itself in awful language.

The room was very dark, too dark to be observed with any accuracy, though Scrooge glanced round it in obedience to a secret impulse, anxious to know what kind of room it was. A pale light, rising in the outer air, fell straight upon the bed; and on it, plundered and bereft, unwatched, unwept, uncared for, was the body of this man.

Scrooge glanced towards the Phantom. Its steady hand was pointed to the head. The cover was so carelessly adjusted that the slightest raising of it, the motion of a finger upon Scrooge’s part, would have disclosed the face. He thought of it, felt how easy it would be to do, and longed to do it; but had no more power to withdraw the veil than to dismiss the spectre at his side.

Oh cold, cold, rigid, dreadful Death, set up thine altar here, and dress it with such terrors as thou hast at thy command: for this is thy dominion! But of the loved, revered, and honoured head, thou canst not turn one hair to thy dread purposes, or make one feature odious. It is not that the hand is heavy and will fall down when released; it is not that the heart and pulse are still; but that the hand was open, generous, and true; the heart brave, warm, and tender; and the pulse a man’s. Strike, Shadow, strike! And see his good deeds springing from the wound, to sow the world with life immortal!

No voice pronounced these words in Scrooge’s ears, and yet he heard them when he looked upon the bed. He thought, if this man could be raised up now, what would be his foremost thoughts? Avarice, hard-dealing, griping cares? They have brought him to a rich end, truly!

He lay, in the dark empty house, with not a man, a woman, or a child, to say that he was kind to me in this or that, and for the memory of one kind word I will be kind to him. A cat was tearing at the door, and there was a sound of gnawing rats beneath the hearth-stone. What they wanted in the room of death, and why they were so restless and disturbed, Scrooge did not dare to think.

Black cedar, frankincense, and dust.

SHADOWS OF WHAT MAY BE
The Ghost of Christmas Yet To Come conveyed him, as beforeâ€"though at a different time, he thought: indeed, there seemed no order in these latter visions, save that they were in the Futureâ€"into the resorts of business men, but showed him not himself. Indeed, the Spirit 82did not stay for anything, but went straight on, as to the end just now desired, until besought by Scrooge to tarry for a moment.

“This court,” said Scrooge, “through which we hurry now, is where my place of occupation is, and has been for a length of time. I see the house. Let me behold what I shall be, in days to come!”

The Spirit stopped; the hand was pointed elsewhere.

“The house is yonder,” Scrooge exclaimed. “Why do you point away?”

The inexorable finger underwent no change.

Scrooge hastened to the window of his office, and looked in. It was an office still, but not his. The furniture was not the same, and the figure in the chair was not himself. The Phantom pointed as before.

He joined it once again, and wondering why and whither he had gone, accompanied it until they reached an iron gate. He paused to look round before entering.

A churchyard. Here, then; the wretched man whose name he had now to learn, lay underneath the ground. It was a worthy place. Walled in by houses; overrun by grass and weeds, the growth of vegetation’s death, not life; choked up with too much burying; fat with repleted appetite. A worthy place!

The Spirit stood among the graves, and pointed down to One. He advanced towards it trembling. The Phantom was exactly as it had been, but he dreaded that he saw new meaning in its solemn shape.

“Before I draw nearer to that stone to which you point,” said Scrooge, “answer me one question. Are these the shadows of the things that Will be, or are they shadows of things that May be, only?”

Still the Ghost pointed downward to the grave by which it stood.

“Men’s courses will foreshadow certain ends, to which, if persevered in, they must lead,” said Scrooge. “But if the courses be departed from, the ends will change. Say it is thus with what you show me!”

The Spirit was immovable as ever.

Scrooge crept towards it, trembling as he went; and following the finger, read upon the stone of the neglected grave his own name, Ebenezer Scrooge.

A deserted, dismal grave: upturned earth, overgrown grass, and dead weeds.

CHANGING THE SHADOWS
“Am I that man who lay upon the bed?” he cried, upon his knees.

The finger pointed from the grave to him, and back again.

“No, Spirit! Oh no, no!”

The finger still was there.

“Spirit!” he cried, tight clutching at its robe, “hear me! I am not the man I was. I will not be the man I must have been but for this intercourse. Why show me this, if I am past all hope!”

For the first time the hand appeared to shake.

“Good Spirit,” he pursued, as down upon the ground he fell before it: “Your nature intercedes for me, and pities me. Assure me that I yet may change these shadows you have shown me, by an altered life!”

The kind hand trembled.

“I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach. Oh, tell me I may sponge away the writing on this stone!”

In his agony, he caught the spectral hand. It sought to free itself, but he was strong in his entreaty, and detained it. The Spirit, stronger yet, repulsed him.

Holding up his hands in a last prayer to have his fate reversed, he saw an alteration in the Phantom’s hood and dress. It shrunk, collapsed, and dwindled down into a bedpost.

The dawning of hope and the blossoming of charity: vanilla, orange blossom, white sandalwood, mate, red tea, and carnation.

WHOOP
“I don’t know what to do!” cried Scrooge, laughing and crying in the same breath; and making a perfect Laocoön of himself with his stockings. “I am as light as a feather, I am as happy as an angel, I am as merry as a schoolboy. I am as giddy as a drunken man. A merry Christmas to everybody! A happy New Year to all the world. Hallo here! Whoop! Hallo!”

He had frisked into the sitting-room, and was now standing there: perfectly winded.

“There’s the saucepan that the gruel was in!” cried Scrooge, starting off again, and going round the fireplace. “There’s the door, by which the Ghost of Jacob Marley entered! There’s the corner where the Ghost of Christmas Present, sat! There’s the window where I saw the wandering Spirits! It’s all right, it’s all true, it all happened. Ha ha ha!”

Really, for a man who had been out of practice for so many years, it was a splendid laugh, a most illustrious laugh. The father of a long, long line of brilliant laughs!

“I don’t know what day of the month it is!” said Scrooge. “I don’t know how long I’ve been among the Spirits. I don’t know anything. I’m quite a baby. Never mind. I don’t care. I’d rather be a baby. Hallo! Whoop! Hallo here!”

He was checked in his transports by the churches ringing out the lustiest peals he had ever heard. Clash, clang, hammer; ding, dong, bell. Bell, dong, ding; hammer, clang, clash! Oh, glorious, glorious!

Running to the window, he opened it, and put out his head. No fog, no mist; clear, bright, jovial, stirring, cold; cold, piping for the blood to dance to; Golden sunlight; Heavenly sky; sweet fresh air; merry bells. Oh, glorious! Glorious!

“What’s to-day!” cried Scrooge, calling downward to a boy in Sunday clothes, who perhaps had loitered in to look about him.

“Eh?” returned the boy, with all his might of wonder.

“What’s to-day, my fine fellow?” said Scrooge.

“To-day!” replied the boy. “Why, Christmas Day.”

Golden sunlight and sweet fresh air brightening a Heavenly sky on Christmas Day: crisp winter air, shimmering amber, sweet honey, with a touch of pumpkin pie, pine cone, cranberry, and bayberry.



++YULETIME
AUTUMN AND WINTER
Three months bade wane and wax the wintering moon
Between two dates of death, while men were fain
Yet of the living light that all too soon
Three months bade wane.

Cold autumn, wan with wrath of wind and rain,
Saw pass a soul sweet as the sovereign tune
That death smote silent when he smote again.

First went my friend, in life's mid light of noon,
Who loved the lord of music: then the strain
Whence earth was kindled like as heaven in June
Three months bade wane.

A herald soul before its master's flying
Touched by some few moons first the darkling goal
Where shades rose up to greet the shade, espying
A herald soul;

Shades of dead lords of music, who control
Men living by the might of men undying,
With strength of strains that make delight of dole.

The deep dense dust on death's dim threshold lying
Trembled with sense of kindling sound that stole
Through darkness, and the night gave ear, descrying
A herald soul.

One went before, one after, but so fast
They seem gone hence together, from the shore
Whence we now gaze: yet ere the mightier passed
One went before;

One whose whole heart of love, being set of yore
On that high joy which music lends us, cast
Light round him forth of music's radiant store.

Then went, while earth on winter glared aghast,
The mortal god he worshipped, through the door
Wherethrough so late, his lover to the last,
One went before.

A star had set an hour before the sun
Sank from the skies wherethrough his heart's pulse yet
Thrills audibly: but few took heed, or none,
A star had set.

All heaven rings back, sonorous with regret,
The deep dirge of the sunset: how should one
Soft star be missed in all the concourse met?

But, O sweet single heart whose work is done,
Whose songs are silent, how should I forget
That ere the sunset's fiery goal was won
A star had set?

Bitter currant and dry leaves. Winter wind at dusk.

CHANUKKIYAH 2010
Baruch ata Ado-nai, Elo-heinu Melech ha'olam, Asher kid'shanu b'mitzvosav v'tzivanu l'hadlik ner shel Chanukah.

Baruch ata Ado-nai, Elo-heinu Melech ha'olam, She'asah nisim la'avoseinu, bayamim ha'hem baz'man hazeh.

Baruch ata Ado-nai, Elo-heinu Melech ha'olam, She'hecheyanu, vekiyemanu vehigi'anu laz'man hazeh.

Olive oil, beeswax, glowing amber, sweet sufganiyot, pomegranate, and fig.

Ha'Neiros halalu anachnu madlikin al hanisim ve'al hanifla'os, ve'al hat'shu'os ve'al hamilchamos, sh'asisa la'avoseinu bayamim hahem baz'man hazeh, al yedei kohaneicha hakedoshim. Vechol sh'monas yemei Chanukah, haneiros halalu kodesh hem. Ve'ein lanu reshus le'hishtamesh ba'hem, eh'la lir'osam bilvad, ke'dei le'hodos u'lehalel leshimcha hagadol al nisecha ve'al nifle'osecha ve'al yeshu'oshecha.

Ma'oz tzur yeshu'asi
Lecha na'eh leshabe'ach
Tikone bais tefilasi
Ve'sham todah nezabe'ach
Le'es Tachin Mabe'ach
Mitzar ham'nabe'ach
Az egmor beshir mizmor
Chanukas hamizbe'ach.

EGG NOG 2010
Sweet brandy, dark rum, heavy cream, sugar, and a dash of nutmeg.

GELT 2010
Sevivon, sov, sov, sov
Chanukah, hu chag tov
Chanukah, hu chag tov
Sevivon, sov, sov, sov!

Chag simcha hu la-am
Nes gadol haya sham
Nes gadol haya sham
Chag simcha hu la-am.

A bounty of chocolate coins! Dry cocoa and golden amber!

GINGERBREAD POPPET 2010
Warm, cozy gingerbread spiced with nutmeg, clove and cinnamon.

HALOA 2010
Sacred to both Demeter and Dionysus, this is a celebration of the of the pruning of the vines, the first fermentation of the year's wine, and of the consecration of the next year's planting. The service was lead by the heterai and the Eleusinian Arkhontes, and began with the preparation of a banquet that honors Demeter's bounty and the fertility aspect of Dionysus with pudenda- and phallus-shaped cakes. After the preliminary feast, the magistrates departed, and the heterai held a second rite that consisted of copious wine consumption, ritual symbolic fornication, and formal offerings of incense, grain, and cakes to sacred statues of the deities and to clay images of genitalia. Finally, the magistrates and priests were permitted to rejoin the ritual. A Priest and Priestess bore torches that symbolizes Demeter and her daughter Persephone presided over the final ceremony, which culminated in the ultimate celebration of fertility: an orgy that lasted til dawn.

Wine grapes, pomegranate, myrrh, frankincense and olive leaf, and the warm scent of offertory cakes.

JACOB'S LADDER 2010
And Jacob went out from Beersheba, and went toward Haran.

And he lighted upon a certain place, and tarried there all night, because the sun was set; and he took of the stones of that place, and put them for his pillows, and lay down in that place to sleep.

And he dreamed, and behold a ladder set up on the earth, and the top of it reached to heaven: and behold the angels of God ascending and descending on it.

And, behold, the Lord stood above it, and said, I am the Lord God of Abraham thy father, and the God of Isaac: the land whereon thou liest, to thee will I give it, and to thy seed;

And thy seed shall be as the dust of the earth, and thou shalt spread abroad to the west, and to the east, and to the north, and to the south: and in thee and in thy seed shall all the families of the earth be blessed.

And, behold, I am with thee, and will keep thee in all places whither thou goest, and will bring thee again into this land; for I will not leave thee, until I have done that which I have spoken to thee of.

And Jacob awaked out of his sleep, and he said, Surely the Lord is in this place; and I knew it not.

And he was afraid, and said, How dreadful is this place! this is none other but the house of God, and this is the gate of heaven.

The meeting of Heaven and Earth: golden amber, galbanum, benzoin, ambrette, rockrose, costus and tonka.

JÃ"LASVEINAR 2010
The Jólasveinar are the seventy-some offspring of Grýla and Leppalúði, an ogre couple with a taste for chomping naughty children. This impish brood delights in causing discomfort, sowing confusion, and all-out raising hell during the Yule season. Their names are indicative of their malicious intentions -- Strap Loosener, Door Slammer, Window Peeper, Sausage Snatcher, Doorway Sniffer, Icebreaker -- and their creepy natures -- Lamp Shadow, Smoke Gulper, Crevice Imp. The devillish Jólasveinar finally cease their mischief and head for home at Þrettándinn.

Their scent is a mishmash of snow, dirt, Icelandic moss, marsh felwort, and the smushed petals of buttercups and moorland spotted orchids, with the barest hint of the scent of pilfered Christmas pastries.

LICK IT VIGOROUSLY
What else could possibly be more lickable at Yuletide? This is a candy cane perfume, minty, sweet and sugared.

[Please don’t literally Lick It. I need no cheerful holiday lawsuits, thank you!]

MIDNIGHT MASS 2010
I will wash my hands among the innocent; and will compass thy altar, O Lord: That I may hear the voice of thy praise: and tell of all thy wondrous works. I have loved, O Lord, the beauty of thy house; and the place where thy glory dwelleth. Take not away my soul, O God, with the wicked: nor my life with bloody men: In whose hands are iniquities: their right hand is filled with gifts.

But as for me, I have walked in my innocence: redeem me, and have mercy on me. My foot hath stood in the direct way: in the churches I will bless thee, O Lord.

In Roman Catholic tradition, the Christmas season begins liturgically on Christmas Eve, though it is forbidden to celebrate the Christmas Mass before midnight. The most devout attend Midnight Mass, celebrating both the Eucharist and the drama of the Nativity.

This perfume is a traditional Roman Catholic sacramental incense, most often used during a Solemn Mass. Traditionally, five tears of this incense, each encased individually in wax that has been fashioned into the shape of a nail, are inserted into the paschal candle. This is, of course, represents the Five Wounds of Our Risen Savior. Symbolically, the burning of the incense signifies spiritual fervor, the fragrance itself inspires virtue, and the rising smoke carries our prayers to God.

Credo in unum Deum, Patrem omnipotentem, factorem caeli et terrae, visibilium omnium et invisibilium.

Et in unum Dominum Iesum Christum, Filium Dei unigenitum, et ex Patre natum ante omnia saecula. Deum de Deo, Lumen de Lumine, Deum verum de Deo vero, genitum non factum, consubstantialem Patri; per quem omnia facta sunt. Qui propter nos homines et propter nostram salutem descendit de caelis. Et incarnatus est de Spiritu Sancto ex Maria Virgine, et homo factus est. Crucifixus etiam pro nobis sub Pontio Pilato, passus et sepultus est, et resurrexit tertia die, secundum Scripturas, et ascendit in caelum, sedet ad dexteram Patris. Et iterum venturus est cum gloria, iudicare vivos et mortuos, cuius regni non erit finis.

Et in Spiritum Sanctum, Dominum et vivificantem, qui ex Patre procedit. Qui cum Patre et Filio simul adoratur et conglorificatur: qui locutus est per prophetas. Et unam, sanctam, catholicam et apostolicam Ecclesiam. Confiteor unum baptisma in remissionem peccatorum. Et expecto resurrectionem mortuorum, et vitam venturi saeculi. Amen.

NOCHE BUENA 2010
A celebration of the Nativity: the light, uplifting incense of the Misa de Noche Buena, purple sage, and a vibrant bouquet of plumeria, chrysanthemum, tuberose, Angel's Trumpet, Mexican tiger lily, dahlia, and azucenas.

PEACOCK QUEEN 2010
In dramatic contrast to the soft innocence of Snow White and the dew-kissed freshness of her sister, Rose Red, this is a blood red, voluptuous rose, velvet-petaled, at the height of bloom. Haughty and imperious, vain, yet incomparably lovely to the eye, but thick with thorns of jealousy, pride and hatred.

ROSE RED 2010
The perfected winter rose, dew covered and freshly cut.

SNOW WHITE 2010
A chilly, bright perfume: flurries of virgin snow, crisp winter wind and the faintest breath of night-blooming flowers.

WINTER-TIME
Late lies the wintry sun a-bed, A frosty, fiery sleepy-head;
Blinks but an hour or two; and then,
A blood-red orange, sets again.

Before the stars have left the skies,
At morning in the dark I rise;
And shivering in my nakedness,
By the cold candle, bathe and dress.

Close by the jolly fire I sit
To warm my frozen bones a bit;
Or with a reindeer-sled, explore
The colder countries round the door.

When to go out, my nurse doth wrap
Me in my comforter and cap;
The cold wind burns my face, and blows
Its frosty pepper up my nose.

Black are my steps on silver sod;
Thick blows my frosty breath abroad;
And tree and house, and hill and lake,
Are frosted like a wedding cake.

Sweet, soft snow.

WOODS IN WINTER
When winter winds are piercing chill,
And through the hawthorn blows the gale,
With solemn feet I tread the hill,
That overbrows the lonely vale.

O'er the bare upland, and away
Through the long reach of desert woods,
The embracing sunbeams chastely play,
And gladden these deep solitudes.

Where, twisted round the barren oak,
The summer vine in beauty clung,
And summer winds the stillness broke,
The crystal icicle is hung.

Where, from their frozen urns, mute springs
Pour out the river's gradual tide,
Shrilly the skater's iron rings,
And voices fill the woodland side.

Alas! how changed from the fair scene,
When birds sang out their mellow lay,
And winds were soft, and woods were green,
And the song ceased not with the day!

But still wild music is abroad,
Pale, desert woods! within your crowd;
And gathering winds, in hoarse accord,
Amid the vocal reeds pipe loud.

Chill airs and wintry winds! my ear
Has grown familiar with your song;
I hear it in the opening year,
I listen, and it cheers me long.

Wild hemlock and juniper berries scattered in the snow beneath leafless trees bedecked with glittering icicles.

YULE 2010
The Holly King and Oak King each hold sway for half of the year, and engage in an epic, eternal battle at Litha and Yule. In truth, they are each a half of the whole -- known by many names: Pashupati, Caerwiden, Herne, Pan, Puck, Cernunnos, the Green Man, the Horned God -- and as the Holly and Oak Kings represent the light and dark halves of the year, thus do they also represent the light and dark halves of the deity, and thereby, of ourselves.

During the darkness of the year, though it seems cold, barren, and bleak, the earth holds the warmth of life deep within itself, and in the depth of its shadows is the eternal promise of renewal and rebirth.

It is Yule, and the Holly King has slain the Oak: blood red holly berry, mistletoe, wild thyme, verbena, cinquefoil, hemp, winter rose, evergreen, frankincense, juniper, and myrrh.



++THE LAST UNICORN
THE LILAC WOOD
It was always spring in her forest, because she lived there, and she wandered all day among the great beech trees, keeping watch over the animals that lived in the ground and under bushes, in nests and caves, earths and treetops. Generation after generation, wolves and rabbits alike, they hunted and loved and had children and died, and as the unicorn did none of these things, she never grew tired of watching them.

Ageless trees, everblooming flowers, brilliant grass, and soft shadows.

THE LAST UNICORN
The unicorn lived in a lilac wood, and she lived all alone. She was very old, though she did not know it, and she was no longer the careless color of sea foam, but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea.

Frosty lilac petals, iris pallida root, orris, violet leaf, white chocolate, coconut, wild lettuce, white sandalwood, and oakmoss.

THE BUTTERFLY
Then one afternoon the butterfly wobbled out of a breeze and lit on the tip of her horn. He was velvet all over, dark and dusty, with golden spots on his wings, and he was as thin as a flower petal. Dancing along her horn, he saluted her with his curling feelers. “I am a roving gambler. How do you do?”

Fuzzy brown tonka bean, golden amber, bergamot, and petitgrain.

THE MIDNIGHT CARNIVAL
There were nine wagons, each draped in black, each drawn by a lean black horse, and each baring barred sides like teeth when the wind blew through the black hangings. The lead wagon was driven by a squat old woman, and it bore signs on its shrouded sides that said in big letters: MOMMY FORTUNA’S MIDNIGHT CARNIVAL. And below, in smaller print: Creatures of night, brought to light.

Cruelty and confinement, small magics and penny illusions: galbanum, teak, myrrh, narcissus, patchouli, cacao, labdanum, agarwood, lavender, neroli, and black moss.

THE NINTH CAGE
The unicorn hardly heard him. She turned and turned in her prison, her body shrinking from the touch of the iron bars all around her. No creature of man’s night loves cold iron, and while the unicorn could endure its presence, the murderous smell of it seemed to turn her bones to sand and her blood to rain. The bars of her cage must have had some sort of spell on them, for they never stopped whispering evilly to one another in clawed, pattering voices.

A claustrophobic blend of iron and oak.

ARACHNE OF LYDIA
Rukh was standing before a cage that contained nothing but a small brown spider weaving a modest web across the bars. “Arachne of Lydia,” he told the crowd. “Guaranteed the greatest weaver in the world â€" her fate’s the proof of it. She had the bad luck to defeat the goddess Athena in a weaving contest. Athena was a sore loser, and Arachne is now a spider, creating only for Mommy Fortuna’s Midnight Carnival, by special arrangement. Warp of snow and woof of flame, and never any two the same. Arachne.”

Strung on the loom of iron bars, the web was very simple and almost colorless, except for an occasional rainbow shiver when the spider scuttled out on it to put a thread right. But it drew the onlookers’ eyes â€" and the unicorn’s eyes as well â€" back and forth and steadily deeper, until they seemed to be looking down into great rifts in the world, black fissures that widened remorselessly and yet would not fall into pieces as long as Arachne’s web held the world together. The unicorn shook herself free with a sigh, and saw the real web again. It was very simple, and almost colorless.

“It isn’t like the others,” she said. “No,” Schmendrick agreed grudgingly. “But there’s no credit due to Mommy Fortuna for that. You see, the spider believes. She sees those cat’s-cradles herself and thinks them her own work. Belief makes all the difference to magic like Mommy Fortuna’s. Why, if that troop of witlings withdrew their wonder, there’d be nothing left of all her witchery but the sound of a spider weeping. And no one would hear it.”


Soft brown and Tyrian purple: dusty clove and blackcurrant.

MOMMY FORTUNA
When the first wagon drew even with the place where the unicorn lay asleep, the old woman suddenly pulled her black horse to a stop. All the other wagons stopped too and waited silently as the old woman swung herself to the ground with an ugly grace. Gliding close to the unicorn, she peered down at her for a long time, and then said, “Well. Well, bless my old husk of a heart. And here I thought I’d seen the last of them.” Her voice left a flavor of honey and gunpowder on the air. “If he knew,” she said and she showed pebbly teeth as she smiled. “But I don’t think I’ll tell him.”

Honey, gunpowder, and pleonectic, twopenny magics.

UNICORN HORN: PACK OF SERIES I IMP'S EARS
Imp's ears are not sold individually for this series.
They must be purchased in a set.
This set contains 7 imps for $38.50US, and contains samples of:

  • The Lilac Wood
  • The Last Unicorn
  • The Butterfly
  • The Midnight Carnival
  • The Ninth Cage
  • Arachne of Lydia
  • Mommy Fortuna


Over at the Black Phoenix Gazette, join us as we count down the 13 days 'til Halloween.


***

Updated 21 September 2010:

Blood Moon is live at Black Phoenix!

BLOOD MOON 2010
In October, the crop harvest has past, and all hands turn to the Hunt:
the third and final harvest before winter. Blood Moon shines over huntsmen as they ride over reaped grain in pursuit of their prey.

In Christian mythology, Blood Moon may have a darker significance:

"And I looked when He broke the sixth seal, and there was a great earthquake; and the sun became black as sackcloth made of hair, and the whole moon became like blood; and the stars of the sky fell to the earth, as a fig tree casts its unripe figs when shaken by a great wind." -- Revelation 6:12-13

The feral scent of throbbing musks and the heat of the chase through a shadowed, moonlit wood, swirled in the incense of the anointed cherub that covereth, and touched by blood-dimmed lunar oils.

blood moon

Buy the companion shirt here.

Artwork by Jennifer Williamson.

The Blood Moon perfume and tee will be live until Monday, September 27, 2010.


***

Black Phoenix Alchemy Lab and Black Phoenix Trading Post will be vending at the West Hollywood Book Fair this Sunday, September 26th from 10am to 6pm.

We will be vending at Booth D20, alongside Dark Delicacies. Also at the Book Fair, Beth will be appearing on the FOOD FOR THOUGHT: VAMPIRES, WEREWOLVES & WHY WE LOVE TO BE BITTEN panel in the SciFi, Fantasy, and Horror Pavilion, along with Del Howison, Amber Benson (Among the Ghosts), VMK Fewings (Orpheus: A Vampire’s Rise), and S.S. Wilson (Tucker’s Monsters). There will be a signing following the panel in the Dark Delicacies booth, D17-19.

We will be bringing along our literary scents (Gaiman's, Lovecraft, Alice in Wonderland, Illyria, the comic book scents, etc.) and will also be bringing along the last of the hardcover Unknown sets, to benefit Heroes Initiative.

West Hollywood Park
647 N. San Vicente Blvd.
West Hollywood, CA
Sunday, September 26th, 10:00am to 6:00pm


+ WEST HOLLYWOOD BOOK FAIR LIMITED EDITION SCENT
SIBYL
$20
This play was good enough for us, Harry. It was Romeo and Juliet. I must admit that I was rather annoyed at the idea of seeing Shakespeare done in such a wretched hole of a place. Still, I felt interested, in a sort of way. At any rate, I determined to wait for the first act. There was a dreadful orchestra, presided over by a young Hebrew who sat at a cracked piano, that nearly drove me away, but at last the drop-scene was drawn up and the play began. Romeo was a stout elderly gentleman, with corked eyebrows, a husky tragedy voice, and a figure like a beer-barrel. Mercutio was almost as bad. He was played by the low-comedian, who had introduced gags of his own and was on most friendly terms with the pit. They were both as grotesque as the scenery, and that looked as if it had come out of a country-booth. But Juliet! Harry, imagine a girl, hardly seventeen years of age, with a little, flowerlike face, a small Greek head with plaited coils of dark-brown hair, eyes that were violet wells of passion, lips that were like the petals of a rose. She was the loveliest thing I had ever seen in my life. You said to me once that pathos left you unmoved, but that beauty, mere beauty, could fill your eyes with tears. I tell you, Harry, I could hardly see this girl for the mist of tears that came across me. And her voice--I never heard such a voice. It was very low at first, with deep mellow notes that seemed to fall singly upon one's ear. Then it became a little louder, and sounded like a flute or a distant hautboy. In the garden-scene it had all the tremulous ecstasy that one hears just before dawn when nightingales are singing. There were moments, later on, when it had the wild passion of violins. You know how a voice can stir one. Your voice and the voice of Sibyl Vane are two things that I shall never forget. When I close my eyes, I hear them, and each of them says something different. I don't know which to follow. Why should I not love her? Harry, I do love her. She is everything to me in life. Night after night I go to see her play. One evening she is Rosalind, and the next evening she is Imogen. I have seen her die in the gloom of an Italian tomb, sucking the poison from her lover's lips. I have watched her wandering through the forest of Arden, disguised as a pretty boy in hose and doublet and dainty cap. She has been mad, and has come into the presence of a guilty king, and given him rue to wear and bitter herbs to taste of. She has been innocent, and the black hands of jealousy have crushed her reedlike throat. I have seen her in every age and in every costume. Ordinary women never appeal to one's imagination. They are limited to their century. No glamour ever transfigures them. One knows their minds as easily as one knows their bonnets. One can always find them. There is no mystery in any of them. They ride in the park in the morning and chatter at tea-parties in the afternoon. They have their stereotyped smile and their fashionable manner. They are quite obvious. But an actress! How different an actress is! Harry! why didn't you tell me that the only thing worth loving is an actress?

Bourbon vanilla, Egyptian musk, olibanum, summer honey, white tea, Spanish mandarin, tea rose, cognac, and a faint trace of prussic acid.

Sibyl, part of our Dorian Gray series, will be available exclusively at our booth at the West Hollywood Book Fair.


***

Black Phoenix will also be making an appearance at the New York Comic Con, October 8 - 10th at the Javits Center in New York City. Black Phoenix will be pitching a tent in booth 2851.

+ NYCC LIMITED EDITION SCENTS
$20
THE ELEPHANTINE COLOSSUS
Perfect for a Victorian Seaside Fornicatress! The Elephant Hotel, or Elephantine Colossus, was a 122 foot high elephant-shaped hotel that opened on Coney Island in 1885. Though it was a marvel of its time, it was also sullied by it’s proximity to the Gut, a particularly seedy section of West Brighton that seethed with persons of ill repute, and the Elephantine Colossus soon became as famous for its prostitutes as it was for its unusual architecture. Seaside hanky panky: a strumpet's red musk with a merry splash of root beer, a swirl of exotic pipeweed, and a whiff of sweets carrying over from the boardwalk.

THE LADY OF LAKE RONKONKOMA
Lake Ronkonkoma is rumored to be a bottomless lake and conduit to the netherworld. The gods of the Lake demand an annual sacrifice, using the restless spirit of a long-dead Seatauket maiden to lure unsuspecting men to their doom. Balsamic, reedy water, sweetgrass, algae, loosestrife, and lady’s slipper.

THE LINCOLN TUNNEL VORTEX
Not merely a pathway between Manhattan and Weehawken, the Lincoln Tunnel is also a site of mystery. Cars have been reported missing in mid-voyage as they passed through the tunnel, and individuals have claimed that they have exited the tunnel disoriented, with strange gaps in their memories. Are these accounts a side-effect of sanity-shattering traffic or is this a genuine highway to an alternate dimension? Swirls of discordant, high-pitched notes, pavement, and a thin coating of sweet, green-glowing radiator fluid.

MOUNT MISERY AND SWEET HOLLOW ROADS
Both Mount Misery and Sweet Hollow Roads are believed to be intensely haunted, and are pathways of misfortune and sorrow whose history of horrors descends deep into pre-Colonial American folklore. Black spruce boughs, packed dirt, gravel, brush, fallen chestnuts, wild tuberose, galbanum, and dead leaves.

THE WHITE LADY OF DURAND-EASTMAN PARK
In the early nineteenth century, a woman and her daughter took up residence in Rochester, where the Durand Eastman Park now stands. The woman was fleeing an abusive husband, and fled to Rochester to in an attempt to find solitude and safety for herself and her child. One terrible day, her daughter went missing. The grief-stricken mother searched the area frantically, but her daughter had disappeared without a trace. Over many weeks of searching, the woman became convinced that her daughter had been a victim of foul play at the hands of a local farmer. Unable to find her child, mad with sorrow, she flung herself into the chilly waters of Lake Ontario. Her spirit haunts Durand Eastman Park now, accompanied by a pair of phantom hounds. She is believed to be a protectress of women in peril, and exacts vengeance on any man that she encounters that have done any woman harm. Bittersweet and ethereal: bergamot, cacao, white tea, jasmine bud, narcissus, and tobacco flower.


+ BPTP NYCC ATMOSPHERIC SPRAYS
$25
THE BRITISH BLONDES
In 1868, Lydia Thompson’s British Blondes took New York City by storm, introducing burlesque to the Americas. A cluster of hothouse orchids with smoky vanilla-touched skin musk and burnished golden amber.

CONEY ISLAND CREEK
The scent of silty, thick water, mud flats, and rusted ancient shipwrecks.

STEEPLECHASE PARK
A celebration of Gilded Age amusement parks. Sweet, sticky concessions against a backdrop of gold-leafed rickety wood.


***

And last but not least, we are proud to introduce the Black Phoenix Gazette...all the news that's fit to print!

***

Updated 7 September 2010

Dawn

Black Phoenix Alchemy Lab, in conjunction with J.M. Linsner and the Hero Initiative, is debuting a new line of scents inspired by Dawn

Proceeds from every bottle sold in the Dawn line goes to the Hero Initiative, the first federally recognized not-for-profit organization dedicated to helping comic book creators, writers and artists in need. Founded in late 2000 by a consortium of comic book and trade publishers including Marvel Comics, Image Comics, Dark Horse Comics, Wizard Entertainment, CrossGen Comics and Dynamic Forces Inc., the 501(c)(3) charity aims to assist comic creators with health, medical, and quality-of-life assistance.

DAWN: MAIDEN
Tea roses, honeysuckle, heliotrope, olive blossom, milk, and honey.

DAWN: MOTHER
Red roses, saffron, honey, and frankincense.

DAWN: PRIESTESS
Damascus rose, jasmine, myrrh, opoponax, white sage, and patchouli.

DAWN: CERNUNNOS
Terebinth pine, basil, green sandalwood, fig leaf, armoise, lemon balm, cypress, myrrh, black cedar, and juniper.


Updated 22 August 2010:

The Harvest Moon update is live at BPAL & BPTP!

Artwork by Manda Lander!



HARVEST MOON 2010
Harvest Moon is celebrated in almost every culture, and the bounty of the season is marked in a myriad of ways. Harvest Moon touches the Equinox, the festival of Janus, the culmination of Homowo, the "crying of the neck" in Cornwall, and the Women's Festival of the Moon. This is a day that celebrates abundance and beauty, fertility and progress, and the light of this full moon blesses new undertakings and reunites lost loves.

The Harvest Moon, by definition, is the Full Moon that falls closest to the Autumnal Equinox, and thus, it shares some of that Sabbat's characteristics. This Full Moon was thus named because it rises within half an hour of the sun's setting, in the Northern Hemisphere, and at this time farmers are able to work longer into the night by the light of this Moon. As the year draws to a close, the Full Moon rises an average of fifty minutes later each night, with the exception of a few nights surrounding the Harvest Moon, which only rises 10-30 minutes later. This moon is also, to the human eye, the fullest and largest of the year's Moons, hanging gloriously huge, yellow and low in the night sky, and many lunar illusions play tricks our eyes at this time.

The Harvest ushers in many celebrations, including the Equinox and the Festival of Janus, God of Doors. Janus is the Roman Lord of Gateways, beginnings and endings, and transitions. Thus, the Harvest Moon is a time for blessing new ventures, the onset of new and progressive phases in one's life, and rites of passage into adulthood. This time of year also marks one of the Festivals of Dionysus, Lord of Ecstasy and the Vine.

This Harvest lunacy combines the autumnal scents of dry leaves, mulling spices, balsam fir, cedar, juniper berry, clove, saffron, damson plum, sage, yarrow, and lily twined with Dionysus' sacred grapes and ivy, a bounty of apple and pumpkin, and the amaranth and lingum aloes of Janus, all touched by a gentle breath of festival woodsmoke and sweet wine.



At BPAL, we're going to party like it's 2004! Welcome back Mabon and Wildfire!


MABON 2010
The Autumnal Equinox. The Second Harvest of the witches: a celebration of rest after labor, and repose after the rigors of Initiation. This is the mark of the completion of the Harvest and giving thanks for the previous season's abundance. In ceremonial magick, this is a time to begin the search for one's Higher Self anew, to celebrate rebirth and new life, and to revitalize the spirit. It is an Osirian time, contractive and catabolic. At this time, the Eleusinian mysteries were observed, celebrating the drama of Kore and Demeter. Blackberry wine and apple with hops, English ivy, rosemary, hazel, sage, chamomile, sweetgrass, oak bark, wild nuts, and myrrh.


WILDFIRE 2010
A traditional blend of woods used in Celtic pyromantic divinatory practices, updated and contemporized with the addition of a fae blend of orris essence, dragon's blood, juniper berry, and red rose.


Mabon 2010 and Wildfire 2010 are live until September 25, 2010, and Harvest Moon will be live until August 26, 2010.



We at BPAL are thrilled to announce a new scent collaboration with the wonderful people at the Mütter! Victorian Garden, summer honey infused with medicinal herbs and gently cloaked by French lavender, is now available exclusively at the Mütter Museum.



Black Phoenix Alchemy Lab has created limited edition scents based on the groundbreaking comic book series Dawn by Joseph Michael Linsner. The four scents, Dawn: Maiden, Dawn: Mother, Dawn: Crone and Cernunnos, will debut at Dragon*Con in Atlanta, GA. from Sep. 3-6, 2010.

We will not be vending there ourselves, but the scents will be available from the Hero Initiative booth, BT-20, and the Linsner booth, BT-18 and 19, in the Grand Hall East of the Hyatt Regency. They will also be available starting Tuesday, Sep. 7 at www.blackphoenixalchemylab.com./dawn.html for $26. Scent descriptions will be posted soon.

Proceeds from every bottle sold go to the Hero Initiative, the first federally recognized not-for-profit organization dedicated to helping comic book writers and artists in need. The 501©(3) charity assists comic creators with health, medical, and quality-of-life assistance.



BPAL will be vending alongside Dark Delicacies at the West Hollywood Book Fair, on Sunday, September 26th, from 10am to 6pm.

There will be scents and signings, and all sorts of fun stuff. Details will be announced soon.



Aaaaaaaaaaaand… BPAL will be vending at NYCC, October 8 - 10th at the Javits Center in New York City, Booth 2851.



Please keep your eyes peeled for the upcoming Black Phoenix Trading Post Halloween update! It's a doozy!







From the 13 August 2010 update:


Happy Halloween, one and all! Please welcome Knows Perfume to our family of Will Call locations! Knows Perfume now carries a huge portion of the Black Phoenix line, and will be hosting Pacific Northwest Will Call starting this month!

knows perfume
…purveyor of uncommon scents
4536 California Avenue SW
Seattle, WA, 98116
Tel (206) 397 3141

Tuesday, August 24th from 7:30 to 10:30pm.


The Autumn scents are live at Black Phoenix Alchemy Lab! First, the Halloweenies…


++ HALLOWEENIE
ALL SAINTS 2010
Based on a venerable French pontifical incense blend: monastic frankincense and myrrh, Damascus rose, Russian gardenia, cassia, and lily of the valley wafting on a chill Autumn wind. A celebration of the glory and suffering of the saints and matryrs of the Church.
 
 
ALL SOULS 2010
A day of remembrance and intercession. Without the prayers and sacrifices of their families and loved ones, the faithful departed may not be cleansed of their venal sins, and thereby cannot attain beatific vision. On November 2nd, prayers are sung and offerings are made to aid lost souls in transcending purgatory. An incense blend that invokes the higher qualities of mercy and compassion, mingled with the soft, sugared currant scent of offertory soul cakes.
 
 
BLUE PUMPKIN FLOSS
Puffy clouds of pumpkin candyfloss with a trickle of blackberry juice.
 
 
BOO 2010
Eerie billows of spun sugar, fluttering white cotton, and sheets of cream.
 
 
CALAVERAS
Clever little satirical poems in the style of epitaphs written to tease the living and ease grief over a loved one's passing. Xocolatl, tequila, copal incense, smoke-dried jalapeños, vanilla pods, and cajeta.
 
 
DIA DE LOS ÑATITAS
On November 8, the indigenous people of Bolivia share the day with the bones of their ancestors, a custom that has its roots in pre-Columbian Quechua / Aymara spiritual practise. Each person has seven souls, and one stays with the skull after a person dies. The seventh souls can visit loved ones in dreams, grant aid in times of need, perform miracles, and are empowered to bring bounty to the spirit's descendants. The skulls of a person's deceased ancestors are cleaned, blessed, and sanctified, and are brought home to reside with their living relatives. On the Day of the Skulls, these souls are honored, and thanks is given for the blessings they have granted in the previous year. Their skulls are taken from the home altars they reside in to a graveyard in order to receive a mass blessing. They are crowned with colorful knitted caps or gorgeous rings of fresh flowers, are given offerings of food, cocoa leaves, sweets, alcohol, and cigarettes, and are serenaded by street musicians.

Hydrangea blossoms and rose petals, cigarette smoke, cocoa leaves, and chichi.
 
 
FLOR DE MUERTO
The orange marigold, or zempasúchitl, has been one of Death's symbols since the pre-Columbian era. The yellow and orange petals are believed to represent the rays of the sun, bringing joy and light to the souls dwelling in the realm of the dead. These flowers surround Day of the Dead altars to guide the spirits to their offerings.
 
 
GHOULISH
This season's Ridiculous Scent! Creepy like Creepy and as spooky as Spooky, this is the scent of a black cherry and coconut amaretto confection gently laced with saffron.
 
 
THE HAG
    The Hag is astride,
    This night for to ride;
The Devill and shee together:
    Through thick, and through thin,
    Now out, and then in,
Though ne'r so foule be the weather.
 
    A Thorn or a Burr
    She takes for a Spurre:
With a lash of a Bramble she rides now,
    Through Brakes and through Bryars,
    O're Ditches, and Mires,
She followes the Spirit that guides now.
 
    No Beast, for his food,
    Dares now range the wood;
But husht in his laire he lies lurking:
    While mischiefs, by these,
    On Land and on Seas,
At noone of Night are working,
 
    The storme will arise,
    And trouble the skies;
This night, and more for the wonder,
    The ghost from the Tomb
    Affrighted shall come,
Cal'd out by the clap of the Thunder.

 
Black musk, bay leaves, galangal, bourbon vetiver, blackcurrant, and rum.
 
 
GOLLETES
A circular pastry glazed with pink sugar that symbolizes the sweetness of life and the certainty of death.
 
 
HUESOS DE SANTO 2010
On All Saints Day, Spanish families visit their loved ones in the cemeteries, keeping vigil throughout the evening, saying prayers for the dead. Family burial plots are cleaned and tended, and graves are adorned with gladiolas, chrysanthemums, and roses. Bone-shaped pastries called Saint's Bones, or the Bones of the Holy, are baked and shared in honor of the souls in Purgatory, and to remind us of those who no longer share our repast, but with whom we one day hope to be reunited with again.

Orange-glazed cake, dotted with anise seed, and filled with custard, set beside a bouquet of celebratory funeral flowers.
 
 
LAMBS-WOOL 2010
According to William Shepard Walsh, the Gentleman's Magazine for May of 1784 stated, "this is a constant ingredient at merrymaking on Holy Eve." He also quotes Vallancey's etymological speculation: "The first day of November was dedicated to the angel presiding over fruits, seeds, etc., and was therefore named La Mas Ubhal, -- that is, the day of the apple fruit, -- and being pronounced Lamasool, the English have corrupted the name to Lambs-wool."

A popular holy day beverage in 18th century Ireland: roasted apples mashed into warmed milk and ale, with nutmeg, sugar, ginger, and clove.
 
 
NOTHING GOLD CAN STAY
Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
 
Dewy green leaves colored by Moroccan amber, ginseng, and rooibos.
 
 
OCTOBER 2010
Ay, thou art welcome, heaven's delicious breath!
When woods begin to wear the crimson leaf,
And suns grow meek, and the meek suns grow brief
And the year smiles as it draws near its death.
Wind of the sunny south! oh, still delay
In the gay woods and in the golden air,
Like to a good old age released from care,
Journeying, in long serenity, away.
In such a bright, late quiet, would that I
Might wear out life like thee, 'mid bowers and brooks
And dearer yet, the sunshine of kind looks,
And music of kind voices ever nigh;
And when my last sand twinkled in the glass,
Pass silently from men, as thou dost pass.

Dry, cold autumn wind. A rustle of red leaves, a touch of smoke and sap in the air.
 
 
PUMPKIN LATTE
Espresso, pumpkin syrup, smoky vanilla bean, milk, raw sugar, and a dash of cinnamon and nutmeg.
 
 
PUNKIE NIGHT 2010
Once upon a time, on a wild October night many years ago, a fair took place at Chiselborough. The men of the village of Hinton St. George made their way to the fair, and spent the night in revelry, drinking and carrying on, far into the darkest hours. Their wives grew concerned, and went looking for their unruly husbands. In order to see their way through the autumn gloom, they hollowed out mangel-wurzels and crafted them into makeshift lanterns. The drunken men, in their sloshy haze, saw the ghostly lights approaching, and believed them to be goolies -- the furious spirits of unbaptized children. In terror, they fled in panic from their bemused, bewildered wives.

To this day, that night of foolishness is still celebrated! This is a light-hearted scent: apple orchards, bright cranberries, and a touch of warm cider.
 
 
SAMHAIN 2010
Truly the scent of autumn itself -- damp woods, fir needle, and black patchouli with the gentlest touches of warm pumpkin, clove, nutmeg, allspice, sweet red apple and mullein.
 
 
SUGAR SKULL 2010
Vibrant with the joy and sweetness of life in death! A blend of five sugars, lightly dusted with candied fruits.
 
 
THE WILD SWANS AT COOLE
The trees are in their autumn beauty,
The woodland paths are dry,
Under the October twilight the water
Mirrors a still sky;
Upon the brimming water among the stones
Are nine-and-fifty swans.

The nineteenth autumn has come upon me
Since I first made my count;
I saw, before I had well finished,
All suddenly mount
And scatter wheeling in great broken rings
Upon their clamorous wings.

I have looked upon those brilliant creatures,
And now my heart is sore.
All's changed since I, hearing at twilight,
The first time on this shore,
The bell-beat of their wings above my head,
Trod with a lighter tread.

Unwearied still, lover by lover,
They paddle in the cold Companionable streams or climb the air;
Their hearts have not grown old;
Passion or conquest, wander where they will,
Attend upon them still.

But now they drift on the still water,
Mysterious, beautiful;
Among what rushes will they build,
By what lake's edge or pool
Delight men's eyes when I awake some day
To find they have flown away?

 
October twilight. Falling leaves breaking the stillness of cool water, with sweet autumn clematis, feather-soft orris root, luminous white chypre, and muguet.




++ HALLOWEENIE: MNEMOSYNE
I’ve spent Halloween in four cities — Brooklyn, Los Angeles, New Orleans, and San Francisco. Halloween night in each of these cities bears the stamp of a very distinct scent memory for me. When I was very little, my father took me to the Green-Wood Cemetery so that I could pay my respects to those who had passed before us. I remember the afternoon as cold and clear, I remember picking up pine cones and putting them in my mother’s handbag, and I remember the blanket of purple flowers that dotted the grass.

I’ve spent many, many Halloweens in New Orleans. To me, it is the most beautiful, most imperfectly perfect city in the world. My strongest memory is of sitting on the banks of the Mississippi in the arms of my someday husband, the sounds of revelry in the distance, enveloped by the scent of water, moss, and sweet olive.

I spent two Halloweens in San Francisco. It was a sad, strange time in my life, as I was still grieving over the death of my father, and the scent of those nights evokes a sense of melancholy for me still. Rain battering leaves that are already soaked by rain, and the salty mist coming from the Pacific.

I grew up in Los Angeles, and spent most of my Halloweens here. Of all the Halloween nights, one stands out the strongest in my memory. When I was in third grade, the hills behind my parent’s house were on fire. The fire was growing, and it was close; we were on evacuation watch all that night. The fire was massive: the skyline was vibrant, electric orange, and I couldn’t stop staring at it. It felt like noon at midnight to me. The smoke penetrated everything, drowning out the scent of my grandmother’s caramel apples. Halloween in Los Angeles has a peculiar scent, and there always seems to be something ablaze here. To me, Halloween in Los Angeles will forever smell like fire and fascination.

The soul of each of these cities is expressed so uniquely, so beautifully, and so eloquently on Halloween night, and they have all left an indelible imprint on my psyche.

Happy Halloween.

HALLOWEEN: BROOKLYN
Flowering dogwood, weeping cherry, Korean pine, camellia, moonflower, Alberta spruce, arborvitae, and crab apples.

HALLOWEEN: LOS ANGELES
The sky on fire: a strange incense of burning brush, junegrass, tumbleweeds, chaparral, and wild sage.

HALLOWEEN: NEW ORLEANS
The distinctive scent of the Mississippi at night mingling with sweet olive and Spanish moss.

HALLOWEEN: SAN FRANCISCO
Salt air wafting in from the bay. Rain falling on rain-soaked leaves.




The 'Patch is lying fallow this year. However, the Pomegranate Grove is bearing some beautiful fruit. Pick individual pomegranates from the Grove, or snatch up the whole shebang!
 
++ HALLOWEEN: POMEGRANATE GROVE
About the pomegranate I must say nothing, for its story is something of a mystery.
- Pausanias

POMEGRANATE I
Pomegranate, poet's jasmine, and benzoin.

POMEGRANATE II
Pomegranate, white musk, lemon verbena, grapefruit, pink lime.

POMEGRANATE III
Pomegranate, Tamil Nadu sandalwood, lavender, tamarind, hazelnut, Atlas cedarwood, sugar date, bitter clove, and Arabian myrrh.

POMEGRANATE IV
Pomegranate, cognac, red musk, cocoa, tobacco absolute, star anise, and thyme.

POMEGRANATE V
Pomegranate, carnation, amber, cardamom, neroli, vetiver, black pepper, and opium tar.

If you purchase the POMEGRANATE GROVE set, you will receive an imp of:
THE HERAEON OF ARGOS
Argive Hera. The temple in the Argolid that was dedicated to Hera, the Queen of Heaven, in her aspect as the Great Triple Goddess. Pomegranate, apple blossom, fig, willow bark, and almond.




Also for Halloween, we have the first in a series of tributes to Gothic fiction tropes. Please note: the scents in this series include quotes from classic literary works which may disturb modern sensibilities. The tropes of Gothic fiction and the Gothic horror subgenre are a part of our literary heritage, and are something to be cherished despite how unsettling the subject matter can be. Please proceed with caution into this realm, particularly if you are bothered by descriptions of immoral and possibly illegal acts.

+ HALLOWEEN: GOTHIC FICTION, VOLUME 1
That the exercise of our benevolent feelings, as called forth by the view of human afflictions, should be a source of pleasure, cannot appear wonderful to one who considers that relation between the moral and natural system of man, which has connected a degree of satisfaction with every action or emotion productive of the general welfare. The painful sensation immediately arising from a scene of misery, is so much softened and alleviated by the reflex sense of self-approbation on attending virtuous sympathy, that we find, on the whole, a very exquisite and refined pleasure remaining, which makes us desirous of again being witnesses to such scenes, instead of flying from them with disgust and horror. It is obvious how greatly such a provision must conduce to the ends of mutual support and assistance. But the apparent delight with which we dwell upon objects of pure terror, where our moral feelings are not in the least concerned, and no passion seems to be excited but the depressing one of fear, is a paradox of the heart, much more difficult of solution.
 
The reality of this source of pleasure seems evident from daily observation. The greediness with which the tales of ghosts and goblins, of murders, earthquakes, fires, shipwrecks, and all the most terrible disasters attending human life, are devoured by every ear, must have been generally remarked. Tragedy, the most favourite work of fiction, has taken a full share of those scenes; "it has supt full with horrors"--and has, perhaps, been more indebted to its tender and pathetic parts. The ghost of Hamlet, Macbeth descending into the witches' cave, and the tent scene in *Richard*, command as forcibly the attention of our souls as the parting of Jasseir and Belvidera, the fall of Wolsey, or the death of Shore. The inspiration of *terror* was by the antient critics assigned as the peculiar province of tragedy; and the Greek and Roman tragedians have introduced some extraordinary personages for this purpose: not only the shades of the dead, but the furies and other fabulous inhabitants of the infernal regions. Collins, in his most poetical ode to Fear, has finely enforced this idea. "Tho' gentle Pity claims her mingled part, Yet all the thunders of the scene are thine." The old Gothic romance and the Eastern tale, with their genii, giants, enchantments, and transformations, however a refined critic may censure them as absurd and extravagant, will ever retain a most powerful influence on the mind, and interest the reader independently of all peculiarity of taste. Thus the great Milton, who had a strong bias to these wildnesses of the imagination, has with striking effect made the stories "of forests and enchantments drear," a favourite subject with his *Penseroso*; and had undoubtedly their awakening images strong upon his mind when he breaks out,
"Call up him that left half-told
The story of Cambuscan bold; &c."
How are we then to account for the pleasure derived from such objects? I have often been led to imagine that there is a deception in these cases; and that the avidity with which we attend is not a proof of our receiving real pleasure. The pain of suspense, and the irresistible desire of satisfying curiosity, when once raised, for our eagerness to go quite through an adventure, though we suffer actual pain during the whole course of it. We rather choose to suffer the smart pang of a violent emotion than the uneasy craving of an unsatisfied desire. That this principle, in many instances, may involuntarily carry us through what we dislike, I am convinced from experience. This is the impulse which renders the poorest and most insipid narrative interesting when once we get fairly into it; and I have frequently felt it with regard to our modern novels, which, if lying on my table, and taken up in an idle hour, have led me through the most tedious and disgusting pages, while, like Pistol eating his leek, I have swallowed and execrated to the end. And it will not only force us through dulness, but through actual torture--through the relation of a Damien's execution, or an inquisitor's act of faith. When children, therefore, listen with pale and mute attention to the frightful stories of apparitions, we are not, perhaps, to imagine that they are in a state of enjoyment, any more than the poor bird which is dropping into the mouth of the rattlesnake--they are chained by the ears, and fascinated by curiosity. This solution, however, does not satisfy me with respect to the well-wrought scenes of artificial terror which are formed by a sublime and vigorous imagination. Here, though we know before-hand what to expect, we enter into them with eagerness, in quest of a pleasure already experienced. This is the pleasure constantly attached to the excitement of surprise from new and wonderful objects. A strange and unexpected event awakens the mind, and keeps it on the stretch; and where the agency of invisible beings is introduced, of "forms unseen, and mightier far than we," our imagination, darting forth, explores with rapture the new world which is laid open to its view, and rejoices in the expansion of its powers. Passion and fancy cooperating elevate the soul to its highest pitch; and the pain of terror is lost in amazement.
 
Hence the more wild, fanciful, and extraordinary are the circumstance of a scene of horror, the more pleasure we receive from it; and where they are too near common nature, though violently borne by curiosity through the adventure, we cannot repeat it or reflect on it, without an overbalance of pain. In the *Arabian Nights* are many most striking examples of the terrible joined with the marvellous: the story of Alladin, and the travels of Sinbad, are particularly excellent. *The Castle of Otranto* is a very spirited modern attempt upon the same plan of mixed terror, adapted to the model of Gothic romance. The best conceived, and most strongly worked-up scene of mere natural horror that I recollect, is in Smollett's *Ferdinand Count Fathom*; where the hero, entertained in a lone house in a forest, finds a corpse just slaughtered in the room where he is sent to sleep, and the door of which is locked upon him. It may be amusing for the reader to compare his feelings upon these, and from thence form his opinion of the justness of my theory. The following fragment, in which both these manners are attempted to be in some degree united, is offered to entertain a solitary winter's evening.

"On the Pleasure Derived from Objects of Terror, with Sir Bertrand, a Fragment" —John Aikin
 
 
THE BYRONIC ANTIHERO
He stood --- some dread was on his face,
Soon Hatred settled in its place:
It rose not with the reddening flush
Of transient Anger's hasty blush,
But pale as marble o'er the tomb,
Whose ghastly whiteness aids its gloom.
His brow was bent, his eye was glazed;
He raised his arm, and fiercely raised,
And sternly shook his hand on high,
As doubting to return or fly;
Impatient of his flight delay'd,
Here loud his raven charger neigh'd ---
Down glanced that hand, and grasp'd his blade;
That sound had burst his waking dream,
As Slumber starts at owlet's scream,
The spur hath lanced his courser's sides;
Away, away, for life he rides:
Swift as the hurl'd on high jerreed
Springs to the touch his startled steed:
The rock is doubled, and the shore
Shakes with the clattering tramp no more:
The crag is won, no more is seen
His Christian crest and haughty mien.
'T was but an instant he restrain'd
That fiery barb so sternly rein'd;
'T was but a moment that he stood,
Then sped as if by death pursued;
But in that instant o'er his soul
Winters of Memory seem'd to roll,
And gather in that drop of time
A life of pain, an age of crime.
O'er him who loves, or hates, or fears,
Such moment pours the grief of years:
What felt he then, at once opprest
By all that most distracts the breast?
That pause, which ponder'd o'er his fate,
Oh, who its dreary length shall date !
Though in Time's record nearly nought,
It was Eternity to Thought !
For infinite as boundless space
The thought that Conscience must embrace,
Which in itself can comprehend
Woe without name, or hope, or end.

—The Giaour, Lord Byron
 
An aristocratic cologne of titanic passions, moody and brooding. This scent is dark with disillusionment and cynicism: a Victorian fougère and a dashing carnation boutonnière tainted by a cloud of khus, yew, and patchouli.
 
 
THE CREEPING MIST
I stopped my horse, and looked round me again.
 
Yes: I saw it. With my own eyes I saw it. A pillar of white mist—between five and six feet high, as well as I could judge—was moving beside me at the edge of the road, on my left hand. When I stopped, the white mist stopped. When I went on, the white mist went on. I pushed my horse to a trot—the pillar of mist was with me. I urged him to a gallop—the pillar of mist was with me. I stopped him again—the pillar of mist stood still.
 
The white colour of it was the white colour of the fog which I had seen over the river—on the night when I had gone to bid her farewell. And the chill which had then crept through me to the bones was the chill that was creeping through me now.
 
I went on again slowly. The white mist went on again slowly—with the clear bright night all round it.
 
I was awed rather than frightened. There was one moment, and one only, when the fear came to me that my reason might be shaken. I caught myself keeping time to the slow tramp of the horse's feet with the slow utterance of these words, repeated over and over again: 'Jéromette is dead. Jéromette is dead.' But my will was still my own: I was able to control myself, to impose silence on my own muttering lips. And I rode on quietly. And the pillar of mist went quietly with me.
 
My groom was waiting for my return at the rectory gate. I pointed to the mist, passing through the gate with me.
 
'Do you see anything there?' I said.
 
The man looked at me in astonishment.
 
I entered the rectory. The housekeeper met me in the hall. I pointed to the mist, entering with me.
 
'Do you see anything at my side?' I asked.
 
The housekeeper looked at me as the groom had looked at me.
 
'I am afraid you are not well, sir,' she said. 'Your colour is all gone—you are shivering. Let me get you a glass of wine.'

—Miss Jéromette and the Clergyman, Wilkie Collins
 
A muculent, brumous, ill-omened scent: orris, yuzu, white ginger, linden flower, petitgrain, and lotus.
 
 
THE DECREPIT HOUSE
During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was; but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveler upon opium—the bitter lapse into every-day life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled luster by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodeled and inverted images of the gray sedge, and the ghastly tree stems, and the vacant and eye-like windows.
—The Fall of the House of Usher, EA Poe
 
An architectural doppelganger reflecting a ruined soul: dilapidated planks of mahogany and cypress wood perched feebly on a grim foundation of long-dead leaves, black musk, patchouli, galbanum, tobacco absolute, fragonia, and oakmoss.
 
 
A HOWL IN THE DARKNESS
At last there came a time when the driver went further afield than he had yet gone, and during his absence, the horses began to tremble worse than ever and to snort and scream with fright. I could not see any cause for it, for the howling of the wolves had ceased altogether. But just then the moon, sailing through the black clouds, appeared behind the jagged crest of a beetling, pine-clad rock, and by its light I saw around us a ring of wolves, with white teeth and lolling red tongues, with long, sinewy limbs and shaggy hair. They were a hundred times more terrible in the grim silence which held them than even when they howled. For myself, I felt a sort of paralysis of fear. It is only when a man feels himself face to face with such horrors that he can understand their true import.
 
All at once the wolves began to howl as though the moonlight had had some peculiar effect on them. The horses jumped about and reared, and looked helplessly round with eyes that rolled in a way painful to see. But the living ring of terror encompassed them on every side, and they had perforce to remain within it. I called to the coachman to come, for it seemed to me that our only chance was to try to break out through the ring and to aid his approach, I shouted and beat the side of the caleche, hoping by the noise to scare the wolves from the side, so as to give him a chance of reaching the trap. How he came there, I know not, but I heard his voice raised in a tone of imperious command, and looking towards the sound, saw him stand in the roadway. As he swept his long arms, as though brushing aside some impalpable obstacle, the wolves fell back and back further still. Just then a heavy cloud passed across the face of the moon, so that we were again in darkness.
 
When I could see again the driver was climbing into the caleche, and the wolves disappeared. This was all so strange and uncanny that a dreadful fear came upon me, and I was afraid to speak or move. The time seemed interminable as we swept on our way, now in almost complete darkness, for the rolling clouds obscured the moon.

—Dracula, Bram Stoker
 
A scent evocative of a forest at midnight, with animalic brown musk, wild sage, Terebinth pine, black oak, and a chilly shock of terror personified by kunzea, cistus labdanum, verbena, juniper, metallic ozone, and white mint.
 
 
THE INFERNAL LOVER
She ceased.  While She spoke, a thousand opposing sentiments combated in Ambrosio's bosom.  Surprise at the singularity of this adventure, Confusion at her abrupt declaration, Resentment at her boldness in entering the Monastery, and Consciousness of the austerity with which it behooved him to reply, such were the sentiments of which He was aware; But there were others also which did not obtain his notice.  He perceived not, that his vanity was flattered by the praises bestowed upon his eloquence and virtue; that He felt a secret pleasure in reflecting that a young and seemingly lovely Woman had for his sake abandoned the world, and sacrificed every other passion to that which He had inspired:  Still less did He perceive that his heart throbbed with desire, while his hand was pressed gently by Matilda's ivory fingers.
—The Monk, MG Lewis
 
A creamy, sensual, honeyed red musk.
 
 
ECCLESIASTICAL EXCESSES
Hark, Ambrosio, while I unveil your crimes!  You have shed the blood of two innocents; Antonia and Elvira perished by your hand. That Antonia whom you violated, was your Sister! That Elvira whom you murdered, gave you birth! Tremble, abandoned Hypocrite! Inhuman Parricide! Incestuous Ravisher!  Tremble at the extent of your offences!  And you it was who thought yourself proof against temptation, absolved from human frailties, and free from error and vice!  Is pride then a virtue?  Is inhumanity no fault? Know, vain Man!  That I long have marked you for my prey:  I watched the movements of your heart; I saw that you were virtuous from vanity, not principle, and I seized the fit moment of seduction.  I observed your blind idolatry of the Madonna's picture.  I bade a subordinate but crafty spirit assume a similar form, and you eagerly yielded to the blandishments of Matilda. Your pride was gratified by her flattery; Your lust only needed an opportunity to break forth; You ran into the snare blindly, and scrupled not to commit a crime which you blamed in another with unfeeling severity.  It was I who threw Matilda in your way; It was I who gave you entrance to Antonia's chamber; It was I who caused the dagger to be given you which pierced your Sister's bosom; and it was I who warned Elvira in dreams of your designs upon her Daughter, and thus, by preventing your profiting by her sleep, compelled you to add rape as well as incest to the catalogue of your crimes.  Hear, hear, Ambrosio!  Had you resisted me one minute longer, you had saved your body and soul. The guards whom you heard at your prison door came to signify your pardon.  But I had already triumphed:  My plots had already succeeded.  Scarcely could I propose crimes so quick as you performed them. You are mine, and Heaven itself cannot rescue you from my power.  Hope not that your penitence will make void our contract. Here is your bond signed with your blood; You have given up your claim to mercy, and nothing can restore to you the rights which you have foolishly resigned.  Believe you that your secret thoughts escaped me?  No, no, I read them all! You trusted that you should still have time for repentance.  I saw your artifice, knew its falsity, and rejoiced in deceiving the deceiver! You are mine beyond reprieve:  I burn to possess my right, and alive you quit not these mountains.
—The Monk, MG Lewis
 
Faustian depravity: daemonorops, rose-infused frankincense, vetiver, mate absolute, and clove bud.
 
 
ENCROACHING MADNESS
It is the strangest yellow, that wall-paper! It makes me think of all the yellow things I ever saw—not beautiful ones like buttercups, but old foul, bad yellow things.
 
But there is something else about that paper—the smell! I noticed it the moment we came into the room, but with so much air and sun it was not bad. Now we have had a week of fog and rain, and whether the windows are open or not, the smell is here.
 
It creeps all over the house.
 
I find it hovering in the dining-room, skulking in the parlor, hiding in the hall, lying in wait for me on the stairs.
 
It gets into my hair.
 
Even when I go to ride, if I turn my head suddenly and surprise it—there is that smell!
 
Such a peculiar odor, too! I have spent hours in trying to analyze it, to find what it smelled like.
 
It is not bad—at first, and very gentle, but quite the subtlest, most enduring odor I ever met.
 
In this damp weather it is awful, I wake up in the night and find it hanging over me.
 
It used to disturb me at first. I thought seriously of burning the house—to reach the smell.
 
But now I am used to it. The only thing I can think of that it is like is the COLOR of the paper! A yellow smell.
 
There is a very funny mark on this wall, low down, near the mopboard. A streak that runs round the room. It goes behind every piece of furniture, except the bed, a long, straight, even SMOOCH, as if it had been rubbed over and over.
 
I wonder how it was done and who did it, and what they did it for. Round and round and round—round and round and round—it makes me dizzy!
 
I really have discovered something at last.
 
Through watching so much at night, when it changes so, I have finally found out.
 
The front pattern DOES move—and no wonder! The woman behind shakes it!
 
Sometimes I think there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all over.
 
Then in the very bright spots she keeps still, and in the very shady spots she just takes hold of the bars and shakes them hard.
 
And she is all the time trying to climb through. But nobody could climb through that pattern—it strangles so; I think that is why it has so many heads.
 
They get through, and then the pattern strangles them off and turns them upside down, and makes their eyes white!
 
If those heads were covered or taken off it would not be half so bad.
 
I think that woman gets out in the daytime!
 
And I'll tell you why—privately—I've seen her!
 
I can see her out of every one of my windows!
 
It is the same woman, I know, for she is always creeping, and most women do not creep by daylight.
 
I see her on that long road under the trees, creeping along, and when a carriage comes she hides under the blackberry vines.
 
I don't blame her a bit. It must be very humiliating to be caught creeping by daylight!

—The Yellow Wallpaper, Charlotte Perkins Gilman
 
A yellow smell. Old foul, bad yellow things. Honeysuckle, chrysanthemum, balsam, hydrangea, and helichrysum.
 
 
THE SHADOWY AND THE SUBLIME
Meanwhile, the deep impression made by this unknown tormentor, the monk, and especially by his prediction of the death of Bianchi, remained upon his mind, and he once more determined to ascertain, if possible, the true nature of the portentous visitant, and what were the motives which induced him thus to haunt his footsteps and interrupt his peace. He was awed by the circumstances which had attended the visitations of the monk, if monk it was; by the suddenness of his appearance, and departure; by the truth of his prophecies; and, above all, by the solemn event which had verified his last warning; and his imagination, thus elevated by wonder and painful curiosity, was prepared for something above the reach of common conjecture, and beyond the accomplishment of human agency. His understanding was sufficiently clear and strong to teach him to detect many errors of opinion, that prevailed around him, as well as to despise the common superstitions of his country, and in the usual state of his mind, he probably would not have paused for a moment on the subject before him; but his passions were not interested, and his fancy awakened, and, though he was unconscious of this propensity, he would, perhaps, have been somewhat disappointed, to have suddenly from the region of fearful sublimity to which he had soared —the world of terrible shadows— to the earth, on which he daily walked, and to an explanation simply natural.
—The Italian, Ann Radcliffe
 
A sudden and shocking insight into the vast, ineffable, overwhelming power of Nature, stirred by a vision or experience of perfected beauty and perfected terror, that changes the soul irretrievably. An epiphany: Moroccan amber, wisteria, ambergris accord, white rose, magnolia, white mint, angelica, bergamot, and myrrh.
 
 
THE MADWOMAN
In the deep shade, at the farther end of the room, a figure ran backwards and forwards. What it was, whether beast or human being, one could not, at first sight tell: it grovelled, seemingly, on all fours; it snatched and growled like some strange wild animal: but it was covered with clothing, and a quantity of dark, grizzled hair, wild as a mane, hid its head and face.
—Jane Eyre, Charlotte Bronte
 
Dusty white sandalwood, ragged cloth, and a dry, long-dead bridal bouquet.
 
 
ODD PORTENTS
"Isaac, you dreamed your ill dream on this Wednesday morning. What time was it when you saw the fair woman with the knife in her hand?"
 
Isaac reflected on what the landlord had said when they had passed by the clock on his leaving the inn; allowed as nearly as he could for the time that must have elapsed between the unlocking of his bedroom door and the paying of his bill just before going away, and answered.
 
"Somewhere about two o'clock in the morning."
 
His mother suddenly quitted her hold of his neck, and struck her hands together with a gesture of despair.
 
"This Wednesday is your birthday, Isaac, and two o'clock in the morning was the time when you were born."

—Brother Morgan's Story of the Dream-Woman, wilkie Collins
 
Black rose, olibanum, dark musk, myrrh, blackcurrant, lavender buds, bourbon geranium, and amber incense.
 
 
THE UNSAVORY GRAVE-DIGGERS
"The great thing is not to be afraid. Now, between you and me, I don't want to hang--that's practical; but for all cant, Macfarlane, I was born with a contempt. Hell, God, Devil, right, wrong, sin, crime, and all the old gallery of curiosities --they may frighten boys, but men of the world, like you and me, despise them. Here's to the memory of Gray!"
 
It was by this time growing somewhat late. The gig, according to order, was brought round to the door with both lamps brightly shining, and the young men had to pay their bill and take the road. They announced that they were bound for Peebles, and drove in that direction till they were clear of the last houses of the town; then, extinguishing the lamps, returned upon their course, and followed a by-road toward Glencorse. There was no sound but that of their own passage, and the incessant, strident pouring of the rain. It was pitch dark; here and there a white gate or a white stone in the wall guided them for a short space across the night; but for the most part it was at a foot pace, and almost groping, that they picked their way through that resonant blackness to their solemn and isolated destination. In the sunken woods that traverse the neighbourhood of the burying-ground the last glimmer failed them, and it became necessary to kindle a match and reillumine one of the lanterns of the gig. Thus, under the dripping trees, and environed by huge and moving shadows, they reached the scene of their unhallowed labours.
 
They were both experienced in such affairs, and powerful with the spade; and they had scarce been twenty minutes at their task before they were rewarded by a dull rattle on the coffin lid. At the same moment Macfarlane, having hurt his hand upon a stone, flung it carelessly above his head. The grave, in which they now stood almost to the shoulders, was close to the edge of the plateau of the graveyard; and the gig lamp had been propped, the better to illuminate their labours, against a tree, and on the immediate verge of the steep bank descending to the stream. Chance had taken a sure aim with the stone. Then came a clang of broken glass; night fell upon them; sounds alternately dull and ringing announced the bounding of the lantern down the bank, and its occasional collision with the trees. A stone or two, which it had dislodged in its descent, rattled behind it into the profundities of the glen; and then silence, like night, resumed its sway; and they might bend their hearing to its utmost pitch, but naught was to be heard except the rain, now marching to the wind, now steadily falling over miles of open country.
 
They were so nearly at an end of their abhorred task that they judged it wisest to complete it in the dark. The coffin was exhumed and broken open; the body inserted in the dripping sack and carried between them to the gig; one mounted to keep it in its place, and the other, taking the horse by the mouth, groped along by wall and bush until they reached the wider road by the Fisher's Tryst. Here was a faint, diffused radiancy, which they hailed like daylight; by that they pushed the horse to a good pace and began to rattle along merrily in the direction of the town.
 
They had both been wetted to the skin during their operations, and now, as the gig jumped among the deep ruts, the thing that stood propped between them fell now upon one and now upon the other. At every repetition of the horrid contact each instinctively repelled it with the greater haste; and the process, natural although it was, began to tell upon the nerves of the companions. Macfarlane made some ill-favoured jest about the farmer's wife, but it came hollowly from his lips, and was allowed to drop in silence. Still their unnatural burden bumped from side to side; and now the head would be laid, as if in confidence, upon their shoulders, and now the drenching sackcloth would flap icily about their faces. A creeping chill began to possess the soul of Fettes. He peered at the bundle, and it seemed somehow larger than at first. All over the countryside, and from every degree of distance, the farm dogs accompanied their passage with tragic ululations; and it grew and grew upon his mind that some unnatural miracle had been accomplished, that some nameless change had befallen the dead body, and that it was in fear of their unholy burden that the dogs were howling.
 
"For God's sake," said he, making a great effort to arrive at speech, "for God's sake, let's have a light!"
 
Seemingly Macfarlane was affected in the same direction; for, though he made no reply, he stopped the horse, passed the reins to his companion, got down, and proceeded to kindle the remaining lamp. They had by that time got no farther than the cross-road down to Auchenclinny. The rain still poured as though the deluge were returning, and it was no easy matter to make a light in such a world of wet and darkness. When at last the flickering blue flame had been transferred to the wick and began to expand and clarify, and shed a wide circle of misty brightness round the gig, it became possible for the two young men to see each other and the thing they had along with them. The rain had moulded the rough sacking to the outlines of the body underneath; the head was distinct from the trunk, the shoulders plainly modelled; something at once spectral and human riveted their eyes upon the ghastly comrade of their drive.

—The Body-Snatchers, RL Stevenson
 
An unearthed oakwood coffin, cemetery weeds, and a hint of booze.
 
 
THE UNSTEADY GOVERNESS
It made me, the sound of the words, in which it seemed to me that I caught for the very first time a small faint quaver of consenting consciousness—it made me drop on my knees beside the bed and seize once more the chance of possessing him. "Dear little Miles, dear little Miles, if you KNEW how I want to help you! It's only that, it's nothing but that, and I'd rather die than give you a pain or do you a wrong—I'd rather die than hurt a hair of you. Dear little Miles"—oh, I brought it out now even if I SHOULD go too far—"I just want you to help me to save you!" But I knew in a moment after this that I had gone too far. The answer to my appeal was instantaneous, but it came in the form of an extraordinary blast and chill, a gust of frozen air, and a shake of the room as great as if, in the wild wind, the casement had crashed in. The boy gave a loud, high shriek, which, lost in the rest of the shock of sound, might have seemed, indistinctly, though I was so close to him, a note either of jubilation or of terror. I jumped to my feet again and was conscious of darkness. So for a moment we remained, while I stared about me and saw that the drawn curtains were unstirred and the window tight. "Why, the candle's out!" I then cried.
"It was I who blew it, dear!" said Miles.

—The Turn of the Screw, Henry James
 
White tea and violet leaf.




And lo! â€" what have we here? Looks like the Halloween update went live on Friday the 13th…

13: August 2010
13 is significant, whether you consider it lucky, unlucky or just plain odd. Many believe it to be unfortunate...

... because there were 13 present at the Last Supper.
... Loki crashed a party of 12 at Valhalla, which ended in Baldur's death.
... Oinomaos killed 13 of Hippodamia's suitors before Pelops finally, in his own shady way, defeated the jealous king.
... In ancient Rome, Hecate's witches gathered in groups of 12, the Goddess herself being the 13th in the coven.

Concern over the number thirteen echoes back beyond the Christian era. Line 13 was omitted form the Code of Hammurabi.

The shivers over Friday the 13th also have some interesting origins:

... Christ was allegedly crucified on Friday the 13th.
... On Friday, October 13, 1307, King Philip IV of France ordered the arrests of Jaques de Molay, Grand Master of the Knights Templar, and sixty of his senior knights.
... In British custom, hangings were held on Fridays, and there were 13 steps on the gallows leading to the noose.

To combat the superstition, Robert Ingersoll and the Thirteen Club held thirteen-men dinners during the 19th Century. Successful? Hardly. The number still invokes trepidation to this day. A recent whimsical little serial killer study showed that the following murderers all have names that total thirteen letters:

Theodore Bundy
Jeffrey Dahmer
Albert De Salvo
John Wayne Gacy

And, with a little stretch of the imagination, you can also fit ”˜Jack the Ripper' and ”˜Charles Manson' into that equation.

More current-era paranoia: modern schoolchildren stop their memorization of the multiplication tables at 12. There were 13 Plutonium slugs in the atomic bomb that was dropped on Nagasaki. Apollo 13 wasn't exactly the most successful space mission. All of these are things that modern triskaidekaphobes point to when justifying their fears.

For some, 13 is an extremely fortuitous and auspicious number...

... In Jewish tradition, God has 13 Attributes of Mercy. Also, there were 13 tribes of Israel, 13 principles of Jewish faith, and 13 is considered the age of maturity.
... The ancient Egyptians believed that there were 12 stages of spiritual achievement in this lifetime, and a 13th beyond death.
... The word for thirteen, in Chinese, sounds much like the word which means “must be alive” .

Thirteen, whether you love it or loathe it, is a pretty cool number all around.

... In some theories of relativity, there are 13 dimensions.
... It is a prime number, lucky number, star number, Wilson Prime, and Fibonacci number.
... There are 13 Archimedean solids.

AND...
... There were 13 original colonies when the United States were founded.

Says a lot about the US, doesn't it?

A base of bitter dark chocolate with thirteen baneful and beneficial bits including pimento berry, pink pepper, tolu balsam, bergamot, golden honey, tobacco absolute, champaca flower, and paprika.




Thirteen will be live until the fourteenth, as is our custom, and the Halloweenies will be live until the November Lunacy comes down. All the Halloweenies are $20, and the Pomegranate Grove is $97. The Halloweenies will be out for sniff preview at Dark Delicacies on August 21 during the Magnolia Park car show, and will also be out for sniffing at all the August will call events.

Black Phoenix Trading Post’s Halloween update will be going live later this month! Please keep your eyes peeled.


Black Phoenix will be vending at New York Comic Con, October 8 - 10th, at the Javits Center in New York City. Booth 2851!


In not-such-awesome news, we are discontinuing the following scents, effective immediately:

Hi’iaka
Jester
The Lady on the Grey
The Mock Turtles Lessons
Queen Mab
St Germain
Tempest
Yvaine

We sincerely apologize for pulling these without notice, but we have no choice. We will do what we can to fill currently pending orders, but cannot accept new orders for these scents. Thank you so much for understanding…


And… that’s all the news that’s fit to print!






Updated 25 July 2010:

This month the lunacy is Joyful Moon â€"

JOYFUL MOON
There was a time when meadow, grove, and stream,
The earth, and every common sight,
To me did seem
Apparelled in celestial light,
The glory and the freshness of a dream.
It is not now as it hath been of yore;â€"
Turn wheresoe'er I may,
By night or day.
The things which I have seen I now can see no more.

The Rainbow comes and goes,
And lovely is the Rose,
The Moon doth with delight
Look round her when the heavens are bare,
Waters on a starry night
Are beautiful and fair;
The sunshine is a glorious birth;
But yet I know, where'er I go,
That there hath past away a glory from the earth.


White musk, French vanilla, ambrette seed, frankgipani, angelica root, white rose, orris, and honeysuckle.

Joyful Moon

Joyful Moon artwork by Manda Lander.

Also new this month is a scent introduced at San Diego Comic Con:

LIBERTY
Liberty was created for the CBLDF, inspired by Eugène Delacroix's Liberty Leading the People: frankincense, beeswax, olive blossom, chamomile, sampaguita, magnolia, apple blossom, gunpowder, and smoke.

This is a charitable, not-for-profit venture: proceeds from every single bottle of Liberty go to the Comic Book Legal Defense Fund, which works to preserve and protect the First Amendment rights of the comics community.


A few stray honeys have found their way into Rappaccini's Apiary:
Laurel Honey
Horse Chestnut Honey
Daphne Honey
Tobacco Honey
Black Hellebore Honey


And the Elfin Hill has come to stay.

++ MARCHEN
MOONSHINE AND MIST
The elfin maidens were already dancing on the elf hill, and they danced in shawls woven from moonshine and mist, which looked very pretty to those who like such things.

Ethereal, otherworldly, delicate: ambergris, white musk, water violet, ylang ylang, magnolia, and white sandalwood.

We must have all the old demons of the first class, with tails, and the hobgoblins and imps; and then I think we ought not to leave out the death-horse, or the grave-pig, or even the church dwarf, although they do belong to the clergy, and are not reckoned among our people; but that is merely their office, they are nearly related to us, and visit us very frequently.

OLD DEMONS OF THE FIRST CLASS
Siberian musk, black clove, opoponax, tonka, black pepper, and neroli.

THE DEATH-HORSE
Lily of the Valley and opopponax.

THE GRAVE-PIG
Fig, oakmoss, mushroom caps, and patchouli.

In the kitchen were frogs roasting on the spit, and dishes preparing of snail skins, with children's fingers in them, salad of mushroom seed, hemlock, noses and marrow of mice, beer from the marsh woman's brewery, and sparkling salt-petre wine from the grave cellars.

BEER FROM THE MARSH WOMAN'S BREWERY
A beer flavored with marsh arrow grass, yew berries, purple foxglove, and giant hogweed.

"You are invited to the elf hill for this evening," said she; "but will you do me a great favor and undertake the invitations? you ought to do something, for you have no housekeeping to attend to as I have. We are going to have some very grand people, conjurors, who have always something to say; and therefore the old elf king wishes to make a great display "

"Croak," said the night-raven as he flew away with the invitations.


THE NIGHT-RAVEN
Indigo musk, wild plum, rose geranium, benzoin, night-blooming jasmine, and patchouli.

"Well, I suppose I must tell you now," he replied; "two of my daughters must prepare themselves to be married, for the marriages certainly will take place. The old goblin from Norway, who lives in the ancient Dovre mountains, and who possesses many castles built of rock and freestone, besides a gold mine, which is better than all, so it is thought, is coming with his two sons, who are both seeking a wife. The old goblin is a true-hearted, honest, old Norwegian graybeard; cheerful and straightforward. I knew him formerly, when we used to drink together to our good fellowship: he came here once to fetch his wife, she is dead now. She was the daughter of the king of the chalk-hills at Moen. They say he took his wife from chalk; I shall be delighted to see him again. It is said that the boys are ill-bred, forward lads, but perhaps that is not quite correct, and they will become better as they grow older. Let me see that you know how to teach them good manners."

THE OLD GOBLIN
A crown of hardened ice and polished fir-cones.



Updated 13 July 2010:

Scents based on Elizabeth Barrial and D.H. Altair's book, Vampires Don't Sleep Alone, are live!

Last year, Del Howison and I were hired to write a tongue-in-cheek guide to dating vampires. Essentially, the premise of the book assumes that vampires are real and that they have recently come out of the crypt, so to speak. It explores the potential challenges found in actually dating vampires, and touches on the anthropology and science of vampires. We shelved most of the supernatural tropes, and concentrated on painting as “realistic” a picture as possible. I wrote the deadpan pseudoscience and false history, Del added warmth, contemporary advice, and wit. The project went through many iterations. It was initially supposed to be geared towards teen readers, and then the concept morphed to appeal to a more mature audience. I’m really, really happy with the way that we tweaked the vampire mythos.

In the end, after months of research, innumerable conversations, eleventybillion rewrites, and much love and tears, the book went to the editor and here we are.

This is my first time writing in this capacity, with publishers and all that snazzy stuff, and it was a nerve-wracking, wonderful, educational, and exciting experience. I want to thank Del (from the bottom of my heart!) and the people at Ulysses Press for this opportunity, and I hope that our book does them proud!

CICUTA
Dry, dusty rose petals, candle smoke, frankincense, and saffron.

INTERFECTOR
Ruthless, unfeeling, and inhumanly violent: tobacco, sharp woods, frankincense, and bunn.

TOMBEUR
Deadly and seductive: vanilla-infused sandalwood, blood musk, antique patchouli, vetiver, lavender, bitter almond, amber, and a trickle of Snake Oil.

SILENTI
Grave beauty: Spanish moss, lilac, wisteria, myrrh, and olibanum.

TRANSEO
GA cologne that (almost) blends well into human society: benzoin, orange blossom, cumin, King mandarin, gaiac wood, juniper berry, Calabrian bergamot, Ceylon cinnamon, and blood camouflaged by wine.

MISERICORDIA
Eons of grief and unending hunger: magnolia, black currant, castoreum accord, lavender, labdanum, amber, rose otto, and opoponax.

PHILOLOGUS
Ancient books, crackled parchment, faded incense, and candle wax.

VESPILLO
A grounded, earthy scent, evocative of the soul’s finer qualities: patchouli, clove, neroli, night-blooming jasmine, sage, and iris.

SANCTUS
Diabolically otherworldly: golden osmanthus, lily of the valley, celestial musk, and frankincense.

And last, but not least:

VILF
Because isn’t that what this book is really about? Vampire smut: patchouli-infused honey, red musk, red sandalwood, red ginger, pink pepper, Peru balsam, dark Eastern florals, Himalayan cedar, smoky vanilla, bitter clove, and leather.


Updated 25 June 2010:

Ia ora na, everyone! The first summer Black Phoenix update is live!

This month, the Lunacy is Fledgling Raptor Moon â€"

FLEDGLING RAPTOR MOON
Why should my sleepy heart be taught
To whistle mocking-bird replies?
This is another bird you've caught,
Soft-feathered, with a falcon's eyes.

The bird Imagination,
That flies so far, that dies so soon;
Her wings are colored like the sun,
Her breast is colored like the moon.

Weave her a chain of silver twist,
And a little hood of scarlet wool,
And let her perch upon your wrist,
And tell her she is beautiful.

Warm, soft tufts of down and gleaming tawny feathers: clove, toasted sandalwood, aged patchouli, bourbon vanilla, carnation, massoia bark, hinoki wood, and West Indian Bay.




Artwork for the tee by Jennifer Williamson.

Black Phoenix Alchemy Lab’s Raptor perfume and the Black Phoenix Alchemy Lab Raptor tee will be live until Tuesday, June 29.

Resurrected from the 2008 Limited Edition series, the Atomic Luau Lounge is now pitching a tent in the GC!

ATOMIC LUAU LOUNGE: THE BAR
In the spirit of Polynesian Pop and Tiki Culture, we present Black Phoenix Alchemy Lab's Atomic Luau Lounge: the Bar.

Tiki Culture became a phenomenon in the late 50's, likely inspired by Hawaii's admission to the union in 1959 and by the memories of World War II veterans that were stationed in the South Pacifi. Tiki enthusiasts were influenced by a panoply of Polynesian themes, and they embraced pop renditions of island artwork, dress, and music, revamping them with a distinctly campy Western flair.

This is our tribute to Donn Beach, a true Pisces if there ever was one. Light the torches, bust out the leis, and bust out the Martin Denny LPs! Without you, Donn, we wouldn't pu pu platters to gorge on, or Zombies to chug!

AREMATA-POPOA
Blackberry brandy, Castillo rum, ouzo, and iced black tea.

BLUE FIRE
Papaya, blueberry, lemongrass, and gin.

GOLDEN WAVE
Tangerine, gin, passion fruit, guava, and tonic.

MAHANA
Peach liquor, almond syrup, orgeat syrup, and pineapple cream de cacao.

PAHOEHOE
Grenadine, banana, and coconut rum.

POLYNESIAN POP
Ginger ale, white rum, and a squeeze of orange.

RANGOON RIPTIDE
Pineapple, mandarin orange, raspberry, passion fruit, and rum.

RED TIDE
Raspberry liquor, cranberry juice, gin, mango pulp, and a mint garnish.

SCREECHING PARROT
Golden rum, apricot liquor, pineapple, pomegranate, ginger, brandy, grapefruit, and pink lime.

At Black Phoenix Trading Post, we’re thrilled to debut the Ars Moriendi yoga pants, with artwork by Alicia Dabney, and a new pair of socks, courtesy of the master weavers at Sock Dreams!






Due to the rising price of silver and the cost of manufacture, Black Phoenix Trading Post has no choice but to raise the prices of the pendants and lockets. The new prices are as follows:

GC Lockets: $80
GC Pendants: $45
Clocket: $85
Neil Lockets: $85
Neil Pendants: $50


----

A gentle reminder:
Starting with this Will Call, West Coast Will Calls will now be held at Dark Delicacies!

Dark Delicacies
3512 W. Magnolia Blvd
(1 block east of Hollywood Way)
Burbank, CA 91505

The west coast will call event will be held on Saturday, June 26th, from 4 to 8pm at Dark Delicacies.

We accept Mastercard, Visa, American Express and cash. Preorders can still be made with Paypal.

----

GA Will Call will be at Whole Foods Market, aka Harry’s Farmer’s Market, in Roswell, GA.

They will be holding Will Call on Sunday, June 27th from 5 to 8 pm, inside Salud (which is inside the store.)

Whole Foods Market is located at 1180 Upper Hembree Road, Roswell, GA, 30076.

Whole Foods accepts Visa, Master Card, Discover, American Express and cash. They will not be able to accept any preorders.

---

The blends that will be available for purchase include those that went live on the Black Phoenix Alchemy Lab website up to and including the Lotus Moon update. Forum only scents will not be available at Will Call.

f you would like to place an order for pick-up at the North Hollywood Will Call, please do the following:

Email us at willcall@blackphoenixalchemylab.com with your order before 1pm on Friday, June 25th. Payment may be remitted by PayPal ahead of time to willcall@blackphoenixalchemylab.com, or you can pay at pick up with cash or credit card. Please do not email orders for the GA location to this address! When making your payment, please omit shipping charges. You may purchase any current catalogue oils, as long as we have them in stock. Due to the sheer volume, currently pending orders can not be combined with Will Call orders. Thanks for your understanding.

We will no longer be able to accommodate third party orders. If you are placing an order, you must attend Will Call and pick up your order in person.

We will do our best to accommodate all orders, but sales will be based on availability. At this time, imps, imp packs and Twilight Alchemy Lab oils will only be available at Dark Delicacies via preorder. Items from Black Phoenix Trading Post will be available at Dark Delicacies, subject to stock on hand.

If you have any questions, please email us at willcall@blackphoenixalchemylab.com.



Updated 25 May 2010:

Lotus Moon is live at Black Phoenix Alchemy Lab and Black Phoenix Trading Post!



LOTUS MOON
"Courage!" he said, and pointed toward the land,
"This mounting wave will roll us shoreward soon."
In the afternoon they came unto a land
In which it seemed always afternoon.
All round the coast the languid air did swoon,
Breathing like one that hath a weary dream.
Full-faced above the valley stood the moon;
And like a downward smoke, the slender stream
Along the cliff to fall and pause and fall did seem.

A land of streams! some, like a downward smoke,
Slow-dropping veils of thinnest lawn, did go;
And some thro' wavering lights and shadows broke,
Rolling a slumbrous sheet of foam below.
They saw the gleaming river seaward flow
From the inner land: far off, three mountain-tops,
Three silent pinnacles of aged snow,
Stood sunset-flush'd: and, dew'd with showery drops,
Up-clomb the shadowy pine above the woven copse.

The charmed sunset linger'd low adown
In the red West: thro' mountain clefts the dale
Was seen far inland, and the yellow down
Border'd with palm, and many a winding vale
And meadow, set with slender galingale;
A land where all things always seem'd the same!
And round about the keel with faces pale,
Dark faces pale against that rosy flame,
The mild-eyed melancholy Lotos-eaters came.

Branches they bore of that enchanted stem,
Laden with flower and fruit, whereof they gave
To each, but whoso did receive of them,
And taste, to him the gushing of the wave
Far far away did seem to mourn and rave
On alien shores; and if his fellow spake,
His voice was thin, as voices from the grave;
And deep-asleep he seem'd, yet all awake,
And music in his ears his beating heart did make.

They sat them down upon the yellow sand,
Between the sun and moon upon the shore;
And sweet it was to dream of Fatherland,
Of child, and wife, and slave; but evermore
Most weary seem'd the sea, weary the oar,
Weary the wandering fields of barren foam.
Then some one said, "We will return no more";
And all at once they sang, "Our island home
Is far beyond the wave; we will no longer roam."

Soporose and lenitive: opium-laced golden lotus with rich amber, red sandalwood, pomegranate, frankincense, and rose otto.


Artwork by Jennifer Williamson! Lotus Moon will be live at Black Phoenix Alchemy Lab & Black Phoenix Trading Post until 31 May 2010.



Hail Eris! The time has come for this year's Chaos Theory!

CHAOS THEORY VI
Chaos is the score upon which reality is written. â€" Henry Miller

An old take on Chaos! A new take on Chaos!

This year, we are offering the traditional chaos of the original Chaos Theories, manifested as Eris’ Tilt-A-Whirl, and a new Recursive Self-Similarity series.

Each CT:6 scent under the auspices of Recursive Self-Similarity, has a base of one of the following scents, in wildly varying proportions:

Amber
Frankincense
Vanilla

From these bases comes a new series of flowing, fragrant fractals that emanate from these three roots. Random combinations of oils have been added to every individual bottle, retaining their sensitivity to their initial component, resulting in a truly unique blend that swirls merrily around its core oil.

This is an exercise in the joy of chance and uncertainty! Each is a one-of-a-kind, utterly random combination of scents, the composition of which is based on whim, mood and gut instinct.

Most common allergens have been omitted from the experiment. No pennyroyal, no nuts, no cinnamon, no cassia. Regardless, if you have any sensitivities, please do not participate in Chaos Theory. The contents of the oils are not recorded [that's the whole point!] and we will not be able to answer questions about specific bottles of CT:6 or guarantee that an allergen is not present in your order.

By purchasing CT:6, you agree to absolve Black Phoenix of any responsibility related to an allergic reaction to one of the oils in this series.

Please make a responsible choice, and use caution and discretion when ordering. This is intended to be a fun, exciting project. Please bear in mind that all Black Phoenix oils are made in an environment that contains nuts, both literally and figuratively.

We hope that you enjoy these scents as much as we enjoyed creating them!

CHAOS THEORY VI: RECURSIVE SELF-SIMILARITY V5
The Amber Series

CHAOS THEORY VI: RECURSIVE SELF-SIMILARITY V6
The Frankincense Series

CHAOS THEORY VI: RECURSIVE SELF-SIMILARITY V7
The Vanilla Series

CHAOS THEORY VI: ERIS’ TILT-A-WHIRL
Turbulent, disordered beauty: sensitive to initial conditions, topologically mixed, and approached by periodic orbits with abandon. A dynamical system expressed through scent.



Also new this month, an entomological reminder of the finer parts of our souls:

METAMORPHOSIS
Lo, the bright train their radiant wings unfold!
With silver fringed, and freckled o'er with gold:

On the gay bosom of some fragrant flower
They, idly fluttering, live their little hour;
Their life all pleasure, and their task all play,
All spring their age, and sunshine all their day.
- "To Mrs. P--------., With Some Drawings...", Anna Laetitia Aikin

The grace, beauty, and complexity of butterflies and moths have permeated myths all over the globe. The symmetry and elegance of their form and the coquettish rhythm of their dance inspires visions of fleeting romance:

The dawn is smiling on the dew that covers
The tearful roses; lo, the little lovers
That kiss the buds, and all the flutterings
In jasmine bloom, and privet, of white wings,
That go and come, and fly, and peep and hide,
With muffled music, murmured far and wide.
Ah, the Spring time, when we think of all the lays
That dreamy lovers send to dreamy mays,
Of the fond hearts within a billet bound,
Of all the soft silk paper that pens wound,
The messages of love that mortals write
Filled with intoxication of delight,
Written in April and before the May time
Shredded and flown, playthings for the wind's playtime,
We dream that all white butterflies above,
Who seek through clouds or waters souls to love,
And leave their lady mistress in despair,
To flit to flowers, as kinder and more fair,
Are but torn love-letters, that through the skies
Flutter, and float, and change to butterflies

- “The Genesis of Butterflies”, Victor Hugo

Though in some myths â€" notably, China’s Butterfly Lovers, Liang Shanbo and Zhu Yingtai, and Japan’s tale of Takahama and Akiko â€" butterflies are symbols of eternal love and devotion.

Most often, butterflies and moths represent change, transition, and metamorphosis. Butterflies are also seen as personifications of the soul,and symbols of mankind’s desire for spiritual evolution. They are harbingers of both love and death, and some believe that errant souls manifest in this form.

Moths and butterflies are, to some, symbols of blind desire and madness, perilously drawn to the splendor of light and flame. This mad desire is also portrayed, at times, as transcendence:

Tell it none except the wise,
for the common crowd defames:
of the living I shall praise
that which longs for death in flames.

In the love night which created
you where you create, a yearning
wakes: you see, intoxicated,
far away a candle burning.

Darkness now no longer snares you,
shadows lose their ancient force,
as a new desire tears you
up to higher intercourse.

Now no distance checks your flight,
charmed you come and you draw night
till, with longing for the light,
you are burnt, O butterfly.

And until you have possessed
dying and rebirth,
you are but a sullen guest
on the gloomy earth.

- “Blissful Yearning”, Goethe, translation by Walter Kaufmann

This series, though seemingly simple, is a complex narrative in scent. It was created with the intention of illustrating the beauty of transformation and transcendence, the sweetness of romance, the joy of freedom and personal liberty, and the perpetuity of true love.

Wake, butterfly -
It's late, we've miles
To go together.

- Matsuo Basho

+ THE MOTHS
GREAT GREY WITCH
Orris root, Roman chamomile, white sugar, ambergris accord, and cimarrón.

GYPSY
Bourbon vanilla, Egyptian musk, tonka, white sugar, and cardamom.

LUNA
Touareg tea, Asian pear, carnation, lime sugar, green musk, armoise, and thyme.

ROSY MAPLE
Lemon blossom, vanilla bean, huckleberry, sweet pea, rose sugar, acai berry, and candyfloss.

+ THE BUTTERFLIES
COMMON JEZEBEL
Apricot, lemon sugar, coconut, red currant, and vetiver.

MONARCH
King mandarin, red ginger, sugar cane, golden amber, mango, and pumpkin.

PAPER KITE
Coconut, white sugar, angelica, and black pepper.

SPICEBUSH SWALLOWTAIL
Brown sugar, sassafras, clove, and wild plum.


Lilith, this series is dedicated to you, my angel, for every time you say, "Bye Bye Butterfly", my heart expands with joy so fierce that it cannot be expressed in words.




And last, but not least: a scent created solely to benefit the CBLDF â€"-

BANNED IN BOSTON
Banned in Boston was a phrase coined in the 19th century that was used to describe material, be it a motion picture, photograph, literary work, or other work of art, that contained objectionable or obscene content. Boston city officials and the Watch and Ward Society took their lead from the Comstock Law, which prohibited obscene materials from being distributed via the US Mail service, and formed their own strict censorship guidelines. Provocative or offensive material was prohibited from distribution or exhibition within Boston city limits.

The effect was much like that of the RIAA’s Parental Advisory tags: if something was Banned in Boston, it only served to pique interest and spike sales or attendance.

Obscene, lewd, lascivious, and decidedly objectionable. A filthy, post-coitus scent: sweaty and sweet, laced with laudanum, splashed with booze, and stained by tobacco.

(Please note: the Banned in Boston label is NSFW.)



Updated 26 April 2010:

Black Phoenix Alchemy Lab is thrilled to present a lone-awaited scent series inspired by Neil Gaiman's Neverwhere! Experience the scents of London Below! Original artwork created for this line by Enrique Alcatena.



MR. CROUP
'A fox and a wolf', thought Richard, involuntarily. The man in front, the fox, was a little shorter than Richard. He had lank, greasy hair, of an unlikely orange color, and a pallid complexion; as Richard opened the door, he smiled, widely, and just a fraction too late, with teeth that looked like an accident in a graveyard.

Pompous and predatory: tonka bean, black musk, bourbon geranium, and crushed porcelain.


MR. VANDEMAR
The second of the visitors, a tall man, the one he had thought of as a wolf, his gray and black hair cut bristle-short, stood a little behind his friend, holding a stack of photocopies to his chest. He had said nothing until this moment---just waited, huge and impassive. Now he laughed, once, low and dirtily. There was something unhealthy about that laugh.

Dark and gangly, with a glint of razor-sharp stainless steel behind it: opopponax, costus, black pepper, black sandalwood, and polished metal.


DOOR
She was dressed in a variety of clothes thrown over each other: odd clothes, dirty velvets, muddy lace, rips and holes through which other layers and styles could be seen. She looked, Richard thought, as if she's done a midnight raid on the History of Fashion section of the Victoria and Albert Museum, and was still wearing everything she had taken. Her short hair was filthy, but looked like it might have been a dark reddish color under the dirt.

Golden honey, nicotiana, blue chamomile, and cistus.


THE MARQUIS de CARABAS
He wore a huge dandyish black coat that was not quite a frock coat nor exactly a trench coat, and high black boots, and, beneath his coat, raggedy clothes. His eyes burned white in an extremely dark face. And he grinned whie teeth, momentarily, as if at a private joke of his own, and bowed to Richard, and said, "De Carabas, at your service, and you are ?

A splash of bay rum, leather, dusty black wool, massoia bark, and opium residue.


THE RAT SPEAKERS
For a moment, Richard was blinded by the sudden light. He was standing in a huge, vaulted room, and underground hall, filled with firelight and smoke. Small fires burned around the room. Shadowy people stood by the flames, roasting small animals on spits. People scurried from fire to fire. It reminded him of hell---or rather, the way that he had thought of Hell as a schoolboy. The smoke irritated his lungs, and he coughed. A hundred eyes turned, then, and stared at him; a hundred eyes, unblinking and unfriendly.

A snuffling, brown scent: earthy patchouli, sage, russet sandalwood, grimy leather, fig leaf, and lemongrass.


ANESTHESIA
'Ratty!' said the girl in something between a squeak and a horrified swallow. She had a large, water-stained red button pinned to her ragged clothes, the kind that comes attached to birthday cards. It said, in yellow letters, I AM 11.

A scent that slips through the cracks: peppermint, lavender, bergamot, and mandrake.


NIGHT'S BRIDGE
And then they turned a corner, and saw the bridge. It could have been one of the bridges over the Thames, five hundred years ago, thought Richard; a huge stone bridge spanning out over a vast black chasm, into the night. But there was no sky above it, no water below. It rose into darkness.

Stone and darkness.


HUNTER
He turned, and standing there was a tall woman, with long, tawny hair, and skin the color of burnt caramel. She wore dappled leather clothes, mottled in shades of gray and brown. She had a battered leather duffel bag over her shoulder. She was carrying a staff, and she had a knife at her belt and an electric flashlight strapped to her wrist. She was also, without question, the most beautiful woman that Richard had ever seen.

Leonine amber, tanned hides, clove, and clary sage.


THE FLOATING MARKET
It was loud, and brash, and insane, and it was, in many ways, quite wonderful. People argued, haggled, shouted, sang. They hawked and touted their wares, and loudly declaimed the superiority of their merchandise. Music was playing---a dozen different kinds of music, being played a dozen different ways on a score of different instruments, most of them improvised, improved, improbable. Richard could smell food. All kinds of food---the smells of curries and spices seemed to predominate, with, beneath them, the smells of grilling meats and mushrooms. Stalls had been set up all throughout the shop, next to or even on, counters that, during the day, had sold perfume, or watches, or amber, or silk scarves.

A cacophony of curious scents: copaiba balsam, petitgrain, citrus rind, sinicuichi accord, betel nut, wasabi root, coconut palm, and wattleseed layered atop innumerable strange herbs, spices, and woods.


THE VELVETS
Five almost identically dressed, pale young women walked past him. They wore long dresses made of velvet, each dress as dark as night, one each of dark green, dark chocolate, royal blue, dark blood, and pure black. Each woman had black hair and wore silver jewelry; each was perfectly coifed, perfectly made up. They moved silently: Richard was only aware of a swish of heavy velvet as they went past, a swish that sounded almost like a sigh.

Smooth inky musk, cathedral incense, ylang ylang, violet leaf, rose-infused amber, red sandalwood, and iris.


LAMIA
'And you said you'd pay me for being your guide. And it's what I want, as my payment. Warmth. Can I have some?' Anything she wanted. Anything. The honeysuckle and the lily of the valley wrapped around him, and his eyes saw nothing but her pale skin and her dark plum-bloom lips and her jet black hair.

Deadly elegance: pale orchid, lily of the valley, vanilla amber, black currant, white peach, champaca, coconut, honeysuckle, Arabian myrrh, Burmese vetiver, and oude.



This is a charitable, not-for-profit venture: proceeds from every single bottle from the Neverwhere series goes to the Comic Book Legal Defense Fund, which works to preserve and protect the First Amendment rights of the comics community.

A million thanks to Neil for his friendship and support, and a million thanks to Enrique Alcatena for the fantastic illustrations that he created for the Neverwhere line!

We love you, Neil!





What if you go from, you know, Captain America to Doctor Doom? What if you go from Superman to Lex Luthor? How do you go from being the greatest hero in the world - someone that everybody knows, and everybody loves, and everyone recognizes - to the greatest villain in the world? What is that path? It's not a light switch, it's not an on-off switch, it's not something that you wake up one day and just become evil. - Mark Waid

Black Phoenix Alchemy Lab is also thrilled to present our first collaboration with the wonderful people at Boom! Studios: a series of scents inspired by Mark Waid's phenomenal comic book series -- Irredeemable!

Series writer and creator Mark Waid has written more than one thousand comics stories for every major publisher of the past two decades. Currently, he serves as Editor-In-Chief of BOOM! Studios.

Artist Pete Krause has worked for a number of publishers over a twenty-year career, and has illustrated stories starring Captain Marvel, Superman and the cast from Star Trek: The Next Generation.

Mark's writing is mesmerizing, and Irredeemable is, in our opinion, one of the best comics currently in print. We are extremely grateful to the wonderful people at Boom! Studios - people that are a true joy to work with - for the opportunity to interpret Mark's characters, locations, and stories through scent.


PLUTONIAN
Once the world's greatest, most beloved superhero, he has now become its greatest villain--a capricious and vengeful god who haunts the skies and toys daily with six billion lives.

Soapy cleanliness sullied by blood and ashes.


MR. QUBIT
An eccentric genius and leader of the superhero team The Paradigm, Qubit can meld and shape technology with a gesture, allowing him to create whatever he can envision.

Gleaming metal, electrical discharge, and a whiff of tinny cologne.


BETTE NOIR
The Paradigm's martial artist and weapons master, Bette carries a grim secret--that she alone knows Plutonian's one true vulnerability.

Benzoin, wild plum, smoky amber, bergamot, orange blossom, myrrh, and dark berries.


VOLT
A living electrical battery, Volt plays the wiseass clown for his teammates, using humor to mask his awkwardness and his need for acceptance.

Leather with a shock of eucalyptus, green mint, elemi, ravintsara and lime.


KAIDAN
Youngest of The Paradigm, when Kaidan recites the ghost stories of Japanese legend, she brings their spectral warriors to life.

Rosehip, plum blossom, white sandalwood, jonquil, and amber-laden incense.


YÃœREI
The most fearsome of Kaidan's conjured warriors, his sword can shear through anything--or anyone.

White tea, hibiscus, Arabian sandalwood, white amber, ho leaf, pale Japanese flowers, and vetiver.


ALANA PATEL
Plutonian's one true love, newswoman Alana Patel broke his heart--and, in doing so, helped set in motion the series of events that forever turned the hero into a villain.

Faded perfume, cigarette smoke, and gin.





Black Phoenix Alchemy Lab, in conjunction with Top Cow Productions and the Hero Initiative, is also debuting the first in a new line of scents inspired by Top Cow's Witchblade!

Proceeds from every bottle sold in the Witchblade line goes to the Hero Initiative, the first federally recognized not-for-profit organization dedicated to helping comic book creators, writers and artists in need. Founded in late 2000 by a consortium of comic book and trade publishers including Marvel Comics, Image Comics, Dark Horse Comics, Wizard Entertainment, CrossGen Comics and Dynamic Forces Inc., the 501(c)(3) charity aims to assist comic creators with health, medical, and quality-of-life assistance.

Top Cow Productions, Inc., a Los Angeles-based entertainment company, was founded in December of 1992 by artist Marc Silvestri, who also co-founded Image Comics earlier that same year.


WITCHBLADE

Antediluvian, sacred metal, glowing red musk, blessed frankincense, and antiqued amber.

The Witchblade perfume was created to layer seamlessly with Sara Pezzini's scent, and is made to be worn with all of the future Black Phoenix scents inspired by Witchblade wielders.


SARA PEZZINI
A hint of leather and an understated vintage musk layered over the scent of lightly perspiring, honey-dusted skin.


DET. PATRICK GLEASON
A classic men's cologne splashed over a leather trenchcoat and a hint of gunshot residue.


THE CURATOR
Mysterious herbs and ancient resins. Dust settled on ancient relics, both holy and malevolent.




A special thanks to Kathy Flynn, Jim McLauchlin, Mark Waid, Ross Ritchie, Lori Matsumoto, Charles Brownstein, Cat Mihos, and Neil Gaimain for... well, everything. Without all of you, these scents would not have been possible. I love you guys.




Panther Moon is also live at Black Phoenix Alchemy Lab and Black Phoenix Trading Post!



PANTHER MOON
Sein Blick ist vomVorübergehn der Stäbe
so müd geworden, daß er nichts mehr hält.
Ihm ist, als ob es tausend Stäbe gäbe
und hinter tausend Stäben keine Welt.

Der weiche Gang geschmeidig starker Schritte,
der sich im allerkleinsten Kreise dreht,
ist wie ein Tanz von Kraft um eine Mitte,
in der betäubt ein großer Wille steht.

Nur manchmal schiebt der Vorhang der Pupille
sich lautlos auf - dann geht ein Bild hinein,
geht durch der Glieder angespannte Stille -
und hört im Herzen auf zu sein.


His gaze those bars keep passing is so misted
with tiredness, it can take in nothing more.
He feels as though a thousand bars existed,
and no more world beyond them before.

Those supply-powerful paddings, turning there
in the tiniest of circles, well might be
the dance of forces round a center where
some mighty will stands paralyticly.

Just now and then the pupil's noiseless shutter
is lifted - then an image will indart,
down through the limbs' intensive stillness flutter,
and end its being in the heart.

(Der Panther by Rainer Maria Rilke. Translation by Walter Arndt.)

Gleaming black musk, mandrake, labdanum, black ginger, benzoin, champaca, ambergris accord, myrrh, and star anise.


Artwork for the Panther Moon tee by the lovely Alicia Dabney!

A few Paduan Killer Bees have strayed into the Lab, harbingers of spring's new general catalogue series: Rappaccini's Apiary. To introduce the line, we are offering a small selection of toxin-infused honeys for a limited time. The general catalogue annex will feature honeys that have been created using somewhat unsavory nectar and pollen sources, including black hellebore, oleander, rosary pea, monkshood, wintersweet, and hemlock, some of which are debuting now, in April of 2010.

There are four infused honey scents in the Paduan Killer Bees limited edition line:

DURIAN FRUIT INFUSED HONEY WITH BRANDY
DOLL'S EYE INFUSED HONEY
JERUSALEM CHERRY INFUSED HONEY
YEW BERRY INFUSED HONEY

As well as

PADUAN KILLER SWARM
A swarm of genetically modified, extremely aggressive European bees that were created by Dr. Giacomo Rappaccini. These bees are attracted to a peculiar set of pollens and nectars, and possess a particularly vicious temperament, a lethal apitoxin, and cruelly barbed stingers.

Tonka, black licorice, amber, golden sandalwood, ginger cream, bitter clove, stinging nettle, cinnamon bark, and coconut shell.



The following thrillingly toxic honeys are making their debut in Rappaccini's Apiary (located in the general catalogue):

DEADLY NIGHTSHADE HONEY
HEMLOCK HONEY
OLEANDER HONEY
YELLOW JESSAMINE HONEY


(It goes without saying that the Rappaccini's Garden and Apiary scents do not truly contain poisonous plant materials.)



Also new to the BPAL general catalogue

++ SIN AND SALVATION
PARAMATMAN
Like two birds of golden plumage, inseparable companions, the individual self and the immortal Self are perched on the branches of the selfsame tree. The former tastes of the sweet and bitter fruits of the tree; the latter, tasting of neither, calmly observes.

Orange blossom, East Indian sandalwood, and champaca.



++ EXCOLO
EHECATL
The Aztec God of the Winds. He is one of the faces of the Feathered Serpent, and in this aspect he gave life to the sun and the moon, revives the dead, and breathes love into the hearts all of men.

Hibiscus, matcha, white musk, and lime.



++ BEWITCHING BREWS
THE FOREST REVERIE
'Tis said that when
The hands of men
Tamed this primeval wood,
And hoary trees with groans of woe,
Like warriors by an unknown foe,
Were in their strength subdued,
The virgin Earth Gave instant birth
To springs that ne'er did flow
That in the sun Did rivulets run,
And all around rare flowers did blow
The wild rose pale Perfumed the gale
And the queenly lily adown the dale
(Whom the sun and the dew
And the winds did woo),
With the gourd and the grape luxuriant grew.

So when in tears
The love of years
Is wasted like the snow,
And the fine fibrils of its life
By the rude wrong of instant strife
Are broken at a blow
Within the heart
Do springs upstart
Of which it doth now know,
And strange, sweet dreams,
Like silent streams
That from new fountains overflow,
With the earlier tide
Of rivers glide
Deep in the heart whose hope has died--
Quenching the fires its ashes hide,--
Its ashes, whence will spring and grow
Sweet flowers, ere long,
The rare and radiant flowers of song!

A sunlit ancient forest, dotted with wild roses, grape vine, and queenly lilies, clothed in swirls of opium smoke.


L'EXAMEN DE MINUIT Enfin, nous avons, pour noyer
Le vertige clans le délire,
Nous, prêtre orgueilleux de la Lyre,
Dont la gloire est de déployer
L'ivresse des choses funèbres,
Bu sans soif et mangé sans faim!...
- Vite soufflons la lampe, afin
De nous cacher dans les ténèbres!

Finally, to cheat sadness, we
Have reveled at the board of Greed,
With neither thirst nor appetite -
We, of the old Pierian breed,
Whose pride was to win ecstasy
From sorrow, loneliness, and need.
- Hurry! Let us put out the light,
That we be hidden in the night.


The rapture of sorrowful things: frankincense, black plum, melancholy lilac, rose otto, and myrrh.



And at Black Phoenix Trading Post, the next duet in the Great Loves and Tragedies of Ancient Greece is live -

+ PYRAMUS & THISBE
Pyramus was the most handsomest youth, and Thisbe the loveliest maiden, of all the East lived in Babylon, where Semiramis reigned. Their parents occupied adjoining houses; and neighborhood brought the young people together, and acquaintance ripened into love. They longed to marry, but their parents forbade. One thing however they could not forbid - that love should glow with equal ardor in the bosoms of both. They conversed by signs and glances, and the fire burned more intensely for being covered up. In the wall that parted the two houses there was a crack, caused by some fault in the structure. No one had remarked it before, but the lovers discovered it. What will not love discover! It afforded a passage to the voice; and tender messages used to pass backward and forward through the gap. As they stood, Pyramus on this side, Thisbe on that, their breaths would mingle. "Cruel wall," they said, "why do you keep two lovers apart? But we will not be ungrateful. We owe you, we confess, the privilege of transmitting loving words to willing ears." Such words they uttered on different sides of the wall; and when night came and they must say farewell, they pressed their lips upon the wall, she on her side, he on his, as they could come no nearer.

Next morning, when Aurora had put out the stars, and the sun had melted the frost from the grass, they met at the accustomed spot. Then, after lamenting their hard fate, they agreed that next night, when all was still, they would slip away from watchful eyes, leave their dwellings and walk out into the fields; and to insure a meeting, repair to a well-known edifice, standing without the city's bounds, called the Tomb of Ninus, and that the one who came first should await the other at the foot of a certain tree. It was a white mulberry tree, and stood near a cool spring. All was agreed on, and they waited impatiently for the sun to go down beneath the waters and night to rise up from them. Then cautiously Thisbe stole forth, unobserved by the family, her head covered with a veil, made her way to the monument and sat down under the tree. As she sat alone in the dim light of the evening she descried a lioness, her jaws reeking with recent slaughter, approaching the fountain to slake her thirst. Thisbe fled at the sight, and sought refuge in the hollow of a rock. As she fled she dropped her veil. The lioness, after drinking at the spring, turned to retreat to the woods, and seeing the veil on the ground, tossed and rent it with her bloody mouth.

Pyramus, having been delayed, now approached the place of meeting. He saw in the sand the footsteps of the lion, and the color fled from his cheeks at the sight. Presently he found the veil all rent and bloody. "O, hapless girl," said he, "I have been the cause of thy death! Thou, more worthy of life than I, hast fallen the first victim. I will follow. I am the guilty cause, in tempting thee forth to a place of such peril, and not being myself on the spot to guard thee. Come forth, ye lions, from the rocks, and tear this guilty body with your teeth." He took up the veil, carried it with him to the appointed tree, and covered it with kisses and with tears. "My blood also shall stain your texture," said he, and drawing his sword plunged it into his chest. The blood spurted from the wound, and tinged the white mulberries of the tree all red; and sinking into the earth reached the roots, so that the red color mounted through the trunk to the fruit.

By this time, Thisbe, still trembling with fear, yet wishing not to disappoint her lover, stepped cautiously forth, looking anxiously for the youth, eager to tell him the danger she had escaped. When she came to the spot and saw the changed color of the mulberries she doubted whether it was the same place. While she hesitated she saw the form of one struggling in the agonies of death. She started back, a shudder ran through her frame as a ripple on the face of the still water when a sudden breeze sweeps over it. But as soon as she recognized her lover, she screamed and beat her breast; embracing the lifeless body, pouring tears into its wounds, and imprinting kisses on the cold lips. "O, Pyramus," she cried, "what has done this? Answer me, Pyramus; it is your own Thisbe that speaks. Hear me, dearest, and lift that drooping head!" At the name of Thisbe, Pyramus opened his eyes, then closed them again. She saw her veil stained with blood and the scabbard empty of its sword. "Thy own hand has slain thee, and for my sake," she said. "I too can be brave for once, and my love is as strong as thine. I will follow thee in death, for I have been the cause; and death, which alone could part us, shall not prevent my joining thee. And ye, unhappy parents of us both, deny us not our united request. As love and death have joined us, let one tomb contain us. And thou, tree, retain the marks of slaughter. Let thy berries still serve for memorials of our blood." So saying, she plunged the sword into her breast. Her parents ratified her wish, the gods also ratified it. The two bodies were buried in one sepulchre, and the tree ever after brought forth purple berries, as it does to this day.

(Translation of Ovid's Metamorphosis by Thomas Bulfinch.)


PYRAMUS
Dragon's blood resin, frankincense, amber, white tea, lavender, and golden musk.

THISBE
Diaphanous sandalwood, pink rose, lotus root, lemon orpur, and iris stained by mulberry juice.





From the 28 March 2010 update:

Egg Moon is live at Alchemy Lab & Trading Post!

EGG MOON
One egg's lower half transformed
And became the earth below,
And its upper half transmuted
And became the sky above;
From the yolk the sun was made,
Light of day to shine upon us;
From the white the moon was formed,
Light of night to gleam above us;
All the colored brighter bits
Rose to be the stars of heaven
And the darker crumbs changed into
Clouds and cloudlets in the sky.


The scent of Creation: frankincense, bdellium, sweet cane, cassia, cinnamon, and dammar gum.



The ancient symbol of the Orphic Mysteries was the serpent-entwined egg, which signified Cosmos as encircled by the fiery Creative Spirit. The egg also represents the soul of the philosopher; the serpent, the Mysteries. At the time of initiation the shell is broke, and man emerges from the embryonic state of physical existence wherein he had remained through the fetal period of philosophic regeneration. -- Manly P. Hall

Artwork by Jennifer Williamson! Egg Moon will be live at Black Phoenix Alchemy Lab & Black Phoenix Trading Post until 31 March 2010.



The much-anticipated Sock Dreams / Black Phoenix Trading Post collaboration is going live the second week of April, along with a gorgeous tee illustrated by Molly Crabapple!



This month, Will Call will also be held at Area 51. This event is limited to resident extraterrestrials and military personnel with TS and SAP clearance, as well as SCI access, only. The date and time of this event is classified.



Black Phoenix Alchemy Lab and Black Phoenix Trading Post will be vending at Sakuracon, C2E2, and Bat's Day this spring! -

Sakura-Con 2010
The oldest and most well-attended Anime Con in the Pacific Northwest
April 2 - 4, 2010
Seattle, WA

C2E2 - Chicago Comic and Entertainment Expo
April 16 - 18, 2010
Chicago, IL
Booth 951

Bats Day Black Market
May 1, 2010
Anaheim, CA



At Sakuracon, we will have a large selection of scents from our general catalogue and current LE lines, and the following event exclusives will be available:

Seattle Exclusive:
GIANT SQUID
Cannabis blossom, tonka bean, tobacco, frankincense, galangal, juniper berry, lantana, spiky aloe, green and white teas, and salty sea spray.

Sakuracon Exclusives:
FUWU BANSAKU IN RUINED TEMPLE WITH BLACK MONSTER ON UMBRELLA
Black coconut, red sandalwood, black currant, tonka bean, vetiver, and Malasian oude.

SHIRAFUJI GENTA WITH A KAPPA
Lansium domesticum, sweetgrass, benzoin, white mint, lavender, juniper berry, cedarwood, osmanthus, and rice wine.

THE WRESTLER ONOGAWA KISABURO BLOWING SMOKE AT A ONE-EYED MONSTER
Peru balsam, Mysore sandalwood, bodark bark, tupelo gum, black pepper, tobacco absolute, and white honey.



At C2E2, we will be vending all three days, and premiering several new lines, including Neil Gaiman's Neverwhere and Boom! Studios Irredeemable. A recap of event details that Kathy posted on the forum last week:

If you're going to C2E2, you can find us at booth 951.

While we are there we will also be taking part of a few outside events:

Friday, April 16th, we will be at the Irredeemable 1st birthday party with Mark Waid, at Challengers Comics.

What: THE IRREDEEMABLE 1ST BIRTHDAY PARTY W/MARK WAID
Why: IRREDEEMABLE's record first year and the launch of Black Phoenix Alchemy Lab's IRREDEEMABLE Fragrance line
Where: Challengers Comics + Conversation located at 1845 N. Western Ave. 2R Chicago, IL 60647 (PH: 773.278.0155 / www.challengerscomics.com)
When: April 16th, 2010 8pm

This event is free to the public and you don't need a Con badge to attend. Beer and wine will be served.

Saturday, April 17th, the CBLDF will be hosting "An Evening with Neil Gaiman" at 7 PM in the Arie Crown Theater at McCormick Place in Chicago, IL. This is a paid, ticketed event.

A small number of fans will also have the opportunity to attend the "Evening with Neil Gaiman Dream Experience", which includes front center row seats, a limited Meet & Greet mixer with Neil before the event, and a special gift set from The Comic Book Legal Defense Fund, in association with Neverwear and Black Phoenix Alchemy Lab, which features a never-before-published poem presented on a beautiful and exclusive art print, and accompanying fragrance, with other surprises.

Sunday, April 18th, Pop Culture 2 will be hosting a Black Phoenix Meet N Sniff at Reggie's Rock Club, 2109 South State Street, Chicago, Illinois 60616, between noon and 2pm. There will be a free movie playing in the background, and you will be able to purchase food and drinks.

This event is free to the public and you don't need a Con badge to attend. If you are attending the Con, there is a free bus to take you to the event and back again.

We've still got a few more surprises for you in Chicago, including some special scents to benefit The Hero Initiative. More details will be posted closer to the event.



The price adjustment at Alchemy Lab is taking effect as of this update. Thank you so much to everyone for their patience and understanding!



From the 26 February 2010 update:

The Chaste Moon update is live at Black Phoenix Squared!

CHASTE MOON 2010
Though March marks the end of the desolation and chill of winter, it is not yet Spring, the time of rebirth, fertility and the Earth's fecundity. March's Full Moon is a Virgin's Moon, pure, youthful, unsullied and innocent. This is the Moon of the Child, and the scent is as soft and gentle as a baby's breath: milky blossoms and soft cream touch the last buds of winter, coupled with crystalline, bright traditional Lunar oils.



Pale, luminous grey shimmer ink on black tee. Artwork for Trading Post's Lunacy tee by Jennifer Williamson!



Also live this month at Black Phoenix Alchemy Lab

IDES OF MARCH 2010

The Ides marked an auspicious time in the Roman calendar. Depending on the month in question, the Ides fell on the thirteenth or fifteenth, and usually marked the Full Moon. As we all know, it was not an auspicious day for Julius Caesar, nor was it fortuitous for H.P. Lovecraft, who also met his maker on this infamous day. Tu quoque, Brute, fili mi! A mixture of springtime greenery and classical Roman cologne: dark musk, spikenard, bergamot, lemon rind and vervain with costus, benzoin, gray amber, cardamom, and white narcissus.



The Bards of Ireland return for a limited engagement

++ LE: THE BARDS OF IRELAND 2010
Irish bards were members of a hereditary caste of learned poets. They were officials of the courts of their chieftains and kings, and served as historians, storytellers, and satirists. They were immersed in the rich history of their clan and country, and learned the intricacies of their craft from birth. Their words held so much power that it was believed that a glam dicing, or satirical incantation, spoken by a bard held the magic of a curse.

This series is celebration of great Irish poets and storytellers. Through these poems, we touch the glory, beauty, and grief that permeates the soul of Ireland.

THE HARP OF CNOC I'CHOSGAIR
Gofraidh Fion O Dalaigh
Harp of Cnoc I'Chosgair, you who bring sleep
to eyes long sleepless;
sweet subtle, plangent, glad, cooling grave.
Excellent instrument with smooth gentle curve,
trilling under red fingers,
musician that has charmed us,
red, lion-like of full melody.

You who lure the bird from the flock,
you who refresh the mind,
brown spotted one of sweet words,
ardent, wondrous, passionate.
You who heal every wounded warrior,
joy and allurement to women,
familiar guide over the dark blue water,
mystic sweet sounding music.

You who silence every instrument of music,
yourself a sweet plaintive instrument,
dweller among the Race of Conn,
instrument yellow-brown and firm.
The one darling of sages,
restless, smooth, sweet of tune,
crimson star above the Fairy Hills,
breast jewel of High Kings.

Sweet tender flowers, brown harp of Diarmaid,
shape not unloved by hosts, voice of cuckoos in May!
I have not heard music ever such as your frame makes
since the time of the Fairy People,
fair brown many coloured bough,
gentle, powerful, glorious.

Sound of the calm wave on the beach,
pure shadowing tree of pure music,
carousals are drunk in your company,
voice of the swan over shining streams.
Cry of the Fairy Women from the Fairy Hill of Ler,
no melody can match you,
every house is sweet stringed through your guidance,
you the pinnacle of harp music.

Gilded amber, tiare, golden sandalwood, vanilla, cardamom, and tagetes.


LITTLE BIRD
Traditional
Little bird! O little bird!
I wonder at what thou doest,
Thou singing merry far from me,
I in sadness all alone!

Little bird! O little bird!
I wonder at how thou art
Thou high on the tips of branching boughs,
I on the ground a-creeping!

Little bird! O little bird!
Thou art music far away,
Like the tender croon of the mother loved
In the kindly sleep of death.

Night air, wild jostaberry, melancholy thistle, meadowgrass, marsh marigold, and butterwort.


THE TRAVELLER
Oliver Goldsmith
Vain, very vain, my weary search to find
That bliss which only centres in the mind:
Why have I stray'd from pleasure and repose,
To seek a good each government bestows?
In every government, though terrors reign,
Though tyrant kings, or tyrant laws restrain,
How small, of all that human hearts endure,
That part which laws or kings can cause or cure!
Still to ourselves in every place consign'd,
Our own felicity we make or find:
With secret course, which no loud storms annoy,
Glides the smooth current of domestic joy.
The lifted axe, the agonizing wheel,
Luke's iron crown, and Damien's bed of steel,
To men remote from power but rarely known,
Leave reason, faith, and conscience, all our own.

A wanderer, poised at the point where three great countries meet, ruminating on government, nationalism, religion, and personal character: boot leather, pipe tobacco, and the dust of soft resins, herbs, and soil-flecked gravel picked on long, solitary travels.



The next in our joint series inspired by Neil Gaiman's 15 Painted Cards From a Vampire Tarot is also live (undead) at Black Phoenix Alchemy Lab and Black Phoenix Trading Post: the Priestess.



Black ink on dusty cobalt burnout fabric. The tees are $35, and the tarot card and perfume set is $30.

Artwork by the inimitable Madame Talbot!

Proceeds from all sales from the Tarot series, both the scent and card set at Alchemy Lab and the tee at Black Phoenix Trading Post, benefit the Comic Book Legal Defense Fund!



Also at Black Phoenix Alchemy Lab, some critters have flown into the Garden of Live Flowers:

++ MAD TEA PARTY: THE GARDEN OF LIVE FLOWERS
ROCKING-HORSE-FLY
` -- then you don't like all insects?' the Gnat went on, as quietly as if nothing had happened.

`I like them when they can talk,' Alice said. `None of them ever talk, where I come from.'

`What sort of insects do you rejoice in, where YOU come from?' the Gnat inquired.

`I don't REJOICE in insects at all,' Alice explained, `because I'm rather afraid of them -- at least the large kinds. But I can tell you the names of some of them."

`Of course they answer to their names?' the Gnat remarked carelessly.

`I never knew them do it.'

`What's the use of their having names the Gnat said, `if they won't answer to them?'

`No use to THEM,' said Alice; `but it's useful to the people who name them, I suppose. If not, why do things have names at all?'

`I can't say,' the Gnat replied. `Further on, in the wood down there, they've got no names -- however, go on with your list of insects: you're wasting time.'

`Well, there's the Horse-fly,' Alice began, counting off the names on her fingers.

`All right,' said the Gnat: `half way up that bush, you'll see a Rocking-horse-fly, if you look. It's made entirely of wood, and gets about by swinging itself from branch to branch.'

`What does it live on?' Alice asked, with great curiosity.

`Sap and sawdust,' said the Gnat. `Go on with the list.'

Alice looked up at the Rocking-horse-fly with great interest, and made up her mind that it must have been just repainted, it looked so bright and sticky; and then she went on.

Shellacked wood, sap, sawdust, and privet.


SNAP-DRAGON-FLY
`Look on the branch above your head,' said the Gnat, `and there you'll find a Snap-Dragon-fly. Its body is made of plum-pudding, its wings of holly-leaves, and its head is a raisin burning in brandy.'

`And what does it live on?'

`Frumenty and mince pie,' the Gnat replied; `and it makes its nest in a Christmas box.'

Plum pudding, holly, and brandy-soaked raisin with frumenty, mince pie, and a hint of suet.


BREAD-AND-BUTTERFLY
`Crawling at your feet,' said the Gnat (Alice drew her feet back in some alarm), `you may observe a Bread-and-Butterfly. Its wings are thin slices of Bread-and-butter, its body is a crust, and its head is a lump of sugar.'

`And what does IT live on?'

`Weak tea with cream in it.'

Bread, lightly buttered, with weak tea, cream, and a lump of white sugar.



And elsewhere, stories are being told:

++ MARCHEN
TOADS AND DIAMONDS
There once upon a time a widow who had two daughters. The eldest was so much like her in the face and humor that whoever looked upon the daughter saw the mother. They were both so disagreeable and so proud that there was no living with them.

The youngest, who was the very picture of her father for courtesy and sweetness of temper, was withal one of the most beautiful girls ever seen. As people naturally love their own likeness, this mother even doted on her eldest daughter and at the same time had a horrible aversion for the youngest--she made her eat in the kitchen and work continually.

Among other things, this poor child was forced twice a day to draw water above a mile and a-half off the house, and bring home a pitcher full of it. One day, as she was at this fountain, there came to her a poor woman, who begged of her to let her drink.

"Oh! ay, with all my heart, Goody," said this pretty little girl; and rinsing immediately the pitcher, she took up some water from the clearest place of the fountain, and gave it to her, holding up the pitcher all the while, that she might drink the easier.

The good woman, having drunk, said to her:

You are so very pretty, my dear, so good and so mannerly, that I cannot help giving you a gift." For this was a fairy, who had taken the form of a poor country woman, to see how far the civility and good manners of this pretty girl would go. "I will give you for a gift," continued the Fairy, "that, at every word you speak, there shall come out of your mouth either a flower or a jewel."

When this pretty girl came home her mother scolded her for staying so long at the fountain.

"I beg your pardon, mamma," said the poor girl, "for not making more haste."

And in speaking these words there came out of her mouth two roses, two pearls, and two diamonds.

"What is it I see there?" said the mother, quite astonished. "I think I see pearls and diamonds come out of the girl's mouth! How happens this, child?"

This was the first time she had ever called her child.

The poor creature told her frankly all the matter, not without dropping out infinite numbers of diamonds.

"In good faith," cried the mother, "I must send my child thither. Come hither, Fanny; look what comes out of thy sister's mouth when she speaks. Wouldst not thou be glad, my dear, to have the same gift given thee? Thou hast nothing else to do but go and draw water out of the fountain, and when a certain poor woman asks you to let her drink, to give it to her very civilly."

"It would be a very fine sight indeed," said this ill- bred minx, "to see me go draw water."

"You shall go, hussy!" said the mother; "and this minute."

So away she went, but grumbling all the way, taking with her the best silver tankard in the house.

She was no sooner at the fountain than she saw coming out of the wood a lady most gloriously dressed, who came up to her, and asked to drink. This was, you must know, the very fairy who appeared to her sister, but now had taken the air and dress of a princess, to see how far this girl's rudeness would go.

"Am I come hither," said the proud, saucy one, "to serve you with water, pray? I suppose the silver tankard was brought purely for your ladyship, was it? However, you may drink out of it, if you have a fancy."

"You are not over and above mannerly," answered the Fairy, without putting herself in a passion. "Well, then, since you have so little breeding, and are so disobliging, I give you for a gift that at every word you speak there shall come out of your mouth a snake or a toad."

So soon as her mother saw her coming she cried out:

"Well, daughter?"

"Well, mother?" answered the pert hussy, throwing out of her mouth two vipers and two toads.

"Oh! mercy," cried the mother; "what is it I see? Oh! it is that wretch her sister who has occasioned all this; but she shall pay for it"; and immediately she ran to beat her. The poor child fled away from her, and went to hide herself in the forest, not far from thence.

The King's son, then on his return from hunting, met her, and seeing her so very pretty, asked her what she did there alone and why she cried.

"Alas! sir, my mamma has turned me out of doors."

The King's son, who saw five or six pearls and as many diamonds come out of her mouth, desired her to tell him how that happened. She thereupon told him the whole story; and so the King's son fell in love with her, and, considering himself that such a gift was worth more than any marriage portion, conducted her to the palace of the King his father, and there married her.

As for the sister, she made herself so much hated that her own mother turned her off; and the miserable wretch, having wandered about a good while without finding anybody to take her in, went to a corner of the wood, and there died.


ROSES, PEARLS, AND DIAMONDS
Red roses, dazzling crystalline musks, and pearlescent coconut-tinged orris.


++ MARCHEN: AESOP'S FABLES
GRIEF AND HIS DUE
When Jupiter was assigning the various gods their privileges, it so happened that Grief was not present with the rest: but when all had received their share, he too entered and claimed his due. Jupiter was at a loss to know what to do, for there was nothing left for him. However, at last he decided that to him should belong the tears that are shed for the dead. Thus it is the same with Grief as it is with the other gods. The more devoutly men render to him his due, the more lavish is he of that which he has to bestow. It is not well, therefore, to mourn long for the departed; else Grief, whose sole pleasure is in such mourning, will be quick to send fresh cause for tears.

GRIEF
Inconsolable: lily of the valley, hyacinth, calamus, muguet, hydrangea, and elemi.


PROMETHEUS AND TRUTH
Olim Prometheus saeculi figulus noui
cura subtili Veritatem fecerat,
ut iura posset inter homines reddere.
Subito accersitus nuntio magni Iouis
commendat officinam fallaci Dolo,
in disciplinam nuper quem receperat.
Hic studio accensus, facie simulacrum pari,
una statura, simile et membris omnibus,
dum tempus habuit callida finxit manu.
Quod prope iam totum mire cum positum foret,
lutum ad faciendos illi defecit pedes.
Redit magister, quo festinanter Dolus
metu turbatus in suo sedit loco.
Mirans Prometheus tantam similitudinem
propriae uideri uoluit gloriam.
Igitur fornaci pariter duo signa intulit;
quibus percoctis atque infuso spiritu
modesto gressu sancta incessit Veritas,
at trunca species haesit in uestigio.
Tunc falsa imago atque operis furtiui labor
Mendacium appellatum est, quod negantibus
pedes habere facile et ipse adsentio.
Simulata interdum initio prosunt hominibus,
sed tempore ipsa tamen apparet ueritas.

Prometheus, the Titan of forethought and clever counsel, was a divine potter that was assigned the task of molding mankind out of clay. One day, he decided to dedicate his skill to sculpting the form of the spirit Veritas - Truth - so that he would be able to instill men with virtue. As he toiled, he was called away from his workshop by a sudden summons from the King of the Gods. Dolus - Trickery - had recently become one of Prometheus' apprentices, and was left in charge of the workshop in the titan's absence. Dolus used his time in the workshop to create a figure with the same size and possessing the same features as Veritas with his crafty, sly hands. When he was almost finished with his sculpture, which was truly almost identical to Prometheus' work, he ran out of clay to use for her feet. The divine potter returned, and Dolus scurried to his seat, trembling with fear that his master should discover what he had done and punish him. Prometheus was startled by the similarities between the two clay figures and decided he would take credit for both as a testament to his own skill. He put both statues in the kiln, and after they had been fired, he breathed life into them. Veritas walked with measured, steady steps, while her twin was immobile, stuck in her tracks. The imitation Veritas, a forgery and product of deception and artifice, aquired the name Mendacium - Falsehood. Falsehood has no feet: now and again something that is false can start off successfully, but with time, Truth will always prevail.


VERITAS The essence of honesty, integrity, and veracity: frankincense, white carnation, angelica, chamomile, and heliotrope.



Two new scents join Bewitching Brews:

++ BEWTICHING BREWS
THE HARLOT'S HOUSE
We caught the tread of dancing feet,
We loitered down the moonlit street,
And stopped beneath the harlot's house.

Inside, above the din and fray,
We heard the loud musicians play
The "Treues Liebes Herz" of Strauss.

Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.

We watched the ghostly dancers spin
To sound of horn and violin,
Like black leaves wheeling in the wind.

Like wire-pulled automatons,
Slim silhouetted skeletons
Went sidling through the slow quadrille.

The took each other by the hand,
And danced a stately saraband;
Their laughter echoed thin and shrill.

Sometimes a clockwork puppet pressed
A phantom lover to her breast,
Sometimes they seemed to try to sing.

Sometimes a horrible marionette
Came out, and smoked its cigarette
Upon the steps like a live thing.

Then, turning to my love, I said,
"The dead are dancing with the dead,
The dust is whirling with the dust."

But she--she heard the violin,
And left my side, and entered in:
Love passed into the house of lust.

Then suddenly the tune went false,
The dancers wearied of the waltz,
The shadows ceased to wheel and whirl.

And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.

The dead are dancing with the dead, the dust is whirling with the dust: angel's trumpet, violet, white sandalwood, oude, copaiba balsam, angelica, white tea, olibanum, and oakmoss.


MELIAI
Sisters to the Erinyes and the Gigantes, the ash tree nymphs were also born from the union of the blood gushing from Ouranos' castration wounds and Gaia's fertile womb. These nymphs were the mother of the Bronze Race of mankind's third age.

Ash manna and ambrosial honey.


And there's one new denizen in Diabolus:

EKHIDNA
This was the divine and haughty Ekhidna, and half of her is a Nymphe with a fair face and eyes glancing, but the other half is a monstrous ophis, terrible, enormous and squirming and voracious, there in earth's secret places. For there she has her cave on the underside of a hollow rock, far from the immortal gods, and far from all mortals. There the gods ordained her a fabulous home to live in which she keeps underground among the Arimoi, grisly Ekhidna, a Nymphe who never dies, and all her days she is ageless.

Mother of Monsters, the Eel of Tartarus, Queen of the Dark Forest, Serpent Womb. Consort to Typhon, the Rotting Lamprey was born from the residual scum left behind after from the Great Deluge.

All the corruptions of the earth: mandrake, dark myrrh, seaweed, swampy moss, black pepper, pimento, opoponax, tobacco absolute, and tarry clove.



Black Phoenix Trading Post is celebrating its 5th anniversary with an epic update

Trading Post is thrilled to present the Return of the Suds -

We are proud to present our newest joint-venture: exquisite handmade soaps by Villainess, scented by Black Phoenix Alchemy Lab.

These gloriously luxuriant soaps were created with the finest skin-nurturing ingredients. They are made by hand, from scratch, by the fiercely talented master soaper Brooke Stant, and are generously scented with Black Phoenix Alchemy Lab brews. Each bar is at least 3.5oz (without any water weight), and are cut 1" thick from a 3" square block of soap. The faces of the bars are smooth and bear unique, undulating, surrealistically beautiful swirls and marbles, and the sides are textured and raw, exhibiting the complex landscape of unsculpted handmade soap.

As always, no animals were harmed during the creation of this soap, and all products were tested on friends and family.

$8.50 per bar!


EMBALMING FLUID SOAP
A light, pure scent: white musk, green tea, aloe and lemon.
The soap: absolutely smooth, sheer, silken lather.

PORT ROYAL SOAP
Spiced rum and ship's wood mixed with the body-warmed trace of a prostitute's perfume and a hint of salty sea air on the dry-down.
The soap: gunpowder-black clay, imported silk, and a thick crust of sea salt.

SHUB-NIGGURATH SOAP
A blend of ritual herbs and dark resins, shot through with three gingers and aphrodisiacal spices.
The soap: absolutely smooth, sheer, silken lather.

SNAKE OIL SOAP
A blend of exotic Indonesian oils sugared with vanilla.
The soap: absolutely smooth, sheer, silken lather enriched with milky kaolin and flecked with blackened vanilla bean.

XMVLZENCAB SOAP
The family of bee deities that governed creation in the Mayan lands. Their scent is wild honey, black laurel flower, plumeria, and South American ginger.
The soap: absolutely smooth, sheer, silken lather drenched in sticky, humectant honey.



To celebrate the union, we are offering a few corresponding bath oils for a limited time:

++ LIMITED EDITION BATH OILS
EMBALMING FLUID BATH OIL
SNAKE OIL BATH OIL
XMVLZENCAB BATH OIL



The chilled air of winter is harbinger to a limited scent series at Black Phoenix Trading Post: the Great Loves and Tragedies of Ancient Greece. Two doomed duets will appear every month for four months. The first -

++ THE GREAT LOVES AND TRAGEDIES OF ANCIENT GREECE: ECHO & NARKISSOS
ECHO
Fam'd far and near for knowing things to come,
From him th' enquiring nations sought their doom;
The fair Liriope his answers try'd,
And first th' unerring prophet justify'd.
This nymph the God Cephisus had abus'd,
With all his winding waters circumfus'd,
And on the Nereid got a lovely boy,
Whom the soft maids ev'n then beheld with joy.

The tender dame, sollicitous to know
Whether her child should reach old age or no,
Consults the sage Tiresias, who replies,
"If e'er he knows himself he surely dies."
Long liv'd the dubious mother in suspence,
'Till time unriddled all the prophet's sense.

Narcissus now his sixteenth year began,
Just turn'd of boy, and on the verge of man;
Many a friend the blooming youth caress'd,
Many a love-sick maid her flame confess'd:
Such was his pride, in vain the friend caress'd,
The love-sick maid in vain her flame confess'd.

Once, in the woods, as he pursu'd the chace,
The babbling Echo had descry'd his face;
She, who in others' words her silence breaks,
Nor speaks her self but when another speaks.
Echo was then a maid, of speech bereft,
Of wonted speech; for tho' her voice was left,
Juno a curse did on her tongue impose,
To sport with ev'ry sentence in the close.
Full often when the Goddess might have caught
Jove and her rivals in the very fault,
This nymph with subtle stories would delay
Her coming, 'till the lovers slip'd away.
The Goddess found out the deceit in time,
And then she cry'd, "That tongue, for this thy crime,
Which could so many subtle tales produce,
Shall be hereafter but of little use."
Hence 'tis she prattles in a fainter tone,
With mimick sounds, and accents not her own.

This love-sick virgin, over-joy'd to find The boy alone,
still follow'd him behind:
When glowing warmly at her near approach,
As sulphur blazes at the taper's touch,
She long'd her hidden passion to reveal,
And tell her pains, but had not words to tell:
She can't begin, but waits for the rebound,
To catch his voice, and to return the sound.

The nymph, when nothing could Narcissus move,
Still dash'd with blushes for her slighted love,
Liv'd in the shady covert of the woods,
In solitary caves and dark abodes;
Where pining wander'd the rejected fair,
'Till harrass'd out, and worn away with care,
The sounding skeleton, of blood bereft,
Besides her bones and voice had nothing left.
Her bones are petrify'd, her voice is found
In vaults, where still it doubles ev'ry sound.

A scent shrouded behind a veil: vanilla orchid, amyris, white sandalwood, grey amber, and tuberose.


NARKISSOS
Thus did the nymphs in vain caress the boy,
He still was lovely, but he still was coy;
When one fair virgin of the slighted train
Thus pray'd the Gods, provok'd by his disdain,
"Oh may he love like me, and love like me in vain!"
Rhamnusia pity'd the neglected fair,
And with just vengeance answer'd to her pray'r.
There stands a fountain in a darksom wood,
Nor stain'd with falling leaves nor rising mud;
Untroubled by the breath of winds it rests,
Unsully'd by the touch of men or beasts;
High bow'rs of shady trees above it grow,
And rising grass and chearful greens below.
Pleas'd with the form and coolness of the place,
And over-heated by the morning chace,
Narcissus on the grassie verdure lyes:
But whilst within the chrystal fount he tries
To quench his heat, he feels new heats arise.
For as his own bright image he survey'd,
He fell in love with the fantastick shade;
And o'er the fair resemblance hung unmov'd,
Nor knew, fond youth! it was himself he lov'd.
The well-turn'd neck and shoulders he descries,
The spacious forehead, and the sparkling eyes;
The hands that Bacchus might not scorn to show,
And hair that round Apollo's head might flow;
With all the purple youthfulness of face,
That gently blushes in the wat'ry glass.
By his own flames consum'd the lover lyes,
And gives himself the wound by which he dies.
To the cold water oft he joins his lips,
Oft catching at the beauteous shade he dips
His arms, as often from himself he slips.

Nor knows he who it is his arms pursue
With eager clasps, but loves he knows not who.

What could, fond youth, this helpless passion move?
What kindled in thee this unpity'd love?
Thy own warm blush within the water glows,
With thee the colour'd shadow comes and goes,
Its empty being on thy self relies;
Step thou aside, and the frail charmer dies.

Still o'er the fountain's wat'ry gleam he stood,
Mindless of sleep, and negligent of food;
Still view'd his face, and languish'd as he view'd.
At length he rais'd his head, and thus began
To vent his griefs, and tell the woods his pain.
"You trees," says he, "and thou surrounding grove,
Who oft have been the kindly scenes of love,
Tell me, if e'er within your shades did lye
A youth so tortur'd, so perplex'd as I?
I, who before me see the charming fair,
Whilst there he stands, and yet he stands not there:
In such a maze of love my thoughts are lost:
And yet no bulwark'd town, nor distant coast,
Preserves the beauteous youth from being seen,
No mountains rise, nor oceans flow between.
A shallow water hinders my embrace;
And yet the lovely mimick wears a face
That kindly smiles, and when I bend to join
My lips to his, he fondly bends to mine.
Hear, gentle youth, and pity my complaint,
Come from thy well, thou fair inhabitant.
My charms an easy conquest have obtain'd
O'er other hearts, by thee alone disdain'd.
But why should I despair? I'm sure he burns
With equal flames, and languishes by turns.
When-e'er I stoop, he offers at a kiss,
And when my arms I stretch, he stretches his.
His eye with pleasure on my face he keeps,
He smiles my smiles, and when I weep he weeps.
When e'er I speak, his moving lips appear
To utter something, which I cannot hear.

"Ah wretched me! I now begin too late
To find out all the long-perplex'd deceit;
It is my self I love, my self I see;
The gay delusion is a part of me.
I kindle up the fires by which I burn,
And my own beauties from the well return.
Whom should I court? how utter my complaint?
Enjoyment but produces my restraint,
And too much plenty makes me die for want.
How gladly would I from my self remove!
And at a distance set the thing I love.
My breast is warm'd with such unusual fire,
I wish him absent whom I most desire.
And now I faint with grief; my fate draws nigh;
In all the pride of blooming youth I die.
Death will the sorrows of my heart relieve.
Oh might the visionary youth survive,
I should with joy my latest breath resign!
But oh! I see his fate involv'd in mine."

This said, the weeping youth again return'd
To the clear fountain, where again he burn'd;
His tears defac'd the surface of the well,
With circle after circle, as they fell:
And now the lovely face but half appears,
O'er-run with wrinkles, and deform'd with tears.
"Ah whither," cries Narcissus, "dost thou fly?
Let me still feed the flame by which I die;
Let me still see, tho' I'm no further blest."
Then rends his garment off, and beats his breast:
His naked bosom redden'd with the blow,
In such a blush as purple clusters show,
Ere yet the sun's autumnal heats refine
Their sprightly juice, and mellow it to wine.
The glowing beauties of his breast he spies,
And with a new redoubled passion dies.
As wax dissolves, as ice begins to run,
And trickle into drops before the sun;
So melts the youth, and languishes away,
His beauty withers, and his limbs decay;
And none of those attractive charms remain,
To which the slighted Echo su'd in vain.

She saw him in his present misery,
Whom, spight of all her wrongs, she griev'd to see.
She answer'd sadly to the lover's moan,
Sigh'd back his sighs, and groan'd to ev'ry groan:
"Ah youth! belov'd in vain," Narcissus cries;
"Ah youth! belov'd in vain," the nymph replies.
"Farewel," says he; the parting sound scarce fell
>From his faint lips, but she reply'd, "farewel."
Then on th' wholsome earth he gasping lyes,
'Till death shuts up those self-admiring eyes.
To the cold shades his flitting ghost retires,
And in the Stygian waves it self admires.

For him the Naiads and the Dryads mourn,
Whom the sad Echo answers in her turn;
And now the sister-nymphs prepare his urn:
When, looking for his corps, they only found
A rising stalk, with yellow blossoms crown'd.

Gently blushing vanilla, haughty opoponax, duosmon, oude, and narcissus.


++ THE GREAT LOVES AND TRAGEDIES OF ANCIENT GREECE: + CLYTIE AND HELIOS
HELIOS
The Sun, the source of light, by beauty's pow'r
Once am'rous grew; then hear the Sun's amour.
Venus, and Mars, with his far-piercing eyes
This God first spy'd; this God first all things spies.
Stung at the sight, and swift on mischief bent,
To haughty Juno's shapeless son he went:
The Goddess, and her God gallant betray'd,
And told the cuckold, where their pranks were play'd.
Poor Vulcan soon desir'd to hear no more,
He drop'd his hammer, and he shook all o'er:
Then courage takes, and full of vengeful ire
He heaves the bellows, and blows fierce the fire:
>From liquid brass, tho' sure, yet subtile snares
He forms, and next a wond'rous net prepares,
Drawn with such curious art, so nicely sly,
Unseen the mashes cheat the searching eye.
Not half so thin their webs the spiders weave,
Which the most wary, buzzing prey deceive.
These chains, obedient to the touch, he spread
In secret foldings o'er the conscious bed:
The conscious bed again was quickly prest
By the fond pair, in lawless raptures blest.

Mars wonder'd at his Cytherea's charms,
More fast than ever lock'd within her arms.
While Vulcan th' iv'ry doors unbarr'd with care,
Then call'd the Gods to view the sportive pair:
The Gods throng'd in, and saw in open day,
Where Mars, and beauty's queen, all naked, lay.
O! shameful sight, if shameful that we name,
Which Gods with envy view'd, and could not blame;
But, for the pleasure, wish'd to bear the shame.
Each Deity, with laughter tir'd, departs,
Yet all still laugh'd at Vulcan in their hearts.

Thro' Heav'n the news of this surprizal run,
But Venus did not thus forget the Sun.
He, who stol'n transports idly had betray'd,
By a betrayer was in kind repay'd.
What now avails, great God, thy piercing blaze,
That youth, and beauty, and those golden rays?
Thou, who can'st warm this universe alone,
Feel'st now a warmth more pow'rful than thy own:
And those bright eyes, which all things should survey,
Know not from fair Leucothoe to stray.
The lamp of light, for human good design'd,
Is to one virgin miserly confin'd.
Sometimes too early rise thy eastern beams,
Sometimes too late they set in western streams:
'Tis then her beauty thy swift course delays,
And gives to winter skies long summer days.
Now in thy face thy love-sick mind appears,
And spreads thro' impious nations empty fears:
For when thy beamless head is wrapt in night,
Poor mortals tremble in despair of light.
'Tis not the moon, that o'er thee casts a veil
'Tis love alone, which makes thy looks so pale.
Leucothoe is grown thy only care,
Not Phaeton's fair mother now is fair.
The youthful Rhodos moves no tender thought,
And beauteous Porsa is at last forgot.
Fond Clytie, scorn'd, yet lov'd, and sought thy bed,
Ev'n then thy heart for other virgins bled.
Leucothoe has all thy soul possest,
And chas'd each rival passion from thy breast.
To this bright nymph Eurynome gave birth
In the blest confines of the spicy Earth.
Excelling others, she herself beheld
By her own blooming daughter far excell'd.
The sire was Orchamus, whose vast command,
The sev'nth from Belus, rul'd the Persian Land.

Deep in cool vales, beneath th' Hesperian sky,
For the Sun's fiery steeds the pastures lye.
Ambrosia there they eat, and thence they gain
New vigour, and their daily toils sustain.
While thus on heav'nly food the coursers fed,
And night, around, her gloomy empire spread,
The God assum'd the mother's shape and air,
And pass'd, unheeded, to his darling fair.
Close by a lamp, with maids encompass'd round,
The royal spinster, full employ'd, he found:
Then cry'd, A-while from work, my daughter, rest;
And, like a mother, scarce her lips he prest.
Servants retire!- nor secrets dare to hear,
Intrusted only to a daughter's ear.
They swift obey'd: not one, suspicious, thought
The secret, which their mistress would be taught.
Then he: since now no witnesses are near,
Behold! the God, who guides the various year!
The world's vast eye, of light the source serene,
Who all things sees, by whom are all things seen.
Believe me, nymph! (for I the truth have show'd)
Thy charms have pow'r to charm so great a God.
Confus'd, she heard him his soft passion tell,
And on the floor, untwirl'd, the spindle fell:
Still from the sweet confusion some new grace
Blush'd out by stealth, and languish'd in her face.
The lover, now inflam'd, himself put on,
And out at once the God, all-radiant, shone.
The virgin startled at his alter'd form,
Too weak to bear a God's impetuous storm:
No more against the dazling youth she strove,
But silent yielded, and indulg'd his love.

The searing brightness of the sun: Gum Arabic, frankincense, liquid copal, cistus, neroli, golden cedarwood, and saffron.


CLYTIE
This Clytie knew, and knew she was undone,
Whose soul was fix'd, and doated on the Sun.
She rag'd to think on her neglected charms,
And Phoebus, panting in another's arms.
With envious madness fir'd, she flies in haste,
And tells the king, his daughter was unchaste.
The king, incens'd to hear his honour stain'd,
No more the father nor the man retain'd.
In vain she stretch'd her arms, and turn'd her eyes
To her lov'd God, th' enlightner of the skies.
In vain she own'd it was a crime, yet still
It was a crime not acted by her will.
The brutal sire stood deaf to ev'ry pray'r,
And deep in Earth entomb'd alive the fair.
What Phoebus could do, was by Phoebus done:
Full on her grave with pointed beams he shone:
To pointed beams the gaping Earth gave way;
Had the nymph eyes, her eyes had seen the day,
But lifeless now, yet lovely still, she lay.
Not more the God wept, when the world was fir'd,
And in the wreck his blooming boy expir'd.
The vital flame he strives to light again,
And warm the frozen blood in ev'ry vein:
But since resistless Fates deny'd that pow'r,
On the cold nymph he rain'd a nectar show'r.
Ah! undeserving thus (he said) to die,
Yet still in odours thou shalt reach the sky.
The body soon dissolv'd, and all around
Perfum'd with heav'nly fragrancies the ground,
A sacrifice for Gods up-rose from thence,
A sweet, delightful tree of frankincense.

Tho' guilty Clytie thus the sun betray'd,
By too much passion she was guilty made.
Excess of love begot excess of grief,
Grief fondly bad her hence to hope relief.
But angry Phoebus hears, unmov'd, her sighs,
And scornful from her loath'd embraces flies.
All day, all night, in trackless wilds, alone
She pin'd, and taught the list'ning rocks her moan.
On the bare earth she lies, her bosom bare,
Loose her attire, dishevel'd is her hair.
Nine times the morn unbarr'd the gates of light,
As oft were spread th' alternate shades of night,
So long no sustenance the mourner knew,
Unless she drunk her tears, or suck'd the dew.
She turn'd about, but rose not from the ground,
Turn'd to the Sun, still as he roul'd his round:
On his bright face hung her desiring eyes,
'Till fix'd to Earth, she strove in vain to rise.
Her looks their paleness in a flow'r retain'd,
But here, and there, some purple streaks they gain'd.
Still the lov'd object the fond leafs pursue,
Still move their root, the moving Sun to view,
And in the Heliotrope the nymph is true.

Excess of love begetting excess of grief: heliotrope, frankincense, muguet, osmanthus, and neroli.


$40 per set.

On a lighter note --

The District atmosphere sprays are live!

Black Phoenix Alchemy Lab and Black Phoenix Trading Post are proud to present a scent series representing the people, places, and culture of New Orleans' Storyville, featuring artwork by the inimitable Molly Crabapple. Black Phoenix Alchemy Lab is pandering the perfumes, and Black Phoenix Alchemy Lab is offering District-themed atmosphere sprays!

Lavish bordellos and shady cribs, dazzling jazz, and swinging saloons: bounded by Basin, Iberville, Robertson, and St Louis, Storyville, known to locals as the District, was New Orleans' legal red light district from 1897 to 1917.

This is a charitable, not-for-profit venture. Proceeds from every bottle go to Habitat for Humanity: New Orleans. Habitat for Humanity builds houses in partnership with sponsors, volunteers, communities, and homeowner families, whereby families are empowered to transform their own lives, and aids in eliminating poverty housing in the New Orleans area while serving as a catalyst to make decent shelter a matter of conscience and action.

$27.50 per 4oz bottle.

++ THE DISTRICT
GERTRUDE DIX'S
White magnolias, vanilla orchid, and a cascade of champagne.

MAHOGANY HALL
Polished mahogany and teakwood and swirls of cigar smoke, with deep patchouli, tonka, cardamom, Spanish moss, and bourbon vanilla.

PETE LALA'S CAFE
Dusty leather, dry cedar and fir, fresh tobacco smoke, and the scent of tucked-away gris gris bags for luck in love, potency, and virility.



New general catalogue bath oils are also live! -

Recline in pleasurable, tranquil languor, or bathe with intent to stimulate your senses or replenish your joy while utilizing one of our therapeutic oils.

Soak in your sins, or wash away all traces of your vices. Black Phoenix Alchemy Lab offers you the best of both worlds, the heavenly and the diabolical, in your bathing experience.

Whatever your predilection may be, our blend of softening and replenishing oils, with rosehip, shea, evening primrose, fractionated coconut, and vitamin E, will ensure that you experience the utmost in sublime (or fiendish!) pleasure.

Superbly moisturizing without being greasy, lushly scented without being heavy-handed.

Paraben & formaldehyde free. No sodium lauryl or sodium laureth sulfate.

Labels printed on an Earth-friendly corn biopolymer.

Black Phoenix Alchemy Lab does not test on animals. All of our products are tested on friends and family.

++ VICES AND VIRTUES HUMANITAS
No act of kindness, no matter how small, is ever wasted. - Aesop
Carnation, black cherry, wild strawberry, helichrysum, and frankincense.

IRA
If you are patient in one moment of anger, you will escape a hundred days of sorrow. - Chinese proverb
Blood orange, patchouli, and vetiver.


++ THERAPEUTIC BATH OILS
HEDONSIM
He who allows his day to pass by without practicing generosity and enjoying life's pleasures is like a blacksmith's bellows: he breathes but does not live. - Proverb
Awaken all of your senses with a bath that reawakens the passion of the soul.

INTENSITY When the sun is shining I can do anything; no mountain is too high, no trouble too difficult to overcome. - Wilma Rudolph
For concentration and clarity of thought. This bath helps you banish distractions, and gives you a renewed strength of purpose.

GAUDIUM
True joy is a serious thing - Seneca
Enflame your delight in everyday things, and fill yourself with enthusiasm for life's little joys.



New shiny things are also at Black Phoenix Trading Post! --

Graceful handmade Black Phoenix-inspired pendants created by Alicia Dabney.

These pendants are exclusive to the Trading Post, and were created for Black Phoenix. They cannot be found anywhere else in all of Heaven and Earth.

Each pendant is $39.00US, and comes in a Black Phoenix Trading Post velvet pouch.


Carnaval Diabolique/Triple Dagger:
Pendant is a 1" square frame of antique copper with clear glass to cover the artwork, and a hematite drop with a copper daisy embellishment. It is strung on a 1.5mm ball chain that measures 18" and closes with a lobster clasp.


Bat-Woman
Pendant is a 40x30 clear acrylic cabochon mounted onto the artwork, with in a two-tone antiqued silver bead ball rim setting. It is strung onto a 1.5mm ball chain that measures 18" and closes with a lobster clasp.


Ligeia
Pendant is a 1-7/8" rectangular diamond glass tile over the artwork, and is sealed with a dark backing and diamond glaze. A 1.5mm ball chain that measures 18" and closes with a lobster clasp has been strung onto a silver plated aanraku bail.

The current run for each style of pendant is twenty-five pieces. Since each piece is handmade the pendants will come down temporarily as they sell out in order for us to take the time and care necessary to create more.



And last, but absolutely not least, Black Phoenix Trading Post is introducing its new kids' line: the Black Phoenix Imp Brigade! Clothing for the wee ones!


Mad Hatter


Poe


Rocking-Horse-Fly


White Rabbit



And now for some not-so-happy news

In the four years since our last price increase, we have tried our best to weather escalations in our operational expenses without having to raise our prices again, but we can't anymore. The cost of manufacturing materials, including packaging, labels, bottles, and the components themselves have gone up by an average of 10-30% over the past few years, as have in-house costs such as rent and utilities. Black Phoenix is a family. We strive to pay fair wages to our employees, which include cost of living pay increases and health benefits. Health insurance for our employees has gone up 10% every year since its inception, and in order to provide for our employees as best we can, we gave them the opportunity to add a dental plan. We have not raised our prices since August 3, 2006, and have made every effort to keep the price of our products as low as possible while maintaining diversity and our high standard of quality.

We have also done our best to absorb the USPS postal increases. The last time BPAL adjusted our shipping prices was in June of 2007, and there have been three USPS postage hikes since then: May 2008, May 2009, and January 2010. Regrettably, we have to adjust our shipping prices.

This is our new shipping grid, effective as of the Lunacy update on February 26, 2010 --

Domestic shipping rates for the US are as follows:

Orders totaling up to $150.00: $7.50
up to $300.00: $12.00
up to $500.00: $14.00

The International Flat Rate shipping fee is $14.00 for all orders up to 20 bottles (or 240 imps); the rate jumps to $29.00 on orders containing more that 20 items that won't entirely fit in the Flat Rate box. Shipping is free for all orders that exceed $500.

For Canadian orders, $12.00 will cover shipments up to 20 items; the price is $21.00 for shipping over 20 items.

For orders to Russia and Poland, please email us for a freight quote.

One 5ml = 1 item
Twelve imps = 1 item
Black Phoenix Trading Post is also forced to adjust their shipping rates:

Orders weighing up to 1 lbs: $7.50
Orders weighing up to 2 lbs: $10.00
Orders weighing up to 4 lbs: $15.50
Orders weighing up to 6 lbs: $19.00
Orders weighing up to 7 lbs: $22.50
7 lbs + : $30.50

Shipping is free for all orders that exceed $500.00.

The following prices will be in effect as of the Lunacy update on March 28, 2010:

General Catalogue 5ml: $17.50
Carnaval Diabolique 5ml: $22.50
The Salon 5ml: $28.00
Panaceas 5ml: $28.00
Neil Gaiman series: $26.00
Hellboy series:$26.00
The District: $26.00
Sachs & Violens (Hero Initiative scents): $26.00
Gris Grimly series: $21.00
Dark Delicacies blends will continue vary by series. Price based on components.

Single Imp's Ear: $4.00
6 pack of Imp's Ears: $22.00

The price for limited edition oils may vary, but will average $19.50 - $24.00 per 5ml, depending on the cost to manufacture.

At this time, we are left with no choice but to bump our prices slightly. I truly hope you see the difficulty of our position; this is the last thing that we want to do. With all my heart, I hope you understand that we don't have a choice in this. We're not raising prices because we want to make more money; we're doing this because we have to in order to keep the business solvent.





From the 28 January 2010 update:

Happy New Year!

Candles Moon is live at Black Phoenix Alchemy Lab and Black Phoenix Trading Post!

CANDLES MOON
To-day is the Day of Bride,
The serpent shall come from his hole,
I will not molest the serpent,
And the serpent will not molest me.

The serpent will come from the hole
On the brown day of Bride,
Though there should be three feet of snow
On the flat surface of the ground.

Moonlight shining on the Quickening Tree, the heat and wax of sacred candles, the milk of ewes, Brigid's blackberry, the sting of keening wind, and the last flutter of the Cailleach's winter snow.



Both the tee and the perfume will be live until February 2, 2010.



From the 19 January 2010 update:

Love, lust, and tentacles are in the air at Black Phoenix Alchemy Lab! To celebrate our favorite manufactured holiday, Valentine's Day, we present a vast and varied selection of scents that are sure to please the most ardent romantic and the filthiest libertine.

This is, in part, a dirtybird update. There are naughty words in the Limited Edition section, and naughty pictures in the Novel Ideas For Secret Amusements Salon exhibit. Please exercise discretion.

But first

The following is a paid advertisement from the Miskatonic Valley Tourism Board:

++ THE MISKATONIC VALLEY IS FOR LOVERS!
From the decaying waterfronts of Innsmouth to the sagging gambrel roofs and crumbling Georgian balustrades of Arkham, the Miskatonic Valley is a haven for lovers. This Valentine's Day, take your sweetheart on a stroll through the Valley's picturesque sites of natural beauty, including Billington's Wood, Devil's Reef, the sweeping Cliffs of Kingsport and Hangman's Brook, or dine at one of our many fine upscale restaurants. The Strange High Bistro in the Mist carries a 93 point rating from the Blackwood Survey, and offers marvelous wines from the Zadok Allen Vineyard. Looking for something a little different? The curious cuisine and desolate view at the Steeple are sure to make an impression! In search of the perfect gift? The Miskatonic Valley has much to offer! Dreamy arrangements are the house specialty at Enchanted Wood Florist, and no Valentine's Day is complete without a traditional box of chocolates from the Sugared She-Goat. Need something shiny to catch your mate's eye? Bijou Y'ha-Nthlei and Inganok Jewelers are masters of their craft, and can outfit your loved one with everything from engagement rings to custom-made thousand-pronged blackened Nyarlathotopic atef crowns.

Single? Visit Dark Aeons Matchmakers! Now offering speed dating every full moon! Love may be fleeting, but madness is forever!

Arkham Sanitarium's visiting hours have been extended for the holiday. Please phone the reception desk for details.

This information has been provided by the Miskatonic Valley Tourism Board and the Miskatonic Valley Convention and Visitors Bureau. Iä! Iä! Cthulhu Fhtagn!

Promotional artwork provided by Miskatonic University's Professor Julie Dillon, DFA.


BIJOUX Y'HA-NTHLEI
Innsmouth, MA
New England's most exclusive jewelers since 1778. The Darlings first opened their shop in 1772 under the name Lower Innsmouth Ritual Implement and Fancy Goods Emporium, constructing sturdy household wares and cultists tools in their workshop and importing strange and fanciful items from all over the globe and points beyond. In 1777, Prudence Marsh, matriarch of the venerable Marsh family, came to the Darling twins with a request. She had obtained a sizable quantity of a strange metal alloy that her brother had acquired from an extraterrestrial ocean trench by mysterious means. She asked Absalom and Zephania Darling, twin brothers, favored disciples of Dagon, and youngest of the Darling clan-who happened to dabble in metalwork-if they could fashion a set of diadems for ceremonial use in a very important high festival honoring Mother Hydra. The brothers complied, and found that they had found that they had unparalleled natural skill with jewelry crafting, particularly with rare and strange materials. Within a generation, their graceful, fantastic, odd, and provocative bangles, bracelets, pendants, and tiaras were prized the world over by the most illustrious and nefarious princes and priests.

To this day, Bijoux Y'ha-Nthlei is still family-owned and operated. Mathematically impossible, curiously irregular adornments fit to please the most discerning collector.

A strangely proportioned, opulent, lustrous scent: neroli, Hawaiian ginger, white musk, tarragon, beeswax, heliotrope, yellow rose, oud, coriander, amber, and lime peel.


ENCHANTED WOOD FLORIST
Arkham, MA
Unmatched artistry! Skilled in terrestrial, extra-terrestrial, and dreamscape floristry, these are the only artisans on Earth that are qualified to work with Moon-trees.

Please note: the Enchanted Wood Florist will not deliver to any residence or place of business where cats are present.

A burst of sweet, strange flowers, luminous Moon-tree sap, and ornamental grasses.


THE GILMAN HOUSE HOTEL
Innsmouth, MA
The quintessential Valley vacation destination! With its distinctive bulging cupola pushing into the Massachusetts skyline, surrounded by gorgeous views of the majestic Manuxet River on the south and captivating swampland on the west, the Gilman House Hotel is an Innsmouth landmark.

Built in 1750, this hotel is rich in Miskatonic Valley history, and is heralded as one of the Valley's most romantic getaways. By day, sail with the croaking, baying entities that lurk in the wharves, then come back to your room and bask in the many amenities that the hotel has to offer. Rest under the watchful eye of the Sleeping God, stroll through the boggy, vaporous central gardens, or unwind with your partner at the Gilman's House's renowned 4-star spa, famous for its sea salt scrubs and unique tentacle massage.

The Gilman House's central location puts it easy reach of Innsmouth's open confluence of streets, its bustling downtown area, and the wharves, and it is a hop, skip, and jump from the Innsmouth Colony for the Insane.

Banquet, convention, and ritual space available!

Musty, dilapidated furnishings, peeling paint, swamp gas, and decay.


INGANOK JEWELERS
Arkham, MA
Are you looking for the perfect ring to express your everlasting love? How about an amulet representing your sweetheart's devotion to Zo-Kalar, Hargag Ryonis, Tamash, or Nyarlathotep? Inganok Jewelers carries a vast selection of onyx jewelry, mined in Inganok, designed by the natives of Y'Pawfrm e'din Leng, and crafted by the skilled artisans of Celephaïs! Each piece is as unique as your last psychotic break!

Gleaming stone and silver.


THE STEEPLE
Aylesbury, MA
Specializing in mycological delights and housed in a converted church that was once dedicated to Saint Anthony the Abbot, this charming hideaway sits high atop Zaman's Hill and boasts a lovely view of the abandoned village below.

Otherworldly fungus, Provençal herbs, and dark, shadowy woods.


THE SUGARED SHE-GOAT CHOCOLATIER
Arkham, MA
Maddeningly addictive! This Valentine's Day, melt your lover's heart, figuratively, with a gift from the Miskatonic Valley's premiere boutique chocolatier! This season's specialty truffles are handmade by subjugated monks from Ghatanothoa's monestary at Mount Yaddith-Gho, under the watchful eye of Mother Shub's high priests. Imported to Arkham from Mu, they are distributed exclusively through the Sugared She-Goat. Iä, Shub-Niggurath, the Malefic She-Goat of Many Sugary Treats!

Please note: each truffle is sold separately. Specify which truffle/s you are requesting when ordering if remitting payment via PayPal.

DARK CHOCOLATE AND KEY LIME TRUFFLE
DARK CHOCOLATE, WHISKEY, AND COGNAC TRUFFLE
MILK CHOCOLATE AND MATCHA GREEN TEA GANACHE TRUFFLE
MILK CHOCOLATE, COCONUT, CARDAMOM, RUM, AND GINGER TRUFFLE
WHITE CHOCOLATE, BLACK RASPBERRY, AND APRICOT CORDIAL TRUFFLE
WHITE CHOCOLATE, STRAWBERRY, AND WHITE PEPPER TRUFFLE


THE ZADOK ALLEN VINYARD
Innsmouth, MA
Ut Sementem Feceris Ita Metes. Founded by the Esoteric Order of Dagon, and named after the man encased within the foundation of the winery, this fertile bastion of haphazard viticulture has been providing superb wines to the Miskatonic Valley since 1927. The site of the vineyard has been used for hundreds of years as an abattoir, and this environment lends a peculiar and exceptional terroir to all their wines and liquors. Visitors are welcome to observe Fishmen priests engaged in pigeage once a month. Please contact the vineyard for information on this as well as their scheduled wine tasting events.

A deep velvety Cabernet Sauvignon with hints of plum, black cherry, rose petals, coffee bean, and smoky oak. Barrel and bottle aged, with a smooth and spicy hit mid-palate. Hints of Dagon's tarry black incense and clotted blood complete this well-rounded, robust indulgence.



And now, back to your regularly scheduled update.



Congratulations and be prosperous!

METAL TIGER
A new year's blessing! Peony, China's national flower, with bamboo for flexibility, plum blossom for perseverance, courage, and hope, tangerine for wealth, orange for happiness, lychee for household peace, pine resin for constancy, golden kumquat and quince for prosperity, narcissus and King mandarin for good fortune, cypress for longevity, and peach fruit and hemp to represent the fourth phase of Wu Xing, with a splash of blazing red of dragon's blood... to help you scare away the rampaging Nian.



To counterbalance last year's Ode to Aphrodite, we present an Ode to her lover, the God of War: a series of eleven emboldening, strengthening, aggressive scents that embody dominance, power, conflict, vitality, wrath, vengeance, and sexual potency. Labels for this series were illustrated by Jennifer Williamson.

++ ODE TO ARES
AATOS POLEMOIO
Insatiate of War
Cedar, black currant, and saffron.

ANDREIPHONTÊS
Destroyer of Men
Tonka, benzoin, black sandalwood, and nutmeg.

BROTOLOIGOS
Murderous
Tobacco, wenge, rose geranium, and myrrh.

ENKHESPALOS
Spear-Wielding
Elder wood, leather, blonde tobacco, and cognac.

ENYALIOS
Lord of War
Patchouli, frankincense, olibanum, thyme, cocoa absolute, Peru balsam, oakmoss, and juniper.

KHALKOKORUSTÊS
Armed With Bronze
Champaca, pear, cedar, black pepper, jasmine, and red sandalwood.

KHRYSOPÊLÊX
Helmed in Gold
Caraway, amber, saffron, bergamot, and neroli.

MIAIPHONOS
Blood-Stained
Clove, anise, mandarin, and cumin.

RHINOTOROS
Skin-Piercing
Vetiver, patchouli, white pepper, and grapefruit.

THOOS
Swift
Tangerine, cypress, and white musk.

THOUROS
Furious
Rose otto, lychee, and cistus absolute.



From the passion of war, we move to the passion of love and sexual gratification - plus a few paeans to onanism. As always, our offerings during this Season of Schtupping contain adult material, and by clicking through to view the images and purchase our products, you are agreeing that you are a dirty bird who is 18 or older, and that you are permitted by law to view suggestive imagery.

Blessed Lupercalia, everyone! The Season of Schtupping is here!

++ LUPERCALIA 2010
ANACTORIA 2010
I feel thy blood against my blood; my pain
Pains thee, and lips bruise lips, and vein stings vein.
Let fruit be crushed on fruit, let flower on flower
Breast kindle breast, and either burn one hour.
Why wilt thou follow lesser loves? are thine
Too weak to bear these hands and lips of mine?

The scent of the throes of violent passion: entangled limbs, teeth on flesh, furiously grasping hands, the taste of blood and sweat. Golden amber, white honey, red currant, daemonorops, kush, and Arabian musk.


LUPERCI 2010
Piss off, Saint Valentine! Lupercalia is an ancient Roman celebration, held on February 15th, that kicked in the advent of Spring with a very, very festive purification, fertility and sexuality ritual. The ritual began near the cave of Lupercal on the Palatine, an area sacred to Faunus, as well as Ruminia, Romulus and Remus. During Lupercalia, Vestal Virgins first made offerings of sacred cakes to the fig tree under which the she-wolf suckled the Sacred Twins. A dog and two goats were then offered in sacrifice to Faunus. The blood of the sacrifice was smeared onto two naked patrician youths, who were assisted by the Virgins, and the blood was wiped clean with sacred wool dipped in milk. The youths donned the skins of the sacrificial goats, wielding whips made from the goat skins, and then led the priests and the Virgins around the pomarium, and around the base hills of Rome. This was a ceremony of great happiness and merriment, and was of particular interest to young women: being touched by the goat-whips young men that led the procession ensured their fertility in the coming year. It is believed that, after the initial rite, male participants would draw the name of an available maiden, with whom he spent the rest of the night. This scent is for the Luperci, the Chosen of Faunus, the Brothers of the Wolf: raw, down and dirty patchouli, Gurjam balsam, and essence of Sampson Root sweetened with the heightened sexuality of beeswax, virile juniper, oakmoss, ambrette seed over honey and East African musk.


OLISBOS
As for old flames and lovers-they're none left.
And since Milesians went against us,
I've not seen a decent eight-fingered dildo.
Yes, it's just leather, but it helps us out.

The ancient Greeks sure weren't shy about taking care of business. The port city of Miletus was once famed throughout the Mediterranean as a source of excellent stone, wood, and padded leather dildos. This scent is the celebration of an age-old pastime: polished wood, well-loved leather, and olive oil.


THE PERFUMED GARDEN 2010
Under her neck my right hand
Has served her for a cushion,
And to draw her to me
I have sent out my left hand,
Which bore her up as a bed.

The Perfumed Garden for the Soul's Recreation. This scent is based on a venerable Tunisian perfume that was used to excite the senses, inspire sensuality and inflame passion. Myrrh and Moroccan jasmine with apple peel, Indian sandalwood, myrtle, quince, citron, and thyme poured over soft musk.


SAINT FOUTIN DE VARAILLES
Echoing the worship of ancient fertility gods, some early Christians attributed the power to grant blessings of reproductive fruitfulness to Christian saints through accidents of folk-etymology. A syncretic saint of questionable origin, he is possibly the result of a merging of the deity Priapus, or Mutinus Mutunus, and the sainted, semi-mythical first bishop of Lyons, Ponthius, often pronounced Fontin by the common folk of France where his veneration was concentrated. Saint Foutin's name is an amalgamation of Pothinus and the verb foutre, which means "to fuck", effectively granting this saint the prerogatives and powers of his predecessor, Priapus.

Saint Foutin was said to cure venereal diseases and other genital maladies, grant fruitfulness to women, and restore potency to men. Scrapings of stone from the groin of one of the saint's statues in France was said to cure all sexual ailments. At other shrines, offerings of wine were poured onto the saint's penis, and worshippers molded ex votos in wax shaped to represent their afflicted body parts to leave in his care, either at the foot of his statue or hanging from the roof of his shrine.

Beeswax, frankincense, dried rose petals, and a dribble of wine.


SIGNIOR DILDO
With thanks to Sir John Wilmot.

This signior is sound, safe, ready, and dumb
As ever was candle, carrot, or thumb;
Then away with these nasty devices, and show
How you rate the just merit of Signior Dildo.

Count Cazzo, who carries his nose very high,
In passion he swore his rival should die;
Then shut himself up to let the world know
Flesh and blood could not bear it from Signior Dildo.

A rabble of pricks who were welcome before,
Now finding the porter denied them the door,
Maliciously waited his coming below
And inhumanly fell on Signior Dildo.

Nigh wearied out, the poor stranger did fly,
And along the Pall Mall they followed full cry;
The women concerned from every window
Cried, 'For heaven's sake, save Signior Dildo.'

The good Lady Sandys burst into a laughter
To see how the ballocks came wobbling after,
And had not their weight retarded the foe,
Indeed't had gone hard with Signior Dildo.

A scent of pearls and ivory: orris, violet leaf, narcissus, and Madagascar vanilla.


SMUT 2010
After all these years, BPAL is smuttier than ever.

Three swarthy, smutty musks sweetened with sugar and woozy with dark booze notes.


TWO LOVES I dreamed I stood upon a little hill,
And at my feet there lay a ground, that seemed
Like a waste garden, flowering at its will
With buds and blossoms. There were pools that dreamed
Black and unruffled; there were white lilies
A few, and crocuses, and violets
Purple or pale, snake-like fritillaries
Scarce seen for the rank grass, and through green nets
Blue eyes of shy peryenche winked in the sun.
And there were curious flowers, before unknown,
Flowers that were stained with moonlight, or with shades
Of Nature's willful moods; and here a one
That had drunk in the transitory tone
Of one brief moment in a sunset; blades
Of grass that in an hundred springs had been
Slowly but exquisitely nurtured by the stars,
And watered with the scented dew long cupped
In lilies, that for rays of sun had seen
Only God's glory, for never a sunrise mars
The luminous air of Heaven. Beyond, abrupt,
A grey stone wall. o'ergrown with velvet moss
Uprose; and gazing I stood long, all mazed
To see a place so strange, so sweet, so fair.
And as I stood and marvelled, lo! across
The garden came a youth; one hand he raised
To shield him from the sun, his wind-tossed hair
Was twined with flowers, and in his hand he bore
A purple bunch of bursting grapes, his eyes
Were clear as crystal, naked all was he,
White as the snow on pathless mountains frore,
Red were his lips as red wine-spilith that dyes
A marble floor, his brow chalcedony.
And he came near me, with his lips uncurled
And kind, and caught my hand and kissed my mouth,
And gave me grapes to eat, and said, 'Sweet friend,
Come I will show thee shadows of the world
And images of life. See from the South
Comes the pale pageant that hath never an end.'
And lo! within the garden of my dream
I saw two walking on a shining plain
Of golden light. The one did joyous seem
And fair and blooming, and a sweet refrain
Came from his lips; he sang of pretty maids
And joyous love of comely girl and boy,
His eyes were bright, and 'mid the dancing blades
Of golden grass his feet did trip for joy;
And in his hand he held an ivory lute
With strings of gold that were as maidens' hair,
And sang with voice as tuneful as a flute,
And round his neck three chains of roses were.
But he that was his comrade walked aside;
He was full sad and sweet, and his large eyes
Were strange with wondrous brightness, staring wide
With gazing; and he sighed with many sighs
That moved me, and his cheeks were wan and white
Like pallid lilies, and his lips were red
Like poppies, and his hands he clenched tight,
And yet again unclenched, and his head
Was wreathed with moon-flowers pale as lips of death.
A purple robe he wore, o'erwrought in gold
With the device of a great snake, whose breath
Was fiery flame: which when I did behold
I fell a-weeping, and I cried, 'Sweet youth,
Tell me why, sad and sighing, thou dost rove
These pleasent realms? I pray thee speak me sooth
What is thy name?' He said, 'My name is Love.'
Then straight the first did turn himself to me
And cried, 'He lieth, for his name is Shame,
But I am Love, and I was wont to be
Alone in this fair garden, till he came
Unasked by night; I am true Love, I fill
The hearts of boy and girl with mutual flame.'
Then sighing, said the other, 'Have thy will,
I am the love that dare not speak its name.'

Love beyond reach: sunset tones of amber, red musk, and blood orange with three chains of roses, velvet moss, white lilies, crocuses, violets, poppies, blue musk, neroli, angel's trumpet, frankincense, benzoin, and night-blooming flowers.


WOMB FURIE
In the middle of the flanks of women lies the womb, a female viscus, closely resembling an animal; for it is moved of itself hither and thither in the flanks, also upwards in a direct line to below the cartilage of the thorax and also obliquely to the right or to the left, either to the liver or spleen; and it likewise is subject to falling downwards, and, in a word, it is altogether erratic. It delights, also, in fragrant smells, and advances towards them; and it has an aversion to fetid smells, and flees from them; and on the whole the womb is like an animal within an animal.
-- Aretaeus the Cappadocian

Oh, that wily womb! Hippocrates and his followers considered the womb a mobile creature, causing mayhem as it writhed its way through a woman's body. Sometimes this ornery organ, due to lack of sexual activity, would create conflicts within a woman's system or would become blocked itself, causing anxiety, nervousness, water retention, and sleeplessness. With the assistance of doctors, nursemaids, hand tools, or, occasionally, self-manipulation, this vexing condition could be alleviated through hysterical paroxysms.

Or, as we call it nowadays: orgasm.

An itch that needs to be scratched: Snake Oil and three types of honey.



Keep on scratching those itches with our third installment of Novel Ideas For Secret Amusements:




Lupercalia, Metal Tiger, Iteru, Yule and Miskatonic Valley scents are $17.50 each, and the Anniversary, Resurrected, and Shunga scents are $20 each. The Anniversary and Yule scents will be live until February 2, 2010. Metal Tiger, The Lupercalias, Ode to Ares, and Valentine's Day in the Miskatonic Valley will be live until March 31, 2010. The Shungas will be live until April 30, 2010. They are the Pictures of Spring, after all.


The Dark Delicacies / Black Phoenix Valentine's Day scents are live on the Dark Delicacies web site, and are also available at their brick and mortar shop in Burbank, CA!

Black Lace, Black Heart, and Black Death are all vastly different but utterly complementary scents. They can be worn alone, or layered with one another seamlessly.

BLACK HEART
Sweet pea, vanilla-infused sandalwood, bourbon vanilla, white honey, carnation, pomegranate, Vitis riparia, plum, and cognac.


BLACK DEATH
East African patchouli, bay, tobacco, golden amber, blackened sandalwood, orange peel, lemon verbena, clove, and a touch of lime.

Adorably spooky label artwork by Manda Lander!


Dark Delicacies
4213 W. Burbank Blvd.
Burbank, CA 91505
888-DARKDEL
http://www.darkdel.com/


We are also thrilled to present Black Phoenix collaborations with the Mütter Museum and Space15Twenty!

The Mütter Museum was founded to educate future doctors about anatomy and human medical anomalies. Today, it serves as a valuable resource for educating and enlightening the public about our medical past and telling important stories about what it means to be human. The Mütter Museum embodies the College of Physicians of Philadelphia's mission to advance the cause of health, and uphold the ideals and heritage of medicine.

Their one-of-a-kind treasures include:
The plaster cast of the torso of world-famous Siamese Twins, Chang & Eng, and their conjoined livers
Joseph Hyrtl's collection of skulls
Preserved body of the "Soap Lady"
Collection of 2,000 objects extracted from people's throats
Cancerous growth removed from President Grover Cleveland
Tallest skeleton on display in North America

The Mütter Museum is carrying Ü in their store. Created for the Mütter Museum by Black Phoenix Alchemy Lab, this scent is a mélange of balsams, leathers, and raw vanilla designed to evoke images of unearthed secrets and dusty, ancient libraries. The College of Physicians of Philadelphia
Mütter Museum
19 South 22nd Street, Philadelphia, PA, 19103.
http://www.collphyphil.org/MUTTER.ASP



Located in Los Angeles, Space 15 Twenty is a unique retail setting, which creates an opportunity for Urban Outfitters to collaborate with creative brands that they find inspiring and interesting. Within the 12,690 square foot Urban Outfitters store, they showcase distinctive designers with a new pop-up shop every month. Each store is connected by an outdoor courtyard, which includes a performance space and adjacent gallery, both of which encourage participation in the curated environment. Aligning with local music, film and art venues, the courtyard and gallery present a rotating cast of musicians and artists.

Black Phoenix Alchemy Lab has created two scents exclusively for Space15Twenty: Sweet Life, a luxurious blend of gardenia, pikaki, ylang ylang, and Casablanca lily, and Banshee Beat, a tousled, sexy mix of patchouli, vanilla, and hemp.

Space15Twenty
1520 N. Cahuenga Blvd
Los Angeles, CA 90028
http://www.space15twenty.com/



Due to component issues, Loviatar is being discontinued, effective immediately. We apologize for the suddenness of this pull, but we have no choice. Please accept our sincerest apologies!

Once component issues stabilize, we will be able to confidently resume work on the general catalogue. General catalogue projects will be released once we're sure that any component issues are stable. Thank you for your patience during this challenging time!

And last, but certainly not least -- the Black Phoenix Trading Post anniversary update is coming soon!

Happiest of Happy Schtupping Days!






From the 29 December 2009 update:

The Blue Moon will soon be high in the sky, and to celebrate we are presenting the second Blue Moon scent of the month. This one was created by Brian Constantine, and the emphasis is on the moon's influences on the mysteries of the dreamscape.


BLUE MOON 2009: BRIAN'S CREATION
The spirit of the full moon is capricious, intense and passionate, yet still distant, aloof and cold. Luna herself governs glamours, bewitchments and dream-work, innocent wonder, transient pleasure and delight, the Moment, impulse, mystery and veils. The Blue Moon is one of her rarest manifestations, and this scent is formulated to encapsulate her most complex and profound nature:

Mugwort, for psychic sensitivity...
Yarrow, for divination through dreams...
Styrax and frankincense, for wisdom and noscere...

... with a potent lunar-charged, oneirongenic blend of tolu balsam, moonflower, white musk, delicate woods, star anise, Florentine iris, Clary sage, Roman chamomile, Greek cypress, juniper berry, night-blooming cereus, and a touch of cardamom. This fragrance has been infused with Neptune's pine and grains of paradise to help part veils and spark the imagination.

This year, we have two interpretations of Blue Moon. This is Brian's Moon.


This scent is $17.50, and will be live until January 2, 2010.



We hope that the blue moon will be a harbinger of amazing, wondrous things to come for all of you - and all of us! -- in this new year, and that 2010 is overflowing with joy, bursting with good fortune, punctuated by moments of true peace and tranquility and that it contains just enough filthiness to make things interesting!

Happy New Year, everyone!





From the 30 November 2009 update:

HOLIDAY SHIPPING NOTICE:
In order to receive your Alchemy Lab package by Christmas Eve...

Internationals! Please place your order by midnight PST December 2nd.
Domestics! Please place your order by midnight PST December 7th.


In order to receive your Trading Post Package by Christmas Eve

Internationals! Please place your order by midnight PST December 5th.
Domestics! Please place your order by midnight PST December 7th.


Black Phoenix Trading Post orders that include the Whirling Wind Moon tee and/or the Blue Moon tee are not guaranteed to arrive in time for Christmas. Lunacy tees and most LE tees do not go into production until we're done taking orders for them, and they take a few weeks to be made.

Please bear in mind that we are not responsible for USPS shenanigans. We do promise that we will bust our asses to get you your orders asap.

And... please do not take offense at our using Christmas, specifically, as a date marker. It is not meant as an affront to any other holidays, cultural celebrations, or religions.



Without further ado

Happy Yuletide, everyone! Whirling Wind is live at BPAL, as are the next scents in the Nile series!

WHIRLING WIND MOON
Swiftly walk o'er the western wave,
Spirit of Night!
Out of the misty eastern cave,
Where, all the long and lone daylight,
Thou wovest dreams of joy and fear,
'Which make thee terrible and dear, --
Swift be thy flight!


Dreams of joy and fear: swirling dark and airy musks, mogra, plumeria, hyacinth, lily of the valley, dry white sandalwood, gardenia, pale amber, and oakmoss.


SEASON OF THE EMERGENCE
Month after month the gathered rains descend
Drenching yon secret Aethiopian dells,
And from the desert's ice-girt pinnacles
Where Frost and Heat in strange embraces blend
On Atlas, fields of moist snow half depend.
Girt there with blasts and meteors Tempest dwells
By Nile's aereal urn, with rapid spells
Urging those waters to their mighty end.
O'er Egypt's land of Memory floods are level
And they are thine, O Nile--and well thou knowest
That soul-sustaining airs and blasts of evil
And fruits and poisons spring where'er thou flowest.
Beware, O Man--for knowledge must to thee,
Like the great flood to Egypt, ever be.

During Peret the Nile's waters retreat, leaving a lush, fertile black silt behind. This is the time of plowing and seeding: crops and herbs were planted and cultivated, and prayers and sacrifices were offered to ensure a bountiful harvest later in the year.

The seeds and the seedlings as the sprout forth from the deep black silt: cucumber, flax, wheat, radishes, leeks, sesame, and beans, with thyme, frankincense, chamomile, coriander, spikenard, cumin, hyssop, and juniper.


HATMEHIT
The Egyptian fish goddess, orginally a deification of the Nile River, the Great Flood, and the Waters of Creation.

The scent of the depths of the River, teeming with aquatic life, sanctified by holy herbs.


The Blue Moon will be manifesting this December, and we will be offering two interpretations of the event this time around. First, my take on it:

BLUE MOON
The spirit of the full moon is capricious, intense and passionate, yet still distant, aloof and cold. Luna herself governs glamours, bewitchments and dream-work, innocent wonder, transient pleasure and delight, the Moment, impulse, mystery and veils. The Blue Moon is one of her rarest manifestations, and this scent is formulated to encapsulate her most complex and profound nature:

Mugwort, for psychic sensitivity...
Calea Zacatechichi, for divination through dreams...
Orchid and frankincense, for complexity, wisdom and noscere...

... with a potent lunar-charged, oneirongenic blend of blue musk, exquisite woods, moonflower, Madagascan ylang ylang, Florentine iris, Greek cypress, green tea absolute, palmarosa, cucumber, Clary sage, lavender, lemon balm, and passion fruit.


At the end of the month, Brian's expression of the Blue Moon will be going live!


The Whirling Wind and Blue Moon tees will be going live at Black Phoenix Trading Post tomorrow, and the next Vampire Tarot scent and card set and matching tee will be going live at BPAL and BPTP later this month!

Whirling Wind Moon and all of the Iteru, Yule and Miskatonic Valley scents are $17.50 each, and Blue Moon and the Anniversary and Resurrected scents are $20 each. The anniversary and Yule scents will be live until January 2010. Blue-Moon-Beth-Style and Whirling Wind Moon will be live until December 5, 2009. Blue-Moon-Brian-Style will appear at the end of the month along with December's second full moon.


The four Dark Delicacies Yule scents are live on the Dark Delicacies web site, and are available at their brick and mortar shop in Burbank, CA! --

Upon being discharged from his restful stay at Arkham Sanitarium, Del Howison and his wife, Sue, the former archivist and curator of the Cabot Museum in Beacon Hill, opened up a bookstore in Arkham specializing in hard-to-find grimoires, occult treatises, and mystical antiquities. They also cater to the lighter interests of the Valley’s cultists, and carry a vast selection of macabre books, DVDs, and ceremonial memorabilia.

Every Saturday at midnight, Sue hosts Tiny Terror Story Time -- including interactive ritual indoctrination for tots AND milk and cookies! Each week features the songs, stories, and rites of a different Outer God or Great Old One!

Fifteen years later, they have twelve stores across the Miskatonic Valley, and one in sunny Burbank, CA!

STORY TIME AT DARK DELICACIES
Heavy oak shelving, cracked leather bindings, incense-soaked parchment, ancient inks, baneful aromatic herbs, and crumbs of spilled sugar-glazed lemon butter cookies that have been accidentally dragged from the kiddie section of the store.

SUE’S GREAT OLD PUPPET SHOW
Sue’s adorable Cthulhu hand puppets and whirling Nyarlathotep marionettes help kids learn about ancient and terrible extraterrestrial beings! A wacky way to introduce your little ones to forbidden blood-chilling rites!

Hot cocoa, tiny marshmallows, white glue, stick-on googly eyes, and felt!


In 2000, Del Howison opened the Nameless City Drive-In theatre in Arkham, and eventually expanded to Innsmouth, Dunwich, and Kingsport. While Del focuses on blockbuster horror hits in his theatres, he also shows documentaries of local interest, and hosts the Dylath-Leen Film Festival which showcases the work of both prominent and up-and-coming Miskatonic Valley filmmakers. As a public service, Del provides shuttle transportation to Arkham Sanitarium at the conclusion of each film festival.

Classic comedies are shown at the Nameless City Drive-In on the first Monday of every month! Abbot and Costello vs. the Lurking Ineffable Horror from the Depths of Space and Time is always a hit!

Due to increased Mi-Go activity in recent months, convertibles and Minis are gently discouraged at the drive-in.

THE NAMELESS CITY DRIVE-IN THEATRE
Chrome bumpers gleaming in cold, exhaust-fume laden night air. Soggy foliage and crushed grass dotted with popcorn that has been crushed under rubber tires. Leather seats moist with skin musk and the sweat of groping hands fumbling under ceremonial robes.

THE SNACK HUT
Hot popcorn covered in a glowing golden liquid substance, fried things, and artificially flavored cherry frozen carbonated beverages, extra-loaded with high-fructose corn syrup.


During this year’s Miskatonic Valley Yuletide Faire, Sue will be running the kid’s crafts booth, and Del will be showing holiday cinematic favorites throughout the season, including “It’s a Gibbering, Seething Life”, “All I Want For Yuletide is Bleating Madness”, and “’Twas the Night Before the Profane Horror Manifested”!


(The oils are devoid of felt, googly eyes, high fructose corn syrup, artificial cherry flavoring, glue, and tentacles. Don’t be silly!)

The Dark Delicacies scents are only available through Dark Delicacies! No imps ears exist for this series.



From the 18 November 2009 update:

Happy birthday, BPAL! Holy shit: we're seven years old!

The past seven years have been some of the best years of my life, and I owe much of that to the family that has grown around Black Phoenix.

Thank you to my brother and partner, Brian, who spearheads Production, and without whom Black Phoenix would not exist. I love you!

Thank you to my husband, Teddy o'the Trading Post. Your love and support keeps me afloat, and you inspire me like no other. I love you!

Thank you, Kathy, my right hand woman. You keep me sane, and you find my head for me when its not screwed on properly, and truly, I don't know what I'd do without you. I love you!

Thank you, Jacquelynn, our general manager, whose gentle Virgo whip cracking ensures that the wheels of our strange machine run smoothly. I love you!

Thank you to Bill, the patron saint of customer service. Your beautiful heart shines through your emails. I love you!

Thank you to our production staff, who form the backbone of this company. You enable us to share our creations with the world, and I am eternally grateful. I love you!

Thank you to the mods and administrators of bpal.org for being the best friends anyone could ask for. You take on a difficult, often thankless, job with love and dedication beyond the call of duty. Thank you for being my proofreaders, my sanity check, and my foundation. You are amazing women, and I love you!

Thank you to Sue and Del at Dark Delicacies for giving BPAL a home away from home, for always being there for us, and for being wonderful grandparents to the Little Demoness. I love you! (And so does Lilith!)

Thank you to the artists that work with us, Jennifer Williamson, Alicia Dabney, Julie Dillon, Madame Talbot, Quique Alcatena, Jennifer Rodgers, and Sarah Coleman, for bringing our scents to life! I love you!

Thank you to Lisa and the crew at Whole Foods in Roswell, GA for giving their all to Dirty South will call! You are amazing people, and I love you!

Thank you to the Mütter Museum, Le Pink, Whole Foods, Urban Outfitters, Wildilocks, and Healthy Living for giving our products a home in your stores!

Thank you to the bloggers, journalists, magazines, and other media outlets that have shown interest in Black Phoenix, and have taken the time to do writeups on our shops! Thank you for your time and energy; it means the world to us!

Thank you to Neil Gaiman for affecting me like no other author, for being such a supportive friend, and for allowing me the pleasure of interpreting your beautiful, witty, soul-moving stories through scent. I love you!

Thank you to Amanda Palmer, Terry Pratchett, Terry Moore, Mike and Christine Mignola, George Perez, Peter David, Molly Crabapple, Mark Waid, Ross Ritchie, Jill Thompson, Brian Pulido, and Gris Grimly for giving us such all such joy through the beauty of your art, and for giving Black Phoenix the opportunity to interpret your work.

Thank you to the kind people at the Comic Book Legal Defense Fund and the Hero Initiative. You help those who cannot help themselves, and you are an inspiration to us all.

Thank you to all our clients. Thank you for being there for us, and for each other, throughout all these years. Thank you for sharing our happiness and holding our hands through times of grief, loss, and transition. Thank you for celebrating pivotal points in our lives with us the challenges of our rites of passage and difficult times of change beautiful moments weddings and births and comforting us in times of sorrow. Thank you for wit, your kind hearts, and your friendship. Without the amazing, beautiful people we have met through and because of Black Phoenix, this would all be ashes. Thank you for giving me the opportunity to share all that I love, all that I fear, and all I desire with all of you. I love you!

Now, before I start weeping like a loon, let's get on with the new stuffs


The BPAL 7th Anniversary scents are live!

++ THE ALCHEMICAL PHOENIXES
GOLD PHOENIX
La Lumiere sortant des Tenebres. The noblest of the alchemical metals, representing the splendor of the Sun. It is the essence of pure consciousness and represents the divine, creative force present in all spirit and all matter. It is the symbol of the goal of perfection, and is capable of radiating all the colors of dawn and dusk while still retaining its unblemished purity.

Three ambers representing common gold, astral gold, and elementary gold, with verbena, angelica, and heliotrope that has been purified by frankincense and Gum Arabic.


SILVER PHOENIX
Lustrous, pliable, delicate, and malleable, silver is as mysterious and radiant as the moon. Silver requires darkness in order to react, and receives light passively.

Opalescent orris shimmering through a blend of mallow, moonflower, wild pear, iris, starwort, juniper, and mugwort.


COPPER PHOENIX
Copper's lustrous, rose-tinted Venusian energy inspires creativity and assists in balancing spiritual polarities. It can be utilized as a literal mirror, and a mirror reflecting the beauty of the soul.

Rose-infused dark amber, with sweet orange, honey, cardamom, patchouli, apricot, pink pepper, and red sandalwood.


IRON PHOENIX
Blood and fire: a magnetic metal that burns brightly and easily. Iron illustrates the metabolic process and the need to control primal, brutal urges without quelling the fire of passion.

Dragon's blood and dark, dense metal, black pepper, clove, red ginger, basil, and myrrh.


TIN PHOENIX
A malleable, pale metal with a flexible, crystalline structure that speaks out with a thunderous voice when bent or shaken. It is representative of the breath of life and the storminess of the spirit.

Pale metals, crackling ozone, hyssop, white mint, tonka, and lemongrass.


QUICKSILVER PHOENIX
Mercury exists in three states of matter, just as Hermes, its patron, was the one deity that could move freely through the three classical worlds. In one of the alchemical processes, nitric acid, also called aqua fortis, is combined with Mercury, which then separates into a bed of red crystals and a cloud of red vapor. This experiment symbolizes the soul's transcendence over the polarities of mercy and severity, heaven and earth, light and darkness, life and death. Mercury is capable of forming complex compounds and amalgamating with elements that normally will not bind with others. Combined with phosphor and charged with electricity, it produces light.

Cinnabar and silvery liquid droplets of mastic, white sandalwood, elemi, and lavender.


LEAD PHOENIX
Solid, heavy, and resistant to corrosion, lead is the first and oldest of the Seven Metals. It is the metal of ammunition and tombs, radiation shields and solder. Though it represents limitations and boundaries, it also transcends them when combined with other elements to create Philosophical Mercury.

A dark and lusterless scent that contains the potential for limitless spiritual radiance: tobacco absolute, hemlock, plum, cypress, styrax, olibanum, and wild lettuce.



And this year's resurrected scents

++ 2009 RESURRECTED BLENDS
HOD
Glory and Majesty, Kokab, God's Judgement.


SPOOKY
A maddeningly festive blend of warm, buttery rum, cocoa, coconut, vanilla and a jolt of peppermint. It's a sweet, decadent, slightly silly scent, reminiscent of rum-laced holiday cookies.



Much is also new at Black Phoenix Trading Post!

Several new claw polishes are live at the 'Post, inspired by BPAL's Bordello, Croquet, Malediction, Sed Non Satiata, and two Phoenix Steamworks-inspired colors: Smokestack and Robotic Scarab.


A tee commemorating BPAL's annual Resurrection of the Smells is live!



Artwork by Jennifer Williamson!


And last, but not least, Neil Gaiman's Snow, Glass, Apples locket is live!



Based on illustrations by Julie Dillon for the Snow, Glass, Apples chapbook produced by Black Phoenix Alchemy Lab.


We are tying up one remaining loose end with the Inquisition, and it will be live later this week!

Please mark it on your calendars: Dark Delicacies will be hosting the final Black Phoenix trunk show of 2009 on November 29, 2009 from 12pm til 3pm! Details to come!





Happy Friday the 13th!





From the 28 October 2009 update:

Peach Moon is ripening early at Alchemy Lab and Trading Post! Both will be live on their respective sites until November 5, 2009!

PEACH MOON
Smoke hangs on the stream,
The peach-trees shed bright leaves in the water,
Sound drifts in the evening haze

Dew-covered peach blossom, white tea, moonlit musk, night-blooming jasmine, ho wood, and chrysanthemum.



Artwork by our little peach pie, Alicia Dabney! Two peach-toned shimmer inks on white tee!


Black Phoenix Trading Post has gone live with the next installment of Neil Gaiman's 15 Painted Cards From a Vampire Tarot: the Magician!




Bring home your memories of this year's Miskatonic Valley Yuletide Faire with a stylish commemorative tee! Doubles as a cultist robe in a pinch, and machine washable, too!


The Miskatonic Valley Yuletide Faire Official Event Tee!

Merrily macabre holiday artwork by Jolly Julie Dillon, the honorary emcee at this year's Faire! Mouldering green, sepulcheral white, malignant orange, and gnashing red inks on black tee!


What else is new at Black Phoenix Trading Post?

The Yule Bath Oils and Yule Atmosphere Sprays are back! - with a new addition!

++ YULE BATH OILS
ICE PRINCE BATH OIL
As beautiful and cold as a December storm.

Crystalline musk, winter lily, bergamot, plum, and frozen pine boughs.


PROSERPINA BATH OIL
For thine came pale and a maiden, and sister to sorrow; but ours,
Her deep hair heavily laden with odour and colour of flowers,
White rose of the rose-white water, a silver splendour, a flame,
Bent down unto us that besought her, and earth grew sweet with her name.


The emergence of light in darkness.

Frozen pomegranate and a hint of nocturnal blossoms.


WINTER MAIDEN BATH OIL
Ice-rimed innocence. The blush of youth, frozen for eternity.

Snow-laden woods, iced blackberry and bergamot, white rose, and crystallized amber.


HOLIDAY STRESS RELIEF BATH OIL
Relax, revive, restore.

Peppermint, spearmint, geranium bourbon, lavender, clary sage, white amber, juniper berry, laurel leaf, coriander, opoponax, and mandarin.


++ YULE ATMOSPHERE SPRAYS
KRAMPUSUMZÃœGE
Dirt-spattered rags, rusted chains, and dry switches against a backdrop of black fir and snow.

SNOW WHITE
A chilly, bright perfume: flurries of virgin snow, crisp winter wind and the faintest breath of night-blooming flowers.


Snow White and Krampusumzüge are $25 each. Ice Prince, Proserpina, and Winter Maiden are $30 each, and Holiday Stress Relief is $40. The Yule sprays and bath oils are available until December 15, 2009.


BPTP's District collaboration with Molly Crabapple will be ready to go live in a few weeks time, and the Inquisition is coming up as soon as we iron out some of the kinks!

Black Phoenix Trading Post customer service will be offline from Thursday, October 28 til Tuesday, November 3. Ted will be able to resume answering your questions and flirting long-distance on the 3rd. I, personally, will be offline, too, but BPAL customer service will be available and production and shipping at both BPAL and BPTP will continue as usual.

A gentle reminder: West Coast Will Call will not be on the full moon in November, as many of our will call staffers will be out of town for the holiday. WCWC has been moved to Wednesday, November 4, 7-10pm. The theme this month is Dia de los Muertos! Costumes welcome and encouraged! We will be holding a canned food drive this month, so if you bring canned food, we will give you something in return. East Coast Will Call is at Whole Foods Market, aka Harry's Farmer's Market, in Roswell, GA on November 8, from 5-8. If you have any questions, please email us at willcall@blackphoenixalchemylab.com.

Please note: there is a slight delay in shipping for BPAL and BPTP orders at this time. We're experiencing the holiday crunch, but we are endeavoring to get everything you order into your hands as quickly as possible!


We hope everyone has a safe, yet stimulating, Halloween, a blessed All Saints Day, and a glorious Dia de los Muertos!





From the 21 October 2009 update:

A very merry early Yule to all! First things first while the Alchemy Lab update is going live now, the Trading Post update, including the Inquisition, winter seasonal offerings, the District Atmosphere Sprays, and the District tee, and the Vampire Tarot Magician tee, is slightly delayed. In the interests of staying sane, we're separating the two by a few days, but I'm planning to have the BPTP update live by the weekend. Fear not -- we'll be working our asses off getting all the Trading Post stuff ready to go!

And without further adieu the Yuletide LE's are here!

++ YULETIDE 2009
BUT MEN LOVED DARKNESS RATHER THAN LIGHT
The world's light shines, shine as it will,
The world will love its darkness still.
I doubt though when the world's in hell,
It will not love its darkness half so well.


The world will love its darkness: cistus labdanum, ginger, East Indian patchouli, pimento berry, oakmoss, saffron, smoky vanilla, sage, myrrh, and bitter blove.


DED MOROZ
Grandfather Frost! Accompanied by his granddaughter, Snegurochka, the Snow Maiden, he bestows gifts to virtuous and hard-working people, rewarding their decency and integrity, and punishes those who are lazy, shiftless, and unkind, killing their fields with frost, cracking the trunks of their trees, and destroying their homes.

The first incarnation of Father Frost was not at all benevolent. He was the personification of the darkest aspects of winter, winter's destruction incarnate. He kidnapped unruly children, and slew people capriciously by freezing them to death.

Light, darkness, kindness, and malice: golden amber, white amber, redwood, teak, bois du rose, sage, tree moss, and snow.


DIABLE EN BOÎTE
The crickets sing, and man's o'er-labour'd sense
Repairs itself by rest. Our Tarquin thus
Did softly press the rushes, ere he waken'd
The chastity he wounded. Cytherea,
How bravely thou becomest thy bed, fresh lily,
And whiter than the sheets! That I might touch!
But kiss; one kiss! Rubies unparagon'd,
How dearly they do't! 'Tis her breathing that
Perfumes the chamber thus: the flame o' the taper
Bows toward her, and would under-peep her lids,
To see the enclosed lights, now canopied
Under these windows, white and azure laced
With blue of heaven's own tinct. But my design,
To note the chamber: I will write all down:
Such and such pictures; there the window; such
The adornment of her bed; the arras; figures,
Why, such and such; and the contents o' the story.
Ah, but some natural notes about her body,
Above ten thousand meaner moveables
Would testify, to enrich mine inventory.
O sleep, thou ape of death, lie dull upon her!
And be her sense but as a monument,
Thus in a chapel lying! Come off, come off:
As slippery as the Gordian knot was hard!
'Tis mine; and this will witness outwardly,
As strongly as the conscience does within,
To the madding of her lord. On her left breast
A mole cinque-spotted, like the crimson drops
I' the bottom of a cowslip: here's a voucher,
Stronger than ever law could make: this secret
Will force him think I have pick'd the lock and ta'en
The treasure of her honour. No more. To what end?
Why should I write this down, that's riveted,
Screw'd to my memory? She hath been reading late
The tale of Tereus; here the leaf's turn'd down
Where Philomel gave up. I have enough:
To the trunk again, and shut the spring of it.
Swift, swift, you dragons of the night, that dawning
May bare the raven's eye! I lodge in fear;
Though this a heavenly angel, hell is here.
One, two, three: time, time!
- Iachimo, Cymbeline Act II, Scene 2

There are few things more disturbing than a Jack in the Box. A strangely sinister, unnerving holiday scent: redwood, bitter clove, tonka, hemp accord, and tobacco with peach blossom, black currant, and red musk.


EL DIA DE LOS REYES 2009
The Day of Kings, the Celebration of the Magi. In Mexico, on January 6th, children place their shoes by their windows. If they have been good during the previous year, the Wise Men tuck gifts into their shoes during the night.

Hot cocoa with cinnamon, coffee, and brown sugar.


EVENING CICADAS AND RED PEPPERS
It is so, so cold!
A cicada in the eaves
With the red peppers.

Frost-limned, ice-bejeweled branches, scattered blood-red maple leaves, a few camellia petals, red peppers, and nacreous, multi-colored musks that shimmer like gently-beating cicada wings.


FAUNALIA
Held on December 5th, this is the festival of the Horned God of the Forest, one of the di indigetes of Rome, god of cattle, fertility, wild, untamed nature, and prophecy through dreams. The scent of a thick, starlit, unspoiled forest, with a burst of wild musk, opobalsamum, black bryony, mandragora, and hemlock.


THE FIRST SOFT SNOW
The first soft snow!
Enough to bend the leaves
Of the jonquil low.

Heavy drifts of snow blanketing winter's narcissus.


THE FRUIT OF PARADISE 2009
While Persephone visited the realm of Hades, she tasted one single pomegranate seed, an act which compelled her to remain connected to the Land of the Dead for all eternity. Demeter's grief over her beloved daughter's absence that brings on the bleakness and barrenness of the winter months.

The Fruit of Paradise, the Nectar of Death: bittersweet pomegranate, nurtured and cultivated in the hollow darkness of the Underworld.


GACELA OF THE DARK DEATH
       I want to sleep the sleep of the apples,
I want to get far away from the busyness of the cemeteries.
I want to sleep the sleep of that child
who longed to cut his heart open far out at sea.

       I don't want them to tell me again how the corpse keeps all its blood,
how the decaying mouth goes on begging for water.
I'd rather not hear about the torture sessions the grass arranges for
nor about how the moon does all its work before dawn
with its snakelike nose.
       I want to sleep for half a second,
a second, a minute, a century,
but I want everyone to know that I am still alive,
that I have a golden manger inside my lips,
that I am the little friend of the west wind,
that I am the elephantine shadow of my own tears.
       When it's dawn just throw some sort of cloth over me
because I know dawn will toss fistfuls of ants at me,
and pour a little hard water over my shoes
so that the scorpion claws of the dawn will slip off.
       Because I want to sleep the sleep of the apples,
and learn a mournful song that will clean all earth away from me,
because I want to live with that shadowy child
who longed to cut his heart open far out at sea.

Terebinth pine, pitch, and clove.


HYPOTHERMIA
Poor naked wretches, wheresoe'er you are,
That bide the pelting of this pitiless storm!
How shall your houseless heads, and unfed sides,
Your loop'd and window'd raggedness, defend you
From seasons such as these?


Bone-chilling, heart-stopping cold.


IN WINTER IN MY ROOM
In Winter in my Room
I came upon a Worm --
Pink, lank and warm --
But as he was a worm
And worms presume
Not quite with him at home --
Secured him by a string
To something neighboring
And went along.

A Trifle afterward
A thing occurred
I'd not believe it if I heard
But state with creeping blood --
A snake with mottles rare
Surveyed my chamber floor
In feature as the worm before
But ringed with power --

The very string with which
I tied him -- too
When he was mean and new
That string was there --

I shrank -- "How fair you are"!
Propitiation's claw --
"Afraid," he hissed
"Of me"?
"No cordiality" --
He fathomed me --
Then to a Rhythm Slim
Secreted in his Form
As Patterns swim
Projected him.

That time I flew
Both eyes his way
Lest he pursue
Nor ever ceased to run
Till in a distant Town
Towns on from mine
I set me down
This was a dream.

Pink, lank, and warm: grapefruit, yuzu, tuberose, peony, violet leaf, pikaki, Indian frankincense, and tonka.


JOULUMUORI
Old Lady Christmas, the sweet, smiling wife of Finland's Joulupukki. Her scent invokes the comforts of Christmastime and the warmth of love and cheerful companionship: a glowing hearth, luumukiisseli, riisipuuro, and sima.

LICK IT TIL IT'S STICKY
The stickiest thing you shouldn't lick this winter. Peppermint candy cane with an extra jolt of sugar.

(As always, we have to state: don't lick perfume. Don't eat it, drink it, cook with it, or use it in any strange and unforeseen way. Black Phoenix is not responsible for that sort of irresponsible funnybusiness.)


MIDNIGHT MASS 2009
I will wash my hands among the innocent; and will compass thy altar, O Lord: That I may hear the voice of thy praise: and tell of all thy wondrous works. I have loved, O Lord, the beauty of thy house; and the place where thy glory dwelleth. Take not away my soul, O God, with the wicked: nor my life with bloody men: In whose hands are iniquities: their right hand is filled with gifts.

But as for me, I have walked in my innocence: redeem me, and have mercy on me. My foot hath stood in the direct way: in the churches I will bless thee, O Lord.


In Roman Catholic tradition, the Christmas season begins liturgically on Christmas Eve, though it is forbidden to celebrate the Christmas Mass before midnight. The most devout attend Midnight Mass, celebrating both the Eucharist and the drama of the Nativity.

This perfume is a traditional Roman Catholic sacramental incense, most often used during a Solemn Mass. Traditionally, five tears of this incense, each encased individually in wax that has been fashioned into the shape of a nail, are inserted into the paschal candle. This is, of course, represents the Five Wounds of Our Risen Savior. Symbolically, the burning of the incense signifies spiritual fervor, the fragrance itself inspires virtue, and the rising smoke carries our prayers to God.

Credo in unum Deum, Patrem omnipotentem, factorem caeli et terrae, visibilium omnium et invisibilium.

Et in unum Dominum Iesum Christum, Filium Dei unigenitum, et ex Patre natum ante omnia saecula. Deum de Deo, Lumen de Lumine, Deum verum de Deo vero, genitum non factum, consubstantialem Patri; per quem omnia facta sunt. Qui propter nos homines et propter nostram salutem descendit de caelis. Et incarnatus est de Spiritu Sancto ex Maria Virgine, et homo factus est. Crucifixus etiam pro nobis sub Pontio Pilato, passus et sepultus est, et resurrexit tertia die, secundum Scripturas, et ascendit in caelum, sedet ad dexteram Patris. Et iterum venturus est cum gloria, iudicare vivos et mortuos, cuius regni non erit finis.

Et in Spiritum Sanctum, Dominum et vivificantem, qui ex Patre procedit. Qui cum Patre et Filio simul adoratur et conglorificatur: qui locutus est per prophetas. Et unam, sanctam, catholicam et apostolicam Ecclesiam. Confiteor unum baptisma in remissionem peccatorum. Et expecto resurrectionem mortuorum, et vitam venturi saeculi. Amen.



NES GADOL HAYA SHAM
But not long after the king sent a certain old man of Antioch, to compel the Jews to depart from the laws of their fathers and of God:

And to defile the temple that was in Jerusalem, and to call it the temple of Jupiter Olympius: and that in Gazarim of Jupiter Hospitalis, according as they were that inhabited the place.

And very bad was this invasion of evils and grievous to all.

For the temple was full of the riot and reveling of the Gentiles: and of men lying with lewd women. And women thrust themselves of their accord into the holy places, and brought in things that were not lawful.

The altar also was filled with unlawful things, which were forbidden by the laws.

And neither were the sabbaths kept, nor the solemn days of the fathers observed, neither did any man plainly profess himself to be a Jew.

But they were led by bitter constraint on the king's birthday to the sacrifices: and when the feast of Bacchus was kept, they wore compelled to go about crowned with ivy in honour of Bacchus.

And there went out a decree into the neighboring cities of the Gentiles, by the suggestion of the Ptolemeans, that they also should act in like manner against the Jews, to oblige them to sacrifice:

And whosoever would not conform themselves to the ways of the Gentiles, should be put to death: then was misery to be seen.

For two women were accused to have circumcised their children: whom, when they had openly led about through the city with the infants hanging at their breasts, they threw down headlong from the walls.

And others that had met together in caves that were near, and were keeping the sabbath day privately, being discovered by Philip, were burnt with fire, because they made a conscience to help themselves with their hands, by reason of the religious observance of the day.

- The Second Book of the Maccabees, 6:1-11

In order to consolidate his power in Jerusalem and Hellenize the area, the Greek king Antiochus IV Epiphanes outlawed Judaism and ordered the population to worship Zeus and the Hellenic pantheon. As this was anathema to the Jews, they refused, and Antiochus moved to enforce his religious decree by extreme force.

Some origin tales say that the dreidel was used at this time as a method by which the Jewish people were able to continue to study the Talmud in secret under the guise of gambling. Now, in addition to being a light gambling game, the dreidel is also a reminder of the strength, devotion, and perseverance of the Jewish people and the mercy of God.

One scent in four parts:

Nun, the Snake: nuun, nothing. Naḥš, in modern Arabic, means bad luck. Represented by scents of loss and remembrance: opoponax and lemon verbena.

Gimel, the Camel: the Ship of the Desert. Represented by scents of abundance, fortitude, and determination: patchouli, heliotrope, pomegranate, and almond.

He, the Window: sometimes used to represent the Unutterable Name of God, this is the window in our souls through which God's light touches us. Represented by scents of clarity and piety: frankincense, myrtle, and hyssop.

Shin, the Tooth: also stands for Shaddai, one of the names of God. The hand formed into shin acts as a priestly blessing. Represented by scents of strength, generosity, kindness, and benediction: carnation, myrrh, red poppy, and hibiscus.

The essences of Nun, Gimel, He, and Shin are blended to become Nes Gadol Haya Sham.


NOW WINTER NIGHTS ENLARGE
Now winter nights enlarge
The number of their hours,
And clouds their storms discharge
Upon the airy towers.
Let now the chimneys blaze,
And cups o'erflow with wine;
Let well-tuned words amaze
With harmony divine.
Now yellow waxen lights
Shall wait on honey love,
While youthful revels, masques, and courtly sights
Sleep's leaden spells remove.

This time doth well dispense
With lovers' long discourse;
Much speech hath some defence,
Though beauty no remorse.
All do not all things well;
Some measures comely tread,
Some knotted riddles tell,
Some poems smoothly read.
The summer hath his joys
And winter his delights;
Though love and all his pleasures are but toys,
They shorten tedious nights.

Shorten those tedious nights with a surge of body heat: vanilla-infused red musk, champaca, petitgrain, ylang ylang, patchouli, nutmeg, honey, galbanum, and traces of caramel.


ON DARKNESS 2009
You darkness, that I come from,
I love you more than all the fires
that fence in the world,
for the fire makes
a circle of light for everyone,
and then no one outside learns of you.
But the darkness pulls in everything;
shapes and fires, animals and myself,
how easily it gathers them! --
powers and people --
and it is possible a great energy
is moving near me.
I have faith in nights.

An embrace: black poppy, lavender, thick black incense, black amber, rose geranium, Brazilian rosewood, and benzoin.


THE PEACOCK QUEEN 2009
In dramatic contrast to the soft innocence of Snow White and the dew-kissed freshness of her sister, Rose Red, this is a blood red, voluptuous rose, velvet-petaled, at the height of bloom. Haughty and imperious, vain, yet incomparably lovely to the eye, but thick with thorns of jealousy, pride and hatred.


PINK SNOWBALLS
A lighthearted winter scent: chilly vanilla rose snowballs! Dainty, soft, and certainly unfit for flinging!


THE SEASON OF GHOSTS
In Latvia, the Ziemassvetki, or Winter Party, is a celebration of the birth of Dievs, the Sky God and Supreme Ruler of the Latvian pantheon. The two weeks prior to the Ziemassvetki is Ve?u laiks: the Season of Ghosts. Candles are lit to honor the gods and a fire is kept burning throughout the Season, burning away the unhappiness of the previous year so men's spirits can be renewed. At the feast of the Ziemassvetki, places are left as a courtesy to the ghosts, who arrive by sleigh.

A scent created to burn away sorrow: bergamot, frankincense, rose geranium, ginger, lemongrass, and blood orange.


THE SHIVERING BOY 2009
Cold, cold forever more. A winter storm roaring through empty stone halls, bearing echoes of despair, desolation, and death on its winds. The scent of frozen, dormant vineyards, bitter sleet, and piercing ozone, hurled through labdanum, benzoin, and olibanum.


SLEIPNIR
At Yule, Odin leads a divine hunting party through the heavens. On Yule Eve, children would fill their boots with sugar, carrots, and straw and place them by the chimneys for Odin's eight-legged horse, Sleipnir, to eat. To repay the children's kindness, Odin would refill the children's boots with sweets or small gifts.

Confections spun of hazelnuts, honey, elderberries, and bilberries with a dusting of hay and a bit of carrot.


SNOW-FLAKES 2009
Out of the bosom of the Air,
Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare,
Over the harvest-fields forsaken,
Silent, and soft, and slow
Descends the snow.

Even as our cloudy fancies take
Suddenly shape in some divine expression,
Even as the troubled heart doth make
In the white countenance confession,
The troubled sky reveals
The grief it feels.

This is the poem of the air,
Slowly in silent syllables recorded;
This is the secret of despair,
Long in its cloudy bosom hoarded,
Now whispered and revealed
To wood and field.

The radiance and desolation of winter.


THE SNOW MAIDEN 2009
The Snow Maiden is the daughter of Spring and Frost: as lovely as the first snowfall, and as striking as a sliver of icicle. Isolated because of her chilly otherworldly nature, and unable to know love, she longed for the companionship and warmth of mortals. One bright, white winter's day, the Snow Maiden came upon a gentle, handsome shepherd named Lel. She grows fond of him, and beseeches Mother Spring to grant her the ability to feel. Her mother is moved by her daughter's plight, and blesses her, but the moment the Snow Maiden is struck by the depth of love she feels for Lel, her heart warms, and she melts.


SNOW WHITE 2009
A chilly, bright perfume: flurries of virgin snow, crisp winter wind and the faintest breath of night-blooming flowers.


SNOWBALL FRACAS
This means war. A scent tight with delirious adrenaline. Muddy dirt and frost-covered moss from the trenches rubbed into winter clothes and snow impact overspray. This scent hits like the sting from those dang icy hard snowballs... the ones that have been packed too hard by someone who is not playing nice... nailing you right in the face.


SOL INVICTUS 2009
Sane, sol et in cloacam radios suos defert nec inquinatur.

A radiant blend of solar oils: golden amber, saffron, heliotrope, hibiscus, citron, frangipani, frankincense, tangerine, mock orange, and orange blossom.


WHEN THE WINTER CHRYSANTHEMUMS GO
When the winter chrysanthemums go,
there's nothing to write about
but radishes.


Lest the next few updates be dedicated solely to radishes, we've created this scent to keep the winter chrysanthemums alive. A gentle flurry of snow dusting the season's last chrysanthemums, illuminated by pale rays of winter's amber-tinted sunlight.


YULE CAT
The Yule Cat is a gargantuan Icelandic feline that feasts on indolent people who shirk their community responsibilities. Don't be lazy! - idle hands make for a very unpleasant Yule!

Malevolent musk, a drop of infernal civet, vetiver, club moss, birch, goosefoot, and rowan.



Hark! The Herald Angels Sing er Ph'nglui mglw'nafh Cthulhu R'lyeh wgah'nagl fhtagn!

The Miskatonic Valley Yuletide Faire is here!

++ THE MISKATONIC VALLEY YULETIDE FAIRE
Welcome to Innsmouth, the Pearl of New England!

Every December, the Esoteric Order of Dagon hosts the Miskatonic Valley Yuletide Faire, a holiday marketplace at the former Masonic Temple at New Church Green in Innsmouth. Mayor Obed Marsh, may the Deep Ones bless his eternal governance, lights the community sacrificial pyre on the first of the month, and the festivities begin!

Amidst holiday entertainments, local artisans and craftspeople ply their wares. The Voices of Azathoth, our local children's choir, and the Servitor Flautists perform on the Grand Stage of Malignity throughout the month! "Dread Hymns Ancient and Modern" and the canonical cult scriptures are always lovingly reprinted and distributed by the kind folks at the Wilbur Whateley Memorial Library so that residents and visitors can sing and chant with the carolers, Esquimaux wizards, Louisiana swamp-priests, and local cultists. At midnight on Midwinter Eve, the liturgical play "the Adoration of the Mi-Go" is performed under the lights of a synathroesmus of iridescent globes by Arkham's world-famous acting troupe, the Haunters in the Dark, on the Great Stage.

Get ready for holiday parties and ritual feasts with the help of our local farmers, bakers, and candymakers! Every year since 1928, Mother Shub has set up her tempting pastry and confections stand, the Yule Goat, and this year is no exception! Mason & Jenkin's Pantry will be selling their home made preserves, and the Innsmouth Canning Company will be offering a selection of fresh fish, true to their motto: You Are What You Eat!

Shopping for holiday gifts is a breeze at the Miskatonic Valley Yuletide Faire! Old Man Ackerman, proprietor of Miskatonic Valley's renowned toy store and antiquities dealership, Elder Things, brings hand-crafted clockworks and tin machines that spout iridescent, prolately spheroidal bubbles to delight the wee ones. Old Man Ackerman's educational toys make non-Euclidean calculus fun! Curwen Imports brings a selection of exotic merchandise and antiquities from all over the globe and points beyond, including authentic 12th century illuminated manuscripts crafted by Bartolomeo Corsi. There's no better time to get a pet magah bird for little Billy or a new set of yellow Carcosan robes for yourself! Bargains galore!

(For the pleasure of the adults, the Black Temple Burlesque Troupe performs nightly through January at the Vault of Zin in Innsmouth's Red Light District.)

And that's just a sampling of what the Faire has to offer! Fun for the whole family! May this Yule season bring madness and the void's wild vengeance to all!

THE ADORATION OF THE MI-GO
The time-honored ecclesiastical drama that illustrates the piety of the Fungi and First Coming of the Crawling Chaos to the majestic black stone terraces of Yuggoth! Recapture the magic!

Luminous, otherworldly wet and piquant odors mingling with black incense, the pitch-stench of Yuggoth, and fungal lichens.


MOTHER SHUB'S SPICED LAIT DE CHÈVRE
Nothing warms the cockles like a mug of Mother Shub's egg nog! Goat's milk egg nog with coffee liqueur and spices imported from the Crimson Desert!


MOTHER SHUB'S PFANCY PFEFFERNEUSSE
Fit for the finest oblation -- and your holiday table, too! Sugar-sprinkled pepper nuts with a bit of cinnamon, a bit of clove, a little cardamom, and a hint of nutmeg.


MOTHER SHUB'S TOOTHSOME BANKETSTAAF
A treat sure to please even the most finicky cultist! Tubular pastries oozing with spijs, glazed with apricot jam, and dotted with glace cherries.


MASON & JENKIN'S PORT JELLY
Red and sticky! From a genuine Old Salem recipe!


OLD MAN ACKERMAN'S INSTRUCTIONAL TOYS
Educational toys for tots! Learn non-Euclidean calculus, catoptric theory, quantum physics, and the mysteries of Elder magic the fun way! An ancient baetylus floating within an array of bizarre trapezoidal figures, glimmering tubes, rusting spheres, and whirling gogs formed from peculiar metals, glowing tektites, strangely suspended lead mirrors, and eerie driftings of meteoric dust.


THE SMILIN' SERVITORS' HYPERDIMENSIONAL HOLIDAY HITS
As seen on tv!

A musical extravaganza of madness, terror, and woe! Twenty-three insane interstellar holiday hits from everyone's favorite amorphous toad pipers, including "Doom to the World" and "Here We Go to Sacrifice"!

A discordant scent, silvery and strange like a lunatic's tinsel garland: freesia, eucalyptus, and yuzu, with sicilian lemon, massoia, opoponax, night-blooming jasmine, white bergamot, and copaiba oleoresin.


PET MAGAH BIRD
Every kid wants a pet magah bird! A prism of scent, an explosion of multi-colored feathers: blood orange, black plum, sugar cane, guava, frangipani, coconut, pimento berry, violet, caramel, and pear.


THE BLACK TEMPLE BURLESQUE TROUPE Straight from the pits of black, lightless N'kai: the voluptuous bat-winged vixens of the Black Temple Burlesque Troupe!

Cacao, black musk, and tobacco absolute.


The Miskatonic Valley Yuletide Faire was illustrated the eldritch and diabolical Julie Dillon!


The next card in Neil Gaiman's Vampire Tarot is also here! -- the Magician!

++ 15 PAINTED CARDS FROM A VAMPIRE TAROT: THE MAGICIAN
They asked St. Germain's manservant if his master was truly a thousand years old, as it was rumored he had claimed.

"How would I know?" the man replied. "I have only been in the master's employ for three hundred years.

Burmese rosewood, olibanum, benzoin, turmeric, currant leaf, and oude.



And finally, the latest addition to the GC the District! A collaboration between Black Phoenix Alchemy Lab, Black Phoenix Trading Post, and Molly Crabapple that benefits Habitat For Humanity: New Orleans!

++ THE DISTRICT
Honi Soit Qui Mal Y Pense
Shame to Him Who Evil Thinks

Black Phoenix Alchemy Lab and Black Phoenix Trading Post are proud to present a scent series representing the people, places, and culture of New Orleans' Storyville, featuring artwork by the inimitable Molly Crabapple. Black Phoenix Alchemy Lab is pandering the perfumes, and Black Phoenix Trading Post is offering District-themed atmosphere sprays and a gorgeous District tee illustrated by Molly!

Lavish bordellos and shady cribs, dazzling jazz, and swinging saloons: bounded by Basin, Iberville, Robertson, and St Louis, Storyville, known to locals as the District, was New Orleans' legal red light district from 1897 to 1917.

This is a charitable, not-for-profit venture. Proceeds from every bottle go to Habitat for Humanity: New Orleans. Habitat for Humanity builds houses in partnership with sponsors, volunteers, communities, and homeowner families, whereby families are empowered to transform their own lives, and aids in eliminating poverty housing in the New Orleans area while serving as a catalyst to make decent shelter a matter of conscience and action.

Molly Crabapple is an award winning illustrator, and the founder of Dr. Sketchy's Anti-Art School. Molly has drawn for the New York Times, Wall Street Journal, Marvel Comics, the Bloomberg Corporation, the Coagula Art Journal, and Playgirl, and she has illustrated eight books including Scarlett Takes Manhattan. She has also turned her talents to 30-foot theatrical backdrops, children's books, parade installations, burlesque posters, critically acclaimed webcomics, pornographic comic books, art writing, and gallery shows around the world. More about the lovely Miss Molly can be found through a feature on her in the Art & Design section of the New York Times.

Thank you, Molly, for inspiring this series!

http://www.mollycrabapple.com/
http://www.drsketchy.com/
http://www.habitat-nola.org/

COUNTESS WILLIE
Sophisticated, dramatic, well-traveled, glamorous, and worldly, Countess Willie V. Piazza, owner of the French Studio, was a trendsetter in style and fashion. Countess Willie was an educated woman, a patron of the arts, and possessed an impressive library of rare volumes. She featured many historic jazz musicians in her House, including Tony Jackson and Jelly Roll Morton. Unlike many of her counterparts, she was known for having a kind heart and a generous, loving nature. She was fiercely protective: when a patron of her establishment, the nephew of a prominent New Orleans cleric, committed a heinous act of sadism against one of her ladies, Countess Willie shot him dead.

Chocolate plum musk, red musk, amaretto, candied fruits, and red ginger.


CRIB GIRLS
Situated on of the lowest rungs in the Red Light District's hierarchy, the crib girls solicited from their windows and doorways, entertaining their clients in sparsely furnished, dingy two-room apartments.

Seven honeys under one unkempt roof, with fiery-tart cubeb and dusty cardamom.


EMMA
Better known as the "Parisian Queen of America," needs little introduction in this country.

Emma's "House of all Nations," as it is commonly called, is one place of amusement you can't very well afford to miss while in the Tenderloin District. Everything goes here. Fun is the watchword.

Business has been on such an increase at the above place of late that Mdme. Johnson had to occupy an "Annex." Emma has never less than twenty pretty women of all nations, who are clever entertainers.

Remember the name,

Emma Johnson
331 and 333 Basin Street

Vanilla bourbon, tea rose, jasmine, pink pepper, and patchouli.

FLORA
Everybody in the sporting world knows Miss Flora Meeker and she knows everybody worth knowing. So it is unnecessary at this time to make any introductory remarks about Miss Meeker, suffice it to say she is still at her same old place where she has been for a number of years past, doing a boss business which deserves, Miss Flora is well thought of by all and her house is patronized by the best element. Carnival visitors should not overlook this swell mansion where the cream of female loveliness will be found which is situated at No. 211 Basin avenue.

Miss Flora Meeker's Palace of Mirth

Sweet, wet fruits, sibilant Eastern musk, apple blossom, tuberose, calla lily, osmanthus, wild orchid, amber, and sandalwood.


HILMA
The amiable, ebullient proprietor of the Mirror Ballroom, where Jelly Roll Morton got his first gig.

Miss Burt, while very young, is of a type that pleases most men of today - the witty, pretty, and natty - a lady of fashion.

Her managerial possibilities are phenomenal, to say the least, and her success here has proven itself beyond a doubt.

Miss Burt has been with us but a short while but has won all hearts. Her palace is second to none. It is good for one who loves the beautiful to visit Miss Burt's handsome palace. There are no words for the ladies - one can only realize the grandeur of feminine beauty and artistic settings after an hour or so in the palace of Hilma Burt.

Miss Burt, aside from having two handsome homes here, has one in St. Louis and one in Kansas City, Mo., where, it is said, she is as popular as in New Orleans.

Don't forget to converse with her, as she is very clever, jolly, and cultured.

205 N. Basin


Honeysuckle, Bulgarian rose, night blooming jasmine, sweet clove, cedarwood, black tea, and nectarine.


JOSIE
The brooding, raucous, and hot-blooded proprietress of the Château Lobrano d'Arlington, the gaudiest bordello in the District. Miss Josie had a true talent for hype, and promoted her ladies in an effusively romanticized, over-the-top fashion. La Belle Stewart, who was in actuality a circus hoochie koochie girl from Chicago, was billed as "a bona-fide baroness, direct from the court of St. Petersburg."

Heady magnolia and honeyed peaches.


LULU
The Diamond Queen. An expert showman and entrepreneur, the eccentric Miss Lulu was the Mistress of Mahogany Hall until 1917. She invested heavily, but not always successfully, and at the end of her career as a madam, wanted to fund production houses for the budding movie industry in California.

The 1934 Mae West film, "the Belle of the Nineties", was loosely based on Lulu's exploits.

Tobacco flower, white gardenia, bergamot, and bourbon geranium.




The Magician is $30 for the card and scent set, all scents in the District series are $25 per bottle, and all the Yules (including the Miskatonic Valley Yuletide Faire scents) are $17.50 each.


And that's it for now! Please stay tuned for the upcoming Black Phoenix Trading Post update!





From the 4 October 2009 update:

Happy Halloweenie Month, everyone! The Lunacy this month is from the Algonquin calendar, Raven Moon, and the scent itself is inspired by a quote by Edgar Allan Poe:

RAVEN MOON
The boundaries which divide Life from Death are at best shadowy and vague. Who shall say where the one ends, and where the other begins?

Mournful and Never-ending Remembrance: shining, moonlit ebony musk with benzoin, myrrh, smoky vanilla, patchouli, nutmeg, and dried red chili.





The gorgeous accompanying tee was drawn by Jennifer Williamson, and is available at Black Phoenix Trading Post.


Both the scent and the tee will be live until 6 October 2009.



This month, we are also presenting a scent dedicated to our beloved friend, Pa-pow

PA-POW
Such glorious faith as fills your limpid eyes,
Dear little friend of mine, I never knew.
All-innocent are you, and yet all-wise.
(For Heaven's sake, stop worrying that shoe!)
You look about, and all you see is fair;
This mighty globe was made for you alone.
Of all the thunderous ages, you're the heir.
(Get off the pillow with that dirty bone!)

A skeptic world you face with steady gaze;
High in young pride you hold your noble head,
Gayly you meet the rush of roaring days.
(Must you eat puppy biscuit on the bed?)
Lancelike your courage, gleaming swift and strong,
Yours the white rapture of a winged soul,
Yours is a spirit like a Mayday song.
(God help you, if you break the goldfish bowl!)

"Whatever is, is good" - your gracious creed.
You wear your joy of living like a crown.
Love lights your simplest act, your every deed.
(Drop it, I tell you- put that kitten down!)
You are God's kindliest gift of all - a friend.
Your shining loyalty unflecked by doubt,
You ask but leave to follow to the end.
(Couldn't you wait until I took you out?)

-- Verse For a Certain Dog, Dorothy Parker

Pa-Pow, Ted's best friend and companion for 17 years, passed away on September 1st, 2009. To celebrate her life and the joy she brought to all of us, we have created a scent evocative of bright days running through the grass and sun-warmed puppy fur dusted with California wildflowers. The proceeds from the sale of this scent will go to the Pasadena Humane Society so she can help care for the animals that were displaced and injured during this summer's Station Fires.

To find out more about the Pasadena Humane Society, please visit: http://www.pasadenahumane.org/.

Pa-Pow, we love you so much.





At long last, there are some additions to the general catalogue


++ MARCHEN: GODFATHER DEATH
GODFATHER DEATH
He went onwards, and then came Death striding up to him with withered legs, and said, "Take me as godfather." The man asked, "Who art thou?" "I am Death, and I make all equal." Then said the man, "Thou art the right one, thou takest the rich as well as the poor, without distinction; thou shalt be godfather." Death answered, "I will make thy child rich and famous, for he who has me for a friend can lack nothing." The man said, "Next Sunday is the christening; be there at the right time." Death appeared as he had promised, and stood godfather quite in the usual way.

Olibanum, elemi, Bulgarian rose, yew, and oppoponax.


THY GODFATHER'S PRESENT
When the boy had grown up, his godfather one day appeared and bade him go with him. He led him forth into a forest, and showed him a herb which grew there, and said, "Now shalt thou receive thy godfather's present. I make thee a celebrated physician. When thou art called to a patient, I will always appear to thee. If I stand by the head of the sick man, thou mayst say with confidence that thou wilt make him well again, and if thou givest him of this herb he will recover; but if I stand by the patient's feet, he is mine, and thou must say that all remedies are in vain, and that no physician in the world could save him. But beware of using the herb against my will, or it might fare ill with thee."

A bruised purple bundle of herbs with hyssop and life-everlasting.


THE LIGHTS OF MEN'S LIVES
When Death saw that for a second time he was defrauded of his own property, he walked up to the physician with long strides, and said, "All is over with thee, and now the lot falls on thee," and seized him so firmly with his ice-cold hand, that he could not resist, and led him into a cave below the earth. There he saw how thousands and thousands of candles were burning in countless rows, some large, others half-sized, others small. Every instant some were extinguished, and others again burnt up, so that the flames seemed to leap hither and thither in perpetual change. "See," said Death, "these are the lights of men's lives. The large ones belong to children, the half-sized ones to married people in their prime, the little ones belong to old people; but children and young folks likewise have often only a tiny candle." "Show me the light of my life," said the physician, and he thought that it would be still very tall. Death pointed to a little end which was just threatening to go out, and said, "Behold, it is there."

The wax and smoke of millions upon millions of candles illuminating the walls of Death's shadowy cave: some tall, straight, and strong, blazing with the fire of life, others dim and guttering.



++ MARCHEN: VASILISSA THE BEAUTIFUL
THE LITTLE WOODEN DOLL
"My little Vasilissa, my dear daughter, listen to what I say, remember well my last words and fail not to carry out my wishes. I am dying, and with my blessing, I leave to thee this little doll. It is very precious for there is no other like it in the whole world. Carry it always about with thee in thy pocket and never show it to anyone. When evil threatens thee or sorrow befalls thee, go into a corner, take it from thy pocket and give it something to eat and drink. It will eat and drink a little, and then thou mayest tell it thy trouble and ask its advice, and it will tell thee how to act in thy time of need." So saying, she kissed her little daughter on the forehead, blessed her, and shortly after died.

Little Vasilissa grieved greatly for her mother, and her sorrow was so deep that when the dark night came, she lay in her bed and wept and did not sleep. At length she be thought herself of the tiny doll, so she rose and took it from the pocket of her gown and finding a piece of wheat bread and a cup of kvass, she set them before it, and said: "There, my little doll, take it. Eat a little, and drink a little, and listen to my grief. My dear mother is dead and I am lonely for her."

Then the doll's eyes began to shine like fireflies, and suddenly it became alive. It ate a morsel of the bread and took a sip of the kvass, and when it had eaten and drunk, it said: "Don't weep, little Vasilissa. Grief is worst at night. Lie down, shut thine eyes, comfort thyself and go to sleep. The morning is wiser than the evening." So Vasilissa the Beautiful lay down, comforted herself and went to sleep, and the next day her grieving was not so deep and her tears were less bitter.

Gently carved wood warm with a maternal love that reaches beyond death: rose-infused amber and soft golden sandalwood.


THE WHITE RIDER
The wood was very dark, and she could not help trembling from fear. Suddenly she heard the sound of a horse's hoofs and a man on horseback galloped past her. He was dressed all in white, the horse under him was milk-white and the harness was white, and just as he passed her it became twilight.

White leather and sandalwood.


THE RED RIDER
She went a little further and again she heard the sound of a horse's hoofs and there came another man on horseback galloping past her. He was dressed all in red, and the horse under him was blood-red and its harness was red, and just as he passed her the sun rose.

Red leather, red moss, and balsam.


THE BLACK RIDER
As she stood there a third man on horseback came galloping up. His face was black, he was dressed all in black, and the horse he rode was coal-black. He galloped up to the gate of the hut and disappeared there as if he had sunk through the ground and at that moment the night came and the forest grew dark.

But it was not dark on the green lawn, for instantly the eyes of all the skulls on the wall were lighted up and shone till the place was as bright as day. When she saw this Vasilissa trembled so with fear that she could not run away.

Black leather, oppoponax, tobacco, and black amber.


THE CHICKEN-LEGGED HUT
But at evening she came all at once to the green lawn where the wretched little hut stood on its hens' legs. The wall around the hut was made of human bones and on its top were skulls. There was a gate in the wall, whose hinges were the bones of human feet and whose locks were jaw-bones set with sharp teeth. The sight filled Vasilissa with horror and she stopped as still as a post buried in the ground.

Creaky wood and sun-dried thatching, clacking bones, leering skulls, burnt herbs, and enormous magical chicken feet.


BABA YAGA
Then suddenly the wood became full of a terrible noise; the trees began to groan, the branches to creak and the dry leaves to rustle, and the Baba Yaga came flying from the forest. She was riding in a great iron mortar and driving it with the pestle, and as she came she swept away her trail behind her with a kitchen broom.

Spell-soaked herbs and flowers, cold iron, broom twigs, bundles of moss and patchouli root, and moth dust.


THE WITCH'S REPAST
"Well," said the old witch, "I know them. But if I give thee the fire thou shalt stay with me some time and do some work to pay for it. If not, thou shalt be eaten for my supper." Then she turned to the gate and shouted: "Ho! Ye, my solid locks, unlock! Thou, my stout gate, open!" Instantly the locks unlocked, the gate opened of itself, and the Baba Yaga rode in whistling. Vasilissa entered behind her and immediately the gate shut again and the locks snapped tight.

When they had entered the hut the old witch threw her self down on the stove, stretched out her bony legs and said:

"Come, fetch and put on the table at once everything that is in the oven. I am hungry." So Vasilissa ran and lighted a splinter of wood from one of the skulls on the wall and took the food from the oven and set it before her. There was enough cooked meat for three strong men. She brought also from the cellar kvass, honey, and red wine, and the Baba Yaga ate and drank the whole, leaving the girl only a little cabbage soup, a crust of bread and a morsel of suckling pig.

Kvass, honey-drizzled bread, roasted meat, and wine.


FIRE FOR THY STEPMOTHER'S DAUGHTERS
Vasilissa ran to the yard, and behind her she heard the old witch shouting to the locks and the gate. The locks opened, the gate swung wide, and she ran out on to the lawn. The Baba Yaga seized from the wall one of the skulls with burning eyes and flung it after her. "There," she howled, "is the fire for thy stepmother's daughters. Take it. That is what they sent thee here for, and may they have joy of it!"

Flaming coals, hellfire, and blackened bone.


VASILISSA
"Take it, then," the Tsar said, "and bid her do it for me." The old woman brought the linen home and told Vasilissa the Tsar's command: "Well I knew that the work would needs be done by my own hands," said Vasilissa, and, locking herself in her own room, began to make the shirts. So fast and well did she work that soon a dozen were ready. Then the old woman carried them to the Tsar, while Vasilissa washed her face, dressed her hair, put on her best gown and sat down at the window to see what would happen. And presently a servant in the livery of the Palace came to the house and entering, said: "The Tsar, our lord, desires himself to see the clever needlewoman who has made his shirts and to reward her with his own hands."

Vasilissa rose and went at once to the Palace, and as soon as the Tsar saw her, he fell in love with her with all his soul. He took her by her white hand and made her sit beside him. "Beautiful maiden," he said, "never will I part from thee and thou shalt be my wife."

So the Tsar and Vasilissa the Beautiful were married, and her father returned from the far-distant Tsardom, and he and the old woman lived always with her in the splendid Palace, in all joy and contentment. And as for the little wooden doll, she carried it about with her in her pocket all her life long.

She herself had cheeks like blood and milk and grew every day more and more beautiful: creamy skin musk and blushing pink musk with soft sandalwood, white amber, dutiful myrrh, and star jasmine.



++ WANDERLUST
EL DORADO
Gaily bedight,
A gallant knight,
In sunshine and in shadow,
Had journeyed long,
Singing a song,
In search of Eldorado.

But he grew old
This knight so bold
And o'er his heart a shadow
Fell as he found
No spot of ground
That looked like Eldorado.

And, as his strength
Failed him at length,
He met a pilgrim shadow
"Shadow," said he,
"Where can it be
This land of Eldorado?"

"Over the Mountains
Of the Moon,
Down the Valley of the Shadow,
Ride, boldly ride,"
The shade replied
"If you seek for Eldorado!"

Copal resin incense blowing through halls of dazzling gold.


OGYGIA
On to Pieria he stepped from the upper air, and swooped down upon the sea, and then sped over the wave like a bird, the cormorant, which in quest of fish over the dread gulfs of the unresting sea wets its thick plumage in the brine. In such wise did Hermes ride upon the multitudinous waves. But when he had reached the island which lay afar, then forth from the violet sea he came to land, and went his way until he came to a great cave, wherein dwelt the fair-tressed nymph; and he found her within. A great fire was burning on the hearth, and from afar over the isle there was a fragrance of cleft cedar and juniper, as they burned; but she within was singing with a sweet voice as she went to and fro before the loom, weaving with a golden shuttle. Round about the cave grew a luxuriant wood, alder and poplar and sweet-smelling cypress, wherein birds long of wing were wont to nest, owls and falcons and sea-crows with chattering tongues, who ply their business on the sea. And right there about the hollow cave ran trailing a garden vine, in pride of its prime, richly laden with clusters. And fountains four in a row were flowing with bright water hard by one another, turned one this way, one that. And round about soft meadows of violets and parsley were blooming. There even an immortal, who chanced to come, might gaze and marvel, and delight his soul; and there the messenger Argeiphontes stood and marvelled.

Sea air, kelp, and climbing vines, flame-singed cedarwood and juniper branches, cypress boughs, alder wood, violets, selino, parsley, glistritha, and white sage.


PAÍS DE LA CANELA
The legendary Valley of Cinnamon located east of Quito, deep in the Selva Amazónica. A thick tangle of deep green leaves, wild orchids, soft lichen, Patauá and Babassu palm spiced by the scent of deep, rich cinnamon.



The bad news: De Sade is the latest to fall victim to misfortune. He's being discontinued as of today. Pending orders will still be filled, but we do not have enough stock to accept new orders for this scent.

The good news: later this month, a Vampire Tarot card enters the deck, we take you on a trip through the red light district, a sticky bat flits into the house, and snow falls early in New England. (The Stars Are Right!) At Black Phoenix Trading Post, they're oiling the racks and heating up the pokers for an upcoming Inquisition!





From the 2 September 2009 update:

Happy birthday to Miss Lilith Victoria and her beloved Uncle Brian!


Neil Gaiman's 15 Painted Cards From a Vampire Tarot is live on BPAL & BPTP!

Black Phoenix Alchemy Lab is proud to present a 15-month scent and art series based on Neil Gaiman's short story, "15 Painted Cards from a Vampire Tarot."

Each package comes with a 5ml bottle of perfume inspired by the tale and a corresponding tarot card, created by Madame Talbot. The Fool's perfume: apple blossom, peppermint, allspice, and yellow sandalwood speckled with grave loam and clods of grave dirt.

The Fool premiered at San Diego Comic Con 2009 through the CBLDF, along with a Limited Edition variant of the Fool, created by Alicia Dabney.

The Fool is going live online with this September update. A new set will be added to the collection each month, spanning 15 months. T-shirts featuring Madame Talbot's artwork are available through Black Phoenix Trading Post.



The Fool tee will begin to ship on September 14, 2009.

We chose to utilize tees that have been put through the burnout process in order to mimic parchment. It is an extensive and expensive process, and along with the 2-sided print, it makes for a higher price point. The fabric is weathered and has been washed over and over again. It looks deliberately vintage, and has a comfy, well-loved feel to it. The fabric is garment dyed 50% cotton and 50% polyester, and was made in the good ol' US of A. Due to the burnout process, no two tees are exactly the same. We tested the burnouts for two years prior to offering them. The tees we tested withstood innumerable washings over the years, in addition to the abuse of being worn by Ted while he plays hockey (yowch!), and they just keep getting softer and more comfortable over time. (No, we are not selling tees that Ted has worn during hockey. That would be a biohazard.) The fit of the tees, both babydoll and standard crew, are slightly smaller than the usual Black Phoenix Trading Post tees. Please refer to the size chart on the Trading Post site for more information.

The babydolls are crews, have a "boyfriend" fit, and were created to hang gently on the body and slide across your figure; they are not skin-tight.

Black ink on grey-brown parchment fabric.

The oil and tarot card set is $30, and the tee is $45.

This is a charitable, not-for-profit venture: proceeds from every single set and tee go to the Comic Book Legal Defense Fund, which works to preserve the First Amendment rights of the comic community.



Also new this month! The Hellboy series is live! So much thanks to Mike and Christine Mignola for their support and friendship, and for the opportunity to interpret the world of Hellboy through scent!

HELLBOY
Aftershave, candy wrappers, brimstone, and cat.

TREVOR BRUTTENHELM
A classic men's cologne mixed with the scent of old, yellowed books, a splash of bay rum, and summoning incense.

KROENEN
Shining black leather, gleaming metal, labdanum, and myrrh.

LIZ
A light, feminine vanilla floral perfume and a swirl of smoke and leather.

PLAGUE OF FROGS
Rubbery, wet, and warty.

ABE SAPIEN
A soft aquatic musk with kelp and juniper.


The Hellboy scents are $25 each!



Also new this month - scents inspired by Gris Grimly's illustrations for Tales of Death & Dementia!

These scents debuted at the Tales of Death & Dementia Launch Party at Dark Delicacies, and will be carried here and on the Mad Creator website.

To Commemorate the 200th anniversary of Edgar Allan Poe, Gris Grimly fully illustrated four of Poe's short stories, the Tell-Tale Heart, the System of Dr Tarr and Professor Fether, the Oblong Box, and the Facts in the Case of M. Valdemar. We are thrilled beyond belief to have the opportunity to translate a few of Gris' illustrations into merrily macabre complimentary scents!

A FIT OF ARTISTIC ENTHUSIASM
Inspired by Gris Grimly's illustrations for the Oblong Box.

Electric jolts of mania: a salt-crusted coffin bobbing through tumultuous ocean waves.


DETESTABLE PUTRESCENCE
Inspired by Gris Grimly's illustrations for the Facts in the Case of M. Valdemar.

Melty vanilla ice cream!


HIDEOUS HEART
Inspired by Gris Grimly's illustrations for the Tell-Tale Heart.

A macabre Valentine: wild black cherries, licorice root, and cinnamon.


SOOTHING SYSTEM
Inspired by Gris Grimly's illustrations for the System of Dr. Tarr and Professor Fether.

A lunatic's vintage cabernet.


These scents are $20 each!



And let's not forget this month's Lunacy

FALLING LEAF MOON
My sorrow, when she's here with me, thinks these dark days of autumn rain are beautiful as days can be; she loves the bare, the withered tree; she walks the sodden pasture lane.

The first autumn rains dripping onto fallen leaves against a backdrop of opoponax, labdanum, patchouli, agarwood, and oakmoss.


Unfortunately, our illustrator is running a little late, so we're not able to post the Lunacy tee for another day or two. We're truly sorry for the delay, and will be extending the ordering time on the tee. It has been a very strange year.



There's been a little revamping and clean-upping happening on the Black Phoenix Alchemy Lab web site! A million thanks to our lovemuffin, Alicia Dabney, for the new menu bar art on the main site, and for the artwork featured on the new Neil Gaiman menu page!


We do have a bit of bad news: Bat-woman has been discontinued due to component issues. We apologize sincerely for the lack of warning; it hit us suddenly. The price for the Salon series 1 imp packs has been adjusted to reflect this change, as well.



There's a whole lot new at Black Phoenix Trading Post, too -

Two new Atmosphere sprays!

EREBOS
Thus saying, from her side the fatal Key,
Sad instrument of all our woe, she took;
And towards the Gate rouling her bestial train,
Forthwith the huge Porcullis high up drew,
Which but her self not all the STYGIAN powers
Could once have mov'd; then in the key-hole turns
Th' intricate wards, and every Bolt and Bar
Of massie Iron or sollid Rock with ease
Unfast'ns: on a sudden op'n flie
With impetuous recoile and jarring sound
Th' infernal dores, and on thir hinges great
Harsh Thunder, that the lowest bottom shook
Of EREBUS. She op'nd, but to shut
Excel'd her power; the Gates wide op'n stood,
That with extended wings a Bannerd Host
Under spread Ensigns marching might pass through
With Horse and Chariots rankt in loose array;
So wide they stood, and like a Furnace mouth
Cast forth redounding smoak and ruddy flame.
Before thir eyes in sudden view appear
The secrets of the hoarie deep, a dark
Illimitable Ocean without bound,
Without dimension, where length, breadth, and highth,
And time and place are lost; where eldest Night
And CHAOS, Ancestors of Nature, hold
Eternal ANARCHIE, amidst the noise
Of endless warrs and by confusion stand.


Solace in darkness, the personification of shadow: lavender, black vanilla, white melon, night-blooming jasmine, rose, cedar, cyclamen, violet, and hyacinth.


THE FAINTING ROOM
Lush velvet cushions and prim tea rose, a splash of rose water on a lace doily, strong black tea, a whiff of pomander, and an orris root sachet.



Also new to the Post! - the SKELETON LIBRARIAN PLAQUES!



The Skeleton Librarian Plaques are here! Inspired by the Skeleton Librarian t-shirt, this plaque is based on artwork created for Black Phoenix Trading Post by Kali of Johnny Ace Studios! Hand cast and hand painted, these plaques come in two styles: cold cast bronze and cold cast resin with a bone finish. These plaques aren't simply decorative: they hold eight bottles for display. Due to the handcrafted nature of these plaques, no two are exactly the same!

Dimensions are 15"x9.5"

This is a limited stock item: there are seventy-five bone plaques, and twenty-five bronze plaques. Once they're gone, they're gone.

Suitable for indoor or outdoor use. Please note: the cold cast bronze plaque will patina over time.



The Post is also thrilled to offer some Halloween treats!

The Wanton Voluptuousness series -

At Black Phoenix, we have a real thing for Lucy.

This collection contains a bath oil, Oceans of Love and Millions of Kisses, which is innocent sensuality and sweetness personified. There are two room sprays: Lucy's Boudoir, which embodies Lucy's youth, beauty, and coquettish innocence, and another, Lucy's Darkness, that is the scent wafting through her room during her room during her final days among the living. They can be used alone, or the latter can be sprayed to corrupt the former.

Lucy, Kissed is a perfume illustrating the scent of her undeath.

$29 per 8oz Bath Oil
$25 per 4oz Room Spray
$17.50 per 5ml Perfume Oil

No squirts or samples are available for this series.

OCEANS OF LOVE AND MILLIONS OF KISSES BATH OIL
Why can't they let a girl marry three men, or as many as want her, and save all this trouble?

Orange blossom and honey.


LUCY'S BOUDOIR ATMOSPHERE SPRAY
Rose water and lavender with stargazer lily, white carnation, bois de rose, white iris, violet, and honey.


LUCY IN DARKNESS ATMOSPHERE SPRAY
And then insensibly there came the strange change which I had noticed in the night. Her breathing grew stertorous, the mouth opened, and the pale gums, drawn back, made the teeth look longer and sharper than ever. In a sort of sleep-waking, vague, unconscious way she opened her eyes, which were now dull and hard at once, and said in a soft, voluptuous voice, such as I had never heard from her lips, "Arthur! Oh, my love, I am so glad you have come! Kiss me!"

Denn die Todten reiten Schnell. Black opium poppy, laudanum, blood, and a chaplet of garlic flowers.


LUCY, KISSED PERFUME OIL
There was a long spell of silence, big, aching, void, and then from the Professor a keen "S-s-s-s!" He pointed, and far down the avenue of yews we saw a white figure advance, a dim white figure, which held something dark at its breast. The figure stopped, and at the moment a ray of moonlight fell upon the masses of driving clouds, and showed in startling prominence a dark-haired woman, dressed in the cerements of the grave. We could not see the face, for it was bent down over what we saw to be a fair-haired child. There was a pause and a sharp little cry, such as a child gives in sleep, or a dog as it lies before the fire and dreams. We were starting forward, but the Professor's warning hand, seen by us as he stood behind a yew tree, kept us back. And then as we looked the white figure moved forwards again. It was now near enough for us to see clearly, and the moonlight still held. My own heart grew cold as ice, and I could hear the gasp of Arthur, as we recognized the features of Lucy Westenra. Lucy Westenra, but yet how changed. The sweetness was turned to adamantine, heartless cruelty, and the purity to voluptuous wantonness. Van Helsing stepped out, and obedient to his gesture, we all advanced too. The four of us ranged in a line before the door of the tomb.

Van Helsing raised his lantern and drew the slide. By the concentrated light that fell on Lucy's face we could see that the lips were crimson with fresh blood, and that the stream had trickled over her chin and stained the purity of her lawn death-robe.

Diabolical voluptuousness, a siren song from the grave: juniper and yew brushing against blackened violets and funeral roses, red musk and hot blood, veined white marble and icy, brittle musk, all pulsing with the sinister, hypnotic scent of patchouli, amber, oude, and cubeb.


(Many thanks to Aunt Beastie for inspiring the perfume's name! You were born to be an undead seductress, woman!)


There are also some traditional Halloween offerings! -

PUMPKIN PIE BATH OIL
Devilishly decadent and a little bit ridiculous!

BARMBRACK ATMOSPHERE SPRAY
An Irish Halloween tradition! This fruit bread is used as a method of divination: a medallion of the Virgin Mary, a sliver of rag, a pea, a coin, a stick, and a ring are baked into the pastry. On Halloween night, it is cut up and served to the household. If you received the stick, you would spend the next year in conflict

if you received the medallion, you would be called to the priesthood
if you received the rag, you would be plagued with misfortune
if you received the ring, you would be married within the year
if you received the pea, you would not marry within the year

Each bottle of Barmbrack spray comes with a toy coin and a wish for your good fortune in 2010!


KNOCK-A-DOLLY
Ding Dong Ditch! Black Phoenix Alchemy Lab's Samhain scent with cinnamon sugar and candy dust!


Every single order placed with Black Phoenix Trading Post from now til November 2nd will receive an imp of the Last Squished Jelly Bean.

And that's that for now!





From the 5 August 2009 update:

The Sachs and Violens Collection is live!

Scents based on the title characters from George Pérez and Peter David's groundbreaking comic book mini-series, 'Sachs and Violens'!

Part of Marvel's Heavy Hitters line, "Sachs and Violens" was a 4 issue comic book miniseries written by Peter David with art by George Pérez. The series was published by Marvel's Epic Comics imprint from 1993 to 1994. George Pérez is one of the most popular and influential comic book artists currently working. He is best known for his work on Crisis on Infinite Earths, New Teen Titans, Wonder Woman, Superman, and the Avengers, and has most recently worked on DC's Final Crisis.

Peter David is an Eisner Award-winning Writer of Stuff, including epic runs with the Incredible Hulk, She-Hulk, Aquaman, and Spider Man.

Proceeds from every bottle sold go to the Hero Initiative, the first federally recognized not-for-profit organization dedicated to helping comic book creators, writers and artists in need. Founded in late 2000 by a consortium of comic book and trade publishers including Marvel Comics, Image Comics, Dark Horse Comics, Wizard Entertainment, CrossGen Comics and Dynamic Forces Inc., the 501(c)(3) charity aims to assist comic creators with health, medical, and quality-of-life assistance.


SACHS
A sensual scent, compelling and passionate, that stays close to the skin: Roman chamomile, bourbon vanilla, and smoky vanilla bean.

VIOLENS
Rugged and understated: five sandalwoods, dusty leather, and light musk.

Help a truly worthy cause, and smell like a badass in the process! The Hero Initiative: because everyone deserves a Golden Age.





Updated 5 August 2009:

Black Butterfly Moon is live at Black Phoenix Alchemy Lab & Black Phoenix Trading Post!

BLACK BUTTERFLY MOON
Sister of the first-born light,

Type of sorrowing gentleness!

Quivering mists in silv'ry dress
Float around thy features bright;
When thy gentle foot is heard,

From the day-closed caverns then

Wake the mournful ghosts of men,
I, too, wake, and each night-bird.

O'er a field of boundless span

Looks thy gaze both far and wide.

Raise me upwards to thy side!
Grant this to a raving man!
And to heights of rapture raised,

Let the knight so crafty peep

At his maiden while asleep,
Through her lattice-window glazed.

Soon the bliss of this sweet view,

Pangs by distance caused allays;

And I gather all thy rays,
And my look I sharpen too.
Round her unveil'd limbs I see

Brighter still become the glow,

And she draws me down below,
As Endymion once drew thee.

Soft, deep, and luminous: Lady of the Night orchid, benzoin, opopponax, currant, black chypre, white gardenia, ambergris, damp, wooded mosses, and black lily.


Black Phoenix Trading Post's Black Butterfly tee!



Artwork by Jennifer Williamson! One flat grey, one shimmer grey, two-sided tee.


BPAL also has a selection of late summer scents in the LE section:

THE LAST ROSE OF SUMMER
'Tis the last rose of summer
Left blooming alone;
All her lovely companions
Are faded and gone;
No flower of her kindred,
No rosebud is nigh,
To reflect back her blushes,
To give sigh for sigh.

I'll not leave thee, thou lone one!
To pine on the stem;
Since the lovely are sleeping,
Go, sleep thou with them.
Thus kindly I scatter,
Thy leaves o'er the bed,
Where thy mates of the garden
Lie scentless and dead.

So soon may I follow,
When friendships decay,
From Love's shining circle
The gems drop away.
When true hearts lie withered
And fond ones are flown,
Oh! who would inhabit,
This bleak world alone?


A quiet, solitary scent: white rose, frankincense, Arabian sandalwood, neroli, orris root, and patchouli.


SHADOWLESS LIKE SILENCE
I saw old Autumn in the misty morn
Stand shadowless like Silence, listening
To silence, for no lonely bird would sing
Into his hollow ear from woods forlorn,
Nor lowly hedge nor solitary thorn;--
Shaking his languid locks all dewy bright
With tangled gossamer that fell by night,
Pearling his coronet of golden corn.

Where are the songs of Summer?--With the sun,
Oping the dusky eyelids of the south,
Till shade and silence waken up as one,
And Morning sings with a warm odorous mouth.
Where are the merry birds?--Away, away,
On panting wings through the inclement skies,
Lest owls should prey
Undazzled at noonday,
And tear with horny beak their lustrous eyes.

Where are the blooms of Summer?--In the west,
Blushing their last to the last sunny hours,
When the mild Eve by sudden Night is prest
Like tearful Proserpine, snatch'd from her flow'rs
To a most gloomy breast.
Where is the pride of Summer,--the green prime,--
The many, many leaves all twinkling?--Three
On the moss'd elm; three on the naked lime
Trembling,--and one upon the old oak-tree!
Where is the Dryad's immortality?--
Gone into mournful cypress and dark yew,
Or wearing the long gloomy Winter through
In the smooth holly's green eternity.

The squirrel gloats on his accomplish'd hoard,
The ants have brimm'd their garners with ripe grain,
And honey bees have stored
The sweets of Summer in their luscious cells;
The swallows all have wing'd across the main;
But here the Autumn melancholy dwells,
And sighs her tearful spells
Amongst the sunless shadows of the plain.
Alone, alone,
Upon a mossy stone,
She sits and reckons up the dead and gone
With the last leaves for a love-rosary,
Whilst all the wither'd world looks drearily,
Like a dim picture of the drowned past
In the hush'd mind's mysterious far away,
Doubtful what ghostly thing will steal the last
Into that distance, gray upon the gray.

O go and sit with her, and be o'ershaded
Under the languid downfall of her hair:
She wears a coronal of flowers faded
Upon her forehead, and a face of care;--
There is enough of wither'd everywhere
To make her bower,--and enough of gloom;
There is enough of sadness to invite,
If only for the rose that died, whose doom
Is Beauty's,--she that with the living bloom
Of conscious cheeks most beautifies the light:
There is enough of sorrowing, and quite
Enough of bitter fruits the earth doth bear,--
Enough of chilly droppings for her bowl;
Enough of fear and shadowy despair,
To frame her cloudy prison for the soul!


Dry leaves and white sandalwood, rock moss, cypress, and dry, lifeless roses.


SUMMER'S LAST WILL AND TESTAMENT
What pleasure always lasts? No joy endures:
Summer I was, I am not as I was;
Harvest and age have whitened my green head;
On Autumn now and Winter must I lean.
Needs must he fall, whom none but foes uphold.
Thus must the happiest man have his black day:
Omnibus una manet nox, & calcanda semel via lethi.
This month have I lain languishing abed, ...
Looking each hour to yield my life and throne;
And died I had indeed unto the earth,
But that Eliza, England's beauteous Queen,
On whom all seasons prosperously attend,
Forbad the execution of my fate,
Until her joyful progress was expired.
For her doth Summer live, and linger here,
And wisheth long to live to her content;
But wishes are not had when they wish well.
I must depart, my death-day is set down; ...
To these two must I leave my wheaten crown.
So unto unthrifts rich men leave their lands,
Who in an hour consume long labor's gains.


Doomed summer, supported on the shoulders of winter and autumn: citrus-infused Baltic amber, red valerian, marigold, blood orange, and sunflower subdued by somber myrrh and dry geranium alongside the leaves of autumn and a breath of winter wind.


UNDER THE HARVEST MOON
Under the harvest moon,
When the soft silver
Drips shimmering
Over the garden nights,
Death, the gray mocker,
Comes and whispers to you
As a beautiful friend
Who remembers.

Under the summer roses
When the flagrant crimson
Lurks in the dusk
Of the wild red leaves,
Love, with little hands,
Comes and touches you
With a thousand memories,
And asks you
Beautiful, unanswerable questions.


Blue and white musk, summer roses, wild crimson leaves, grey amber, carnation, lavender bud, and vanilla bean.



Its August and you know what that means at BPAL -

++ HALLOWEENIES
BITE ME
Well, we *are* doing a vampire update finally.

Croquembouche with almond silk and a drizzle of caramel.


BOO
Eerie billows of spun sugar, fluttering white cotton, and sheets of cream.



CARLIN
The Spirit of the Eve of Samhain, an aspect of Cailleach, the Divine Hag, in her Destroyer aspect.

While Brìghde rules the time between Beltane and Sahmain, Cailleach rules the Dark of the Year. On the night of Samhain, she transforms into Carlin, harbingering the death of the land and the onset of the snows. On Beltane, the Great Crone is slain by Brìghde so springtime can reinvigorate the land.

Black sage, ivy-twined rowan, thistle, snapdragon, heather, gorse, fumitory, and anise.


CREEPY 2009
A return of 2006's Ridiculous Scent! As creepy as Spooky was spooky, this is the scent of butterscotch-kissed, caramel-smothered red apples spiked with a blast of coconut rum.


DEVIL'S NIGHT 2009
Devil's Eve, Devil's Night, Gate Night, Trick Night, Mischief Night; whatever your name for it might be, the chaos is still the same. Contrary to popular belief, this festival of pandemonium isn't unique to Detroit. Falling on October 30th, it is an evening of mayhem and destruction. On the gentler side, it may be celebrated by practical jokes, an egging, Ding-Dong-Ditch, or enthusiastic TP'ing of your most hated neighbor's trees, and on the more violent side, arson and vandalism. This is the scent of autumn night, fires in the distance, with a touch of boozy swoon, playful sugar and thuggish musk.


DIA DE LOS MUERTOS 2009
A joyous celebration of La Catarina, La Flaca, La Muerte... Glorious, Beautiful Death. In Mexico, death is not something to be feared or hated; She is embraced, loved, and adored. La Muerte is fêted, as the celebrant "...chases after it, mocks it, courts it, hugs it, sleeps with it; it is his favorite plaything and his most lasting love." This is a Mexican paean to La Huesuda: dry, crackling leaves, the incense smoke of altars honoring Death and the Dead, funeral bouquets, the candies, chocolates, foods and tobacco of the ofrenda, amaranth, sweet cactus blossom and desert cereus.


FEEDING THE DEAD
A barrel of beer, a pyramid of cakes, and three sticks of incense.


THE HELL-GATE OF IRELAND
The Cave of Cruachan in Connaught, a province that was given to the Formorians after the Battle of Mag Tuired. On the first of November, a flock of malevolent copper-colored birds bursts forth from the mouth of the cave, ushering a host of restless ghosts and wicked goblins that torment the living by blighting crops, killing livestock, stealing away brides-to-be, and replacing infants with changelings.

Smoldering brimstone, bitter labdanum, clove, black musk, and copper-colored feathers.


LAMBS-WOOL
According to William Shepard Walsh, the Gentleman's Magazine for May of 1784 stated, "this is a constant ingredient at merrymaking on Holy Eve." He also quotes Vallancey's etymological speculation: "The first day of November was dedicated to the angel presiding over fruits, seeds, etc., and was therefore named La Mas Ubhal, -- that is, the day of the apple fruit, -- and being pronounced Lamasool, the English have corrupted the name to Lambs-wool."

A popular holy day beverage in 18th century Ireland: roasted apples mashed into warmed milk and ale, with nutmeg, sugar, ginger, and clove.


POMONA
I am the ancient apple-queen.
As once I was so am I now --
For evermore a hope unseen
Betwixt the blossom and the bough.

Ah, where's the river's hidden gold!
And where's the windy grave of Troy?
Yet come I as I came of old,
From out the heart of summer's joy.


The Roman festival for Pomona, Goddess of fruit, orchards, and gardens, was celebrated on November 1. On this day, the stores amassed during summer were opened for winter.

Azaroles, nuts, and apple blossoms with red apple pulp, mulberry, blackberry, and pomegranate juice.


SAMHAIN 2009
Truly the scent of autumn itself -- damp woods, fir needle, and black patchouli with the gentlest touches of warm pumpkin, clove, nutmeg, allspice, sweet red apple and mullein.


SUCK IT
A companion to Bite Me. Layers well with Lick It. Hee!

Sexy and suckable: black cherry brandy.


TRICK OR TREAT 2009
The sticky sweet scent of candy corn! Even cornier for 2009! - cuz corny is how we roll at BPAL.



(Sorry to be a spoilsport, but please don't suck Suck Me or bite Bite Me. Don't lick them, drink them, or put them where your bathing suit covers.)



And the Pumpkin Patch is back! --

++ HALLOWEENIE: PUMPKIN PATCH 2009
The 'Patch is back, and there are five new pumpkin blends to choose from. Pick individual pumpkins from the field, or snatch up the whole shebang!

Pumpkin Patch I
Pumpkin, almond, brown musk, and honey.

Pumpkin Patch II
Pumpkin, rosewood, red sandalwood, and tea rose.

Pumpkin Patch III
Pumpkin, fir needle, pitch, rosemary, and tomato.

Pumpkin Patch IV
Pumpkin, black musk, tobacco, myrrh, and clove.

Pumpkin Patch V
Pumpkin, chocolate, coffee bean, vanilla bean, and hazelnut.


PUMPKIN BOOTY
If you purchase Pumpkin Booty, you will receive an imp of Tattie Bogle: a scent created to compliment and complete the collection.


TATTIE BOGLE
Alane upon the field she stood,
The tattie-bogle, tall an' prood.
But certie, she wis smairt an' braw,
A bonnie lass, tho' made o' straw.

Her gowden hair wis made o' oo.
Her dentie goon when it wis new
Langsyne, hid been the guidwife's best.
Sae trigly wis the bogle drest!

The beasts they cam' frae a' the airts.
(The tod ran tours frae furrin' pairts.)
They cam' by day, they cam' by nicht,
To see a maist byordnar sicht.

An' craws an sparras by the score,
A wale o' burds, mair nor afore.
The fermer roared an' raged aboot.
'A'll cast yon tattie-bogle oot!'

Pair tattie-bogle, she wis wae.
'Eh!' said the houlet, 'Whits a dae?'
He flew doon frae the elder tree.
'Noo, dry yer e'en an' herk tae me.

'See, lassie, tak ma guid advice.
There is nae yiss ye bein' nice.
Can ye nae glower an' skreich an' a'
Tae sen' thae cooardie burds awa'?'

The bogle grat nae mair: instead
'A'm much obleeged tae ye,' she said
'Ma voice is lood - jist like the craik!'
'Then sing,' he said, ' for ony sake!'

It chilled the verra bluid tae hear
The bogle's sang : frae far an' near
The burds rose up, a' frichtit sair
An' nivver cam back ony mair.

Sae should ye pass at skreich o' day
Alang the road frae Auchenblae,
An' hear a strange uncanny soun,
That scares the burds for miles aroon,

A soon like pincils on a sclate,
Be on yer way an' dinna wait.
Ye can be shair as onything
Ye've heard the tattie-bogle sing.


Hay, gunpowder, patchouli, autumn herbs, and sun-baked wood.



The next part of our Halloween LE update was spoilered a bit by Bite Me and Suck It. Ah, well -

++ THE LITERARY VAMPIRE
A cypress-bough, and a rose-wreath sweet
A wedding-robe, and a winding-sheet,
A bridal-bed and a bier.
Thine be the kisses, maid,
And smiling Love's alarms;
And thou, pale youth, be laid
In the grave's cold arms.
Each in his own charms,
Death and Hymen both are here;
So up with scythe and torch,
And to the old church porch,
While all the bells ring clear:
And rosy, rosy the bed shall bloom,
And earthy, earthy heap up the tomb.

Now tremble dimples on your cheek,
Sweet be your lips to taste and speak,
For he who kisses is near:
By her the bridegod fair,
In youthful power and force;
By him the grizard bare,
Pale knight on a pale horse,
To woo him to a corpse.
Death and Hymen both are here;
So up with scythe and torch,
And to the old church porch,
While all the bells ring clear:
And rosy, rosy the bed shall bloom,
And earthy, earthy heap up the tomb.


-- Songs from "Death's Jest-Book", Athulf's Death Song, Thomas Lovell Beddoes

ARIADNE BRUNNELL
(The Vampire Maid, Hume Nisbet)
This contact seemed also to have affected her as it did me; a clear flush, like a white flame, lighted up her face, so that it glowed as if an alabaster lamp had been lit; her black eyes became softer and more humid as our glances crossed, and her scarlet lips grew moist. She was a living woman now, while before she had seemed half a corpse.

She permitted her white slender hand to remain in mine longer than most people do at an introduction, and then she slowly withdrew it, still regarding me with steadfast eyes for a second or two afterwards.

Fathomless velvety eyes these were, yet before they were shifted from mine they appeared to have absorbed all my willpower and made me her abject slave. They looked like deep dark pools of clear water, yet they filled me with fire and deprived me of strength. I sank into my chair almost as languidly as I had risen from my bed that morning.

Yet I made a good breakfast, and although she hardly tasted anything, this strange girl rose much refreshed and with a slight glow of colour on her cheeks, which improved her so greatly that she appeared younger and almost beautiful.

I had come here seeking solitude, but since I had seen Ariadne it seemed as if I had come for her only. She was not very lively; indeed, thinking back, I cannot recall any spontaneous remark of hers; she answered my questions by monosyllables and left me to lead in words; yet she was insinuating and appeared to lead my thoughts in her direction and speak to me with her eyes. I cannot describe her minutely, I only know that from the first glance and touch she gave me I was bewitched and could think of nothing else.

It was a rapid, distracting, and devouring infatuation that possessed me; all day long I followed her about like a dog, every night I dreamed of that white glowing face, those steadfast black eyes, those moist scarlet lips, and each morning I rose more languid than I had been the day before. Sometimes I dreamt that she was kissing me with those red lips, while I shivered at the contact of her silky black tresses as they covered my throat; sometimes that we were floating in the air, her arms about me and her long hair enveloping us both like an inky cloud, while I lay supine and helpless.


Poppy flowers, peat, sphagnum moss, gardenia, and white water lily.


CLARIMONDE
(La Morte Amoureuse, Theophile Gautier)
I do not know whether it was an illusion or a reflection of the lamplight, but it seemed to me that the blood was again commencing to circulate under that lifeless pallor, although she remained all motionless. I laid my hand lightly on her arm; it was cold, but not colder than her hand on the day when it touched mine at the portals of the church. I resumed my position, bending my face above her, and bathing her cheeks with the warm dew of my tears. Ah, what bitter feelings of despair and helplessness, what agonies unutterable did I endure in that long watch! Vainly did I wish that I could have gathered all my life into one mass that I might give it all to her, and breathe into her chill remains the flame which devoured me. The night advanced, and feeling the moment of eternal separation approach, I could not deny myself the last sad sweet pleasure of imprinting a kiss upon the dead lips of her who had been my only love. . . . Oh, miracle! A faint breath mingled itself with my breath, and the mouth of Clarimonde responded to the passionate pressure of mine. Her eyes unclosed, and lighted up with something of their former brilliancy; she uttered a long sigh, and uncrossing her arms, passed them around my neck with a look of ineffable delight. "Ah, it is thou, Romuald!" she murmured in a voice languishingly sweet as the last vibrations of a harp. "What ailed thee, dearest? I waited so long for thee that I am dead; but we are now betrothed; I can see thee and visit thee. Adieu, Romuald, adieu! I love thee. That is all I wished to tell thee, and I give thee back the life which thy kiss for a moment recalled. We shall soon meet again."

Her head fell back, but her arms yet encircled me, as though to retain me still. A furious whirlwind suddenly burst in the window, and entered the chamber. The last remaining leaf of the white rose for a moment palpitated at the extremity of the stalk like a butterfly's wing, then it detached itself and flew forth through the open casement, bearing with it the soul of Clarimonde. The lamp was extinguished, and I fell insensible upon the bosom of the beautiful dead.


Pallid skin musk, white roses, and a languorous vapor of Oriental perfume.


CRISTINA
(For the Blood is the Life, F. Marion Crawford)
He was near the village now; it was half an hour since the sun had set, and the cracked church bell sent little discordant echoes across the rocks and ravines to tell all good people that the day was done. Angelo stood still a moment where the path forked, where it led toward the village on the left, and down to the gorge on the right, where a clump of chestnut trees overhung the narrow way. He stood still a minute, lifting his battered hat from his head and gazing at the fast-fading sea westward, and his lips moved as he silently repeated the familiar evening prayer. His lips moved, but the words that followed them in his brain lost their meaning and turned into others, and ended in a name that he spoke aloud -- Cristina!

With the name, the tension of his will relaxed suddenly, reality went out and the dream took him again, and bore him on swiftly and surely like a man walking in his sleep, down, down, by the steep path in the gathering darkness. And as she glided beside him, Cristina whispered strange, sweet things in his ear, which somehow, if he had been awake, he knew that he could not quite have understood; but now they were the most wonderful words he had ever heard in his life. And she kissed him also, but not upon his mouth. He felt her sharp kisses upon his white throat, and he knew that her lips were red.

So the wild dream sped on through twilight and darkness and moonrise, and all the glory of the summer's night. But in the chilly dawn he lay as one half dead upon the mound down there, recalling and not recalling, drained of his blood, yet strangely longing to give those red lips more. Then came the fear, the awful nameless panic, the mortal horror that guards the confines of the world we see not, neither know of as we know of other things, but which we feel when its icy chill freezes our bones and stirs our hair with the touch of a ghostly hand. Once more Angelo sprang from the mound and fled up the gorge in the breaking day, but his step was less sure this time, and he panted for breath as he ran; and when he came to the bright spring of water that rises half way up the hillside, he dropped upon his knees and hands and plunged his whole face in and drank as he had never drunk before -- for it was the thirst of the wounded man who has lain bleeding all night upon the battle-field.

She had him fast now, and he could not escape her, but would come to her every evening at dusk until she had drained him of his last drop of blood. It was in vain that when the day was done he tried to take another turning and to go home by a path that did not lead near the gorge. It was in vain that he made promises to himself each morning at dawn when he climbed the lonely way up from the shore to the village. It was all in vain, for when the sun sank burning into the sea, and the coolness of the evening stole out as from a hiding-place to delight the weary world, his feet turned toward the old way, and she was waiting for him in the shadow under the chestnut trees; and then all happened as before, and she fell to kissing his white throat even as she flitted lightly down the way, winding one arm about him.


Chestnut trees, juniper berries, violet leaf, labdanum, dazzling, moonlit white musk, and night-blooming summer flowers.


COUNTESS DOLINGEN OF GRATZ
(Dracula's Guest, the omitted introduction to Bram Stoker's Dracula)
Now and again, through the black mass of drifting cloud, came a straggling ray of moonlight, which lit up the expanse, and showed me that I was at the edge of a dense mass of cypress and yew trees. As the snow had ceased to fall, I walked out from the shelter and began to investigate more closely. It appeared to me that, amongst so many old foundations as I had passed, there might be still standing a house in which, though in ruins, I could find some sort of shelter for a while. As I skirted the edge of the copse, I found that a low wall encircled it, and following this I presently found an opening. Here the cypresses formed an alley leading up to a square mass of some kind of building. Just as I caught sight of this, however, the drifting clouds obscured the moon, and I passed up the path in darkness. The wind must have grown colder, for I felt myself shiver as I walked; but there was hope of shelter, and I groped my way blindly on.

I stopped, for there was a sudden stillness. The storm had passed; and, perhaps in sympathy with nature's silence, my heart seemed to cease to beat. But this was only momentarily; for suddenly the moonlight broke through the clouds, showing me that I was in a graveyard, and that the square object before me was a great massive tomb of marble, as white as the snow that lay on and all around it. With the moonlight there came a fierce sigh of the storm, which appeared to resume its course with a long, low howl, as of many dogs or wolves. I was awed and shocked, and felt the cold perceptibly grow upon me till it seemed to grip me by the heart. Then while the flood of moonlight still fell on the marble tomb, the storm gave further evidence of renewing, as though it was returning on its track. Impelled by some sort of fascination, I approached the sepulchre to see what it was, and why such a thing stood alone in such a place. I walked around it, and read, over the Doric door, in German:

COUNTESS DOLINGEN OF GRATZ
IN STYRIA
SOUGHT AND FOUND DEATH
1801


On the top of the tomb, seemingly driven through the solid marble-for the structure was composed of a few vast blocks of stone-was a great iron spike or stake. On going to the back I saw, graven in great Russian letters:

'The dead travel fast.'


There was something so weird and uncanny about the whole thing that it gave me a turn and made me feel quite faint. I began to wish, for the first time, that I had taken Johann's advice. Here a thought struck me, which came under almost mysterious circumstances and with a terrible shock. This was Walpurgis Night!

Walpurgis Night, when, according to the belief of millions of people, the devil was abroad-when the graves were opened and the dead came forth and walked. When all evil things of earth and air and water held revel. This very place the driver had specially shunned. This was the depopulated village of centuries ago. This was where the suicide lay; and this was the place where I was alone-unmanned, shivering with cold in a shroud of snow with a wild storm gathering again upon me! It took all my philosophy, all the religion I had been taught, all my courage, not to collapse in a paroxysm of fright.

And now a perfect tornado burst upon me. The ground shook as though thousands of horses thundered across it; and this time the storm bore on its icy wings, not snow, but great hailstones which drove with such violence that they might have come from the thongs of Balearic slingers-hailstones that beat down leaf and branch and made the shelter of the cypresses of no more avail than though their stems were standing-corn. At the first I had rushed to the nearest tree; but I was soon fain to leave it and seek the only spot that seemed to afford refuge, the deep Doric doorway of the marble tomb. There, crouching against the massive bronze door, I gained a certain amount of protection from the beating of the hailstones, for now they only drove against me as they ricocheted from the ground and the side of the marble.

As I leaned against the door, it moved slightly and opened inwards. The shelter of even a tomb was welcome in that pitiless tempest, and I was about to enter it when there came a flash of forked-lightning that lit up the whole expanse of the heavens. In the instant, as I am a living man, I saw, as my eyes were turned into the darkness of the tomb, a beautiful woman, with rounded cheeks and red lips, seemingly sleeping on a bier. As the thunder broke overhead, I was grasped as by the hand of a giant and hurled out into the storm. The whole thing was so sudden that, before I could realise the shock, moral as well as physical, I found the hailstones beating me down. At the same time I had a strange, dominating feeling that I was not alone. I looked towards the tomb. Just then there came another blinding flash, which seemed to strike the iron stake that surmounted the tomb and to pour through to the earth, blasting and crumbling the marble, as in a burst of flame. The dead woman rose for a moment of agony, while she was lapped in the flame, and her bitter scream of pain was drowned in the thundercrash. The last thing I heard was this mingling of dreadful sound, as again I was seized in the giant-grasp and dragged away, while the hailstones beat on me, and the air around seemed reverberant with the howling of wolves. The last sight that I remembered was a vague, white, moving mass, as if all the graves around me had sent out the phantoms of their sheeted-dead, and that they were closing in on me through the white cloudiness of the driving hail.


Hailstone-pounded cypress boughs, olibanum, and an ozone blast of lightning.


THE GIRL
(The Singular Death of Morton, Algernon Blackwood)
Then, suddenly, as they had turned to go, after much vain shouting and knocking at the door, a face appeared for an instant at a window, the shutter of which was half open. His friend saw it first, and called aloud. The face nodded in reply, and presently a young girl came round the corner of the house, apparently by a back door, and stood staring at them both from a little distance.

And from that very instant, so far as he could remember, these queer feelings had entered his heart-fear, distrust, misgiving. The thought of it now, as he lay in bed in the darkness, made his hair rise. There was something about that girl that struck cold into the soul. Yet she was a mere slip of a thing, very pretty, seductive even, with a certain serpent?like fascination about her eyes and movements; and although she only replied to their questions as to refreshment with a smile, uttering no single word, she managed to convey the impression that she was a managing little person who might make herself very disagreeable if she chose. In spite of her undeniable charm there was about her an atmosphere of something sinister. He himself did most of the questioning, but it was his older friend who had the benefit of her smile. Her eyes hardly ever left his face, and once she had slipped quite close to him and touched his arm.

The strange part of it now seemed to him that he could not remember in the least how she was dressed, or what was the colouring of her eyes and hair. It was almost as though he had felt, rather than seen, her presence.


A seductive, serpentine white scent, elusive, crystalline, and spellbinding: white amber, silver birch, immortelle, davana, pale musk, star jasmine, and ylang ylang.


MIRCALLA, COUNTESS KARNSTEIN
(Carmilla, Sheridan LeFanu)
Sometimes after an hour of apathy, my strange and beautiful companion would take my hand and hold it with a fond pressure, renewed again and again; blushing softly, gazing in my face with languid and burning eyes, and breathing so fast that her dress rose and fell with the tumultuous respiration. It was like the ardor of a lover; it embarrassed me; it was hateful and yet over-powering; and with gloating eyes she drew me to her, and her hot lips traveled along my cheek in kisses; and she would whisper, almost in sobs, "You are mine, you shall be mine, you and I are one for ever." Then she had thrown herself back in her chair, with her small hands over her eyes, leaving me trembling.

Languid, melancholy fire: red musk, purple orchid, frankincense, smoky vanilla, Styrian herbs, peru balsam, tonka, Zanzibar clove, and patchouli.


LORD RUTHVEN
(the Vampyre, John Polidori)
It happened that in the midst of the dissipations attendant upon London winter, there appeared at the various parties of the leaders of the ton a nobleman more remarkable for his singularities, than his rank. He gazed upon the mirth around him, as if he could not participate therein. Apparently, the light laughter of the fair only attracted his attention, that he might by a look quell it and throw fear into those breasts where thoughtlessness reigned. Those who felt this sensation of awe, could not explain whence it arose: some attributed it to the dead grey eye, which, fixing upon the object's face, did not seem to penetrate, and at one glance to pierce through to the inward workings of the heart; but fell upon the cheek with a leaden ray that weighed upon the skin it could not pass. His peculiarities caused him to be invited to every house; all wished to see him, and those who had been accustomed to violent excitement, and now felt the weight of ennui, were pleased at having something in their presence capable of engaging their attention. In spite of the deadly hue of his face, which never gained a wanner tint, either from the blush of modesty, or from the strong emotion of passion, though its form and outline were beautiful, many of the female hunters after notoriety attempted to win his attentions, and gain, at least, some marks of what they might term affection: Lady Mercer, who had been the mockery of every monster shewn in drawing-rooms since her marriage, threw herself in his way, and did all but put on the dress of a mountebank, to attract his notice -- though in vain; -- when she stood before him, though his eyes were apparently fixed upon hers, still it seemed as if they were unperceived; -- even her unappalled impudence was baffled, and she left the field. But though the common adultress could not influence even the guidance of his eyes, it was not that the female sex was indifferent to him: yet such was the apparent caution with which he spoke to the virtuous wife and innocent daughter, that few knewhenever addressed himself to females. He had, however, the reputation of a winning tongue; and whether it was that it even overcame the dread of his singular character, or that they were moved by his apparent hatred of vice, he was as often among those females who form the boast of their sex from their domestic virtues, as among those who sully it by their vices.

The father of all dandy aristocrat vampires: Aqua Admirabilis with polished boot leather and blood.


SARAH
(The Tomb of Sarah, F.G. Loring)
By half-past ten we were both getting very tired, and I began to think that perhaps after all we should see nothing that night. However, soon after eleven we observed a light mist rising from the 'Sarah Tomb'. It seemed to scintillate and sparkle as it rose, and curled in a sort of pillar or spiral.

I said nothing, but I heard the Rector give a sort of gasp as he clutched my arm feverishly.

'Great Heaven!' he whispered, 'it is taking shape.'

And, true enough, in a very few moments we saw standing erect by the tomb the ghastly figure of the Countess Sarah!

She looked thin and haggard still, and her face was deadly white; but the crimson lips looked like a hideous gash in the pale cheeks, and her eyes glared like red coals in the gloom of the church.


Unholy mist congealing into soft, white flesh, with black marble, remnants of liturgical incense, wolf's fur, and black flecks of froth.


JULIA STONE
(The Room in the Tower, E.F. Benson.)
And then, with a sudden start of unexplained dismay, I saw that there were two rather conspicuous objects which I had not seen before in my dreams: one a life-sized oil painting of Mrs. Stone, the other a black-and-white sketch of Jack Stone, representing him as he had appeared to me only a week before in the last of the series of these repeated dreams, a rather secret and evil-looking man of about thirty. His picture hung between the windows, looking straight across the room to the other portrait, which hung at the side of the bed. At that I looked next, and as I looked I felt once more the horror of nightmare seize me.

It represented Mrs. Stone as I had seen her last in my dreams: old and withered and white-haired. But in spite of the evident feebleness of body, a dreadful exuberance and vitality shone through the envelope of flesh, an exuberance wholly malign, a vitality that foamed and frothed with unimaginable evil. Evil beamed from the narrow, leering eyes; it laughed in the demon-like mouth. The whole face was instinct with some secret and appalling mirth; the hands, clasped together on the knee, seemed shaking with suppressed and nameless glee. Then I saw also that it was signed in the left-hand bottom corner, and wondering who the artist could be, I looked more closely, and read the inscription, "Julia Stone by Julia Stone."


Rotting once-white fabric, spotted with mold.


PERLE VON MAUREN
(Revelations in Black by Carl Jacobi)
I stumbled forward, my eyes quickly accustoming themselves to the half-light from the almost opaque windows.

At the end of the corridor a second door barred my passage. I thrust it open - and stood swaying there on the sill staring inward.

Beyond was a small room, barely ten feet square, with a low-raftered ceiling. And by the light of the open door I saw side by side in the center of the floor - two white wood coffins.

How long I stood there leaning weakly against the stone wall I don't know. There was an odor drifting from out of that chamber. Heliotrope! But heliotrope defiled by the rotting smell of an ancient grave.

Then suddenly I leaped to the nearest coffin, seized its cover and ripped it open.

Would to heaven I could forget that sight that met my eyes. There the woman in black - unveiled.

That face - it was divinely beautiful, the hair black as sable, the cheeks a classic white. But the lips - ! I grew suddenly sick as I looked upon them. They were scarlet.... and sticky with human blood.


Heliotrope, grave soil, and blood.



All of our current LE's are $17.50 each, and the Pumpkin Booty set is $85 for all five pumpkins. Black Butterfly Moon will be live until August 9, 2009. The Feast For the Greatly Revered Ones, Labores Solis, Nonae Caprotina, Season of the Inundation, and the Festival of Anuket will be live until 8 August 2009. The Summer Garden series, the Last Rose of Summer, Shadowless Like Silence, Summer's Last Will and Testament, Under the Harvest Moon, and Stinky will be live until 6 September 2009. The Halloweenies and Vampire scents will be live (undead) until November 5, 2009.

The Literary Vampire series is available here on the Black Phoenix site, and will also be available through the Dark Delicacies booth at Vampire Con. (Del will also be on the vampire panel on Sunday!)

That's all for the moment, ladies and gents! Happy (early!) Halloween!





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